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LeftSideCut (3778 KP) rated Drive Angry (2011) in Movies
Mar 22, 2021
I'm pretty sure the thought process for Drive Angry was along the lines of "let's make a film where Nicolas Cage has a gunfight whilst fucking someone, and he's also smoking a cigar, and swigging on a bottle of Jack Daniels" and then they just wrote the rest of the screenplay around that.
It's always entertaining to watch Cage do his thing, and Drive Angry has a handful of fun moments and some half decent ideas, but dammit, it's too try hard in its attempts at bad-assery, the CGI is an eyesore, and this is the second film I've seen where writer Todd Farmer literally wrote himself into a gratuitous sex scene. It was weird the first time, second time its just plain creepy.
Drive Angry is the movie equivalent of an STI.
It's always entertaining to watch Cage do his thing, and Drive Angry has a handful of fun moments and some half decent ideas, but dammit, it's too try hard in its attempts at bad-assery, the CGI is an eyesore, and this is the second film I've seen where writer Todd Farmer literally wrote himself into a gratuitous sex scene. It was weird the first time, second time its just plain creepy.
Drive Angry is the movie equivalent of an STI.
Judy Greer recommended Moonstruck (1987) in Movies (curated)
Blazing Minds (92 KP) rated 211 (2018) in Movies
Nov 1, 2021 (Updated Nov 3, 2021)
Mike Chandler (Cage) is a life-long veteran police officer ready to finally enjoy his retirement and a well-deserved pension. With his partner and son-in-law, rookie Steve at his side, and Kenny, a 15-year-old court-appointed ride-along (that he certainly won’t forget) reluctantly in tow, they set out on a routine patrol of the city’s streets, only to come up against an explosive situation.
OK, so the first thing you have to remember with this new action movie with Nicolas Cage is it’s a DTV (Direct To Video) movie, so don’t be expecting the big-budget production of the Hollywood movies, the movie is a bit of a slow starter and it’s not really until you get to around the first 30 minutes or so that things really start to happen.
OK, so the first thing you have to remember with this new action movie with Nicolas Cage is it’s a DTV (Direct To Video) movie, so don’t be expecting the big-budget production of the Hollywood movies, the movie is a bit of a slow starter and it’s not really until you get to around the first 30 minutes or so that things really start to happen.
Awix (3310 KP) rated Left Behind (2014) in Movies
Feb 12, 2018 (Updated Feb 12, 2018)
Rapture with a capital C
Relatively lavish faith-based disaster movie which has somehow managed to land the services of a few people you may actually have heard of. Panic and chaos ensue when millions of people vanish in the blink of an eye; Nicolas Cage is stuck flying a plane looking for a place to land, on the ground his daughter runs around trying to work out what's happening. The final revelation (sorry) is telegraphed very early on by endless discussions of sin and religion.
Like most faith-based movies this is crippled by its own earnestness and didacticism; some ultra-low-budget action does not help much, and is strikingly poorly directed given Vic Armstrong is (in his own words) 'the world's greatest stuntman'. Unlikely to convince the undecided of either the essential truth of Christianity or the long-term prospects of Nicolas Cage's acting career.
Like most faith-based movies this is crippled by its own earnestness and didacticism; some ultra-low-budget action does not help much, and is strikingly poorly directed given Vic Armstrong is (in his own words) 'the world's greatest stuntman'. Unlikely to convince the undecided of either the essential truth of Christianity or the long-term prospects of Nicolas Cage's acting career.
Matthew Krueger (10051 KP) rated Snake Eyes (1998) in Movies
Nov 7, 2019 (Updated Nov 7, 2019)
Murder Was The Case
Snake eyes- is good mystry thriller directed by Brian De Palma.
The Plot: Detective Rick Santoro (Nicolas Cage) has never played by the rules. When he attends a high-profile boxing match with his friend Navy Cmdr. Kevin Dunne (Gary Sinise), as well as Defense Secretary Kirkland (Joel Fabiani), he witnesses a terrorist assassinate Kirkland. Despite a lockdown on the arena, key witness Julia Costello (Carla Gugino) escapes -- and Santoro begins to suspect Kirkland's death is part of a much larger conspiracy that involves boxing rivals and a beautiful stranger.
It was a good movie, very underrated.
The Plot: Detective Rick Santoro (Nicolas Cage) has never played by the rules. When he attends a high-profile boxing match with his friend Navy Cmdr. Kevin Dunne (Gary Sinise), as well as Defense Secretary Kirkland (Joel Fabiani), he witnesses a terrorist assassinate Kirkland. Despite a lockdown on the arena, key witness Julia Costello (Carla Gugino) escapes -- and Santoro begins to suspect Kirkland's death is part of a much larger conspiracy that involves boxing rivals and a beautiful stranger.
