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Darren (1599 KP) rated Echoes of Fear (2019) in Movies
Oct 24, 2019
Characters – Alisa sees her last family die suddenly, she must head back to the house where she was raised to decide what to do with it next in what seems like a routine, tidy up and sale plan. Her plans are thrown off when she starts hearing noises, suffering nightmares and experiencing visions, which leads to her wanting to learn the truth, going through the house to unlock the truth, which each clue becoming more disturbing for her. Steph is the best friend that can visit at times and will help her with the investigation. Brandon is the boyfriend who is happy to help plan the changes, looking for a quick sell and start of a new life. David is the neighbour that does offer a few answers and is willing to help Alisa with any problems.
Performances – Trista Robinson is the star of the show, she is the one getting haunted, trying to solve the problems she is experiencing and you believe every moment she is going through. Nobody else is getting too much outside the simple to do, with none of them doing anything wrong through the film.
Story – The story here follows a relative that inherits a home and soon starts getting haunted by the ghosts of the house, leading her to try and solve the situation. This is a story that does keep us wondering what is going on with us learning more just as Alisa does, which is why this story works so well, because it enters the most interesting sub-genre of horror, with the haunting helping unlock the mystery. We could have a couple of questionable moments including a bit of miss-direction when it comes to what could be going on, this doesn’t really add up, but is nice to guide us away from the truth. This story does try to break certain rules created and does a wonderful job at this too, but lets just ask, why is there a sniffer mouse?
Horror – The horror side of the film does use a couple of ideas, with the haunting being the biggest moments, while others come off more disturbing by the end.
Settings – The film does keep most of the action inside the house, being a location, that Alisa would know, but hasn’t been to in a while, with he changes adding to the horror of the film.
Special Effects – The effects are used to create certain moments of horror, which most coming in the haunting moments.
Scene of the Movie – The final 20 minutes.
That Moment That Annoyed Me – The sniffer mouse is very strange.
Final Thoughts – This is a horror that does keep us guessing, it has a disturbing outcome with the haunting being the highlight of the scares.
Overall: Horror with Plenty of Scares.
Performances – Trista Robinson is the star of the show, she is the one getting haunted, trying to solve the problems she is experiencing and you believe every moment she is going through. Nobody else is getting too much outside the simple to do, with none of them doing anything wrong through the film.
Story – The story here follows a relative that inherits a home and soon starts getting haunted by the ghosts of the house, leading her to try and solve the situation. This is a story that does keep us wondering what is going on with us learning more just as Alisa does, which is why this story works so well, because it enters the most interesting sub-genre of horror, with the haunting helping unlock the mystery. We could have a couple of questionable moments including a bit of miss-direction when it comes to what could be going on, this doesn’t really add up, but is nice to guide us away from the truth. This story does try to break certain rules created and does a wonderful job at this too, but lets just ask, why is there a sniffer mouse?
Horror – The horror side of the film does use a couple of ideas, with the haunting being the biggest moments, while others come off more disturbing by the end.
Settings – The film does keep most of the action inside the house, being a location, that Alisa would know, but hasn’t been to in a while, with he changes adding to the horror of the film.
Special Effects – The effects are used to create certain moments of horror, which most coming in the haunting moments.
Scene of the Movie – The final 20 minutes.
That Moment That Annoyed Me – The sniffer mouse is very strange.
Final Thoughts – This is a horror that does keep us guessing, it has a disturbing outcome with the haunting being the highlight of the scares.
Overall: Horror with Plenty of Scares.
Leah Lopez (7 KP) rated Gone Girl in Books
Nov 6, 2019
This book had many key elements to keep the reader constantly entertained.
1) The characters had their own voice; their own emotions and thoughts which was clearly recognised through per chapter dedicated to them. My mind alternated between which character I liked/hated understood/or not worth understanding. At the beginning of the book I was on Nick's side. It seemed Amy was some "nagging wife" and it would be easy to become annoyed by all her "stupid traditions" but then, I read Amy's side and then I was like..."Okay, now I understand why the traditions are important and how much she loves Nick..." When he come home to find his wife had disappeared and his house looked "ransacked" I began questioning the possible theories to her disappearance. I thought:
S.P.O.I.L.E.R. A.L.E.R.T
She hasn't been taken. She isn't dead. It is all but a set up: to get Nick to realise how much he loves Amy and he be lost without her. I thought she has just gone away for a few days.
