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Lee Ronaldo recommended Colour Green by Sibylle Baier in Music (curated)
Hazel (1853 KP) rated Extraordinary Means in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review
Extraordinary Means</i> is a coming of age novel by Robyn Schneider that promises to live up to the expectations of John Green and Stephen Chbosky fans. Set in the near future, Lane Rosen has spent his seventeen years studying and making sure he is always achieving his best at school. With high hopes of getting into Stanford, he is distraught when he is sent to Latham House, a sanatorium in the Santa Cruz Mountains, after contracting tuberculosis.
Although in today’s society tuberculosis is curable, Schneider has invented a total drug resistant TB, which is highly contagious, therefore needs to be contained. Lane finds himself in the middle of nowhere surrounded by other teenagers with the incurable disease. Here he meets Sadie Bennett with whom, after a shaky start, he develops a close relationship.
Ironically, whilst suffering with an illness that could kill him, Lane learns there is a lot more to life than school. With his new friends: Sadie, Nick, Marina and Charlie; Lane begins to become more adventurous and starts to relax and have fun whilst they wait for scientists to come up with a cure. The only trouble with this waiting game is that the odds of some of them not living long enough to see this cure is fairly high.
Narrated by both Lane and Sadie, <i>Extraordinary Means</i> is a love story with a heart-breaking ending. The readers really feel for the teens as they are separated from their family, and forgotten about by their friends. Unlike other potentially terminal illness, they cannot have support from their loved ones because of the risk of spreading the disease.
There is an underlying sadness to the novel, as the reader knows that no matter how much fun the characters have and no matter what their hopes and dreams, chances are something dreadful could happen. With this in mind, the story becomes much more powerful and moving as Sadie, Lane and friends determine to keep on going and enjoy their lives on a day-to-day basis.
Schneider is an excellent writer who has created a contemporary romance with a unique setting. The imagination involved with the tuberculosis could almost describe the novel as dystopian minus the science fiction genre. <i>Extraordinary Means</i> is the perfect novel for young adult fans, but warning: it could break your heart!
Extraordinary Means</i> is a coming of age novel by Robyn Schneider that promises to live up to the expectations of John Green and Stephen Chbosky fans. Set in the near future, Lane Rosen has spent his seventeen years studying and making sure he is always achieving his best at school. With high hopes of getting into Stanford, he is distraught when he is sent to Latham House, a sanatorium in the Santa Cruz Mountains, after contracting tuberculosis.
Although in today’s society tuberculosis is curable, Schneider has invented a total drug resistant TB, which is highly contagious, therefore needs to be contained. Lane finds himself in the middle of nowhere surrounded by other teenagers with the incurable disease. Here he meets Sadie Bennett with whom, after a shaky start, he develops a close relationship.
Ironically, whilst suffering with an illness that could kill him, Lane learns there is a lot more to life than school. With his new friends: Sadie, Nick, Marina and Charlie; Lane begins to become more adventurous and starts to relax and have fun whilst they wait for scientists to come up with a cure. The only trouble with this waiting game is that the odds of some of them not living long enough to see this cure is fairly high.
Narrated by both Lane and Sadie, <i>Extraordinary Means</i> is a love story with a heart-breaking ending. The readers really feel for the teens as they are separated from their family, and forgotten about by their friends. Unlike other potentially terminal illness, they cannot have support from their loved ones because of the risk of spreading the disease.
There is an underlying sadness to the novel, as the reader knows that no matter how much fun the characters have and no matter what their hopes and dreams, chances are something dreadful could happen. With this in mind, the story becomes much more powerful and moving as Sadie, Lane and friends determine to keep on going and enjoy their lives on a day-to-day basis.
Schneider is an excellent writer who has created a contemporary romance with a unique setting. The imagination involved with the tuberculosis could almost describe the novel as dystopian minus the science fiction genre. <i>Extraordinary Means</i> is the perfect novel for young adult fans, but warning: it could break your heart!
BankofMarquis (1832 KP) rated Midway (2019) in Movies
Aug 10, 2020
So bad...it's bad
There are times when you watch a film and you can just hear the conference room discussion that happened back at the studio before getting it green-lit...
Studio Flunky: "Remember the 1970's WWII flick MIDWAY starring Henry Fonda, Charlton Heston, Charles Coborn, Richard Mitchum and an All Star cast"?
Studio Head: "Yeah...I loved that flick..."
Studio Flunky: "We have a fairly weak script here that pretty much rips that off, but we have the Director of Independence Day ready to Direct, so we'd just need some strong actors and top notch special effects to pull it off".
