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Baby Driver (2017)
Baby Driver (2017)
2017 | Action, Comedy
Baby Driver is a fifth gear joy ride of millennial cool and old-school car stunt acrobatics. Nicolas Wingding Refn’s Drive lifted liberally from Walter Hill’s 70s crime classic The Driver.
Critic- Electric Shadows
Original Score: 4 out of 5

Read Review: http://www.electric-shadows.com/baby-driver/
  
Doctor Who: Curse of Fenric
Doctor Who: Curse of Fenric
1989 | Sci-Fi
9
7.7 (7 Ratings)
TV Show Rating
Syvester McCoy (3 more)
Sophie aldred
Ancient one
Nicolas parsons
Probably my favourite 7th doctor story it's got everything drama suspence good monsters and the makeup on the ancient one superb. Plus the doctor at his most darkest manipulative using people like a game of chess including ace who has to face her future in the baby girl Audrey who might be her mother. and special mention goes to Nicholas parsons whose not normally known for his acting but here pulls it off as the rev Wainwright overall good story one of the best I've seen as fan. As I reviewed the VHS version on blu ray it looks just as good as it 30 years ago
  
The Man Who Fell to Earth (1976)
The Man Who Fell to Earth (1976)
1976 | Drama, Sci-Fi

"After getting my brain stretched by Kubrick, the next “favorite director” I started to discover as a preteen and teen was Nicolas Roeg. Like 2001 before it, The Man Who Fell to Earth was sci-fi that reached out and grabbed my mind, spun it around, and made me want to see it over and over again. Roeg’s use of music and surreal imagery made the film both a visceral and an intellectual experience simultaneously—a heartbreaking puzzle—still my favorite kind of film experience. Don’t Look Now is probably my favorite scary movie of all time, and a model for the now overused and underachieved expression “a smart genre film.” Now, that might mean a movie that’s marginally less dopey than most mainstream films that deal with the occult, but in the days of this and Rosemary’s Baby, etc., the emphasis was much more on smart than on genre. And Walkabout is an amazing piece of nearly wordless visual storytelling that left me desperately in love with Jenny Agutter for years afterward."

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KeithGordan recommended Don't Look Now (1973) in Movies (curated)

 
Don't Look Now (1973)
Don't Look Now (1973)
1973 | Drama, Horror, Thriller

"After getting my brain stretched by Kubrick, the next “favorite director” I started to discover as a preteen and teen was Nicolas Roeg. Like 2001 before it, The Man Who Fell to Earth was sci-fi that reached out and grabbed my mind, spun it around, and made me want to see it over and over again. Roeg’s use of music and surreal imagery made the film both a visceral and an intellectual experience simultaneously—a heartbreaking puzzle—still my favorite kind of film experience. Don’t Look Now is probably my favorite scary movie of all time, and a model for the now overused and underachieved expression “a smart genre film.” Now, that might mean a movie that’s marginally less dopey than most mainstream films that deal with the occult, but in the days of this and Rosemary’s Baby, etc., the emphasis was much more on smart than on genre. And Walkabout is an amazing piece of nearly wordless visual storytelling that left me desperately in love with Jenny Agutter for years afterward."

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KeithGordan recommended Walkabout (1971) in Movies (curated)

 
Walkabout (1971)
Walkabout (1971)
1971 |
(0 Ratings)
Movie Favorite

"After getting my brain stretched by Kubrick, the next “favorite director” I started to discover as a preteen and teen was Nicolas Roeg. Like 2001 before it, The Man Who Fell to Earth was sci-fi that reached out and grabbed my mind, spun it around, and made me want to see it over and over again. Roeg’s use of music and surreal imagery made the film both a visceral and an intellectual experience simultaneously—a heartbreaking puzzle—still my favorite kind of film experience. Don’t Look Now is probably my favorite scary movie of all time, and a model for the now overused and underachieved expression “a smart genre film.” Now, that might mean a movie that’s marginally less dopey than most mainstream films that deal with the occult, but in the days of this and Rosemary’s Baby, etc., the emphasis was much more on smart than on genre. And Walkabout is an amazing piece of nearly wordless visual storytelling that left me desperately in love with Jenny Agutter for years afterward."

Source
  
Raising Arizona (1987)
Raising Arizona (1987)
1987 | Comedy
Story: Raising Arizona starts as we meet H.I. McDunnough (Cage) a petty thieve that has a habit of robbing convenience stores, he falls for police officer Ed (Hunter) and after his third spell in prison he decides to settle down with Ed and hope to start a family.

When the couple learn they can’t have children, their lives take a turn for the worse until rich businessman Nathan Arizona Sr (Wilson) has 5 babies, believing they can help, they steal one of the babies and the events of the film follows them trying to keep the baby and avoid the law.