My first shock? Nick cheating on Amy
but then; had it been a shock/ plot twist shock, or did I just not want to believe that of him?
It was easy from this point to hate Nick. He had been having an affair, he was violent, he was a liar.
I began siding with Amy.
Still...it became clear through Nick's request on finding out the truth that she too was a liar; but a more-well trained liar and not spontaneous? She was evil; she played people to her needs. She used them to better herself.
Towards the end of the book; when she came back home and reported her "kidnap and rape" from Desi it was here I thought this is going to end pretty shit now...but once again I was surprised. I began to hate Amy and like Nick. Still Nick demonstrated his violence towards Amy by strangling her and detailing his enjoyment of her pulsating struggle for breath. When Amy came back and explained the truth, and furthermore...I wanted her to be arrested; to find that tiny bit of evidence she didn't think of...something none of us would have thought of but maybe read and thought nothing of it at the time. Still, she still had things up her sleeve and still ten steps in front of Nick-the semen and her way of permanently keeping him in her life. I knew it had to end, but I think it would have been more entertaining on something she left out, rather than her once again winning.
Overall:
a great suspense-filled book that makes you yo-yo between liking/hating the characters!
Will be looking for more books written by her!
1) The characters had their own voice; their own emotions and thoughts which was clearly recognised through per chapter dedicated to them. My mind alternated between which character I liked/hated understood/or not worth understanding. At the beginning of the book I was on Nick's side. It seemed Amy was some "nagging wife" and it would be easy to become annoyed by all her "stupid traditions" but then, I read Amy's side and then I was like..."Okay, now I understand why the traditions are important and how much she loves Nick..." When he come home to find his wife had disappeared and his house looked "ransacked" I began questioning the possible theories to her disappearance. I thought:
S.P.O.I.L.E.R. A.L.E.R.T
She hasn't been taken. She isn't dead. It is all but a set up: to get Nick to realise how much he loves Amy and he be lost without her. I thought she has just gone away for a few days.
My first shock? Nick cheating on Amy
but then; had it been a shock/ plot twist shock, or did I just not want to believe that of him?
It was easy from this point to hate Nick. He had been having an affair, he was violent, he was a liar.
I began siding with Amy.
Still...it became clear through Nick's request on finding out the truth that she too was a liar; but a more-well trained liar and not spontaneous? She was evil; she played people to her needs. She used them to better herself.
Towards the end of the book; when she came back home and reported her "kidnap and rape" from Desi it was here I thought this is going to end pretty shit now...but once again I was surprised. I began to hate Amy and like Nick. Still Nick demonstrated his violence towards Amy by strangling her and detailing his enjoyment of her pulsating struggle for breath. When Amy came back and explained the truth, and furthermore...I wanted her to be arrested; to find that tiny bit of evidence she didn't think of...something none of us would have thought of but maybe read and thought nothing of it at the time. Still, she still had things up her sleeve and still ten steps in front of Nick-the semen and her way of permanently keeping him in her life. I knew it had to end, but I think it would have been more entertaining on something she left out, rather than her once again winning.
Overall:
a great suspense-filled book that makes you yo-yo between liking/hating the characters!
Will be looking for more books written by her!
Sophia (Bookwyrming Thoughts) (530 KP) rated Splintered (Splintered, #1) in Books
Jan 23, 2020
<b>I loved <i>Splintered</i>, even though this is such a peculiar book.</b>
As the descendant of Lewis Carroll's inspiration for <i>Alices Adventures in Wonderland</i>, Alyssa and all the females after Alice Liddell can hear the thoughts of plants and animals. In an attempt to stop the whispers, Alyssa collects bugs and plants and uses them for her art. She keeps it hidden from those around her, but deep down she knows that she'll eventually be in an asylum like her mother. To fix the madness running in her family, Alyssa has to journey down the rabbit hole Alice went and fix her mistakes.