Studio Head: " I love it. Just one thing..."
Studio Flunky: "What's that?"
Studio Head: "Cut the budget to about 1/10th of what you're asking for."
And that's the issue with the Roland Emrich 2019 version of MIDWAY...what the film lacks in script quality, it makes up with by casting weak actors and crossing them with cheap special effects.
Yeah...it doesn't work very well. No wonder it came and went pretty quickly in the theaters.
Patrick Wilson is the most successful in this film in his role as Intelligence Officer Edwin Layton who figures out what the Japanese are up to in the early days of World War II. He has some fun scenes with Brennan Brown as one of this "codebreakers" and his interactions with Woody Harrelson as Admiral Nimitz are fun.
And...that's about it for the acting and interesting things in this film. Harrelson is wasted in his role (he clearly owed someone a favor to appear in what should be considered and extended cameo). Dennis Quaid overacts (as he is want to do) as "Bull" Halsey. Mandy Moore, Aaron Eckhart, Nick Jonas and Luke Evans bring no charisma to roles that were written with the hopes that an actor would bring charisma to them. They all bring "one dimension" and play the heck out of that singular character trait...but interesting characters that does not build.
And then there is the case of Ed Skrein (in the Charlton Heston role) as the "rogue fighter pilot, bucking the system, but learning through the course of this film that he would be more effective bringing his unique insights into the system than buck it". Skrein is my poster child for "warning...bad movie ahead." He has, in my opinion, "anti-charisma". He sucks a movie into his void and we, the audience, are stuck there with him. Of course, we spend most of the film with him...much to my chagrin.
At least, you say, today's special effects would rescue this film.
Nope...it looked like someone's kid slapped something together on his MAC. The depth of the EFX are slim, the color schemes don't seem to match and the actors didn't look at all like they were in the scene with the effects.
Nothing really works in this film. Avoid it at all costs. I can't even give you the "it's so bad it's good" line on this one.
It's so bad, it's bad.
Letter Grade "D"
2 Stars out of 10 and you can take that to the Bank(OfMarquis)
Studio Flunky: "Remember the 1970's WWII flick MIDWAY starring Henry Fonda, Charlton Heston, Charles Coborn, Richard Mitchum and an All Star cast"?
Studio Head: "Yeah...I loved that flick..."
Studio Flunky: "We have a fairly weak script here that pretty much rips that off, but we have the Director of Independence Day ready to Direct, so we'd just need some strong actors and top notch special effects to pull it off".
Studio Head: " I love it. Just one thing..."
Studio Flunky: "What's that?"
Studio Head: "Cut the budget to about 1/10th of what you're asking for."
And that's the issue with the Roland Emrich 2019 version of MIDWAY...what the film lacks in script quality, it makes up with by casting weak actors and crossing them with cheap special effects.
Yeah...it doesn't work very well. No wonder it came and went pretty quickly in the theaters.
Patrick Wilson is the most successful in this film in his role as Intelligence Officer Edwin Layton who figures out what the Japanese are up to in the early days of World War II. He has some fun scenes with Brennan Brown as one of this "codebreakers" and his interactions with Woody Harrelson as Admiral Nimitz are fun.
And...that's about it for the acting and interesting things in this film. Harrelson is wasted in his role (he clearly owed someone a favor to appear in what should be considered and extended cameo). Dennis Quaid overacts (as he is want to do) as "Bull" Halsey. Mandy Moore, Aaron Eckhart, Nick Jonas and Luke Evans bring no charisma to roles that were written with the hopes that an actor would bring charisma to them. They all bring "one dimension" and play the heck out of that singular character trait...but interesting characters that does not build.
And then there is the case of Ed Skrein (in the Charlton Heston role) as the "rogue fighter pilot, bucking the system, but learning through the course of this film that he would be more effective bringing his unique insights into the system than buck it". Skrein is my poster child for "warning...bad movie ahead." He has, in my opinion, "anti-charisma". He sucks a movie into his void and we, the audience, are stuck there with him. Of course, we spend most of the film with him...much to my chagrin.
At least, you say, today's special effects would rescue this film.
Nope...it looked like someone's kid slapped something together on his MAC. The depth of the EFX are slim, the color schemes don't seem to match and the actors didn't look at all like they were in the scene with the effects.
Nothing really works in this film. Avoid it at all costs. I can't even give you the "it's so bad it's good" line on this one.
It's so bad, it's bad.
