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Madbatdan82 (341 KP) rated Slaughterhouse Rulez (2018) in Movies
Mar 2, 2019
Slaughterhouse Doesn't Rule!
This really pains me to write this as I LOVE Simon Pegg and Nick Frost. Ever since Spaced and Big Train I've loved everything they've done...until now. This black comedy has no laughs! The attempted 'comedy' in this is 'theyre posh' and have funny voices. It really does fall flat at every turn. The characters don't really develop and the creature designs are terrible. It would get a 3/10 but I gave it an extra mark for some good gore but all in all this is a shame and such a massive waste of Pegg, Frost and the (normally) excellent Michael Sheen who again is used for laughs by having a posh voice! Such a shame...I need to go watch Shaun of the Dead to get the bad taste out of my mouth.
Paige (277 KP) rated Shaun of the Dead (2004) in Movies
Dec 7, 2018 (Updated Dec 7, 2018)
Casting (Simon Pegg and Nick Frost). (3 more)
Prosthetic Makeup.
Irony.
Emotional Investment.
Shaun of the Dead (2004).
'Take car. Go to Mum's. Kill Phil. Grab Liz. Go to the Winchester, have a nice cold pint, and wait for all of this to blow over. How's that for a slice of fried gold?'
Shaun of the Dead is a 'slice of fried gold,' with consistent irony throughout that contributes towards the comedic content, uncommon throughout differentiating zombie movies. 'Next time I see him, he's dead,' is an ironic quote from Shaun of the Dead (2004) that is also foreshadowing.
Progressing from this, the casting for Shaun of the Dead (2004) was exceptional. Simon Pegg and Nick Frost have done alternative movies together, encompassing Hot Fuzz and The World's End. Their undeniable friendship contributes significantly towards their ability to collectively produce fantastic movie's, all of which have no fault.
Furthermore, the prosthetic makeup is also an imperative aspect to confer when deliberating the positive aspects of Shaun of the Dead (2004). When taking into consideration that this film was released in 2004, the prosthetic makeup was beyond expectation, with multiple scenes that are hard to watch attributable to the gore.
Comparable to this, an alternative aspect to confer when deliberating the positive aspects of Shaun of the Dead would be the emotional investment in each character. Shaun of the Dead (2004) makes evident an imperative moral; to not take those you love for granted. One of many subtle morals throughout Shaun of the Dead (2004), which subsequently contribute towards the emotional investment in each character, to be understood upon watching the movie.
To conclude, Shaun of the Dead (2004) is a contributor towards the extensive amount of zombie movies released. However, it is an innovative, unique zombie movie, integrating comedic content and irony, whilst maintaining the high quality of prosthetic makeup and emotional investment you would expect from a movie depicting the prospective end of the world.
Shaun of the Dead is a 'slice of fried gold,' with consistent irony throughout that contributes towards the comedic content, uncommon throughout differentiating zombie movies. 'Next time I see him, he's dead,' is an ironic quote from Shaun of the Dead (2004) that is also foreshadowing.
Progressing from this, the casting for Shaun of the Dead (2004) was exceptional. Simon Pegg and Nick Frost have done alternative movies together, encompassing Hot Fuzz and The World's End. Their undeniable friendship contributes significantly towards their ability to collectively produce fantastic movie's, all of which have no fault.
Furthermore, the prosthetic makeup is also an imperative aspect to confer when deliberating the positive aspects of Shaun of the Dead (2004). When taking into consideration that this film was released in 2004, the prosthetic makeup was beyond expectation, with multiple scenes that are hard to watch attributable to the gore.
Comparable to this, an alternative aspect to confer when deliberating the positive aspects of Shaun of the Dead would be the emotional investment in each character. Shaun of the Dead (2004) makes evident an imperative moral; to not take those you love for granted. One of many subtle morals throughout Shaun of the Dead (2004), which subsequently contribute towards the emotional investment in each character, to be understood upon watching the movie.
To conclude, Shaun of the Dead (2004) is a contributor towards the extensive amount of zombie movies released. However, it is an innovative, unique zombie movie, integrating comedic content and irony, whilst maintaining the high quality of prosthetic makeup and emotional investment you would expect from a movie depicting the prospective end of the world.
