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Whatchareadin (174 KP) rated A Stranger in the House in Books
May 10, 2018
Karen and Tom Krupp have been married for two years and they are very much in love. When Tom comes home from work one night, he finds his front door unlocked and dinner half way done in the kitchen, but his wife and her car are no where to be found. After calling her best friend and neighbor Brigid and having no luck with where Karen, might be, Tom calls the police to report her missing. Shortly after, the police arrive at his door to let him know that Karen has been in a terrible accident and is in the hospital. Tom is instantly worried because none of these actions sound like his wife. But does Tom now Karen as well as he thinks? Is she keeping secrets from him?
Let me just say that female thriller writers are hitting it out of the park this year. I don't think I've read one bad one yet. <u>A Stranger in the House</u> was incredible. From the very beginning it grips you and pulls you into the story. It was so hard to put down.
Karen Krupp is your typical housewife with a part-time job. Dinner is on the table at the same time each night. But lately, things haven't been quite right. Things are moved in the house that neither she or Tom have moved. After her accident she has amnesia and can't remember what happened that night and with her mind still foggy from the concussion she's not sure if she's going crazy or if things really are being moved. She is living in constant fear of her past and the police since a body was found near the scene of her accident. Will she be able to lean on Tom for the support she needs during this difficult time? Will she be able to count on her friend Brigid to be a shoulder to cry on?
There was only one thing I saw coming in this book the rest took me by surprise. There were twists and turns around each corner. I wasn't sure which way I wanted the story to go, but I was eager to figure out who did what to who and how and why. This is by far one of the best books I have read this year and I highly recommend it.
Let me just say that female thriller writers are hitting it out of the park this year. I don't think I've read one bad one yet. <u>A Stranger in the House</u> was incredible. From the very beginning it grips you and pulls you into the story. It was so hard to put down.
Karen Krupp is your typical housewife with a part-time job. Dinner is on the table at the same time each night. But lately, things haven't been quite right. Things are moved in the house that neither she or Tom have moved. After her accident she has amnesia and can't remember what happened that night and with her mind still foggy from the concussion she's not sure if she's going crazy or if things really are being moved. She is living in constant fear of her past and the police since a body was found near the scene of her accident. Will she be able to lean on Tom for the support she needs during this difficult time? Will she be able to count on her friend Brigid to be a shoulder to cry on?
There was only one thing I saw coming in this book the rest took me by surprise. There were twists and turns around each corner. I wasn't sure which way I wanted the story to go, but I was eager to figure out who did what to who and how and why. This is by far one of the best books I have read this year and I highly recommend it.
Goddess in the Stacks (553 KP) rated Tempests and Slaughter: the Numair Chronicles Book 1 in Books
Apr 5, 2018
Tamora's excellent writing (2 more)
Awesome worldbuilding
ENZI
A new Tamora Pierce book! About the origins of Numair! YES! I waited SO ANXIOUSLY for this book to make its way through the line of holds at my library and get in my grabby hands, and I was rewarded. Tempests is classic Tamora Pierce. It's set in Carthak, not Tortall, but the themes and feel are exactly what I was expecting. I love diving back into my favorite fantasy worlds, and Tortall ranks right near the top. (It might be the top, I haven't sat down and attempted to rank them - that would probably be a futile effort!)
My only issue with the book, really, is that it feels like an introduction. I know it's the first part of a trilogy, but the rest isn't OUT YET! So I feel like I've read the first third of a story and now I have to wait. Tempests introduces a LOT of story threads, and resolves exactly none of them. It managed to do so without leaving us on a cliffhanger, though, so there's that, at least. I'm probably going to go re-read the books around Numair's adult life to tide me over until the rest of this trilogy comes out!
I think my favorite character overall was Enzi - he was hilarious and obstinate and I'm looking forward to the rest of his storyline.
I was surprised but pleased to see a gay couple as side characters - and that it wasn't mentioned the character was gay until his husband arrived on the scene. It wasn't a defining point of his character, his spouse just happened to be male. I've said it before, but I love seeing the change in fantasy - it's gone from "that's strange or scandalous" to "absolutely no big deal, people have differently-gendered partners." It will be even lovelier once real society reaches that point!