Letter Grade "D"
2 Stars out of 10 and you can take that to the Bank(OfMarquis)
JT (287 KP) rated The Avengers (2012) in Movies
Mar 10, 2020
As the dust settles on a film that has seriously ‘hulk smashed’ the box office its clear to see why this film has been met with such high acclaim from critics and fans alike. There is no getting away from the fact that this is one hell of a blockbuster, with more superheroes than you can cram into a S.H.I.E.L.D. meeting room and a villain that almost stole the whole show, it had pretty much everything.
The film opens as S.H.I.E.L.D. is mid evacuation after The Tesseract, an energy source of unknown potential, has activated. Loki (Tom Hiddleston) has plans to take over the world with a strong army and have everyone kneel before him, he’s cunning but “lacks conviction” as is pointed out by cult fan favourite Agent Coulson (Clark Gregg).
So, Nick Fury activates the Avengers initiative, pulling resource from Thor, Captain America, Iron Man, Black Widow, Hawkeye and of course Bruce Banner in order to stop the impending attack. The good thing about the Avengers is that no time needs to be spent setting the characters up, as given the previous films we know all about them and their powers. However, this gives more time for them to decipher each others egos.
Tony Stark feels like the team’s unofficial leader, brash and bold he has to contend with a number of personalities, remember he doesn’t play well with others. A great scene sees Thor, Captain America and Iron Man all come to blows but its hard to say if there was any clear winner.
Natasha Romanoff aka Black Widow and Clint ‘Hawkeye’ Barton who have popped up in previous films but neither had their own title struggle at times to fit in, but they are integral to the group and plot. However if there were not part of the assemble you wouldn’t miss them too much.
As for Bruce Banner, Weadon’s Hulk is probably the most realistic CGI transformation to date. Ang Lee’s looked ridiculous and Louis Leterrier’s Hulk looked liked he’d been pumped full of steroids as opposed to gamma radiation.
Weadon though achieved a great balance and with Mark Ruffalo stepping in as the green monster the Hulk had a lot of charisma in this, even having time for some humour. T.V. original big man Lou Ferrigno provided the voice so it all seemed like the Hulk was back.
The perfect villain – Loki
Hiddleston for me though was the stand-out here, as comic book villains go he brought so much to the role. It was a dark, composed and at times sinister portrayal of a man desperate for revenge and to be worshipped like the god he feels he deserves to be.
The films action sequences are second to none, with everything from the initial opening evacuation at S.H.I.E.L.D. to the climactic ending all choreographed to perfection. The only gripe is that it boarder lines on Transformers styled destruction, in which some parts are drawn out. I mean just how many Chitauri can one group of superheroes fend off?
Another post credits scene certainly would pave the way for a sequel, and given the film’s massive haul which is well in excess of $450m no one would stand in the way. It should pretty much be a forgone conclusion that the team will at some point reunite.
The film opens as S.H.I.E.L.D. is mid evacuation after The Tesseract, an energy source of unknown potential, has activated. Loki (Tom Hiddleston) has plans to take over the world with a strong army and have everyone kneel before him, he’s cunning but “lacks conviction” as is pointed out by cult fan favourite Agent Coulson (Clark Gregg).
So, Nick Fury activates the Avengers initiative, pulling resource from Thor, Captain America, Iron Man, Black Widow, Hawkeye and of course Bruce Banner in order to stop the impending attack. The good thing about the Avengers is that no time needs to be spent setting the characters up, as given the previous films we know all about them and their powers. However, this gives more time for them to decipher each others egos.
Tony Stark feels like the team’s unofficial leader, brash and bold he has to contend with a number of personalities, remember he doesn’t play well with others. A great scene sees Thor, Captain America and Iron Man all come to blows but its hard to say if there was any clear winner.
Natasha Romanoff aka Black Widow and Clint ‘Hawkeye’ Barton who have popped up in previous films but neither had their own title struggle at times to fit in, but they are integral to the group and plot. However if there were not part of the assemble you wouldn’t miss them too much.
As for Bruce Banner, Weadon’s Hulk is probably the most realistic CGI transformation to date. Ang Lee’s looked ridiculous and Louis Leterrier’s Hulk looked liked he’d been pumped full of steroids as opposed to gamma radiation.
Weadon though achieved a great balance and with Mark Ruffalo stepping in as the green monster the Hulk had a lot of charisma in this, even having time for some humour. T.V. original big man Lou Ferrigno provided the voice so it all seemed like the Hulk was back.
The perfect villain – Loki
Hiddleston for me though was the stand-out here, as comic book villains go he brought so much to the role. It was a dark, composed and at times sinister portrayal of a man desperate for revenge and to be worshipped like the god he feels he deserves to be.