<i>Splintered</i> is quite phenomenal – <b>the writing is extremely vivid</b> and doesn't stray too far from the original classic while the story is being set up. After the story is set up, Howard sends us down the rabbit hole with <b>a dark and grotesque twist of the original classic.</b> We have skeletal rabbits, carnivorous plants, a ghost from Alice's past that's out for vengeance, and other dark creatures that <b>makes Wonderland a complete irony of its name.</b>
But... but... <b>there's a love triangle.</b>
<div class="separator" style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://2.bp.blogspot.com/-vCNbLv8rQAU/VcN_9G7BWAI/AAAAAAAAE0k/XoASwOo_DEA/s1600/giphy.gif"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/08/giphy-2.gif"; width="320" height="179" border="0" /></a></div>
<b>Jeb and Morpheus both have a history with Alyssa</b> – Morpheus just has a past with her in dreams while Jeb has a history with her in flesh and blood. None of them are absolute strangers to Alyssa. <b>They're both possessive and over-protective. They antagonize each other, have a few brawls here and there</b> throughout the story. By the end, <b>Alyssa chooses a side, but we might as well be back at square one</b> when Howard brings us back to the dark makings of Wonderland again in the sequel. There is no way Jeb and Morpheus won't be at each other's throats again.
I like neither of them. I don't like Jeb, I don't like Morpheus. I don't care they're hot – I just don't like them. I feel indifferent towards them and it could go on either a good route or bad route. Enough said on this love triangle.
<b>Simply put, I loved every aspect of <i>Splintered</i> and the dark adventure Howard takes us down the rabbit hole.</b> I just don't like the candidates of this love triangle.
Methinks Tim Burton and other horror directors doth approve of this retelling.
<a href="https://bookwyrmingthoughts.com/review-splintered-by-ag-howard/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
As the descendant of Lewis Carroll's inspiration for <i>Alices Adventures in Wonderland</i>, Alyssa and all the females after Alice Liddell can hear the thoughts of plants and animals. In an attempt to stop the whispers, Alyssa collects bugs and plants and uses them for her art. She keeps it hidden from those around her, but deep down she knows that she'll eventually be in an asylum like her mother. To fix the madness running in her family, Alyssa has to journey down the rabbit hole Alice went and fix her mistakes.
<i>Splintered</i> is quite phenomenal – <b>the writing is extremely vivid</b> and doesn't stray too far from the original classic while the story is being set up. After the story is set up, Howard sends us down the rabbit hole with <b>a dark and grotesque twist of the original classic.</b> We have skeletal rabbits, carnivorous plants, a ghost from Alice's past that's out for vengeance, and other dark creatures that <b>makes Wonderland a complete irony of its name.</b>
But... but... <b>there's a love triangle.</b>
<div class="separator" style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://2.bp.blogspot.com/-vCNbLv8rQAU/VcN_9G7BWAI/AAAAAAAAE0k/XoASwOo_DEA/s1600/giphy.gif"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/08/giphy-2.gif"; width="320" height="179" border="0" /></a></div>
<b>Jeb and Morpheus both have a history with Alyssa</b> – Morpheus just has a past with her in dreams while Jeb has a history with her in flesh and blood. None of them are absolute strangers to Alyssa. <b>They're both possessive and over-protective. They antagonize each other, have a few brawls here and there</b> throughout the story. By the end, <b>Alyssa chooses a side, but we might as well be back at square one</b> when Howard brings us back to the dark makings of Wonderland again in the sequel. There is no way Jeb and Morpheus won't be at each other's throats again.
I like neither of them. I don't like Jeb, I don't like Morpheus. I don't care they're hot – I just don't like them. I feel indifferent towards them and it could go on either a good route or bad route. Enough said on this love triangle.
<b>Simply put, I loved every aspect of <i>Splintered</i> and the dark adventure Howard takes us down the rabbit hole.</b> I just don't like the candidates of this love triangle.
Methinks Tim Burton and other horror directors doth approve of this retelling.