Final verdict: Tempests and Slaughter was an excellent addition to Tortall, but if you like books that resolve their storylines, you might want to wait until the rest of the trilogy is published. If you can't wait, just expect that you won't get many answers from this first book!
You can find all my reviews at http://goddessinthestacks.wordpress.com
My only issue with the book, really, is that it feels like an introduction. I know it's the first part of a trilogy, but the rest isn't OUT YET! So I feel like I've read the first third of a story and now I have to wait. Tempests introduces a LOT of story threads, and resolves exactly none of them. It managed to do so without leaving us on a cliffhanger, though, so there's that, at least. I'm probably going to go re-read the books around Numair's adult life to tide me over until the rest of this trilogy comes out!
I think my favorite character overall was Enzi - he was hilarious and obstinate and I'm looking forward to the rest of his storyline.
I was surprised but pleased to see a gay couple as side characters - and that it wasn't mentioned the character was gay until his husband arrived on the scene. It wasn't a defining point of his character, his spouse just happened to be male. I've said it before, but I love seeing the change in fantasy - it's gone from "that's strange or scandalous" to "absolutely no big deal, people have differently-gendered partners." It will be even lovelier once real society reaches that point!
Final verdict: Tempests and Slaughter was an excellent addition to Tortall, but if you like books that resolve their storylines, you might want to wait until the rest of the trilogy is published. If you can't wait, just expect that you won't get many answers from this first book!
You can find all my reviews at http://goddessinthestacks.wordpress.com
Rachel King (13 KP) rated Keridan's Journey in Books
Feb 11, 2019
I stopped reading this book at page 88. I just could not stand the blatant lack of proper grammar and punctuation so prevalent on every page. Since I could not understand how something so bad could actually get published, I looked up the "book imprint" and realized that this is self-publishing at its worst. Michelle Peterson runs an art website and teaches art, then conceives of the idea to write her own book and create her own Imprint so that the book can be considered published. Really??
There are so many examples of bad grammar in this book, I don't know where to begin. Commas are so lacking, I want to cry. Specifically, when using prepositions or preposition-like modifiers, commas are needed. Also, compound sentences require the use of a comma. You would be surprised at how much a simple comma allows the reader to garner the true meaning of a sentence. Another example that illustrates how badly this book needed an editor is found on page 86: "I was left to wonder wear my tough skin went." Yes, you read that correctly.
Another huge problem I had with the book is the author's complete disregard for the writer's tool of "show, don't tell." While I understand that sometimes the rule can be disregarded, this book lacks in "showing" so much that I have no connection to any of the characters, and none of the events transpiring can compel any interest or emotional response in me. For example, on page 13, Keridan is thrust into a dream to speak with her mother. It reads "The smells, the colors are only this vibrant in a dream." That's it. No description, no picture painted with words, nothing is detailed, except in the most basic of words, such as "forest grove with flowers", "fairy dress", etc. I don't know what any of the characters look like, nor can I tell the difference between any of them.
I usually love fantasy, especially because of the imaginative descriptions that defy reality and convention, but (see? Comma!) even with a great concept of using the Greek myths of Sirens to build a world, this book is too disappointing and frustrating to be worth my time and energy. In all honesty, this book reads like a first draft of a novel after NanoWrimo -- messy, disorderly, and badly in need of a rewrite.
There are so many examples of bad grammar in this book, I don't know where to begin. Commas are so lacking, I want to cry. Specifically, when using prepositions or preposition-like modifiers, commas are needed. Also, compound sentences require the use of a comma. You would be surprised at how much a simple comma allows the reader to garner the true meaning of a sentence. Another example that illustrates how badly this book needed an editor is found on page 86: "I was left to wonder wear my tough skin went." Yes, you read that correctly.
Another huge problem I had with the book is the author's complete disregard for the writer's tool of "show, don't tell." While I understand that sometimes the rule can be disregarded, this book lacks in "showing" so much that I have no connection to any of the characters, and none of the events transpiring can compel any interest or emotional response in me. For example, on page 13, Keridan is thrust into a dream to speak with her mother. It reads "The smells, the colors are only this vibrant in a dream." That's it. No description, no picture painted with words, nothing is detailed, except in the most basic of words, such as "forest grove with flowers", "fairy dress", etc. I don't know what any of the characters look like, nor can I tell the difference between any of them.