The films action sequences are second to none, with everything from the initial opening evacuation at S.H.I.E.L.D. to the climactic ending all choreographed to perfection. The only gripe is that it boarder lines on Transformers styled destruction, in which some parts are drawn out. I mean just how many Chitauri can one group of superheroes fend off?
Another post credits scene certainly would pave the way for a sequel, and given the film’s massive haul which is well in excess of $450m no one would stand in the way. It should pretty much be a forgone conclusion that the team will at some point reunite.
Movie Metropolis (309 KP) rated Angel Has Fallen (2019) in Movies
Aug 23, 2019
It’s always surprising when a truly awful film performs well at the box-office, but that’s exactly what happened with 2017’s London Has Fallen. Despite overwhelmingly poor reviews, the sequel to 2013’s marginally better Olympus Has Fallen made over four times its production budget in ticket sales.
Naturally, a sequel in the now originally named ‘Fallen’ film series was greenlit soon after with the majority of the cast returning for the third instalment. But is the finished product, Angel Has Fallen as bad as its predecessor? Or is this the turning point?
Authorities take Secret Service agent Mike Banning (Gerard Butler) into custody for the failed assassination attempt of U.S. President Allan Trumbull (Morgan Freeman). After escaping from his captors, Banning must evade the FBI and his own agency to find the real threat to the president. Desperate to uncover the truth, he soon turns to unlikely allies to help clear his name and save the country from imminent danger.
First thing’s first. This is better than London Has Fallen in every conceivable area. Where that film was packed full of grainy stock footage, poor CGI and laughable dialogue, Angel Has Fallen at least attempts to create a reasonably coherent film, even if the end result is completely forgettable.
The script for one attempts to focus on the mental and physical strain Gerard Butler’s job has taken on both aspects of his health. We join the film with Butler working his way through an assault course of sorts, so far so Gerard. However, as the film progresses the audience realises that Agent Banning is suffering from a lot of demons, impacting his clarity and causing him to lose focus.
To be fair, Butler does his best with the material he’s given, but three films in, even he is starting to look a little bored. The rest of the cast don’t fare any better. Morgan Freeman dons his tried and tested President persona, but the 82-year-old legend struggles with the physical demands of the role – and the all too obvious body doubles are a jarring mismatch with a film that is occasionally nicely choreographed and edited.
Only a film series as mediocre as ‘Fallen’ could make Angel Has Fallen feel like a success
The highlight comes about half way through the film as we are introduced to a dishevelled Nick Nolte playing Clay Banning, Mike’s foul-mouthed father, living off grid in rural Virginia. The casting is a little odd at first but the pair share good on-screen chemistry with each other and are much better than any relationship we saw in the film’s two predecessors. One of the action sequences the two of them have together is absurd but genuinely funny.
While the script has improved somewhat (there’s no unnecessary racism to be had), there are still huge flaws here. A third-act twist is one of the most ridiculously predictable twists in movie history, made all the more insulting by the fact that there are no red herrings in the story whatsoever. Come on guys, at least give us something else to think about! Instead of an “oooo” when the twist is revealed, the collective response from the audience was practically an eye-roll.
Elsewhere, the film’s finale, which feels like it goes on for far too long, is pure cinematic nonsense of the highest degree but does utilise this instalment’s bigger budget reasonably well. There are instances of poor CGI and very very obvious green screen dotted throughout, but nothing as bad as the laughably rubbish explosions and CG helicopters that riddled London Has Fallen.
Angel Has Fallen (2019 Movie) Official Trailer - Gerard Butler, Morgan Freeman - YouTube
Overall, only a film series as mediocre as ‘Fallen’ could make Angel Has Fallen feel like a success but the increased focus on the human elements of the lead characters rather than the outright racism featured in the previous films is a welcome change, and while the action scenes are filmed with a little too much shaky cam for my liking, they’re decently watchable if lacking in any real originality.
The problem we have is that this film will undoubtedly be yet another success if the sold-out screening I attended is anything to go by. Inevitably, this will then pave the way for more similarly themed movies. However, these films aren’t created for those of us who love cinema or to show off the craft of film-making, they’re made for people who want to check their phones every now and then or have a chat to the person next to them. And to be frank, that’s a cinematic world I’d rather not be a part of.
Naturally, a sequel in the now originally named ‘Fallen’ film series was greenlit soon after with the majority of the cast returning for the third instalment. But is the finished product, Angel Has Fallen as bad as its predecessor? Or is this the turning point?
Authorities take Secret Service agent Mike Banning (Gerard Butler) into custody for the failed assassination attempt of U.S. President Allan Trumbull (Morgan Freeman). After escaping from his captors, Banning must evade the FBI and his own agency to find the real threat to the president. Desperate to uncover the truth, he soon turns to unlikely allies to help clear his name and save the country from imminent danger.