<a href="https://bookwyrmingthoughts.com/review-splintered-by-ag-howard/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Sophia (Bookwyrming Thoughts) (530 KP) rated Before I Let Go in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<strong>Sometimes when I read a book, I forget why I wanted to read the book in the first place.</strong> <em>Before I Let Go</em> is, unfortunately, one of those books I forgot <em>why</em> I even bothered. It seemed interesting? Maybe last semester I read a different synopsis (probably not)?
Was I asleep? (It's possible - I'm a tired college kid who appears to have enough sleep.)
<em>Before I Let Go</em> is set in the present with Corey returning home to Lost Creek, only to find out her best friend Kyra is dead and the town that once ostracized Kyra is suddenly mourning her. And for some reason whatsoever, the role is reversed and Corey is looked upon as an outsider who moved into the wrong city.
<strong>I was expecting a lot more suspense and build up but I got none of it.</strong> Nada. Zip. I got a lot of this:
<blockquote>Lost doesn't take well to change, but we learned to understand her. She was <em>happy</em>.</blockquote>
And this.
<blockquote>She spread happiness. Kyra finding a place here was a sign to all of us that Lost can change - and change for the better. After all those years, she'd finally come home to us, and we to her. She was at peace.</blockquote>
And this.
<blockquote>With her art, she showed us the future. And once you understand that, you'll find Kyra's truth.</blockquote>
Same message, all a different variation.<img class="aligncenter size-full wp-image-4490" src="https://bookwyrmingthoughts.com/wp-content/uploads/sites/317/2015/11/Rapunzel-Sad-Sigh-Reaction-Gif.gif"; alt="" width="320" height="180" />
No suspense whatsoever aside from a mild curiosity. 🤷
<strong>Eventually, all of it felt repetitive </strong>and there didn't seem to be any progress aside from finding out what kind of person Kyra was before she died (even that felt a little confusing sometimes).
<strong>The writing is readable though.</strong> I went through <em>Before I Let Go</em> relatively quickly, at least the small progress that I chose to go through before my attention got taken away by <em>The Heart Forger</em>.
<strong>I still don't know why I wanted to read this book.</strong> I expected more, I got virtually nothing but an early DNF in the year. 😪
<a href="https://bookwyrmingthoughts.com/before-i-let-go-by-marieke-nijkamp-review/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<strong>Sometimes when I read a book, I forget why I wanted to read the book in the first place.</strong> <em>Before I Let Go</em> is, unfortunately, one of those books I forgot <em>why</em> I even bothered. It seemed interesting? Maybe last semester I read a different synopsis (probably not)?
Was I asleep? (It's possible - I'm a tired college kid who appears to have enough sleep.)
<em>Before I Let Go</em> is set in the present with Corey returning home to Lost Creek, only to find out her best friend Kyra is dead and the town that once ostracized Kyra is suddenly mourning her. And for some reason whatsoever, the role is reversed and Corey is looked upon as an outsider who moved into the wrong city.
<strong>I was expecting a lot more suspense and build up but I got none of it.</strong> Nada. Zip. I got a lot of this:
<blockquote>Lost doesn't take well to change, but we learned to understand her. She was <em>happy</em>.</blockquote>
And this.
<blockquote>She spread happiness. Kyra finding a place here was a sign to all of us that Lost can change - and change for the better. After all those years, she'd finally come home to us, and we to her. She was at peace.</blockquote>
And this.
<blockquote>With her art, she showed us the future. And once you understand that, you'll find Kyra's truth.</blockquote>
Same message, all a different variation.<img class="aligncenter size-full wp-image-4490" src="https://bookwyrmingthoughts.com/wp-content/uploads/sites/317/2015/11/Rapunzel-Sad-Sigh-Reaction-Gif.gif"; alt="" width="320" height="180" />
No suspense whatsoever aside from a mild curiosity. 🤷
<strong>Eventually, all of it felt repetitive </strong>and there didn't seem to be any progress aside from finding out what kind of person Kyra was before she died (even that felt a little confusing sometimes).
<strong>The writing is readable though.</strong> I went through <em>Before I Let Go</em> relatively quickly, at least the small progress that I chose to go through before my attention got taken away by <em>The Heart Forger</em>.