I usually love fantasy, especially because of the imaginative descriptions that defy reality and convention, but (see? Comma!) even with a great concept of using the Greek myths of Sirens to build a world, this book is too disappointing and frustrating to be worth my time and energy. In all honesty, this book reads like a first draft of a novel after NanoWrimo -- messy, disorderly, and badly in need of a rewrite.
graveyardgremlin (7194 KP) rated Benighted in Books
Feb 15, 2019
I've spent the last three weeks reading Benighted off and on. I have a hard time describing how I feel about this book - in one respect I feel that it is well-written and very lifelike, even if it deals with lycanthropes, but in another, I feel that the story is flawed. I think that it was hard to stick with it because the tone is so depressing and dreary that I needed breaks.
Lola (or May) is a sympathetic character, but that does not, in any way, mean you'll like her, but I couldn't help but feel sorry for what she's been through and how those experiences have affected her. The main problem I had with the story was that the whole business of DORLA seemed odd. I would think that by this time, the organization would be obsolete and none of the Lycos would be afraid of Barebacks since they are supposedly the inferior species and there are so few of them. For me, it just doesn't make much sense.
I went to the author's website and she said that she preferred the U.K. title, Bareback. I feel that Benighted is a much more fitting title, as it isn't all just about the treatment of Barebacks, it's both. And since Benighted's definition at the beginning of the book is: 1. (adj) in a state of pitiful or contemptible intellectual or moral ignorance, typically owing to a lack of opportunity
2. (archaic) overtaken by darkness
It seems to me that both definitions can be applied to both Barebacks and Lunes in different ways. But maybe that's just the American in me talking.
I did at times become bored with the book, probably due to it's excessive length (not to mention again how down it is). Now I don't mind long books at all, but Benighted is 516 pages and there were many ramblings that could have used a drastic paring down. With that said, I did find it interesting and thought provoking, but I'm not sure I would read another book from Ms. Whitfield. I was looking forward to reading something a little different than the typical werewolf book and was left disappointed. Maybe, going into it, if I had known how much more a sociological study of minorities this is than a werewolf story, I would have liked the book better.
Lola (or May) is a sympathetic character, but that does not, in any way, mean you'll like her, but I couldn't help but feel sorry for what she's been through and how those experiences have affected her. The main problem I had with the story was that the whole business of DORLA seemed odd. I would think that by this time, the organization would be obsolete and none of the Lycos would be afraid of Barebacks since they are supposedly the inferior species and there are so few of them. For me, it just doesn't make much sense.
I went to the author's website and she said that she preferred the U.K. title, Bareback. I feel that Benighted is a much more fitting title, as it isn't all just about the treatment of Barebacks, it's both. And since Benighted's definition at the beginning of the book is: 1. (adj) in a state of pitiful or contemptible intellectual or moral ignorance, typically owing to a lack of opportunity
2. (archaic) overtaken by darkness
It seems to me that both definitions can be applied to both Barebacks and Lunes in different ways. But maybe that's just the American in me talking.
I did at times become bored with the book, probably due to it's excessive length (not to mention again how down it is). Now I don't mind long books at all, but Benighted is 516 pages and there were many ramblings that could have used a drastic paring down. With that said, I did find it interesting and thought provoking, but I'm not sure I would read another book from Ms. Whitfield. I was looking forward to reading something a little different than the typical werewolf book and was left disappointed. Maybe, going into it, if I had known how much more a sociological study of minorities this is than a werewolf story, I would have liked the book better.
graveyardgremlin (7194 KP) rated Trio of Sorcery (Diana Tregarde, #0.5) (Jennifer Talldeer, #2) in Books
Feb 15, 2019
<u>Arcanum 101</u>
Even though this came out decades after the first Diana Tregarde novel, it's a prequel so I read this first. Having just finished [b:Children of the Night|14012|Children of the Night (Diana Tregarde, #1)|Mercedes Lackey|https://d.gr-assets.com/books/1385445746s/14012.jpg|16102], I see a big difference in both Lackey's writing (it's definitely better) and in some continuity holes. Mostly minor, but for one thing, in this she calls her grandmother "Memaw" and in CotN, "Granny." She goes to college in Boston, at Harvard no less, in the short story and Connecticut is the only place mentioned in CotN. With the exception for a minor mention of Itzaak in the full-length book, none of the others featured in Arcanum 101 are in it, so apparently they were just created for the short story, which is a major bummer because I liked them better than the ones in CotN.