First thing’s first. This is better than London Has Fallen in every conceivable area. Where that film was packed full of grainy stock footage, poor CGI and laughable dialogue, Angel Has Fallen at least attempts to create a reasonably coherent film, even if the end result is completely forgettable.
The script for one attempts to focus on the mental and physical strain Gerard Butler’s job has taken on both aspects of his health. We join the film with Butler working his way through an assault course of sorts, so far so Gerard. However, as the film progresses the audience realises that Agent Banning is suffering from a lot of demons, impacting his clarity and causing him to lose focus.
To be fair, Butler does his best with the material he’s given, but three films in, even he is starting to look a little bored. The rest of the cast don’t fare any better. Morgan Freeman dons his tried and tested President persona, but the 82-year-old legend struggles with the physical demands of the role – and the all too obvious body doubles are a jarring mismatch with a film that is occasionally nicely choreographed and edited.
Only a film series as mediocre as ‘Fallen’ could make Angel Has Fallen feel like a success
The highlight comes about half way through the film as we are introduced to a dishevelled Nick Nolte playing Clay Banning, Mike’s foul-mouthed father, living off grid in rural Virginia. The casting is a little odd at first but the pair share good on-screen chemistry with each other and are much better than any relationship we saw in the film’s two predecessors. One of the action sequences the two of them have together is absurd but genuinely funny.
While the script has improved somewhat (there’s no unnecessary racism to be had), there are still huge flaws here. A third-act twist is one of the most ridiculously predictable twists in movie history, made all the more insulting by the fact that there are no red herrings in the story whatsoever. Come on guys, at least give us something else to think about! Instead of an “oooo” when the twist is revealed, the collective response from the audience was practically an eye-roll.
Elsewhere, the film’s finale, which feels like it goes on for far too long, is pure cinematic nonsense of the highest degree but does utilise this instalment’s bigger budget reasonably well. There are instances of poor CGI and very very obvious green screen dotted throughout, but nothing as bad as the laughably rubbish explosions and CG helicopters that riddled London Has Fallen.
Angel Has Fallen (2019 Movie) Official Trailer - Gerard Butler, Morgan Freeman - YouTube
Overall, only a film series as mediocre as ‘Fallen’ could make Angel Has Fallen feel like a success but the increased focus on the human elements of the lead characters rather than the outright racism featured in the previous films is a welcome change, and while the action scenes are filmed with a little too much shaky cam for my liking, they’re decently watchable if lacking in any real originality.
The problem we have is that this film will undoubtedly be yet another success if the sold-out screening I attended is anything to go by. Inevitably, this will then pave the way for more similarly themed movies. However, these films aren’t created for those of us who love cinema or to show off the craft of film-making, they’re made for people who want to check their phones every now and then or have a chat to the person next to them. And to be frank, that’s a cinematic world I’d rather not be a part of.
Bob Mann (459 KP) rated Green Book (2018) in Movies
Sep 28, 2021
“Vacation without Aggravation.”
The “Green Book” was a handbook (now, thankfully, out of print) for blacks travelling in the southern states of the US , who want to stay in or dine in places they will be welcomed rather than abused. It is of course 1962 and Bobby Kennedy as Attorney General has racial equality strongly in his firing line.
The ever-flexible (and here, after piling a lot of weight on, almost unrecognisable) Viggo Mortensen plays Tony ‘Lip’ Vallelonga – a racist Italian-American living in The Bronx and working as a bouncer at “The Copacabana” club. Oscar-winner Mahershala Ali plays Dr Don Shirley – a black virtuoso pianist of high acclaim. How this odd couple meet and interact on a journey from Titsburg (sic) to Birmingham is the heart of the film.
I’m actually loathe to say ANY more about the plot of this film. I saw this at a Cineworld “Secret Screening” and so went into the film completely blind about the content: which was just BRILLIANT! For this, for me, is as near a perfect road-movie as I am likely to see this or any other decade. To say it is a feelgood Christmas classic to approach “It’s a Wonderful Life” is not – I think – putting it too strongly.
Oh… dammit… I’ve already given away my rating haven’t I….?
The turns
The film has apparently had Oscar buzz since winning the Toronto Film Festival’s “People’s Choice” award, and the chemistry that builds up between Ali and Mortensen is just fantastic. While I’m a fan of Mortensen (“Captain Fantastic” was a minor classic), it is Ali’s performance as the gentle and mannered Shirley which impresses most, and would be my pick for the Oscar nomination if I had to choose between them.