Sarah (7798 KP) rated Slaughterhouse Rulez (2018) in Movies
Nov 14, 2018
Such a disappointment
I've seen a lot of horrendous reviews for this film and whilst I'd agree that it isn't great, it's not nearly as bad as expected.
The problem is that this film has a stellar cast with impressive comedy credentials, yet apart from one or two titters, it just isn't funny. The humour falls completely flat. Michael Sheen, Simon Pegg and Nick Frost ham it up the best they can but their performances border on cringeworthy. Even the cameo from Margot Robbie is wasted. I did quite like Asa Butterfield though, who managed to get away with some of the best lines in the film.
The plot isn't the worst, and is surprisingly relevant to current affairs. Considering the ongoing debate over fracking and the fracking going on in Lancashire (30 mins down the road from where I live), I was impressed at the relevance even if they didn't really touch on any of the serious issues. The start of the story is a little bit cliched too. Fish out of water Northerner going to a posh Southern boarding school? Some originality would be nice, as a northerner myself it's gets a little frustrating seeing so many films choose this sort of plot mechanism.
The creatures themselves are underdeveloped and aren't scary, although the amount of blood and gore was a nice touch. And it all just gets a little bit silly and ridiculous with them towards the end, which is a shame as there was some potential hidden here somewhere.
That said, as horror comedies go it's fairly inoffensive. Whilst I wouldn't recommend going out of your way to watch it, if you're ever at a loss for something easy to watch, there are worse films you could choose. Just don't expect another of the Cornetto films...
The problem is that this film has a stellar cast with impressive comedy credentials, yet apart from one or two titters, it just isn't funny. The humour falls completely flat. Michael Sheen, Simon Pegg and Nick Frost ham it up the best they can but their performances border on cringeworthy. Even the cameo from Margot Robbie is wasted. I did quite like Asa Butterfield though, who managed to get away with some of the best lines in the film.
The plot isn't the worst, and is surprisingly relevant to current affairs. Considering the ongoing debate over fracking and the fracking going on in Lancashire (30 mins down the road from where I live), I was impressed at the relevance even if they didn't really touch on any of the serious issues. The start of the story is a little bit cliched too. Fish out of water Northerner going to a posh Southern boarding school? Some originality would be nice, as a northerner myself it's gets a little frustrating seeing so many films choose this sort of plot mechanism.
The creatures themselves are underdeveloped and aren't scary, although the amount of blood and gore was a nice touch. And it all just gets a little bit silly and ridiculous with them towards the end, which is a shame as there was some potential hidden here somewhere.
That said, as horror comedies go it's fairly inoffensive. Whilst I wouldn't recommend going out of your way to watch it, if you're ever at a loss for something easy to watch, there are worse films you could choose. Just don't expect another of the Cornetto films...
Hazel (2934 KP) rated Ravage (Ravaged World Trilogy #2) in Books
Sep 28, 2019
I just love a good horror book every now and then as it enables me to put all believability aside and just go along for the ride ... this one did the job and is another great story from Iain Rob Wright. Despite it being the second in the series ("Sea Sick" being the first), it can easily be read as a standalone.
I don't read an awful lot of zombie apocalypse books so don't have anything to compare this one with which, I think, is probably a good thing as I had no expectations but I was a lover of The Walking Dead and I do think this is similar in it's plot, i.e. a band of survivors coming up against hordes of the living dead and various miscreants in society where no one is safe and anyone can meet their end at any time regardless of their importance.
There is your usual set of characters in this book from the nice to the downright nasty some of which are more developed than others which I think is out of necessity as there are many of them. The various settings are perfect and "normal", the writing is set at a good pace and is easy to read. There are, as you would expect, many scenes of peril and death with a good smattering of blood and gore (not always due to the zombies) but also more tender moments that provided some relief and softness in what would otherwise be a bleak read.
I felt the addition of "The Path of Infection" at the end was excellent and provided an explanation as to how the virus spread from when it came ashore to reaching one of the main characters, Nick, and it makes you think just how easily this could happen in the real world with any virus or infection such as flu, Ebola, etc.
Overall, a thoroughly enjoyable read and now I'm off to read "Savage", the last in the series.
