Search
Search results
Bostonian916 (449 KP) rated Young Ones (2014) in Movies
Aug 3, 2020
One of the primary reasons for my rating here is my adoration of the cast. The story itself isn't unique, though some elements are. Michael Shannon delivers a stirring performance that actually makes you empathetic to his sordid actions. Nicholas Hoult delivers a dark performance that seems nearly relatable at times. Slight Mad Max (Mel Gibson version) vibe to the whole thing.
Sarah (7798 KP) rated About a Boy (2002) in Movies
Feb 16, 2019
Heartwarming and funny
You can’t really go wrong with a Hugh Grant film based on a Nick Hornby book. Hugh Grant is his usual lovable, charming foppish self and the perfect person to play Will. Nicholas Hoult is great as Marcus and truly an up and coming star when this first came out. The rest of the supporting cast too are good, but it really is all about Will and Marcus. The plot is a little silly but is pretty much your almost typical British rom-com type film, but it stands out thanks to the funny and heartwarming script. It’s got enough serious moments in it too to not make it too silly either.
An altogether lovely and wonderful British film that may be over 16 years old now, but definitely stands the test of time and is worth a watch.
An altogether lovely and wonderful British film that may be over 16 years old now, but definitely stands the test of time and is worth a watch.
Lewis John Hatchett (23 KP) rated Tolkien (2019) in Movies
May 16, 2019 (Updated May 16, 2019)
Unexpectedly Amazing
Went into the film only hearing mildly good things about the film but otherwise not much anticipation, came out feeling blown away. From a not so terrific idea for a story comes a film that explains the inspirations behind what some may consider the best literary series of all time.
Visually stunning for a film set in the late 1800s through WW1 and a soundtrack fitting for the film. Cast was chosen well and stand out performance from Nicholas Hoult in the titular role.
For a film that looked to be just about Tolkienand how he wrote The Lord of The Rings & The Hobbit series, it's so much more. If this doesn't at least receive some nominations for awards I would be shocked. If you have not seen it go see it before it's too late.
Visually stunning for a film set in the late 1800s through WW1 and a soundtrack fitting for the film. Cast was chosen well and stand out performance from Nicholas Hoult in the titular role.
For a film that looked to be just about Tolkienand how he wrote The Lord of The Rings & The Hobbit series, it's so much more. If this doesn't at least receive some nominations for awards I would be shocked. If you have not seen it go see it before it's too late.
BankofMarquis (1832 KP) rated Renfield (2023) in Movies
Apr 22, 2023
Cage feels Caged-In
Sometime you are in the mood for a drama, sometimes an action flick, other times a romantic comedy.
And then there are times you just want to watch Nicholas Cage camping it up on-screen as Dracula.
If that is the mood you are in, boy do I have a movie for you.
Based (very loosely) on the character created by Bram Stoker (and the classic 1931 film starring Bela Lugosi), RENFIELD tells the tale of an over-the-top Dracula in modern times as seen through his “familiar”, Renfield.
Nicholas Hoult (Beast in the latest series of X-Men films) plays Renfield as a put-upon assistant to Dracula - kind of a comedy/horror version of the relationship of Anne Hathaway and Meryl Streep in THE DEVIL WEARS PRADA - and it works (for the most part). Hoult is a winning (enough) and sympathetic presence on screen and you find yourself rooting for him in the end.
The surprising thing to me in this film is the sub-plot of Renfield finding love with a Police Office portrayed by (of all people) Awkwafina. This comedienne/actress has really grown on the BankofMarquis as a solid and dependable presence on screen and she doesn’t disappoint here. And that’s a good thing for the Renfield/Rebecca the Cop relationship ends up taking center stage during the 2nd act of this film (moving Nic Cage’s Dracula off-screen for a long stretch of time) and it works for Hoult and Awkwafina play off each other very well.
As for Cage, his Dracula is off-center, wacky, frenetic and out-of-this world. A true fish-out-of-water. But…if I’m being honest…his performance feels reigned in and it didn’t go far enough out-of-the-box and didn’t get nearly crazy enough for my tastes.
When something like that happens, one needs to look no further than the Director and Chris McKay (THE LEGO MOVIE, THE TOMORROW WAR) has a track record (at least for the BankofMarquis) of pulling his punches - and he pulls many, many punches in this film. But, he also DOESN’T pull punches at times (like in the scene where one guy gets his arms ripped off and then these arms are used as nunchucks on a bevy of bad guys). He doesn’t really know how far or how outlandish he should go. So he filters in a comedic amount of blood and gore - and then reigns Cage in. It’s an odd choice.