Okay onto an actual review...
While there's a bit of a slower start, introducing Diana and the others, I quite liked the pace. It felt natural and didn't bore me, which is a surprise in itself. Diana is much more likable here and has a strength of character and practical nature that appeals to me. The characters and plot kept the momentum going and if this wasn't a series that had already been written, I would have liked to see the universe expanded upon. Some of the characters didn't get fully fleshed out but just enough to make they feel like they were needed in some way. The plot was interesting, though the ending hasty but serviceable. A good story and introduction that also works fine as a standalone.
<i>3.5 stars</i>
<u>Drums</u>
A decent short story with some interesting ideas, especially the American Indian beliefs and mythology. I doubt I'll remember it much in a week, but it was overall enjoyable.
<i>3 stars</i>
<u>Ghost in the Machine</u>
I loved the idea of this story and it was very well-paced and plotted. While this could be dated with computers and gaming, I believe most of it stands up well. In a way Ellen seems to be Diana Tregarde 2.0, she's more believeable and interesting; she doesn't seem perfect. this would be a very cool series, too bad it probably won't happen.
<i>4.25 stars</i>
Even though this came out decades after the first Diana Tregarde novel, it's a prequel so I read this first. Having just finished [b:Children of the Night|14012|Children of the Night (Diana Tregarde, #1)|Mercedes Lackey|https://d.gr-assets.com/books/1385445746s/14012.jpg|16102], I see a big difference in both Lackey's writing (it's definitely better) and in some continuity holes. Mostly minor, but for one thing, in this she calls her grandmother "Memaw" and in CotN, "Granny." She goes to college in Boston, at Harvard no less, in the short story and Connecticut is the only place mentioned in CotN. With the exception for a minor mention of Itzaak in the full-length book, none of the others featured in Arcanum 101 are in it, so apparently they were just created for the short story, which is a major bummer because I liked them better than the ones in CotN.
Okay onto an actual review...
While there's a bit of a slower start, introducing Diana and the others, I quite liked the pace. It felt natural and didn't bore me, which is a surprise in itself. Diana is much more likable here and has a strength of character and practical nature that appeals to me. The characters and plot kept the momentum going and if this wasn't a series that had already been written, I would have liked to see the universe expanded upon. Some of the characters didn't get fully fleshed out but just enough to make they feel like they were needed in some way. The plot was interesting, though the ending hasty but serviceable. A good story and introduction that also works fine as a standalone.
<i>3.5 stars</i>
<u>Drums</u>
A decent short story with some interesting ideas, especially the American Indian beliefs and mythology. I doubt I'll remember it much in a week, but it was overall enjoyable.
<i>3 stars</i>
<u>Ghost in the Machine</u>
I loved the idea of this story and it was very well-paced and plotted. While this could be dated with computers and gaming, I believe most of it stands up well. In a way Ellen seems to be Diana Tregarde 2.0, she's more believeable and interesting; she doesn't seem perfect. this would be a very cool series, too bad it probably won't happen.
<i>4.25 stars</i>
RəX Regent (349 KP) rated Night of the Living Dead (1968) in Movies
Feb 19, 2019
Iconic, influential and ground-breaking. All words to describe George A. Romero’s inaugural zombie horror, but what sets this apart from its contemporaries and the endless variations in the genre in which this Indie movie helped spawn?
Well to begin with, this is far from a simple zombie thriller. The real villains here are the collection of damaged human characters who all find themselves trapped together in an old farmhouse, barricaded within its fragile wooden walls, fighting not only the onslaught of zombie without, but the angst and fear from within.
At times they work together but unlike most films like this, the group rarely work at all, with conflicted views on how to survive, blinding them to the fact that if they only worked together they may just do so.