I don't read an awful lot of zombie apocalypse books so don't have anything to compare this one with which, I think, is probably a good thing as I had no expectations but I was a lover of The Walking Dead and I do think this is similar in it's plot, i.e. a band of survivors coming up against hordes of the living dead and various miscreants in society where no one is safe and anyone can meet their end at any time regardless of their importance.
There is your usual set of characters in this book from the nice to the downright nasty some of which are more developed than others which I think is out of necessity as there are many of them. The various settings are perfect and "normal", the writing is set at a good pace and is easy to read. There are, as you would expect, many scenes of peril and death with a good smattering of blood and gore (not always due to the zombies) but also more tender moments that provided some relief and softness in what would otherwise be a bleak read.
I felt the addition of "The Path of Infection" at the end was excellent and provided an explanation as to how the virus spread from when it came ashore to reaching one of the main characters, Nick, and it makes you think just how easily this could happen in the real world with any virus or infection such as flu, Ebola, etc.
Overall, a thoroughly enjoyable read and now I'm off to read "Savage", the last in the series.
Sarah (7798 KP) rated Shaun of the Dead (2004) in Movies
Dec 26, 2020 (Updated Dec 26, 2020)
Zombie hilarity
Film #8 on the 100 Movies Bucket List: Shaun of the Dead
Shaun of the Dead (2004) is the first film in the Cornetto trilogy, a series of films directed by Edgar Wright and starring Simon Pegg and Nick Frost. I have to admit I’m a little biased when it comes to Shaun and 2007’s Hot Fuzz (shameful that this isn’t also on the bucket list), the first two films in the trilogy, as they’re two of my comedy favourites and films I can quote far too much from. And as zombie horror comedies go, you can’t get much better than Shaun of the Dead.
The film follows Shaun (Simon Pegg), a hopeless boyfriend who shares a house with his slacker friend Ed (Nick Frost) and stickler Pete (Peter Serafinowicz), while he tried to save his Rocky relationship with girlfriend Liz (Kate Ashfield) whilst trying to battle his way through a zombie apocalypse. The best thing about Shaun of the Dead is how it follows Shaun trudging almost zombie like through his own life, while in the background a real zombie apocalypse is breaking out. It’s so incredibly fun watching all of the zombie related acts in the background that the main characters are completely oblivious about, and not only is it funny, it’s also a rather clever commentary on the state of our culture and society – I’m sure we could all imagine this oblivious self absorbed attitude being very much present in a lot of people if a zombie apocalypse ever really happened.
Shaun also succeeds due to the incredibly clever and witty script and the gags that don’t ever seem to let up. From the subtle zombie nods in the beginning to the wisecracking and snide remarks between Shaun, Ed and virtually everyone else in Shaun’s life, this film is hilarious and infectiously quotable. The zombie apocalypse is tackled in such a typically British way, and not only is this funny but it’s incredibly refreshing too when compared to the overly stylish guns ‘n’ ammo style zombie films we’re used to from across the pond. How often do you see character trying to kill zombies with records before settling down with a cup of tea and a cornetto? It’s a work of genius.
The cast too are equally responsible for how good this film is, and do a great job with the script and pace. Not only do you have the charismatic pairing of Pegg and Frost who’s chemistry is undeniable, there’s also an excellent supporting cast with some rather big names in the UK industry: Bill Nighy, Jessica Hynes, Dylan Moran, Lucy Davis and Penelope Wilton. And some blink and you’ll miss it cameos from comedy greats Matt Lucas, Reece Shearsmith and Tamsin Greig. These names paired with Edgar Wright’s well paced directing style makes for an engaging film.
Shaun of the Dead is basically a big screen zombie version of Spaced, and this definitely isn’t a bad thing. The only negative about this, especially watching it 16 years later, is that it seems so obviously low budget which I think has only been made more obvious with age. Even in HD it does look a tad aged which is a shame, but the amount of blood and gore is still impressive for a 15 rated film.
Despite it’s age, Shaun of the Dead is one of the best zombie films out there and the fact that it’s hilarious too just makes it even better. And after watching this, you’ll never think of Queen’s Don’t Stop Me Now in the same way again.