If you decide to watch Renfield, you already know what to expect - and for the most part you get it - except in the one spot that you really need it.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
And then there are times you just want to watch Nicholas Cage camping it up on-screen as Dracula.
If that is the mood you are in, boy do I have a movie for you.
Based (very loosely) on the character created by Bram Stoker (and the classic 1931 film starring Bela Lugosi), RENFIELD tells the tale of an over-the-top Dracula in modern times as seen through his “familiar”, Renfield.
Nicholas Hoult (Beast in the latest series of X-Men films) plays Renfield as a put-upon assistant to Dracula - kind of a comedy/horror version of the relationship of Anne Hathaway and Meryl Streep in THE DEVIL WEARS PRADA - and it works (for the most part). Hoult is a winning (enough) and sympathetic presence on screen and you find yourself rooting for him in the end.
The surprising thing to me in this film is the sub-plot of Renfield finding love with a Police Office portrayed by (of all people) Awkwafina. This comedienne/actress has really grown on the BankofMarquis as a solid and dependable presence on screen and she doesn’t disappoint here. And that’s a good thing for the Renfield/Rebecca the Cop relationship ends up taking center stage during the 2nd act of this film (moving Nic Cage’s Dracula off-screen for a long stretch of time) and it works for Hoult and Awkwafina play off each other very well.
As for Cage, his Dracula is off-center, wacky, frenetic and out-of-this world. A true fish-out-of-water. But…if I’m being honest…his performance feels reigned in and it didn’t go far enough out-of-the-box and didn’t get nearly crazy enough for my tastes.
When something like that happens, one needs to look no further than the Director and Chris McKay (THE LEGO MOVIE, THE TOMORROW WAR) has a track record (at least for the BankofMarquis) of pulling his punches - and he pulls many, many punches in this film. But, he also DOESN’T pull punches at times (like in the scene where one guy gets his arms ripped off and then these arms are used as nunchucks on a bevy of bad guys). He doesn’t really know how far or how outlandish he should go. So he filters in a comedic amount of blood and gore - and then reigns Cage in. It’s an odd choice.
If you decide to watch Renfield, you already know what to expect - and for the most part you get it - except in the one spot that you really need it.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Lenard (726 KP) rated Tolkien (2019) in Movies
May 19, 2019
Tolkien is a biopic of author/professor JRR Tolkien, the writer of The Hobbit and other fantasy novels. The only reason it was greenlit was to ensnare fans of the LOTR. The film opens with Ronald in the trenches of Belgium during WWI suffering from trench fever. He is overcome with a need to find his friend who he learns is nearby and in dire trouble. We then flashback to his country childhood home located in a village reminiscent of The Shire from his novels. His father has died and left the family with little hope of survival. The church has found a new home for the Tolkiens in Lake-town, I mean Birmingham. Soon, his mother is dead, Ronald and his brother become wards of the Catholic Church and are moved into the home of elderly woman who already cares for a young female pianist. Tolkien earns scholarship to a local private school where he accidentally becomes friends with other artistically inclined young men. One of whom, the poet, is secretly in love with Tolkien. Thus, with a kiss, I die in the trenches of Belgium fron poison gas. The whole film spends so much time finding connections to his famous novels, it never really gets to know the writer himself. Plus, Nicholas Hoult does not help much playing the writer like a Hugh Grant rom-com character. He even does the squinting quirk multiple times to romance his boarding house companion.
LeftSideCut (3778 KP) rated Those Who Wish Me Dead (2021) in Movies
May 20, 2021
Those Who Wish Me Dead is a pretty solid, if straightforward thriller that hugely benefits from it's top class cast.
Angelina Jolie is always a pleasure, whether she's starring in big dumb action movies, or award baiting material. Her character is someone we've seen countless times before - a no nonsense badass with a tragic backstory who gets a shot at redemption - but she does it predictably well.
Jon Bernthal is great as usual, as is Nicholas Hoult. Aidan Gillen also stars, and makes for a suitably nasty piece of shit. Medina Senghore gets my vote for best "pregnant lady you absolutely wouldn't fuck with". This ensemble cast elevates TWWMD above it's standard thriller trappings, with an excellent Finn Little at the centre of it all.
The firewatch/smoke jumper setting is also a huge positive. It makes for some hugely entertaining set pieces, and a plethora of gorgeous vista shots.