<strong>I still don't know why I wanted to read this book.</strong> I expected more, I got virtually nothing but an early DNF in the year. 😪
<a href="https://bookwyrmingthoughts.com/before-i-let-go-by-marieke-nijkamp-review/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Emma @ The Movies (1786 KP) rated Color Out of Space (2019) in Movies
Feb 8, 2020
You had me at Nicolas Cage.
The Gardners are settling into the secluded family home nicely, no city hustle and bustle to bother them. That peaceful life is shattered when a curious meteorite crashes into their garden. Far from a normal bit of space debris, the rock seems to be changing everything around it. It's taking over, the plants, pace and time, even the family themselves.
Briefly hearing Richard Stanley before this screening made me feel this adaptation of Lovecraft's work of the same name was in good hands, he clearly has an appreciation for what he's was working on and the imagery he creates makes for incredible viewing.
So, straight to Nic Cage... he doesn't quite go full Cage, but he's pretty close. It's the usual insanity we've all come to love.
This film is a little crazy on many levels, the family as a whole are very off before we even get to the magical meteorite. Each member seemingly has their own little corner of crazy town mapped out, and yet when you look at them as a whole you'd wouldn't put them in the same family.
As the film progresses and things get even more bizarre the family feel even less connected than at the beginning. The alien influence is pushing them further apart, but on top of that the script falls away in the middle and chaotic devolving of sanity replaces it. Each member of the family has their own experience with the meteorite, apart from chaos and the underlying cause none of it feels connected.
To say it plainly, there's some really messed up stuff. I would love to see how some of it was achieved because if Richardson is doing half the things it appears she is then she deserves some kind of award. I've got the short story to read so I can compare the two because honestly I can't visualise the written version of this story.
The creatures that evolve are made to be terrifying, and they do scare, but the comedy moments that come through from the performances (mostly unintentionally I guess) detract from it being all that shocking.
Our meteorite has a great influence over the sets for most of the movie, the colours and the growth are used to good effect. The progression is clear and well balanced, it might not always look realistic but the fact that that's the point helps.
When you look at Color Out Of Space as a whole it's all over the place, interesting but ambling, understandable and confusing. Despite that, it's an experience that I enjoyed having.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/02/color-out-of-space-movie-review.html
The Gardners are settling into the secluded family home nicely, no city hustle and bustle to bother them. That peaceful life is shattered when a curious meteorite crashes into their garden. Far from a normal bit of space debris, the rock seems to be changing everything around it. It's taking over, the plants, pace and time, even the family themselves.
Briefly hearing Richard Stanley before this screening made me feel this adaptation of Lovecraft's work of the same name was in good hands, he clearly has an appreciation for what he's was working on and the imagery he creates makes for incredible viewing.
So, straight to Nic Cage... he doesn't quite go full Cage, but he's pretty close. It's the usual insanity we've all come to love.
This film is a little crazy on many levels, the family as a whole are very off before we even get to the magical meteorite. Each member seemingly has their own little corner of crazy town mapped out, and yet when you look at them as a whole you'd wouldn't put them in the same family.
As the film progresses and things get even more bizarre the family feel even less connected than at the beginning. The alien influence is pushing them further apart, but on top of that the script falls away in the middle and chaotic devolving of sanity replaces it. Each member of the family has their own experience with the meteorite, apart from chaos and the underlying cause none of it feels connected.
To say it plainly, there's some really messed up stuff. I would love to see how some of it was achieved because if Richardson is doing half the things it appears she is then she deserves some kind of award. I've got the short story to read so I can compare the two because honestly I can't visualise the written version of this story.
The creatures that evolve are made to be terrifying, and they do scare, but the comedy moments that come through from the performances (mostly unintentionally I guess) detract from it being all that shocking.
Our meteorite has a great influence over the sets for most of the movie, the colours and the growth are used to good effect. The progression is clear and well balanced, it might not always look realistic but the fact that that's the point helps.