Instead, they all end up dead, with our leading man, a strong, smart black character, which at the time was a bold choice, being murdered by the redneck police posse, who mistake him for a zombie. But the metaphor, though hard to ignore, of a black man being gunned down without the white men bothering to ensure that he was zombie, may just be a coincidence, but the irony that he, Ben (Duane Jones) manages to survive until the end only be to gunned down in the final moments, is a tragedy that sums up this film’s tone.
With a killer child, a nude female zombie, a dysfunctional couple and the first named victim displaying a complacent contempt for God and the church, this group are real, though the acting standards are variable, the writing and direction are constantly very good, with a sense or gritty realism permeating throughout. Maintained by good pacing and gruesome cannibalistic action, this raised the bar of the genre, both now and then.
Even the zombies get a reasonable, yet none definitive explanation, as told through the radio and TV news. Radiation bringing the dead back to life, well, it may be the trope of 1960’s sci fi but it was well explained and the news reports were well composed, feeling more realistic than most movie news broadcasts.
Romero may have gone on to milk this franchise for all it is worth in the decades since but this opening low budget gem is a real piece of work; A complex moral drama set on one chaotic night in which the dead become living again.
Well to begin with, this is far from a simple zombie thriller. The real villains here are the collection of damaged human characters who all find themselves trapped together in an old farmhouse, barricaded within its fragile wooden walls, fighting not only the onslaught of zombie without, but the angst and fear from within.
At times they work together but unlike most films like this, the group rarely work at all, with conflicted views on how to survive, blinding them to the fact that if they only worked together they may just do so.
Instead, they all end up dead, with our leading man, a strong, smart black character, which at the time was a bold choice, being murdered by the redneck police posse, who mistake him for a zombie. But the metaphor, though hard to ignore, of a black man being gunned down without the white men bothering to ensure that he was zombie, may just be a coincidence, but the irony that he, Ben (Duane Jones) manages to survive until the end only be to gunned down in the final moments, is a tragedy that sums up this film’s tone.
With a killer child, a nude female zombie, a dysfunctional couple and the first named victim displaying a complacent contempt for God and the church, this group are real, though the acting standards are variable, the writing and direction are constantly very good, with a sense or gritty realism permeating throughout. Maintained by good pacing and gruesome cannibalistic action, this raised the bar of the genre, both now and then.
Even the zombies get a reasonable, yet none definitive explanation, as told through the radio and TV news. Radiation bringing the dead back to life, well, it may be the trope of 1960’s sci fi but it was well explained and the news reports were well composed, feeling more realistic than most movie news broadcasts.
Romero may have gone on to milk this franchise for all it is worth in the decades since but this opening low budget gem is a real piece of work; A complex moral drama set on one chaotic night in which the dead become living again.
Kyera (8 KP) rated Wonder Woman: Warbringer in Books
Jan 31, 2018
Leigh Bardugo takes the fierce heroine you know and love - and makes her human. Warbringer is an origin story, taking Diana back to her roots and showing readers the less sure side of the Amazonian Princess. Yes, Diana is strong, loyal, honest and hard-working but she is also prideful, ambitious and unsure. She hasn't yet made a name for herself in the world of man and isn't sure what she is capable of.
This story focuses on the relationship between Diana and Alia, a New Yorker who finds herself on the island of Themiscyra, rather than the romance most readers have come to expect. Sorry Steve, but this story is all about girl power and friendship. The two girls learn from each other and what it means to have a sister.
<i>“Sister in battle,” murmured Diana, “I am shield and blade to you.”
“And friend.”
“And always your friend.”</i>
I really enjoyed the characters in this book and the diversity that Leigh effortlessly brought to the story. Each character is able to shine without seeming like they were only an addition to hit some invisible quotient. Alia and her brother Jason are New Yorkers, but they're also Greek and African American. Jason's best friend, Theo is Brazilian and a total technogeek. Nim is self-described as Indian, fat and gay, and while none of those things define her or are the most important aspects of her (obviously that award goes to her killer fashion sense) they are very important additions. The characters represent our diverse world today and give each one of us someone or something to relate to.