My main criticism is the pacing. When things finally kick off, it's pretty unrelenting, but it takes a while to get there, forcing us to spend a little too much time with unlikable douchey side characters, and the climactic scene almost feels like a mid-runtime moment. It definitely felt like there should have been more.
Overall though, TWWMD is a competent and easily watchable thriller from the unquestionably talented Taylor Sheridan, and was a great choice for my first cinema trip of 2021 (so good to be back!)
Angelina Jolie is always a pleasure, whether she's starring in big dumb action movies, or award baiting material. Her character is someone we've seen countless times before - a no nonsense badass with a tragic backstory who gets a shot at redemption - but she does it predictably well.
Jon Bernthal is great as usual, as is Nicholas Hoult. Aidan Gillen also stars, and makes for a suitably nasty piece of shit. Medina Senghore gets my vote for best "pregnant lady you absolutely wouldn't fuck with". This ensemble cast elevates TWWMD above it's standard thriller trappings, with an excellent Finn Little at the centre of it all.
The firewatch/smoke jumper setting is also a huge positive. It makes for some hugely entertaining set pieces, and a plethora of gorgeous vista shots.
My main criticism is the pacing. When things finally kick off, it's pretty unrelenting, but it takes a while to get there, forcing us to spend a little too much time with unlikable douchey side characters, and the climactic scene almost feels like a mid-runtime moment. It definitely felt like there should have been more.
Overall though, TWWMD is a competent and easily watchable thriller from the unquestionably talented Taylor Sheridan, and was a great choice for my first cinema trip of 2021 (so good to be back!)
Erika (17788 KP) rated X-Men: Dark Phoenix (2019) in Movies
Jun 8, 2019 (Updated Jun 8, 2019)
Better than Last Stand
Last Stand didn't exactly set a high bar for the Dark Phoenix story line, and luckily, this film surpassed it. To be honest, the only reason they got my butt in a seat was for Michael Fassbender and James McAvoy.
The story goes the way you expect it to go. I'm not completely convinced Sophie Turner is a good actress. I'm also glad that they killed Raven (not a spoiler, it's common knowledge), though it wasn't quick enough in my opinion.
I'm unsure as to why Jessica Chastain was cast (or why she's ever cast in ANYTHING); her 'villain' was completely useless. The movie didn't even need that subplot, they would have had a better movie without it and her. Pro-tip: don't introduce new characters in the last film of a saga because no one will care enough about them. Seriously, I felt like my time was wasted having to watch her.
I will say, this film FINALLY gave us good scenes with the X-Men kicking some ass, all using their unique powers. They really gave Nicholas Hoult something to do, and he was great!
Finally, the reason I was there, McFassy. This was one of McAvoy's best Professor X performances, he wasn't black or white, he was more gray and it really worked. They didn't give Magneto much to do, but I loved that they introduced Genosha. This will be below the 'see more' line, so, the best flexing his power scene was when he lifted the subway through the concrete, it was almost on par with the submarine being lifted out of the sea in First Class, and pulling up the Auschwitz gate in Apocalypse.
The last scene shows the entire new saga go first circle. Of course, it's very Dark Knight Rises, but it was perfect. I'm only rating it a 6 because of that.
The story goes the way you expect it to go. I'm not completely convinced Sophie Turner is a good actress. I'm also glad that they killed Raven (not a spoiler, it's common knowledge), though it wasn't quick enough in my opinion.
I'm unsure as to why Jessica Chastain was cast (or why she's ever cast in ANYTHING); her 'villain' was completely useless. The movie didn't even need that subplot, they would have had a better movie without it and her. Pro-tip: don't introduce new characters in the last film of a saga because no one will care enough about them. Seriously, I felt like my time was wasted having to watch her.
I will say, this film FINALLY gave us good scenes with the X-Men kicking some ass, all using their unique powers. They really gave Nicholas Hoult something to do, and he was great!
Finally, the reason I was there, McFassy. This was one of McAvoy's best Professor X performances, he wasn't black or white, he was more gray and it really worked. They didn't give Magneto much to do, but I loved that they introduced Genosha. This will be below the 'see more' line, so, the best flexing his power scene was when he lifted the subway through the concrete, it was almost on par with the submarine being lifted out of the sea in First Class, and pulling up the Auschwitz gate in Apocalypse.
The last scene shows the entire new saga go first circle. Of course, it's very Dark Knight Rises, but it was perfect. I'm only rating it a 6 because of that.