Shaun of the Dead (2004) is the first film in the Cornetto trilogy, a series of films directed by Edgar Wright and starring Simon Pegg and Nick Frost. I have to admit I’m a little biased when it comes to Shaun and 2007’s Hot Fuzz (shameful that this isn’t also on the bucket list), the first two films in the trilogy, as they’re two of my comedy favourites and films I can quote far too much from. And as zombie horror comedies go, you can’t get much better than Shaun of the Dead.
The film follows Shaun (Simon Pegg), a hopeless boyfriend who shares a house with his slacker friend Ed (Nick Frost) and stickler Pete (Peter Serafinowicz), while he tried to save his Rocky relationship with girlfriend Liz (Kate Ashfield) whilst trying to battle his way through a zombie apocalypse. The best thing about Shaun of the Dead is how it follows Shaun trudging almost zombie like through his own life, while in the background a real zombie apocalypse is breaking out. It’s so incredibly fun watching all of the zombie related acts in the background that the main characters are completely oblivious about, and not only is it funny, it’s also a rather clever commentary on the state of our culture and society – I’m sure we could all imagine this oblivious self absorbed attitude being very much present in a lot of people if a zombie apocalypse ever really happened.
Shaun also succeeds due to the incredibly clever and witty script and the gags that don’t ever seem to let up. From the subtle zombie nods in the beginning to the wisecracking and snide remarks between Shaun, Ed and virtually everyone else in Shaun’s life, this film is hilarious and infectiously quotable. The zombie apocalypse is tackled in such a typically British way, and not only is this funny but it’s incredibly refreshing too when compared to the overly stylish guns ‘n’ ammo style zombie films we’re used to from across the pond. How often do you see character trying to kill zombies with records before settling down with a cup of tea and a cornetto? It’s a work of genius.
The cast too are equally responsible for how good this film is, and do a great job with the script and pace. Not only do you have the charismatic pairing of Pegg and Frost who’s chemistry is undeniable, there’s also an excellent supporting cast with some rather big names in the UK industry: Bill Nighy, Jessica Hynes, Dylan Moran, Lucy Davis and Penelope Wilton. And some blink and you’ll miss it cameos from comedy greats Matt Lucas, Reece Shearsmith and Tamsin Greig. These names paired with Edgar Wright’s well paced directing style makes for an engaging film.
Shaun of the Dead is basically a big screen zombie version of Spaced, and this definitely isn’t a bad thing. The only negative about this, especially watching it 16 years later, is that it seems so obviously low budget which I think has only been made more obvious with age. Even in HD it does look a tad aged which is a shame, but the amount of blood and gore is still impressive for a 15 rated film.
Despite it’s age, Shaun of the Dead is one of the best zombie films out there and the fact that it’s hilarious too just makes it even better. And after watching this, you’ll never think of Queen’s Don’t Stop Me Now in the same way again.
Acanthea Grimscythe (300 KP) rated Little Heaven: A Novel in Books
May 16, 2018
Before I delve into my thoughts about Little Heaven, I would like to thank the publisher, the author, and NetGalley for providing me with a free copy of the book in exchange for an honest and unbiased review. Little Heaven will be available for purchase January 10, 2017 and its definitely on my wishlist for a physical copy.
Little Heaven plays host to an interesting cast of characters that range from three extremely different and unlikely heroes, to your typical, run of the mill, religious zealot. Heavily influenced by the Jonestown Massacre in some regards, I found Cutter's book to be a delightful and fresh read, in the most fiendishly way possible.
Our "heroes" are hired by a concerned woman after her nephew is taken into Little Heaven, a religious compound run by Reverend Amos Flesher. The motley crew quickly find themselves caught up in what can only be described as a nightmare; Reverend Flesher's obsession with his religion, coupled with an ancient evil, wrought a terrifying tale that is worth every minute I spent reading it.
I also have to admit that I was awestruck by Nick Cutter's style of writing. If you read my blog often enough, you're likely aware that I am no stranger to the macabre. The more gruesome, terrifying, and gore-filled a story or movie is, the happier I am. In that regard, Cutter exceeded my expectations. He paints such a vivid picture that there are times I actually found myself feeling squeamish - and that is a feat when it comes to the written word. Other times, I found myself on the verge of an anxiety attack, even if it was action driven, rather than by suspense.