It was a good movie, very underrated.
Gareth von Kallenbach (965 KP) rated Joe (2014) in Movies
Aug 6, 2019
So, officially … spring is here although it still feels like winter to your friendly
neighborhood freelance photographer but according to the calendar it’s spring.
Another indicator that it might be spring? Nicolas Cage has a new film out.
Seriously, he does .. and it’s actually a dark, heavy-duty drama.
‘Joe’ is based on the 1991 novel of the same name written by author Larry Brown.
Directed by David Gordon Green who’se credits include comedies like 2008’s
‘Pineapple Express’ and the HBO t.v. series ‘Eastbound & Down’ … ‘Joe’is certainly
no comedy.
Starring Nicolas Cage, Tye Sheridan, and Ronnie Gene Belvins ‘Joe’ is a dark, gritty
film that tells the story of Joe Ransom. An angry ex-con who befriends Gary, a teenager
from an abusive, broken home who approaches Joe looking for work with his ‘tree poinsoning’
crew. Impressed by Gary’s stubborness and determination Joe gives him a job (and later
his truck) and attempts to set Gary on ‘the right path’ and becomes an unlikely rolemodel
for him. At home though, Gary’s family life is slowly spiraling at of control due to
his alcholic father and the situation points to a dark, violent confrontation.
I can honestly say that this is one of Nic Cage’s best and ‘sincere’ performances in a
while and due to the darkness of the film, it will most likely go unrecognized. The film
doesn’t hold back. It’s in-your-face, gritty, and violent. The minute you don’t think it
can get more disturbing, it does just that. As the viewer, the experience was like an
old-fashioned pinball machine only you, the viewer, ARE the pinball.
I don’t recommend this as a ‘date movie’ but if you like Nicolas Cage’s work and you’re
looking for a good drama, this is defintely one to see. If this movie is any indication,
I imagine it won’t be too long before Nic Cage has another great performance under his belt
so keep an eye out. ‘Joe’ is rated ‘R’ and you can catch it in theaters on April 11th.
I give the film 4 out of 5 stars.
neighborhood freelance photographer but according to the calendar it’s spring.
Another indicator that it might be spring? Nicolas Cage has a new film out.
Seriously, he does .. and it’s actually a dark, heavy-duty drama.
‘Joe’ is based on the 1991 novel of the same name written by author Larry Brown.
Directed by David Gordon Green who’se credits include comedies like 2008’s
‘Pineapple Express’ and the HBO t.v. series ‘Eastbound & Down’ … ‘Joe’is certainly
no comedy.
Starring Nicolas Cage, Tye Sheridan, and Ronnie Gene Belvins ‘Joe’ is a dark, gritty
film that tells the story of Joe Ransom. An angry ex-con who befriends Gary, a teenager
from an abusive, broken home who approaches Joe looking for work with his ‘tree poinsoning’
crew. Impressed by Gary’s stubborness and determination Joe gives him a job (and later
his truck) and attempts to set Gary on ‘the right path’ and becomes an unlikely rolemodel
for him. At home though, Gary’s family life is slowly spiraling at of control due to
his alcholic father and the situation points to a dark, violent confrontation.
I can honestly say that this is one of Nic Cage’s best and ‘sincere’ performances in a
while and due to the darkness of the film, it will most likely go unrecognized. The film
doesn’t hold back. It’s in-your-face, gritty, and violent. The minute you don’t think it
can get more disturbing, it does just that. As the viewer, the experience was like an
old-fashioned pinball machine only you, the viewer, ARE the pinball.
I don’t recommend this as a ‘date movie’ but if you like Nicolas Cage’s work and you’re
looking for a good drama, this is defintely one to see. If this movie is any indication,
I imagine it won’t be too long before Nic Cage has another great performance under his belt
so keep an eye out. ‘Joe’ is rated ‘R’ and you can catch it in theaters on April 11th.
I give the film 4 out of 5 stars.
Matthew Krueger (10051 KP) rated Knowing (2009) in Movies
Dec 9, 2019 (Updated Dec 9, 2019)
Nic Cage Knows Everything, I Mean Everything.....
I watched this film last month, and i thought holy shit that was something. I mean their were alot of good parts, intresting parts and than the ending which i wouldnt get it. You just have to watch this movie to find out. I like the plot/the concept of the film.