I have always loved Wonder Woman, so as long as Leigh Bardugo's story felt like the character I've grown to know and love - I was going to be happy, but she managed to raise the bar. She brought me a tale of the Diana that I didn't even know that I wanted, her true origin story and took her readers on a journey with Diana as she learned what it meant to be a true hero, an Amazon.
This book isn't just for fans of superheroes, but those looking for a tale of friendship, maybe a little betrayal and some pure gold lines coming from the Amazonian <s>Princess</s> Queen of comebacks.
This story focuses on the relationship between Diana and Alia, a New Yorker who finds herself on the island of Themiscyra, rather than the romance most readers have come to expect. Sorry Steve, but this story is all about girl power and friendship. The two girls learn from each other and what it means to have a sister.
<i>“Sister in battle,” murmured Diana, “I am shield and blade to you.”
“And friend.”
“And always your friend.”</i>
I really enjoyed the characters in this book and the diversity that Leigh effortlessly brought to the story. Each character is able to shine without seeming like they were only an addition to hit some invisible quotient. Alia and her brother Jason are New Yorkers, but they're also Greek and African American. Jason's best friend, Theo is Brazilian and a total technogeek. Nim is self-described as Indian, fat and gay, and while none of those things define her or are the most important aspects of her (obviously that award goes to her killer fashion sense) they are very important additions. The characters represent our diverse world today and give each one of us someone or something to relate to.
I have always loved Wonder Woman, so as long as Leigh Bardugo's story felt like the character I've grown to know and love - I was going to be happy, but she managed to raise the bar. She brought me a tale of the Diana that I didn't even know that I wanted, her true origin story and took her readers on a journey with Diana as she learned what it meant to be a true hero, an Amazon.
This book isn't just for fans of superheroes, but those looking for a tale of friendship, maybe a little betrayal and some pure gold lines coming from the Amazonian <s>Princess</s> Queen of comebacks.
Debbiereadsbook (1126 KP) rated Finally Letting Go (Infinity #2) in Books
Mar 12, 2018
much MUCH better read than book one!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book two in the Infinity series. I would recommend that you read book one, Worth The Risk, if only to know just how Brandon wrecked Tyler 3 years ago. Not totally necessary, though.
Brandon is so far in the closet, he doesn't even know WHERE he is anymore! Facing up to his father, and NOT going to law school, Brandon now comes face to face with Tyler, and he has to own up to what he did. And he does. Tyler's best friend, Simon, though, won't let Brandon get away with it. But Simon's reaction to meeting Brandon properly again for the first time is MASSIVE and INSTANT, and oh so unexpected. Simon won't, though, be anyone dirty little secret. Brandon has to own up WHO he is before Simon will go down that road.
And my gosh! What a great read! I love characters who, for one reason or another cannot own up to who they really are, who they really want, and Brandon, bless his heart, he fights. He FIGHTS so darn HARD, but Simon will not let up!
And let me tell ya, once Brandon admits to HIMSELF who he is and WHO he wants, that man is all in! And it is spectacular watching both these men fall and fall hard for each other. It is, really, quite beautiful watching these two, it really is.
And I did NOT see that coming at me, no ma'am I did not expect that!! Way to go Brandon!
I said in my review for Worth The Risk that there was some repetition of a couple of phases, and I was worried here, but there was none of that!
I loved that Tyler and Jax play a huge part here, and that Ben, the owner of Infinity plays a part, and his book is laid out, sorta. There is a little bit of a preview for Ben's book, Breaking The Rules, and his book is told in the first person. Now those who follow my reviews will know that's not a great favourite of mine, but because I KNOW this now, it won't be a problem. Can't wait to read it!
A much MUCH better read than book one so...
5 full stars.
**same worded review will appear elsewhere**
This is book two in the Infinity series. I would recommend that you read book one, Worth The Risk, if only to know just how Brandon wrecked Tyler 3 years ago. Not totally necessary, though.
Brandon is so far in the closet, he doesn't even know WHERE he is anymore! Facing up to his father, and NOT going to law school, Brandon now comes face to face with Tyler, and he has to own up to what he did. And he does. Tyler's best friend, Simon, though, won't let Brandon get away with it. But Simon's reaction to meeting Brandon properly again for the first time is MASSIVE and INSTANT, and oh so unexpected. Simon won't, though, be anyone dirty little secret. Brandon has to own up WHO he is before Simon will go down that road.