The only thing I really didn't care for was the manner in which it went back and forth between two different time periods, especially since the latter period, 1980, could probably have been largely left out of the equation - or at least implemented into a smoother transition. The part of the story taking place in the 80s felt largely pointless to me up until the end, and even then it didn't have as much of a "wow" factor as I had hoped for. Nonetheless, it was still an excellent read.
Little Heaven is, undoubtedly, one of my favorite books so far this year - or rather, next year if you go by the publication date. I can't wait to read more from this author!
Little Heaven plays host to an interesting cast of characters that range from three extremely different and unlikely heroes, to your typical, run of the mill, religious zealot. Heavily influenced by the Jonestown Massacre in some regards, I found Cutter's book to be a delightful and fresh read, in the most fiendishly way possible.
Our "heroes" are hired by a concerned woman after her nephew is taken into Little Heaven, a religious compound run by Reverend Amos Flesher. The motley crew quickly find themselves caught up in what can only be described as a nightmare; Reverend Flesher's obsession with his religion, coupled with an ancient evil, wrought a terrifying tale that is worth every minute I spent reading it.
I also have to admit that I was awestruck by Nick Cutter's style of writing. If you read my blog often enough, you're likely aware that I am no stranger to the macabre. The more gruesome, terrifying, and gore-filled a story or movie is, the happier I am. In that regard, Cutter exceeded my expectations. He paints such a vivid picture that there are times I actually found myself feeling squeamish - and that is a feat when it comes to the written word. Other times, I found myself on the verge of an anxiety attack, even if it was action driven, rather than by suspense.
The only thing I really didn't care for was the manner in which it went back and forth between two different time periods, especially since the latter period, 1980, could probably have been largely left out of the equation - or at least implemented into a smoother transition. The part of the story taking place in the 80s felt largely pointless to me up until the end, and even then it didn't have as much of a "wow" factor as I had hoped for. Nonetheless, it was still an excellent read.
Little Heaven is, undoubtedly, one of my favorite books so far this year - or rather, next year if you go by the publication date. I can't wait to read more from this author!
Chris Sawin (602 KP) rated All the Boys Love Mandy Lane (2006) in Movies
Jun 18, 2019
Mandy Lane (Amber Heard) becomes the most desirable girl in high school over one fateful summer; she's definitely not like the other girls her age though. While most guys want to do everything imaginable to her, she's turned them all down. The only guy she really gives the time of day is her best friend, Emmet (Michael Welch). That is until a certain incident at a pool party comes between them. Now nine months later, Mandy has distanced herself from Emmet and has a group of new friends. These friends have decided to invite Mandy to a ranch out in the middle of nowhere for a few days and the guys who tag along hope to accomplish what, up to this point, has been impossible. But when people begin to turn up missing, they soon realize that they're not alone and someone is taking their obsession with Mandy Lane a little too far.
All the Boys Love Mandy Lane was like an urban myth for the longest period of time. The film debuted at the Toronto International Film Festival in 2006 and released in the UK in 2008. It seemed to be released in every country other than the US shortly thereafter and it took another excruciating five years since it didn’t debut stateside until October of 2013. For a film that was originally shot in 2006, taking seven years to finally see distribution is bizarre and disheartening. The horror film originally caught the eye of The Weinstein Company immediately after debuting at TIFF, but the Weinstein brothers couldn’t come to a decision regarding its release (Harvey wanted a wide theatrical distribution while Bob thought the “artsy” film deserved more of a limited release). Rights to the film were eventually sold to a German company called Senator Entertainment US, who released the film in Germany and Austria and had the intention of premiering the film in the US. But the US branch of Senator Entertainment US went under in 2009 and rights to the film were dead in the water until The Weinstein Company reacquired distribution rights in 2013. The film was released on demand on September 6th with a limited theatrical run October 11th the same year.
The crew for the film consisted of college students freshly graduated from the American Film Institute. Producer Chad Feehan had the film as his thesis during college as work on the project initially began in 2003. Written by Jacob Forman and directed by Jonathan Levine (50/50, Warm Bodies), the film garnered an unbelievable amount of positive buzz online that accumulated into this massive pile of insurmountable expectations. Reading about the film for so long and hearing about how good it was from the biggest of horror sites probably inadvertently hurt the film more than it escalated interest for it.