When you look at Color Out Of Space as a whole it's all over the place, interesting but ambling, understandable and confusing. Despite that, it's an experience that I enjoyed having.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/02/color-out-of-space-movie-review.html
JT (287 KP) rated Fast & Furious Presents: Hobbs & Shaw (2019) in Movies
Mar 10, 2020
As an action connoisseur I know what I like. I’m easily pleased and not overly bothered by plot. It doesn’t always have to make sense, and set pieces can be incoherently over the top. This is why Fast & Furious Presents: Hobbs & Shaw is so enjoyable.
It’s clear to see that out of the franchise’s many characters Luke Hobbs (Dwayne Johnson) and Deckard Shaw (Jason Statham) have been by far the most entertaining. Johnson arrived in Fast & Furious 5 as the agent tasked with capturing Dominic Toretto (Vin Diesel) and his crew, while Statham’s debut was via a mid-credits scene during Fast & Furious 6 which connected to Fast and Furious: Tokyo Drift.
What carries the film through the odd bump here and there is the chemistry between Johnson and Statham. They are not pleased at having to work together in order to locate a deadly virus called ‘Snowflake’. The pair engage in a number of funny put-downs and quips that start to build a love hate relationship. By the end of the film it’s pretty much guaranteed they are going to be back for a sequel.
Fast & Furious is well known for pushing boundaries when it comes to action sequences and this installment continues the trend. From running down a high-rise building to a chase through the streets of London, culminating with a totally bonkers helicopter finale that must be seen to be believed. The fight scenes are well choreographed and slick, all catering to the actor in question, with a vast array of objects at hand to be used as lethal weapons.
Idris Elba‘s Brixton Lore is an admirable villain. With built in cybernetic augmentations he has a spidey sense that is second to none. But he doesn’t get the screen time he deserves and his back story feels rushed. That said, his motorbike has a distinct Transformers feel about it and not surprisingly it emanates a familiar sound during a high speed pursuit.
What carries the film through the odd bump here and there is the chemistry between Johnson and Statham.
As if all of that wasn’t enough, there are a couple of great cameos thrown which actually work quite well [we won’t spoil them]. Helen Mirren pops up as Queenie, the matriarch of the Shaw family and Deckard’s sister Hattie (Vanessa Kirby) has an integral role to play.
Whatever you might think of the franchise or how tired it has become, there is no getting away from the fact that it has made a shed load of money. Things certainly don’t look like slowing down either, with the release of Fast & Furious 9 due out next year – although it could be minus this dynamic duo.
It’s clear to see that out of the franchise’s many characters Luke Hobbs (Dwayne Johnson) and Deckard Shaw (Jason Statham) have been by far the most entertaining. Johnson arrived in Fast & Furious 5 as the agent tasked with capturing Dominic Toretto (Vin Diesel) and his crew, while Statham’s debut was via a mid-credits scene during Fast & Furious 6 which connected to Fast and Furious: Tokyo Drift.
What carries the film through the odd bump here and there is the chemistry between Johnson and Statham. They are not pleased at having to work together in order to locate a deadly virus called ‘Snowflake’. The pair engage in a number of funny put-downs and quips that start to build a love hate relationship. By the end of the film it’s pretty much guaranteed they are going to be back for a sequel.
Fast & Furious is well known for pushing boundaries when it comes to action sequences and this installment continues the trend. From running down a high-rise building to a chase through the streets of London, culminating with a totally bonkers helicopter finale that must be seen to be believed. The fight scenes are well choreographed and slick, all catering to the actor in question, with a vast array of objects at hand to be used as lethal weapons.
Idris Elba‘s Brixton Lore is an admirable villain. With built in cybernetic augmentations he has a spidey sense that is second to none. But he doesn’t get the screen time he deserves and his back story feels rushed. That said, his motorbike has a distinct Transformers feel about it and not surprisingly it emanates a familiar sound during a high speed pursuit.
What carries the film through the odd bump here and there is the chemistry between Johnson and Statham.
As if all of that wasn’t enough, there are a couple of great cameos thrown which actually work quite well [we won’t spoil them]. Helen Mirren pops up as Queenie, the matriarch of the Shaw family and Deckard’s sister Hattie (Vanessa Kirby) has an integral role to play.