And my gosh! What a great read! I love characters who, for one reason or another cannot own up to who they really are, who they really want, and Brandon, bless his heart, he fights. He FIGHTS so darn HARD, but Simon will not let up!
And let me tell ya, once Brandon admits to HIMSELF who he is and WHO he wants, that man is all in! And it is spectacular watching both these men fall and fall hard for each other. It is, really, quite beautiful watching these two, it really is.
And I did NOT see that coming at me, no ma'am I did not expect that!! Way to go Brandon!
I said in my review for Worth The Risk that there was some repetition of a couple of phases, and I was worried here, but there was none of that!
I loved that Tyler and Jax play a huge part here, and that Ben, the owner of Infinity plays a part, and his book is laid out, sorta. There is a little bit of a preview for Ben's book, Breaking The Rules, and his book is told in the first person. Now those who follow my reviews will know that's not a great favourite of mine, but because I KNOW this now, it won't be a problem. Can't wait to read it!
A much MUCH better read than book one so...
5 full stars.
**same worded review will appear elsewhere**
Hazel (1853 KP) rated Mr. Deathmask in Books
Dec 7, 2018
<I>This book was sent to me by the author in exchange for an honest review.</I>
A satanic cult, an angel, a ghost, and lots of murder,<I> Mr. Deathmask</I> is a novel like none other. Horror-novelist Lee McGeorge has created a character that blurs the lines between good and evil. Members of a satanic cult in the heart of London are slowly being killed off one-by-one by a mysterious figure going by the name of Mr Deathmask. The murders shock the community, not only in their brutality but because the worshippers of the “one true Lord” should not be able to be harmed by another living being.
Mr Deathmask, so named for collecting the death masks of his victims, is a man with superhuman strength who is believed to be a “son of light”, i.e. an angel. Accompanied by a ghost of a girl, Magdalena, he plans to seek out and destroy the satanic cult before they can raise the son of the devil.
To begin with, it is not easy to differentiate between the good and the bad. On one side is the anonymous murderer, and the other, the perverted and barbaric sect with unearthly powers. But once innocent lives get tangled up in the violent fiasco, it is clear whom the readers are expected to root for.
Hiding behind the façade of doctors and other professionals in the public sector, the cult easily preys on vulnerable people, resorting to sickening methods to satisfy their abominable desires. Difficult as it is to read about these vile deeds, <i>Mr. Deathmask</i> becomes gripping, the race is on to prevent unnecessary death and get revenge for something that happened centuries ago.
<i>Mr. Deathmask</i> is not for the delicate-minded individual due to its violent and sexual nature. Plenty of expletives and foul terminology make up the narrative, which, although is to be expected in this nature of novel, is not the easiest story to stomach.
Unlike previous books with heavy themes or social connotations, Lee McGeorge has penned <i>Mr. Deathmask</i> as a form of entertainment rather than to challenge morals and judgement of his readers. However, it still has its fair share of shock tactics to keep the story going. It will certainly entertain fans of the author and the genre.
A satanic cult, an angel, a ghost, and lots of murder,<I> Mr. Deathmask</I> is a novel like none other. Horror-novelist Lee McGeorge has created a character that blurs the lines between good and evil. Members of a satanic cult in the heart of London are slowly being killed off one-by-one by a mysterious figure going by the name of Mr Deathmask. The murders shock the community, not only in their brutality but because the worshippers of the “one true Lord” should not be able to be harmed by another living being.
Mr Deathmask, so named for collecting the death masks of his victims, is a man with superhuman strength who is believed to be a “son of light”, i.e. an angel. Accompanied by a ghost of a girl, Magdalena, he plans to seek out and destroy the satanic cult before they can raise the son of the devil.
To begin with, it is not easy to differentiate between the good and the bad. On one side is the anonymous murderer, and the other, the perverted and barbaric sect with unearthly powers. But once innocent lives get tangled up in the violent fiasco, it is clear whom the readers are expected to root for.