The Plot: Fifty years after it was buried in a time capsule, a schoolgirl's cryptic document falls into the hands of Caleb Koestler, the son of professor John Koestler (Nicolas Cage). John figures out that the encoded message accurately lists every major disaster from the past five decades, and predicts three future calamities -- one a global cataclysm. When his warnings fall on deaf ears, John enlists the help of the prophetic author's daughter and granddaughter to try to avert the ultimate disaster.
Its really sci-fi though out the movie, expecally the ending, again i wouldnt get into. Its really a good and entertaining film to watch.
Highly reccordmend watching it.
The Plot: Fifty years after it was buried in a time capsule, a schoolgirl's cryptic document falls into the hands of Caleb Koestler, the son of professor John Koestler (Nicolas Cage). John figures out that the encoded message accurately lists every major disaster from the past five decades, and predicts three future calamities -- one a global cataclysm. When his warnings fall on deaf ears, John enlists the help of the prophetic author's daughter and granddaughter to try to avert the ultimate disaster.
Its really sci-fi though out the movie, expecally the ending, again i wouldnt get into. Its really a good and entertaining film to watch.
Highly reccordmend watching it.
Andy K (10821 KP) rated Mandy (2018) in Movies
Nov 2, 2018
Unique storytelling and visual splendor at its finest!
You never know what to think when you start a movie starring Nicolas Cage. He's almost a mockery of himself these days with so many unusual, crappy over-the-top performances, I was skeptical of this one to say the least.
I don't remember where I even heard of this film. Must have been one of the movie sites I frequent. I actually decided to purchase having not watched first, something I rarely do indeed.
To say this is a story of revenge doesn't really do it justice. In fact any words I can place here in this review won't really explain. When Nicolas Cage and his wife are kidnapped by a gang of hooligan, crazed hippie religious freaks, that is just the beginning. After some bad things happen, Cage is changed forever as he embarks down the long tunnel of revenge and vengeance for blood.
Normally, technical prowess, or saying the film "looks great" doesn't impress me since, in the age of CGI, pretty much every movie looks flawless these days.
Something about the art direction, cinematography, editing, haunting musical score, costumes and gory brutal make-up effects come together to create a truly unique film.
I can see influences from Sam Raimi's Army of Darkness, Rob Zombie's House of 1,000 Corpses and even Lars von Trier's Antichrist at times and even elements from Darren Aronofsky's Mother! or Clive Barker's Hellraiser.
The film is definitely not for everyone. I would predict others rating this film from 1 to 10 (like Mother!) but would have to admit you had never seen anything like it. Director Panos Cosmatos is one I will have to keep an eye on.
Please watch Mandy and let me know what you think whether you agree or disagree. I'd be very interested to hear and debate with you.
I don't remember where I even heard of this film. Must have been one of the movie sites I frequent. I actually decided to purchase having not watched first, something I rarely do indeed.
To say this is a story of revenge doesn't really do it justice. In fact any words I can place here in this review won't really explain. When Nicolas Cage and his wife are kidnapped by a gang of hooligan, crazed hippie religious freaks, that is just the beginning. After some bad things happen, Cage is changed forever as he embarks down the long tunnel of revenge and vengeance for blood.
Normally, technical prowess, or saying the film "looks great" doesn't impress me since, in the age of CGI, pretty much every movie looks flawless these days.
Something about the art direction, cinematography, editing, haunting musical score, costumes and gory brutal make-up effects come together to create a truly unique film.
I can see influences from Sam Raimi's Army of Darkness, Rob Zombie's House of 1,000 Corpses and even Lars von Trier's Antichrist at times and even elements from Darren Aronofsky's Mother! or Clive Barker's Hellraiser.
The film is definitely not for everyone. I would predict others rating this film from 1 to 10 (like Mother!) but would have to admit you had never seen anything like it. Director Panos Cosmatos is one I will have to keep an eye on.
Please watch Mandy and let me know what you think whether you agree or disagree. I'd be very interested to hear and debate with you.
Matthew Krueger (10051 KP) rated 8MM (1999) in Movies
Nov 7, 2019
Look at this Photograph
8mm- is a underrated mystery thriller, it was directed by Joel Schumacher, yes the person who destoryed and ruined batman two years before this movie came out. Joel Schumacher is better with mysterious and thrillers than Batman. Anyways the plot:
Private detective Tom Welles (Nicolas Cage) lives a normal life with his wife (Catherine Keener) and young daughter, until he receives a startling new case. A widow named Mrs. Christian (Myra Carter) has found what appears to be a snuff film among her late husband's belongings, and she wants Welles to determine if the movie is real or fake. Welles heads to California, where a video store employee (Joaquin Phoenix) helps him infiltrate the dangerous and depraved world of illegal porn movies.