Also truly impressive is ER’s Linda Cardllini as Tony’s wife Dolores: her reactions to “Tony’s” letters home are just exquisite. I wonder whether a Supporting Actress nomination might be deserved here also.
And what a script
The screenplay by Brian Hayes Currie, Peter Farrelly and Nick Vallelonga (Tony’s son…. yes, this is based on a true story), sizzles with fantastic one-liners and wordplay. It breathes life into the 1962 setting by not shying away from using what, today, are highly offensive racial slurs: these might offend some, but they are essential for a film that lampoons racist behaviour so wonderfully.
Above all, it’s a film with genuine heart. A story that lifts the spirit and paints onto the screen in technicolour glory the struggle (albeit you feel a rather sanitised one) that lifted America out of the dark ages in terms of equality.
It is perhaps this degree of “Oscar baitedness” – (if that’s not a word then it is now) – that might be its biggest weakness in garnering support among the voters at Oscar time. It is though perhaps worth bearing in mind that it was “Driving Miss Daisy” – an odd-couple inter-racial chauffeur-based movie – that won the Best Film Oscar for 1989!
Farrelly? What THAT Farrelly?
This is a film of subtlety and nuance that makes it all the more surprising that the director is Peter Farrelly. Yes, he of the Farrelly brothers of such crass, unsubtle and hilarious films like “There’s Something about Mary” and “Dumb and Dumber” and such crass, unsubtle and totally awful films like “Me, Myself and Irene” and “Dumb and Dumber To”! It’s like asking Mr Bean to direct a performance of Swan Lake at the Royal Opera House! Yet, here it just plain works. The comedy injected into the film (and there are a number of times I laughed out loud) is perfectly balanced with the story.
Final thoughts
What I wanted to say here was:
“Go see this film. No, REALLY. It will leave you with a warm Christmas glow in your heart to last you through the holidays. Well, it should – it did me.”
However, although the States already had this for Thanksgiving, it looks as if the UK general release of this film is not set to happen until the 1st of February next year. Which is a great shame and a missed opportunity. (It’s as if they made a Christmas film like “Die Hard” and then released it in July! #sarcasm #yesiknowtheydid).
I really hope that’s a mistake and you guys can get to see it before then. When you can, go see it (No, REALLY!). Seldom have two hours flown by with such joy at the cinema. At this late stage in the year, my “Films of the Year” draft list is going to need another shake up!
The ever-flexible (and here, after piling a lot of weight on, almost unrecognisable) Viggo Mortensen plays Tony ‘Lip’ Vallelonga – a racist Italian-American living in The Bronx and working as a bouncer at “The Copacabana” club. Oscar-winner Mahershala Ali plays Dr Don Shirley – a black virtuoso pianist of high acclaim. How this odd couple meet and interact on a journey from Titsburg (sic) to Birmingham is the heart of the film.
I’m actually loathe to say ANY more about the plot of this film. I saw this at a Cineworld “Secret Screening” and so went into the film completely blind about the content: which was just BRILLIANT! For this, for me, is as near a perfect road-movie as I am likely to see this or any other decade. To say it is a feelgood Christmas classic to approach “It’s a Wonderful Life” is not – I think – putting it too strongly.
Oh… dammit… I’ve already given away my rating haven’t I….?
The turns
The film has apparently had Oscar buzz since winning the Toronto Film Festival’s “People’s Choice” award, and the chemistry that builds up between Ali and Mortensen is just fantastic. While I’m a fan of Mortensen (“Captain Fantastic” was a minor classic), it is Ali’s performance as the gentle and mannered Shirley which impresses most, and would be my pick for the Oscar nomination if I had to choose between them.
Also truly impressive is ER’s Linda Cardllini as Tony’s wife Dolores: her reactions to “Tony’s” letters home are just exquisite. I wonder whether a Supporting Actress nomination might be deserved here also.
And what a script
The screenplay by Brian Hayes Currie, Peter Farrelly and Nick Vallelonga (Tony’s son…. yes, this is based on a true story), sizzles with fantastic one-liners and wordplay. It breathes life into the 1962 setting by not shying away from using what, today, are highly offensive racial slurs: these might offend some, but they are essential for a film that lampoons racist behaviour so wonderfully.
Above all, it’s a film with genuine heart. A story that lifts the spirit and paints onto the screen in technicolour glory the struggle (albeit you feel a rather sanitised one) that lifted America out of the dark ages in terms of equality.