 

Thoughts on Raising Arizona

 

Characters – H.I. McDunnough has been in and out of prison for the last decade each time getting closer to the arresting officer, deciding he wants to go clean he gets married and plans to start a family, only for his past to come back and haunt him forcing him to return to the life of crime. He is a character that has fallen into the life of crime and just can’t get out of it. Ed is a police officer that hasn’t had the best life, she falls for H.I. getting married and wanting to start a family. She learns she can’t have child, turning to a life of crime to get her own child. Nathan Arizona Sr is the father of the five babies willing to pay anything to get his son back legally or not. Gale is one half of criminal buddies pairing of H.I. that after breaking out of prison turns to his friend for help.

Performances – Nicolas Cage is wonderful in the leading role, where we see him show moments of his crazy level while giving a performance you will remember. Holly Hunter is great too where we see her create a performance where you feel for the pain and confliction her character goes through. When we look at the supporting cast we do get good performances from everyone that will give us enough to enjoy what we saw.

Story – The story here follows an unlikely couple that decide to take a child because they couldn’t have one of their own. We follow the build up to their relationship and focus on how the couple’s life had the ups and downs before the incident. By using a very real situation people could go through by not being able to have children and showing the fact the adoption process isn’t the fairest on the people that would offer a good home is important for the film. the hapless events the couple go through adds to the story and as with most of the Coen bothers movies we get lots of arcs that come together to add up to a final act which pts everything together.

Comedy/Crime – The comedy in the film comes from the events that the couple must go through, usually coming from H.I. actions in what is a crime world where he is a petty criminal taking any advantages he can.

Settings – The film takes us to the open America where money would be tight leading to the mistakes being made by the people who are just desperate for anything to come their way.


Scene of the Movie – The diaper chase.

That Moment That Annoyed Me – The baby forgetting scenes.

Final Thoughts – This is a classic crime comedy that shows us just how talented the Coen Brothers are, we get to see the best of Cage and a story which can be enjoyed by all.

 

Overall: Crime Comedy that is a must watch.
  
The Huntsman: Winter's War (2016)
The Huntsman: Winter's War (2016)
2016 | Action, Drama, Sci-Fi
6
6.6 (17 Ratings)
Movie Rating
Hemsworth and Chastain Disappoint
Snow White & the Huntsman was a film that garnered much more attention than it deserved, purely because of the goings on behind the scenes between Twilight starlet, Kristen Stewart and director Rupert Sanders. The film itself was a hollow take on the classic fairy-tale that lacked the magic and sparkle of Disney’s wonderful animation.

It’s fair to say then that it never really deserved any kind of follow up, despite a charismatic performance from the wonderful Charlize Theron. Nevertheless, Universal Studios approved another film soon after its release. But is The Huntsman: Winter’s War better than what came before it?

Taking place before and directly alongside the events of its predecessor, Winter’s War follows Emily Blunt’s Ice Queen, Freya, as she struggles to come to terms with the death of her baby. She becomes so consumed by rage and guilt that she banishes herself to an ice castle, much like Elsa from Frozen, training an army of kidnapped children to pass her time.

Chris Hemsworth and Jessica Chastain star as two of these warriors, taken from their families at a young age and taught how to fight and how to block out any feelings of love – as per the Queen’s orders. Naturally, this becomes increasingly difficult and provides the film with its romantic subplot.

Unfortunately, the usually excellent Hemsworth and former Oscar-winner Chastain have next-to-no chemistry and their truly dreadful Celtic accents stop the film dead in its tracks. It’s a shame that Winter’s War relies so heavily on these two when Emily Blunt and a sorely underused Charlize Theron are much, much better.

So much better in fact that the screen comes alive whenever they are on screen, whether that is together or flying solo. Blunt suffers slightly due to the nature of her role, after all, she is known to be a bubbly and happy-go-lucky person, but her Ice Queen is mesmerising and heart-breaking to watch nonetheless.

Theron steals the show yet again, despite her lack of screen time and as she did in its predecessor, lifts Winter’s War well above its average plot and dialogue. Elsewhere, British favourite Sheridan Smith is a pleasant comedic break as a foul-mouthed dwarf.

The cinematography is on the whole very good, with pleasant landscapes, reminiscent of Harry Potter dotted alongside CGI castles, polar bears and goblins. The use of practical effects by first-time director Cedric Nicolas-Troyan is also a pleasure to see in this day and age.

Alas, the plot and dialogue of Winter’s War leaves much to be desired and the lack of screen time for Blunt and Theron hampers what could have been an interesting and unique backstory for this particular duo of films.

Overall, The Huntsman: Winter’s War is an average film hampered further by its two leading stars. Fortunately, the inclusion of Blunt and Theron manages to lift it slightly above the standard of its predecessor, but not by enough for it to warrant another follow up. However, the signposts throughout the 115 minute running time confess a sequel is more than likely.

https://moviemetropolis.net/2016/04/07/hemsworth-and-chastain-disappoint-the-huntsman-review/