Charlie Cobra Reviews (1840 KP) rated Tolkien (2019) in Movies
Jul 7, 2020
An Unexpectedly Dull Journey
Tolkien is a 2019 biographical/drama movie directed by Dome Karukoski and written by David Gleeson and Stephen Beresford. It's produced by Fox Searchlight Pictures and Chernin Entertainment and distributed by Walt Disney Studios Motion Pictures. The film stars Nicholas Hoult, Lily Collins, Colm Meaney, and Derek Jacobi.
As a young boy living in the countryside, J.R.R. Tolkien, learns multiple languages and how to read and write with his younger brother as they are taught by their mother. They are forced to move to the city so their mother can better provide for them when unfortunate events have them taken in by the Church and and stay at a boarding house. This is where, as a young student at King Edward's School, among a group of fellow outcasts, he finds friendship, love, and artistic inspiration. But his friends and their new brotherhood must endure the ups and downs of his position in society, his relationship with the love of his life Edith Bratt and later the outbreak of World War I.
I was really excited for this movie and having my hopes up and expectations might be the reason I didn't enjoy it as much as I thought I would. For one I don't normally watch autobiographies but I have seen more that I liked in comparison to this film. I guess I thought they would show more about him coming up with the ideas for his books, which they showed very little of. Instead it was about the important events of his life which I guess is what biographies should do. For some reason though I felt like the storytelling dragged and it didn't do enough to keep you interested, very lackluster. I found that the story, acting, and dialogue were all well done but the movie suffered from the direction they went with and how they chose to show it. One thing I really liked was there were several instances where you could see what influenced him when he wrote the Lord of The Rings" books. It's an entertaining film with flair and ambition that teems with on the nose moments but is hindered by the usual biopic framework. I believe the quote from Rotten Tomatoes says it best, "Tolkien Has the period trappings and strong performances of a worthy biopic, but lacks the imagination required to truly do it's subject justice". I give it a 6/10.
As a young boy living in the countryside, J.R.R. Tolkien, learns multiple languages and how to read and write with his younger brother as they are taught by their mother. They are forced to move to the city so their mother can better provide for them when unfortunate events have them taken in by the Church and and stay at a boarding house. This is where, as a young student at King Edward's School, among a group of fellow outcasts, he finds friendship, love, and artistic inspiration. But his friends and their new brotherhood must endure the ups and downs of his position in society, his relationship with the love of his life Edith Bratt and later the outbreak of World War I.
I was really excited for this movie and having my hopes up and expectations might be the reason I didn't enjoy it as much as I thought I would. For one I don't normally watch autobiographies but I have seen more that I liked in comparison to this film. I guess I thought they would show more about him coming up with the ideas for his books, which they showed very little of. Instead it was about the important events of his life which I guess is what biographies should do. For some reason though I felt like the storytelling dragged and it didn't do enough to keep you interested, very lackluster. I found that the story, acting, and dialogue were all well done but the movie suffered from the direction they went with and how they chose to show it. One thing I really liked was there were several instances where you could see what influenced him when he wrote the Lord of The Rings" books. It's an entertaining film with flair and ambition that teems with on the nose moments but is hindered by the usual biopic framework. I believe the quote from Rotten Tomatoes says it best, "Tolkien Has the period trappings and strong performances of a worthy biopic, but lacks the imagination required to truly do it's subject justice". I give it a 6/10.
Gareth von Kallenbach (968 KP) rated Jack the Giant Slayer (2013) in Movies
Aug 7, 2019
The timeless children’s tale of Jack and the Beanstalk gets a high-tech update in the new film Jack the Giant Slayer. Directed by Bryan Singer, the new version mixes in special effects with romance, action, and humor to provide a refreshing update of a fairytale that should appeal to adults and children alike. Nicholas Hoult stars as Jack, a simple farmer who’s raised by his uncle after the passing of his father. As a boy, Jack enjoyed the tales of long ago, especially those of the time when giants came down from the sky and attacked the earth before being thwarted by King Eric and his magical crown.
One day while in town to sell a cart and horse and earn much-needed funds for his uncle, Jack has a chance encounter with Princess Isabelle, (Eleanor Tomlinson), which leaves Jack’s starstruck. Unbeknownst to Jack and Isabelle, there is a dastardly plot afoot as the evil Count Roderick (Stanley Tucci), plots to rule the land once he has married Isabelle. The fact that the Princess has no interest in marrying Roderick is of little interest to the King (Ian McShane), as he is anxious to provide continuity for his kingdom following the loss of his wife. While Isabelle pleads her case with her father, Jack ends up in possession of beans which, he’s told, are magical.
