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Carma (21 KP) rated Up by Five (Just Everyday Heroes: Night Shift, #5) in Books
Jun 17, 2019
The only person that would be capable of taming the wild Connor Dixon is Gabby Evans. Up by Five is the final story in the Just Everyday Heroes: Night Shift (previously Counting on Love series). In this final story Connor, who has been a part of the series from back in the Day Shift books (previously Bradford series), gets his moment in the spotlight. Once again Erin Nicholas hits it out of the park with Connors story. 5 stars from this Dixon fan!!
Connor is a man people love, to hate. He is cocky, annoying, brash, bossy, arrogant, dickish and totally runs his sisters lives. He is the only boy to his brood of sisters and he like being in charge of their lives, or so he thinks. He believes he walks on water at the very least. His sisters love him but think he needs to get his own life. He doesnt think he needs to change at all, who doesnt love him? Hes got girls falling all over him, his own bachelor pad, what more does a guy need? One apartment fire answers that question for him very quickly.
Gabrielle Gabby Evans doesnt need anyone to help her do anything. Her brothers constantly underestimate her and she is tired of it. When her apartment burns down she has little options of what to next. Connor Dixon steps up and offers to share his apartment while she gets back on her feet. She doesnt think she can do that, since she is wildly attracted to him, has been for a while now. But it would be safe, since he doesnt seem the least bit attracted to her. Working together for so long, they have a familiarity, a friendship that has seen its fair share of drama, she knows this can work. Right?
Both Connor and Gabby have met their match in each other and right from the start anyone can see they were made for each other. Furniture testing aside, they play off each others strengths and weaknesses with ease. Sure there are some bumps in the road but hello thats how relationships work.
The continuation of relationships from the previous novels, both day and night shift help add to the hysterical interactions splattered throughout the book. Connor and Mac could have their own stand up tour. I also loved the Candy Land (Medical version) in the book, which just shows again the camaraderie they all feel with each other. Connor is a man you love to hate but just love at the end of the day.
Connor is a man people love, to hate. He is cocky, annoying, brash, bossy, arrogant, dickish and totally runs his sisters lives. He is the only boy to his brood of sisters and he like being in charge of their lives, or so he thinks. He believes he walks on water at the very least. His sisters love him but think he needs to get his own life. He doesnt think he needs to change at all, who doesnt love him? Hes got girls falling all over him, his own bachelor pad, what more does a guy need? One apartment fire answers that question for him very quickly.
Gabrielle Gabby Evans doesnt need anyone to help her do anything. Her brothers constantly underestimate her and she is tired of it. When her apartment burns down she has little options of what to next. Connor Dixon steps up and offers to share his apartment while she gets back on her feet. She doesnt think she can do that, since she is wildly attracted to him, has been for a while now. But it would be safe, since he doesnt seem the least bit attracted to her. Working together for so long, they have a familiarity, a friendship that has seen its fair share of drama, she knows this can work. Right?
Both Connor and Gabby have met their match in each other and right from the start anyone can see they were made for each other. Furniture testing aside, they play off each others strengths and weaknesses with ease. Sure there are some bumps in the road but hello thats how relationships work.
The continuation of relationships from the previous novels, both day and night shift help add to the hysterical interactions splattered throughout the book. Connor and Mac could have their own stand up tour. I also loved the Candy Land (Medical version) in the book, which just shows again the camaraderie they all feel with each other. Connor is a man you love to hate but just love at the end of the day.
Gareth von Kallenbach (965 KP) rated The Lady In The Van (2015) in Movies
Aug 6, 2019
In the last two decades America has seen an almost literal ‘invasion’ of British film and television programming. Like the British ‘music invasion’ some 60 years ago we just can’t seem to get enough of it. Today’s film for your consideration is the 2015 British dramatic comedy ‘The Lady In The Van’. Based upon the 1999 West End play of the same name written by Alan Bennett and starring famed British actress Maggie Smith, who also portrayed the lead in the original stage production at Queens Theater in London and again in a 2009 BBC 4 radio adaption, ‘The Lady In The Van’ follows the true story of Maggie Shepherd. An elderly lady who lived in a rundown van in Bennett’s driveway for 15 years.
Directed by Nicholas Hytner, who also directed the stage play, the film stars legendary British actress Maggie Smith as Maggie Shepherd, Alex Jennings as Alan Bennett, Jim Broadbent as Underwood, Deborah Findlay as Pauline, Roger Allam as Rufus, Gwen Taylor as Mam, Cecillia Noble as Miss Brisco, Nicholas Burns as Giles Perry, Pandora Colin as Mrs Perry, and Frances de la Tour As Ursula Vaughan Williams.
‘The Lady In The Van’ follows the true story of playwright Alan Bennett’s strained and tested relationship with Miss Maggie Shepherd. An eccentric and frightened homeless woman whom he befriended in the 1970s shortly after he moved into London’s Camden neighborhood. Originally, Bennett invites Shepherd to park her aging Bedford van in his driveway so she can list it as an address in order to collect benefits and eventually move on. Instead, Shepherd ends up living in the van in Bennett’s driveway for 15 years. Just before her death in 1989, Alan learns that Maggie Shepherd is actually Margaret Fairchild. A gifted piano player who was a pupil of pianist Alfred Cortot and had a fondness for Chopin. So much so that when she tried to become a nun, she was kicked out of her religious order twice for wanting to play music. Bennett also learns that the reason Shepherd was homeless was that she was on the run for leaving the scene of a crime she didn’t commit after escaping an institution where she’d been committed by her own brother.