Whatever you might think of the franchise or how tired it has become, there is no getting away from the fact that it has made a shed load of money. Things certainly don’t look like slowing down either, with the release of Fast & Furious 9 due out next year – although it could be minus this dynamic duo.
JT (287 KP) rated Godzilla (2014) in Movies
Mar 23, 2020
Does what it says on the tin
Big action blockbusters probably don’t get much bigger than this, certainly, the budgets don’t. Just ask Gareth Edwards, who is making his second feature (again about monsters) brings to life one of the films most iconic.
Edwards as a director landed on peoples radar with his 2010 micro-budgeted Monsters which drew on strong character development and their ongoing relationships in the aftermath of an alien invasion. In this reboot, which if there was ever a need for a remake this might well have been it, Edwards plumps for well crafted central characters while teasing us with glimpses of prehistoric beings saving the money shots for the big action set pieces.
In an opening credits history lesson which gives us a background into the creation of the gargantuan predator, and the reason for all that nuclear testing, we are fast-forwarded to 1999 was the discovery of giant remains sparks fears that something else has been awoken and ready to cause some havoc.
I wasn’t particularly blown away by this one, the first half is exceptional as Cranston’s Joe Brody is encapsulated in a collapsing nuclear power plant disaster and then goes a bit crackpot as he looks to unearth his theory that the government are trying to cover something up.
Once the dust settles on that and the force of nature have revealed themselves in the shape of Godzilla and his foe the M.U.TO.s (Massive Unidentified Terrestrial Objects) there is little to do but sit back and watch the carnage unfurl.
With so much going on the character performances are practically dwarfed by the 350 ft beasts going toe to toe, and you really pay little attention to what is going on in the background. Some of the cast add little if anything which is a shame, Ken Watanabe does a lot of starring into space with his jaw-dropping onto the floor. His partner in science Sally Hawkins merely attempts to add snippets of useless information and poor Elizabeth Olsen is reduced to a bit part love interest.
Taylor-Johnson looks suitably beefed up and manages to hold his own, taking centre stage to save the world from possible annihilation, as if that hasn’t already been achieved by the Dawrinesque nuclear creation. There are parts within the film that are ludicrous, and parts that you can stare in amazement at none more so than the final fight which if anything is certainly worth the admission price.
Visually as you would expect it’s a stunning film but is somewhat disjointed throughout. There were enough subtle references to suggest a sequel (which there was) and that Gareth Edwards will in someway get another crack and wreaking havoc somewhere else (which he didn’t).
Edwards as a director landed on peoples radar with his 2010 micro-budgeted Monsters which drew on strong character development and their ongoing relationships in the aftermath of an alien invasion. In this reboot, which if there was ever a need for a remake this might well have been it, Edwards plumps for well crafted central characters while teasing us with glimpses of prehistoric beings saving the money shots for the big action set pieces.
In an opening credits history lesson which gives us a background into the creation of the gargantuan predator, and the reason for all that nuclear testing, we are fast-forwarded to 1999 was the discovery of giant remains sparks fears that something else has been awoken and ready to cause some havoc.
I wasn’t particularly blown away by this one, the first half is exceptional as Cranston’s Joe Brody is encapsulated in a collapsing nuclear power plant disaster and then goes a bit crackpot as he looks to unearth his theory that the government are trying to cover something up.
Once the dust settles on that and the force of nature have revealed themselves in the shape of Godzilla and his foe the M.U.TO.s (Massive Unidentified Terrestrial Objects) there is little to do but sit back and watch the carnage unfurl.
With so much going on the character performances are practically dwarfed by the 350 ft beasts going toe to toe, and you really pay little attention to what is going on in the background. Some of the cast add little if anything which is a shame, Ken Watanabe does a lot of starring into space with his jaw-dropping onto the floor. His partner in science Sally Hawkins merely attempts to add snippets of useless information and poor Elizabeth Olsen is reduced to a bit part love interest.