Upon seeing what Jack has returned with, his uncle storms off into the night hoping to sell some of Jack’s remaining family possessions in order to make the money Jack had failed to acquire. While alone, Jack again encounters the Princess, who has decided to run away rather than be forced into a marriage she does not want. As if on cue, one of the magic beans that Jack had obtained earlier becomes wet in the rain storm and whisks the cottage and Princess into the heavens high above. The King and his men send a group of guards, under the leadership of Elmont (Ewan McGregor), to ascend the beanstalk and return the Princess. Jack and Roderick also accompany the soldiers, each with their own agenda.
Upon scaling the massive stalk, the group soon discovers that they are in the realm of giants long thought to be the stuff of legends. Complications arise which forces Jack to take command of the very perilous situation and soon finds himself battling not just to save the Princess but also for the very survival of the kingdom and surrounding world.
The film has some nice moments and while the CGI stuff may be a bit childish to some, it is important to remember that this is a fairytale and as such you are not going to see a lot of character depth and intricate plot twists. Instead, the film relies on a very likable cast made up of matinée quality villains and bad guys and some very nice visual effects to convey its simple but effective formula. Hoult follows up his leading role in “Warm Bodies” effectively and with several high-profile projects in the near future, seems poised to be a leading man to keep an eye on. The supporting cast does a very good job, especially McGregor and McShane who bring a gleeful energy to their roles as does Tucci as a villain who has everything short of the twirling mustache and black hat.
The 3-D offered some very good moments in the film and really enhanced some of the battle scenes in the film. Parents with younger children may want to note that there are some elements that may be frightening to very young children but for the most part this is a kid’s film. That being said, I was surprised how much I enjoyed the movie. It’s certainly better than I expected and was, in my opinion, the best live-action retelling of fairytale in recent memory. We did get a chance to review the film in the IMAX format which certainly allowed for the impressive visuals of the film to have an even greater impact. If you’ve ever been a fan of the story then you definitely will want to take a trip up the beanstalk for this nostalgic, yet highly enjoyable, interpretation of the beloved classic.
One day while in town to sell a cart and horse and earn much-needed funds for his uncle, Jack has a chance encounter with Princess Isabelle, (Eleanor Tomlinson), which leaves Jack’s starstruck. Unbeknownst to Jack and Isabelle, there is a dastardly plot afoot as the evil Count Roderick (Stanley Tucci), plots to rule the land once he has married Isabelle. The fact that the Princess has no interest in marrying Roderick is of little interest to the King (Ian McShane), as he is anxious to provide continuity for his kingdom following the loss of his wife. While Isabelle pleads her case with her father, Jack ends up in possession of beans which, he’s told, are magical.
Upon seeing what Jack has returned with, his uncle storms off into the night hoping to sell some of Jack’s remaining family possessions in order to make the money Jack had failed to acquire. While alone, Jack again encounters the Princess, who has decided to run away rather than be forced into a marriage she does not want. As if on cue, one of the magic beans that Jack had obtained earlier becomes wet in the rain storm and whisks the cottage and Princess into the heavens high above. The King and his men send a group of guards, under the leadership of Elmont (Ewan McGregor), to ascend the beanstalk and return the Princess. Jack and Roderick also accompany the soldiers, each with their own agenda.
Upon scaling the massive stalk, the group soon discovers that they are in the realm of giants long thought to be the stuff of legends. Complications arise which forces Jack to take command of the very perilous situation and soon finds himself battling not just to save the Princess but also for the very survival of the kingdom and surrounding world.
The film has some nice moments and while the CGI stuff may be a bit childish to some, it is important to remember that this is a fairytale and as such you are not going to see a lot of character depth and intricate plot twists. Instead, the film relies on a very likable cast made up of matinée quality villains and bad guys and some very nice visual effects to convey its simple but effective formula. Hoult follows up his leading role in “Warm Bodies” effectively and with several high-profile projects in the near future, seems poised to be a leading man to keep an eye on. The supporting cast does a very good job, especially McGregor and McShane who bring a gleeful energy to their roles as does Tucci as a villain who has everything short of the twirling mustache and black hat.