I found this movie to be a prime example of the concept ‘Everyone Has A Story To Tell’. Whether the person wants to tell the story or not is a whole other idea entirely. The strange friendship between Bennett and Shepherd is certainly an unusual one to be sure. While Bennett’s neighbors would be happy to see they as they describe ‘the crazy old lady leave the neighborhood, Bennett seems to follow his writer’s instincts and also his humanity. Maggie Smith’s and Alex Jennings’s performances as the oddly paired friends go far in helping to comprehend what went on between the two. Shepherd and Bennett both excelled as artists in their own way. One as a writer one as a musician. Both kinds of artists tell stories thorough their respective crafts. In this case though, the writer (Bennett) had the ‘responsibility’ of telling Shepherd’s story after debating with himself more than once whether he had the right to do so and whether it was moral or not. On top of that, it took over a decade to find the answers Bennett was looking for. In the end, it seems Bennett did what writers do. They use what’s around them in their lives to write about. And perhaps, by doing so, he helped give Shepherd some sort of closure and perhaps peace as well just before her death.
I’m going to give this film 4 out of 5 stars. The movie clocks in at 104 minutes so it is a long movie but honestly, how can you say ‘no’ to a movie with Maggie Smith? Honestly, explain that one to me. She definitely ‘carries the film’ with her performance as Miss Mary Shepherd but the combination of her performance and that of Alex Jennings as the writer Alan Bennett that really make the film. I think another one of the reasons this film was good was because you had so many of the people that were involved in the original play that worked on the film itself. I personally find some British films, comedies in particular, to be a bit quirky sometimes. As funny as British humor is its sometimes difficult to grasp at first and there’s a bit of that in this film. Don’t let that discourage you though. If you can find an awesome art house movie theater, I’d certainly recommend going to catch it there. If you can’t, watch it online.
This is your friendly neighborhood freelance photographer and movie fanatic ‘The CameraMan’ and on behalf of my fellows at Skewed & Reviewed I’d like to say ‘Thanks For Reading’ and we’ll see you at the movies.
Directed by Nicholas Hytner, who also directed the stage play, the film stars legendary British actress Maggie Smith as Maggie Shepherd, Alex Jennings as Alan Bennett, Jim Broadbent as Underwood, Deborah Findlay as Pauline, Roger Allam as Rufus, Gwen Taylor as Mam, Cecillia Noble as Miss Brisco, Nicholas Burns as Giles Perry, Pandora Colin as Mrs Perry, and Frances de la Tour As Ursula Vaughan Williams.
‘The Lady In The Van’ follows the true story of playwright Alan Bennett’s strained and tested relationship with Miss Maggie Shepherd. An eccentric and frightened homeless woman whom he befriended in the 1970s shortly after he moved into London’s Camden neighborhood. Originally, Bennett invites Shepherd to park her aging Bedford van in his driveway so she can list it as an address in order to collect benefits and eventually move on. Instead, Shepherd ends up living in the van in Bennett’s driveway for 15 years. Just before her death in 1989, Alan learns that Maggie Shepherd is actually Margaret Fairchild. A gifted piano player who was a pupil of pianist Alfred Cortot and had a fondness for Chopin. So much so that when she tried to become a nun, she was kicked out of her religious order twice for wanting to play music. Bennett also learns that the reason Shepherd was homeless was that she was on the run for leaving the scene of a crime she didn’t commit after escaping an institution where she’d been committed by her own brother.
I found this movie to be a prime example of the concept ‘Everyone Has A Story To Tell’. Whether the person wants to tell the story or not is a whole other idea entirely. The strange friendship between Bennett and Shepherd is certainly an unusual one to be sure. While Bennett’s neighbors would be happy to see they as they describe ‘the crazy old lady leave the neighborhood, Bennett seems to follow his writer’s instincts and also his humanity. Maggie Smith’s and Alex Jennings’s performances as the oddly paired friends go far in helping to comprehend what went on between the two. Shepherd and Bennett both excelled as artists in their own way. One as a writer one as a musician. Both kinds of artists tell stories thorough their respective crafts. In this case though, the writer (Bennett) had the ‘responsibility’ of telling Shepherd’s story after debating with himself more than once whether he had the right to do so and whether it was moral or not. On top of that, it took over a decade to find the answers Bennett was looking for. In the end, it seems Bennett did what writers do. They use what’s around them in their lives to write about. And perhaps, by doing so, he helped give Shepherd some sort of closure and perhaps peace as well just before her death.
I’m going to give this film 4 out of 5 stars. The movie clocks in at 104 minutes so it is a long movie but honestly, how can you say ‘no’ to a movie with Maggie Smith? Honestly, explain that one to me. She definitely ‘carries the film’ with her performance as Miss Mary Shepherd but the combination of her performance and that of Alex Jennings as the writer Alan Bennett that really make the film. I think another one of the reasons this film was good was because you had so many of the people that were involved in the original play that worked on the film itself. I personally find some British films, comedies in particular, to be a bit quirky sometimes. As funny as British humor is its sometimes difficult to grasp at first and there’s a bit of that in this film. Don’t let that discourage you though. If you can find an awesome art house movie theater, I’d certainly recommend going to catch it there. If you can’t, watch it online.
This is your friendly neighborhood freelance photographer and movie fanatic ‘The CameraMan’ and on behalf of my fellows at Skewed & Reviewed I’d like to say ‘Thanks For Reading’ and we’ll see you at the movies.