All the Boys Love Mandy Lane takes a Dazed and Confused approach to the first half of the film. Similar to how Wolf Creek had you swimming through 45-minutes of character development before the actual horror began (or how Hatchet was silly for the same amount of time before diving into awesome practical gore effects), All the Boys Love Mandy Lane is mostly high school kids getting into typical teenager shenanigans; drinking alcohol, doing drugs, and having sex. The second half of the film is pure horror and is essentially a slasher film. The horror is teased at first with little glimpses of terror before diving right back into high school mode, but the film is able to intensify its sense of dread to the point where it’s eventually beautifully horrific in every scene.
For a film that is made by first time filmmakers for less than $1 million, All the Boys Love Mandy Lane has beautiful cinematography. Vivid colors jump off the screen and seem even lusher once the film begins to cover itself in mud and dirt. Cinematographer Darren Genet has an eye for dynamic angles and utilizing when to focus and blur menacing figures in the background (or foreground) for maximum impact. The film also has a tendency to overlap shots in order to create an entirely new, which can probably be contributed to the talent of film editor Josh Noyes (The Wackness). These impressive filming techniques shine brightest when Bird (Edwin Hodge) is on-screen; when he goes to start the generator after the power goes out, when he confronts the killer, and the car chase. Like other successful film genres, horror can often become formulaic not only when it comes to its writing or how its acted but how it’s shot. It’s always a breath of fresh air when you can say a film is unique in some capacity; especially horror.
With Michael Welch mostly being associated with portraying popular high school student Mike Newton in the Twilight franchise, your expectations for a memorable performance from Welch in All the Boys Love Mandy Lane are probably fairly low. Around the time Mandy Lane was in peak hype mode, Welch was in the abysmal Day of the Dead remake. Directed by Steve Miner (Halloween H20) and also starring Nick Cannon, Day of the Dead is an atrocious remake (but maybe 2018’s remake Day of the Dead: Bloodline is worse). However, Welch’s portrayal of Emmet in Mandy Lane is exceptional. His performance, especially during the closing moments of the film, is captivating. He has this American Psycho quality to his psychotic behavior that is hauntingly mesmerizing.
All the Boys Love Mandy Lane puts a different spin on the slasher film that would have had way more of an impact had it originally been released ten years ago instead of five. The film does require patience from the audience as the film takes a slow and steady approach to its eventual slasher nature. While the outcome is likely fairly predictable, watching how everything unfolds in Mandy Lane is where it shines. The ending is the film’s crown jewel and even though the killer is revealed its open ending suits the film’s already ambiguous nature. Now that All the Boys Love Mandy Lane is readily available at your fingertips, its originality seemed much more promising when it felt like it was the holy grail of horror films (kind of like The Poughkeepsie Tapes). The film’s consistency to offer a slasher that cuts in a different direction than most horror films along with Michael Welch’s brilliantly unbalanced performance makes All the Boys Love Mandy Lane a worthwhile experience.
All the Boys Love Mandy Lane is currently free to stream on Amazon if you have Starz with Prime Video Channels. It’s also currently available to rent via Amazon Video ($2.99), Vudu ($2.99), and iTunes ($3.99). The film is can be purchased on DVD ($9.91) and Multi-Format Blu-ray ($12.99) on Amazon and is even cheaper on eBay (the Blu-ray is available for $8.99 and the DVD is $7.98, both have free shipping).
All the Boys Love Mandy Lane was like an urban myth for the longest period of time. The film debuted at the Toronto International Film Festival in 2006 and released in the UK in 2008. It seemed to be released in every country other than the US shortly thereafter and it took another excruciating five years since it didn’t debut stateside until October of 2013. For a film that was originally shot in 2006, taking seven years to finally see distribution is bizarre and disheartening. The horror film originally caught the eye of The Weinstein Company immediately after debuting at TIFF, but the Weinstein brothers couldn’t come to a decision regarding its release (Harvey wanted a wide theatrical distribution while Bob thought the “artsy” film deserved more of a limited release). Rights to the film were eventually sold to a German company called Senator Entertainment US, who released the film in Germany and Austria and had the intention of premiering the film in the US. But the US branch of Senator Entertainment US went under in 2009 and rights to the film were dead in the water until The Weinstein Company reacquired distribution rights in 2013. The film was released on demand on September 6th with a limited theatrical run October 11th the same year.