Its suspenseful, horrorfying, twisted and overall a good movie.
Private detective Tom Welles (Nicolas Cage) lives a normal life with his wife (Catherine Keener) and young daughter, until he receives a startling new case. A widow named Mrs. Christian (Myra Carter) has found what appears to be a snuff film among her late husband's belongings, and she wants Welles to determine if the movie is real or fake. Welles heads to California, where a video store employee (Joaquin Phoenix) helps him infiltrate the dangerous and depraved world of illegal porn movies.
Its suspenseful, horrorfying, twisted and overall a good movie.
LeftSideCut (3778 KP) rated Mandy (2018) in Movies
Oct 30, 2019 (Updated Oct 30, 2019)
A ride from start to finish
Mandy is an utterly bizarre experience, but it's one that kept me absolutely enthralled from beginning to end.
The basic plot is pretty simple - Red (Nicolas Cage) and Mandy (Andrea Riseborough) live an idyllic and secluded life until a run in with a cult-like group lead by Jeremiah Sand (Linus Roache).
After a night of terror falls on the couple, Red takes it upon himself to exact bloody vengeance on those who have harmed them.
This straightforward horror-revenge narrative however is washed in a truly striking example of filmaking.
The cinematography throughout is gorgeous, from huge sweeping shots, to grainier settings full of fog and red light. Director Panos Cosmatos lands numerous memorable shots and presents with a surreal visual experience with a continuous 80s vibe under the surface.
This distinct style paired with a beautiful synth heavy score from the late Jóhann Jóhannsson (which constantly reminded me of Twin Peaks) gives the movie a dream-like coating that gives the movie a really unsettling and downright creepy presence.
King Crimson plays over the opening credits also, which is always going to win me over!
The first half is a slow burner (the title card doesn't appear until 70 minutes in!), really taking advantage of everything mentioned above, before taking a pretty crazy, LSD drenched turn.
The gorier moments of Mandy happen here, and they're pretty effective, outlandish, but at the same time realistic. It certainly sticks with you as the movie slips further into a drug fuelled bloody nightmare. (there's a goddamn chainsaw duel!)
The cast are all pretty decent - Linus Roache makes for a menacing villain during his limited screentime, and his followers are suitably weird (the whole thing has a horrible Charles Manson vibe to it), and Nicolas Cage is both unnervingly restrained at times (even when drenched in blood) with the odd moment of full blown Cage that we've come to know and love.
Mandy deals with themes of love, revenge, toxic masculinity, religion, and cultism, all wrapped up in a truly outlandish and violent fever dream.
Some people love it, some people hate it, but it's certainly unlike any horror I've seen before and I though it's was pretty damn good.
The basic plot is pretty simple - Red (Nicolas Cage) and Mandy (Andrea Riseborough) live an idyllic and secluded life until a run in with a cult-like group lead by Jeremiah Sand (Linus Roache).
After a night of terror falls on the couple, Red takes it upon himself to exact bloody vengeance on those who have harmed them.
This straightforward horror-revenge narrative however is washed in a truly striking example of filmaking.
The cinematography throughout is gorgeous, from huge sweeping shots, to grainier settings full of fog and red light. Director Panos Cosmatos lands numerous memorable shots and presents with a surreal visual experience with a continuous 80s vibe under the surface.
This distinct style paired with a beautiful synth heavy score from the late Jóhann Jóhannsson (which constantly reminded me of Twin Peaks) gives the movie a dream-like coating that gives the movie a really unsettling and downright creepy presence.
King Crimson plays over the opening credits also, which is always going to win me over!
The first half is a slow burner (the title card doesn't appear until 70 minutes in!), really taking advantage of everything mentioned above, before taking a pretty crazy, LSD drenched turn.
The gorier moments of Mandy happen here, and they're pretty effective, outlandish, but at the same time realistic. It certainly sticks with you as the movie slips further into a drug fuelled bloody nightmare. (there's a goddamn chainsaw duel!)
The cast are all pretty decent - Linus Roache makes for a menacing villain during his limited screentime, and his followers are suitably weird (the whole thing has a horrible Charles Manson vibe to it), and Nicolas Cage is both unnervingly restrained at times (even when drenched in blood) with the odd moment of full blown Cage that we've come to know and love.
Mandy deals with themes of love, revenge, toxic masculinity, religion, and cultism, all wrapped up in a truly outlandish and violent fever dream.
Some people love it, some people hate it, but it's certainly unlike any horror I've seen before and I though it's was pretty damn good.