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I tried to avoid much about this before seeing it and despite the internet being what it is I somehow managed to avoid spoilers.
Harley is fresh off a breakup and she's looking for something to help her bounce back. When she finds the perfect way it's liberating, she's a whole new woman... she's also the managed to declare open season on herself. The who's who of Gotham villainy are looking for revenge and there's no one to protect her.
In the inevitable chaos she leaves in her wake she comes across a group of ladies who are all in need of some new friends.
I went in expecting something with a bit of sass, that's all I really had in mind before seeing it, violence and sass. It certainly didn't disappoint on that level. But there was some confusion for me because there was a lot of film without actually feeling we were into the meat of the story... or what I had assumed was the main point of the film. That fact left me pondering about whether this should have had a different title.
The opening was a particular surprise, it was so different and it really worked. It provided a quick recap on what we'd missed between previous offerings and did it in such a fun way. I loved the animation style and it had some nods of nostalgia in there too.
Being the villain with a touch of hero puts Harley on a level with other characters and films, there are many little flashes throughout that remind me of Deadpool and Suicide Squad. Even with those nods it definitely takes on its own twist. There's no denying that Harley is a great character, and Robbie plays her fantastically, but she's been done wrong by being given a film without the proper credit of it... Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn... As I said above, perhaps this name was misplaced. Giving the Birds Of Prey headline billing makes you think you're getting something very different. Traditionally you would go from existing content to new... here's Harley and introducing Birds Of Prey... but while the story does that the title does the complete opposite. I don't know why they wouldn't just have given the honour to Harley instead of a rather fanciful footnote of a subtitle.
Harley has some great moments in this film, the emotion on her face when she works out how to get closure and then this...
[sadly no amazing gif in this review, you can see it on my blog, link below]
I can see the whole thing as being within her personality, but somehow not the end of the film, that's the bit that didn't feel right to me.
The whole film feels like a set up for an actual Birds Of Prey film, but I'm not sure any of the characters really got their due. Renee Montoya was originally a character made for Batman's part of Gotham, not Harley's, she was affected by the corruption of the Police Department and her story feels like it was much more serious and dark there than it was here. Black Canary, again, doesn't seem to live up to existing backstory, though her caring nature in this is a welcome addition and she probably does the best out of the story. Huntress' story is a general amalgam of existing things, but she doesn't develop much, the fact that she's "new" to this lifestyle is played on a lot and her inexperience is used for humour most of the time. Cassandra Cain is probably the worst pickpocket in Gotham and yet somehow manages to steal a lot of stuff, what's more frustrating here is that the name holds a lot of weight in the DCEU but not in this film.
There are a lot of "main" characters and that doesn't help matters, but when they interact they all work quite well together. I don't think it would have hurt to have Montoya there in a lesser capacity, and the same goes for Cain. Neither character in this incarnation do a lot, though Cain physically has an important part to play.
Ewan McGregor's Roman Sionis/Black Mask. From the trailer I was keen to see what McGregor would do with this villainous role. It looked like it was going to be great, but the final product wasn't what I'd hoped for. Whether it was the reshoots or it was never there in the first place I don't know but it's a chaotic performance that probably should have been left to a new character. Naming him would have been fine if they'd actually given him the necessary story to explain him. As it is we get a glimpse of Black Mask and his gang but it doesn't mean a lot, and in the end it's a rather wasted opportunity.
There are a lot of things I want to say so I think I'm just going to list them off for a bit and then get back to something sensible...
Bojana Novakovic scene where she's on the table. It's completely out of place, there are plenty of ways to show Roman's paranoia and his bizarrely toxic relationship with Zsasz and any of them would have been better than this. The only good thing to take from it is that Black Canary has a really strong performance in it.
LGBT representation. There's so much of it and yet none whatsoever. They show us that Harley had a girlfriend in the past. Montoya is gay and we see the tatters of her relationship with Ellen Yee in a couple of brief exchanges. Roman and Zsasz... their relationship is an odd one, while not acknowledged as being gay they do have a very close bond. It could just be that they enable the destructive kindred spirit in each other, but Zsasz does have a jealous side that appears randomly. So like I said, there's a lot of inclusivity and yet none of it really get much airtime, and certainly not positive airtime.
Harley's narration and what it means for the story. The internet loves its controversy and one of the things with Birds Of Prey is that it's feminism gone made because all men are depicted as bad in the film. What I would say to that is that Harley is the narrator. She's fresh off her breakup with the Joker and she's angry... if she's telling this story the men are either going to be non-descript (police officers minding their own business in her attack) or bad (actual villains, minions or people who have wronged her friends who would therefore be bad in her mind). By that logic it's a really consistent narrative.
I think I've covered most of the random musings there.