The crew for the film consisted of college students freshly graduated from the American Film Institute. Producer Chad Feehan had the film as his thesis during college as work on the project initially began in 2003. Written by Jacob Forman and directed by Jonathan Levine (50/50, Warm Bodies), the film garnered an unbelievable amount of positive buzz online that accumulated into this massive pile of insurmountable expectations. Reading about the film for so long and hearing about how good it was from the biggest of horror sites probably inadvertently hurt the film more than it escalated interest for it.
All the Boys Love Mandy Lane takes a Dazed and Confused approach to the first half of the film. Similar to how Wolf Creek had you swimming through 45-minutes of character development before the actual horror began (or how Hatchet was silly for the same amount of time before diving into awesome practical gore effects), All the Boys Love Mandy Lane is mostly high school kids getting into typical teenager shenanigans; drinking alcohol, doing drugs, and having sex. The second half of the film is pure horror and is essentially a slasher film. The horror is teased at first with little glimpses of terror before diving right back into high school mode, but the film is able to intensify its sense of dread to the point where it’s eventually beautifully horrific in every scene.
For a film that is made by first time filmmakers for less than $1 million, All the Boys Love Mandy Lane has beautiful cinematography. Vivid colors jump off the screen and seem even lusher once the film begins to cover itself in mud and dirt. Cinematographer Darren Genet has an eye for dynamic angles and utilizing when to focus and blur menacing figures in the background (or foreground) for maximum impact. The film also has a tendency to overlap shots in order to create an entirely new, which can probably be contributed to the talent of film editor Josh Noyes (The Wackness). These impressive filming techniques shine brightest when Bird (Edwin Hodge) is on-screen; when he goes to start the generator after the power goes out, when he confronts the killer, and the car chase. Like other successful film genres, horror can often become formulaic not only when it comes to its writing or how its acted but how it’s shot. It’s always a breath of fresh air when you can say a film is unique in some capacity; especially horror.
With Michael Welch mostly being associated with portraying popular high school student Mike Newton in the Twilight franchise, your expectations for a memorable performance from Welch in All the Boys Love Mandy Lane are probably fairly low. Around the time Mandy Lane was in peak hype mode, Welch was in the abysmal Day of the Dead remake. Directed by Steve Miner (Halloween H20) and also starring Nick Cannon, Day of the Dead is an atrocious remake (but maybe 2018’s remake Day of the Dead: Bloodline is worse). However, Welch’s portrayal of Emmet in Mandy Lane is exceptional. His performance, especially during the closing moments of the film, is captivating. He has this American Psycho quality to his psychotic behavior that is hauntingly mesmerizing.
All the Boys Love Mandy Lane puts a different spin on the slasher film that would have had way more of an impact had it originally been released ten years ago instead of five. The film does require patience from the audience as the film takes a slow and steady approach to its eventual slasher nature. While the outcome is likely fairly predictable, watching how everything unfolds in Mandy Lane is where it shines. The ending is the film’s crown jewel and even though the killer is revealed its open ending suits the film’s already ambiguous nature. Now that All the Boys Love Mandy Lane is readily available at your fingertips, its originality seemed much more promising when it felt like it was the holy grail of horror films (kind of like The Poughkeepsie Tapes). The film’s consistency to offer a slasher that cuts in a different direction than most horror films along with Michael Welch’s brilliantly unbalanced performance makes All the Boys Love Mandy Lane a worthwhile experience.
All the Boys Love Mandy Lane is currently free to stream on Amazon if you have Starz with Prime Video Channels. It’s also currently available to rent via Amazon Video ($2.99), Vudu ($2.99), and iTunes ($3.99). The film is can be purchased on DVD ($9.91) and Multi-Format Blu-ray ($12.99) on Amazon and is even cheaper on eBay (the Blu-ray is available for $8.99 and the DVD is $7.98, both have free shipping).
Stephen (210 KP) Mar 3, 2019
Madbatdan82 (341 KP) Mar 3, 2019