Hiding behind the façade of doctors and other professionals in the public sector, the cult easily preys on vulnerable people, resorting to sickening methods to satisfy their abominable desires. Difficult as it is to read about these vile deeds, <i>Mr. Deathmask</i> becomes gripping, the race is on to prevent unnecessary death and get revenge for something that happened centuries ago.
<i>Mr. Deathmask</i> is not for the delicate-minded individual due to its violent and sexual nature. Plenty of expletives and foul terminology make up the narrative, which, although is to be expected in this nature of novel, is not the easiest story to stomach.
Unlike previous books with heavy themes or social connotations, Lee McGeorge has penned <i>Mr. Deathmask</i> as a form of entertainment rather than to challenge morals and judgement of his readers. However, it still has its fair share of shock tactics to keep the story going. It will certainly entertain fans of the author and the genre.
Ross (3284 KP) rated Ralph Breaks the Internet: Wreck-It Ralph 2 (2018) in Movies
Dec 10, 2018
Stan Lee cameo (1 more)
Marvel / Disney Princess moments
Dragged (1 more)
Clumsy Product Placement
None of the charm of the original
I loved Wreck It Ralph, two misfits finding and helping each other to overcome their issues and find themselves. Full of charm, flawed but pure of heart characters looking out for each other, nice little video game references and clever world building.
Here so much of that is lost. There is far too much effort on trying to shoe-horn internet references in for comedy effect, which doesn't work. When Ralph and Venellope arrive in the internet we are treated to a full three minutes of staring at website logos. While this has an overall feel of Inside Out, with a make-believe world being put over something we can't really understand, at the time it was quite nauseating.
I enjoyed the moments interacting with the Marvel and Star Wars worlds (most notably when Vanellope bumps in to the avatar of certain old, moustachioed gentleman known for making cameos) and the Disney Princess moments were enjoyable.
Ralph and Vanellope are looking to buy a replacement part for Sugar Rush to avoid it being unplugged forever, and end up needing to raise a lot of money to buy it on eBay. The issue I have with this, is it gives kids the idea they can make a lot of money online in a short amount of time (either gaming or buy uploading videos in the hope of going viral), therefore why bother learning anything or going to school/work?! In this day and age where every child thinks "YouTuber" is a valid career to aspire to, I found this unnecessarily poor form from Disney.
The film eventually finds its feet and through Ralph and Vanellope's strained friendship it finds a plot with a bit more peril than simply needing some money.
The world of the arcade was completely left behind as soon as we entered the internet, I would have liked to see more of Fix-it Felix and Calhoun's time with the brats from Sugar Rush, if only as brief respite from website logos.
All in all I was massively disappointed in the film and feel a lot of the charm was case aside at the expense of advertising revenue.
Here so much of that is lost. There is far too much effort on trying to shoe-horn internet references in for comedy effect, which doesn't work. When Ralph and Venellope arrive in the internet we are treated to a full three minutes of staring at website logos. While this has an overall feel of Inside Out, with a make-believe world being put over something we can't really understand, at the time it was quite nauseating.
I enjoyed the moments interacting with the Marvel and Star Wars worlds (most notably when Vanellope bumps in to the avatar of certain old, moustachioed gentleman known for making cameos) and the Disney Princess moments were enjoyable.
Ralph and Vanellope are looking to buy a replacement part for Sugar Rush to avoid it being unplugged forever, and end up needing to raise a lot of money to buy it on eBay. The issue I have with this, is it gives kids the idea they can make a lot of money online in a short amount of time (either gaming or buy uploading videos in the hope of going viral), therefore why bother learning anything or going to school/work?! In this day and age where every child thinks "YouTuber" is a valid career to aspire to, I found this unnecessarily poor form from Disney.
The film eventually finds its feet and through Ralph and Vanellope's strained friendship it finds a plot with a bit more peril than simply needing some money.
The world of the arcade was completely left behind as soon as we entered the internet, I would have liked to see more of Fix-it Felix and Calhoun's time with the brats from Sugar Rush, if only as brief respite from website logos.
All in all I was massively disappointed in the film and feel a lot of the charm was case aside at the expense of advertising revenue.