The 3-D offered some very good moments in the film and really enhanced some of the battle scenes in the film. Parents with younger children may want to note that there are some elements that may be frightening to very young children but for the most part this is a kid’s film. That being said, I was surprised how much I enjoyed the movie. It’s certainly better than I expected and was, in my opinion, the best live-action retelling of fairytale in recent memory. We did get a chance to review the film in the IMAX format which certainly allowed for the impressive visuals of the film to have an even greater impact. If you’ve ever been a fan of the story then you definitely will want to take a trip up the beanstalk for this nostalgic, yet highly enjoyable, interpretation of the beloved classic.
LeftSideCut (3778 KP) rated X-Men: Dark Phoenix (2019) in Movies
Dec 2, 2019 (Updated Jan 13, 2020)
With the (eventually true) whispers about the Disney-Fox merger doing the rounds around Dark Phoenix's release, it arrived to little fanfare. Most people had already written off as a pointless film, and it was a prime target for negativity. So much so, that it was actually the first and only X-Men film I ended up missing in the cinema.
I recently watched it on home release, really not expecting much. After the swing-and-a-miss of Apocalypse, I wasn't feeling too invested in the characters.
So imagine my surprise when I remained glued to the screen for most of the runtime.
Dark Phoenix isn't perfect by any means, and far from the lofty heights of the top tier X-Men movies, buts it no where near as awful as I had heard.
I thought the story was actually ok. I was glad that it partially took place in space, like the original comic, and unlike The Last Stand.
Michael Fassbender and James McAvoy are fantastic as they usually are, as is Nicholas Hoult. I also thing Jennifer Lawrence I makes a good Mystique, even though I'm still not a massive fan of this franchises portrayal of her character.
Ty Sheridan and Sophie Turner are given more to do this time around, and are both fine. It's a shame that Evan Peters' Quicksilver is sidelined for this particular adventure.
There are some genuinely powerful emotional beats throughout the film, and it's clear as day that all the actors involved care about their characters, and are having fun.
My main criticism is predictably the villains. The D'bari are a fairly uninspired choice for such a big storyline, and they look like generic CGI aliens. I found Jessica Chastain quite wooden and uninteresting, and they made for a very underwhelming force if evil.
The main focus of Dark Phoenix is of course in Jean Grey's turn to the dark side, so vanilla bad guys shouldn't really be that important anyway.
Dark Phoenix does a slightly better job than The Last Stand of adapting this beloved storyline, but so can't help but feel that it would benefit from multiple movies, instead of cramming into one feature, a I really hope that's something that happens going into the MCU with these characters.
We still have New Mutants to go (if it ever actually comes out) but as a last main entry into the FOX X-Men franchise, you could do a lot worse. It's not the best, it's not the worst. Dark Phoenix sits somewhere quite comfortably in the middle.
Dare I say, I think it might actually be better than the first film...
I recently watched it on home release, really not expecting much. After the swing-and-a-miss of Apocalypse, I wasn't feeling too invested in the characters.
So imagine my surprise when I remained glued to the screen for most of the runtime.
Dark Phoenix isn't perfect by any means, and far from the lofty heights of the top tier X-Men movies, buts it no where near as awful as I had heard.
I thought the story was actually ok. I was glad that it partially took place in space, like the original comic, and unlike The Last Stand.
Michael Fassbender and James McAvoy are fantastic as they usually are, as is Nicholas Hoult. I also thing Jennifer Lawrence I makes a good Mystique, even though I'm still not a massive fan of this franchises portrayal of her character.
Ty Sheridan and Sophie Turner are given more to do this time around, and are both fine. It's a shame that Evan Peters' Quicksilver is sidelined for this particular adventure.
There are some genuinely powerful emotional beats throughout the film, and it's clear as day that all the actors involved care about their characters, and are having fun.
My main criticism is predictably the villains. The D'bari are a fairly uninspired choice for such a big storyline, and they look like generic CGI aliens. I found Jessica Chastain quite wooden and uninteresting, and they made for a very underwhelming force if evil.
The main focus of Dark Phoenix is of course in Jean Grey's turn to the dark side, so vanilla bad guys shouldn't really be that important anyway.
Dark Phoenix does a slightly better job than The Last Stand of adapting this beloved storyline, but so can't help but feel that it would benefit from multiple movies, instead of cramming into one feature, a I really hope that's something that happens going into the MCU with these characters.
We still have New Mutants to go (if it ever actually comes out) but as a last main entry into the FOX X-Men franchise, you could do a lot worse. It's not the best, it's not the worst. Dark Phoenix sits somewhere quite comfortably in the middle.
Dare I say, I think it might actually be better than the first film...