It is perhaps this degree of “Oscar baitedness” – (if that’s not a word then it is now) – that might be its biggest weakness in garnering support among the voters at Oscar time. It is though perhaps worth bearing in mind that it was “Driving Miss Daisy” – an odd-couple inter-racial chauffeur-based movie – that won the Best Film Oscar for 1989!
Farrelly? What THAT Farrelly?
This is a film of subtlety and nuance that makes it all the more surprising that the director is Peter Farrelly. Yes, he of the Farrelly brothers of such crass, unsubtle and hilarious films like “There’s Something about Mary” and “Dumb and Dumber” and such crass, unsubtle and totally awful films like “Me, Myself and Irene” and “Dumb and Dumber To”! It’s like asking Mr Bean to direct a performance of Swan Lake at the Royal Opera House! Yet, here it just plain works. The comedy injected into the film (and there are a number of times I laughed out loud) is perfectly balanced with the story.
Final thoughts
What I wanted to say here was:
“Go see this film. No, REALLY. It will leave you with a warm Christmas glow in your heart to last you through the holidays. Well, it should – it did me.”
However, although the States already had this for Thanksgiving, it looks as if the UK general release of this film is not set to happen until the 1st of February next year. Which is a great shame and a missed opportunity. (It’s as if they made a Christmas film like “Die Hard” and then released it in July! #sarcasm #yesiknowtheydid).
I really hope that’s a mistake and you guys can get to see it before then. When you can, go see it (No, REALLY!). Seldom have two hours flown by with such joy at the cinema. At this late stage in the year, my “Films of the Year” draft list is going to need another shake up!
Darren (1599 KP) rated Angel Has Fallen (2019) in Movies
Aug 22, 2019
Verdict: Franchise Hasn’t Fallen
Story: Angel Has Fallen starts when Mike banning (Butler) is the only survivor of a drone attack on President Allan Trumbull (Freeman), the rest of the team are killed and Mike has been framed for the assassination attempt. FBI agent Helen Thompson (Smith) is investigating the case, with Mike looking cut and dry to have been the man behind it, but when Mike escapes, he sets out to prove his innocence.
Mike turns to his estranged father Clay (Nolte) as he looks to discover why his old friend an private contractor Wade Jennings (Huston) has set him up and how he can prove his isn’t involved despite a nationwide manhunt for him.
Thoughts on Angel Has Fallen
Characters – Mike Banning is still a senior secret service man, playing righthand to the President, he has been keeping his injuries secret, which is nice to see an action man actually suffering injuries, instead of just being fine, like most action stars. He does his duty saving the President from an attack, only to find himself framed. When the people come to finish the job on Banning, he escapes and uses all his training to allude and search for a way to prove his innocence. Allan Trumbull is now the President, stepping up from his role as the Vice in the previous two outings, he is looking to change certain ideas, though he spends most of his film in a coma after the attack, he is the only other witness who could defend Mike’s involvement too. Wade Jennings is the private military contractor and old military buddy of Mike’s, he has framed him and is using his expertly trained team to hunt him down and finish off the job. Leah is the wife of Mike’s she is trying to keep him from working now they have a child and must deal with the consequences of seeing the name dragged through the dirt. FBI Agent Helen Thompson is trying to put the pieces together, seeing Mike as the prime suspect, she just wants the case closed without anybody else being hurt. Clay Banning is the estranged father of Mike’s he has been off the grid for years because of his own trauma from his time in the war, he is the only person Mike knows he can turn too.
Performances – Gerard Butler is great in the leading role, he is always going to be a bankable star when it comes to action roles and this is no different. Morgan Freeman does everything you would expect from a President role, without needing to do much. Piper Perabo takes over from Radha Mitchell in the wife role, which doesn’t have much to do if we are being honest. Danny Huston is one of these actors that you know is always going to be a villain, he does everything we know he can do in this role. Nick Nolte is a lot of fun, bringing his trademark estranged father role to the big screen once again, he gets a few laughs in too.
Story – The story here sees Mike Banning being framed for the assassination attempt of the President, the figure that he has been guarding for years and he must go off the grid to prove who was really behind it. The story is one that is great to watch for action, but if you have seen the previous instalments of the franchise, you will be left asking a few questions. First what happened to President Benjamin Asher, we have zero mention of him, secondly, how is nobody on Mike’s side after all he has done in the past, like seriously, he pretty much saved the President against impossible odds twice. While this question could be answered with the number of pieces of evidence placed on him, it still doesn’t seem to fit the character these people have created. Away from these questions, we must say this does build on the scale of the previous film’s stories, which is good because it does feel different, which each film does do. We could easily watch this story as a single film too and the fact that we do touch on the physical injuries that Mike has suffered through his job, does show a vulnerable action character.