Taylor-Johnson looks suitably beefed up and manages to hold his own, taking centre stage to save the world from possible annihilation, as if that hasn’t already been achieved by the Dawrinesque nuclear creation. There are parts within the film that are ludicrous, and parts that you can stare in amazement at none more so than the final fight which if anything is certainly worth the admission price.
Visually as you would expect it’s a stunning film but is somewhat disjointed throughout. There were enough subtle references to suggest a sequel (which there was) and that Gareth Edwards will in someway get another crack and wreaking havoc somewhere else (which he didn’t).
Kristy H (1252 KP) rated A Good Neighborhood in Books
Mar 26, 2020
Oak Knoll is a close-knit multiracial neighborhood in North Carolina where everyone looks out for one another. Valerie Alston-Holt, a professor and single mother, has raised her biracial son, Xavier, there since he was small. Their calm life changes, however, when the Whitman family moves in next door. First they raze the current house and build a "Mcmansion," whose very existence threatens the health of Valerie's beloved historic oak tree. Brad Whitman is a local celebrity, known for his charisma and commercials for his company, Whitman HVAC. His wife, Julia, has long escaped her trailer park days and is now raising her daughters Julia and Lily in a privilege she once dreamed of. But soon the Alston-Holts and Whitmans find them themselves fighting over the oak tree's well-being and then, the budding romance between Julia and Xavier.
"An upscale new house in a simple old neighborhood. A girl on a chaise beside a swimming pool, who wants to be left alone. We begin our story here, in the minutes before the small event that will change everything."
This book took my heart and spit it right out again. Oh my goodness. It's a different, beautiful, and absolutely heartbreaking read. We're told from the very beginning--by our omniscient third person narrator--that something bad is going to happen. And yet, I lived in denial that this was true. I devoured this book in two halves. It's utterly engrossing, and the characters just pop off the pages. The teens, especially. Oh Juniper and Xavier. I will not easily forget either of you.
A Good Neighborhood tackles a host of timely topics, and it handles all of them deftly. Race, religion, sexism, feminism--none of these are exempt in the pages of this novel. We see whiteness as a symbolism for purity, and we watch as Juniper struggles with the set of values being pushed upon her by her mother and stepfather, including a "purity vow" to remain both a virgin and loyal to her future husband. And then there's Xavier, a talented musician, who has been raised by his strong mother after his father's death. She wants so much for her son to do anything, but yet lives in fear because he is biracial. Juniper, Xavier, and Valerie were such powerful characters.
I do not want to give much of the plot away, but I can tell you that this book is heartbreaking and beautiful. It will get you to think about racism and sexism. The strong themes of good versus evil are presented in such a unique and compelling manner. Adding the third-person piece just gives an extra piece to the story. This book is incredibly well-written and will stay with you for quite some time. 4.5 stars.
"An upscale new house in a simple old neighborhood. A girl on a chaise beside a swimming pool, who wants to be left alone. We begin our story here, in the minutes before the small event that will change everything."
This book took my heart and spit it right out again. Oh my goodness. It's a different, beautiful, and absolutely heartbreaking read. We're told from the very beginning--by our omniscient third person narrator--that something bad is going to happen. And yet, I lived in denial that this was true. I devoured this book in two halves. It's utterly engrossing, and the characters just pop off the pages. The teens, especially. Oh Juniper and Xavier. I will not easily forget either of you.
A Good Neighborhood tackles a host of timely topics, and it handles all of them deftly. Race, religion, sexism, feminism--none of these are exempt in the pages of this novel. We see whiteness as a symbolism for purity, and we watch as Juniper struggles with the set of values being pushed upon her by her mother and stepfather, including a "purity vow" to remain both a virgin and loyal to her future husband. And then there's Xavier, a talented musician, who has been raised by his strong mother after his father's death. She wants so much for her son to do anything, but yet lives in fear because he is biracial. Juniper, Xavier, and Valerie were such powerful characters.
I do not want to give much of the plot away, but I can tell you that this book is heartbreaking and beautiful. It will get you to think about racism and sexism. The strong themes of good versus evil are presented in such a unique and compelling manner. Adding the third-person piece just gives an extra piece to the story. This book is incredibly well-written and will stay with you for quite some time. 4.5 stars.
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