Action – The action is big, we might not have the large scale opening attack, but once we get into the military formations ideas, we get plenty of tactical shootings.
Settings – The film does build on the settings, with the first one being one building, the second being one city, now we have a nationwide hunt.
Special Effects – The effects, well this has been an issue for the franchise all along, but the green screen scenes are so clear to see it almost feels like they didn’t finish the job yet.
Scene of the Movie – Mike and Clay have an escape plan.
That Moment That Annoyed Me – No mention of former President Benjamin Asher, like what happened here?
Final Thoughts – This is a action sequel that does enough different to make it feel fresh even if certain parts of the story feels too farfetched, it does continue to have a 24 vibe to everything, but it is well for a watch if you have seen the franchise or not.
Overall: Trilogy that hasn’t Fallen.
Story: Angel Has Fallen starts when Mike banning (Butler) is the only survivor of a drone attack on President Allan Trumbull (Freeman), the rest of the team are killed and Mike has been framed for the assassination attempt. FBI agent Helen Thompson (Smith) is investigating the case, with Mike looking cut and dry to have been the man behind it, but when Mike escapes, he sets out to prove his innocence.
Mike turns to his estranged father Clay (Nolte) as he looks to discover why his old friend an private contractor Wade Jennings (Huston) has set him up and how he can prove his isn’t involved despite a nationwide manhunt for him.
Thoughts on Angel Has Fallen
Characters – Mike Banning is still a senior secret service man, playing righthand to the President, he has been keeping his injuries secret, which is nice to see an action man actually suffering injuries, instead of just being fine, like most action stars. He does his duty saving the President from an attack, only to find himself framed. When the people come to finish the job on Banning, he escapes and uses all his training to allude and search for a way to prove his innocence. Allan Trumbull is now the President, stepping up from his role as the Vice in the previous two outings, he is looking to change certain ideas, though he spends most of his film in a coma after the attack, he is the only other witness who could defend Mike’s involvement too. Wade Jennings is the private military contractor and old military buddy of Mike’s, he has framed him and is using his expertly trained team to hunt him down and finish off the job. Leah is the wife of Mike’s she is trying to keep him from working now they have a child and must deal with the consequences of seeing the name dragged through the dirt. FBI Agent Helen Thompson is trying to put the pieces together, seeing Mike as the prime suspect, she just wants the case closed without anybody else being hurt. Clay Banning is the estranged father of Mike’s he has been off the grid for years because of his own trauma from his time in the war, he is the only person Mike knows he can turn too.
Performances – Gerard Butler is great in the leading role, he is always going to be a bankable star when it comes to action roles and this is no different. Morgan Freeman does everything you would expect from a President role, without needing to do much. Piper Perabo takes over from Radha Mitchell in the wife role, which doesn’t have much to do if we are being honest. Danny Huston is one of these actors that you know is always going to be a villain, he does everything we know he can do in this role. Nick Nolte is a lot of fun, bringing his trademark estranged father role to the big screen once again, he gets a few laughs in too.
Story – The story here sees Mike Banning being framed for the assassination attempt of the President, the figure that he has been guarding for years and he must go off the grid to prove who was really behind it. The story is one that is great to watch for action, but if you have seen the previous instalments of the franchise, you will be left asking a few questions. First what happened to President Benjamin Asher, we have zero mention of him, secondly, how is nobody on Mike’s side after all he has done in the past, like seriously, he pretty much saved the President against impossible odds twice. While this question could be answered with the number of pieces of evidence placed on him, it still doesn’t seem to fit the character these people have created. Away from these questions, we must say this does build on the scale of the previous film’s stories, which is good because it does feel different, which each film does do. We could easily watch this story as a single film too and the fact that we do touch on the physical injuries that Mike has suffered through his job, does show a vulnerable action character.
Action – The action is big, we might not have the large scale opening attack, but once we get into the military formations ideas, we get plenty of tactical shootings.
Settings – The film does build on the settings, with the first one being one building, the second being one city, now we have a nationwide hunt.
Special Effects – The effects, well this has been an issue for the franchise all along, but the green screen scenes are so clear to see it almost feels like they didn’t finish the job yet.
Scene of the Movie – Mike and Clay have an escape plan.
That Moment That Annoyed Me – No mention of former President Benjamin Asher, like what happened here?
Final Thoughts – This is a action sequel that does enough different to make it feel fresh even if certain parts of the story feels too farfetched, it does continue to have a 24 vibe to everything, but it is well for a watch if you have seen the franchise or not.
Overall: Trilogy that hasn’t Fallen.