Action in Birds Of Prey is really fun, but a little frustrating at times. The police station raid that we see in the trailer is brilliant and I love Harley's fun gun, it's a magical thing to watch and the explosions of colour add a great twist. It's really well choreographed and I actually think it builds well on Harley's changing nature from Suicide Squad. I do have issues with this same sequence though. Those sprinklers, there's no need for it apart from some added flair when they fight... and of course the bad guys all queue up to fight her one by one, very considerate. It then progresses to the evidence room and I don't think they took enough advantage of that for comedic effect, though I did like that it taught me a great technique for escaping an attacker and Harley got a great trick shot in.
The other big sequence is the finale where our leading ladies face off against those evil men inside the fun house (not the Pat Sharp one). There are a lot of oversized props and Cain is just kind of tossed around the set like a ragdoll but there are some amusing moments to be had out of it. My issue with this one is that they don't think things through and they get themselves into something that was entirely avoidable.
Design of everything from costumes to sets is fabulous, the colours in particular really jump out. The camerawork is great too and I enjoyed the slightly hyper nature to it with the way it switches up within scenes. Music choices are brilliant too and I've been on Spotify and got the songs to listen to, none of this album malarkey though, I found a list online of all the song, don't do it by halves... Barracuda and Black Betty need to be on your playlist!
I know I kind of fluffed over those bits very quickly but honestly I don't know how you're still reading this review at this point.
So, in conclusion... there are a lot of flaws, on first viewing I loved the beginning but felt let down by the end. My second viewing went a very similar way, though the divide blurred away a little bit. Even with these issues I really enjoyed Birds Of Prey, the acting is all good (it's only the characters I have problems with) and it's just crazy fun. People pick at the way DCEU films have been going, but honestly, I'm loving it.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/02/birds-of-prey-movie-review.html
Harley is fresh off a breakup and she's looking for something to help her bounce back. When she finds the perfect way it's liberating, she's a whole new woman... she's also the managed to declare open season on herself. The who's who of Gotham villainy are looking for revenge and there's no one to protect her.
In the inevitable chaos she leaves in her wake she comes across a group of ladies who are all in need of some new friends.
I went in expecting something with a bit of sass, that's all I really had in mind before seeing it, violence and sass. It certainly didn't disappoint on that level. But there was some confusion for me because there was a lot of film without actually feeling we were into the meat of the story... or what I had assumed was the main point of the film. That fact left me pondering about whether this should have had a different title.
The opening was a particular surprise, it was so different and it really worked. It provided a quick recap on what we'd missed between previous offerings and did it in such a fun way. I loved the animation style and it had some nods of nostalgia in there too.
Being the villain with a touch of hero puts Harley on a level with other characters and films, there are many little flashes throughout that remind me of Deadpool and Suicide Squad. Even with those nods it definitely takes on its own twist. There's no denying that Harley is a great character, and Robbie plays her fantastically, but she's been done wrong by being given a film without the proper credit of it... Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn... As I said above, perhaps this name was misplaced. Giving the Birds Of Prey headline billing makes you think you're getting something very different. Traditionally you would go from existing content to new... here's Harley and introducing Birds Of Prey... but while the story does that the title does the complete opposite. I don't know why they wouldn't just have given the honour to Harley instead of a rather fanciful footnote of a subtitle.
Harley has some great moments in this film, the emotion on her face when she works out how to get closure and then this...
[sadly no amazing gif in this review, you can see it on my blog, link below]
I can see the whole thing as being within her personality, but somehow not the end of the film, that's the bit that didn't feel right to me.
The whole film feels like a set up for an actual Birds Of Prey film, but I'm not sure any of the characters really got their due. Renee Montoya was originally a character made for Batman's part of Gotham, not Harley's, she was affected by the corruption of the Police Department and her story feels like it was much more serious and dark there than it was here. Black Canary, again, doesn't seem to live up to existing backstory, though her caring nature in this is a welcome addition and she probably does the best out of the story. Huntress' story is a general amalgam of existing things, but she doesn't develop much, the fact that she's "new" to this lifestyle is played on a lot and her inexperience is used for humour most of the time. Cassandra Cain is probably the worst pickpocket in Gotham and yet somehow manages to steal a lot of stuff, what's more frustrating here is that the name holds a lot of weight in the DCEU but not in this film.
There are a lot of "main" characters and that doesn't help matters, but when they interact they all work quite well together. I don't think it would have hurt to have Montoya there in a lesser capacity, and the same goes for Cain. Neither character in this incarnation do a lot, though Cain physically has an important part to play.
Ewan McGregor's Roman Sionis/Black Mask. From the trailer I was keen to see what McGregor would do with this villainous role. It looked like it was going to be great, but the final product wasn't what I'd hoped for. Whether it was the reshoots or it was never there in the first place I don't know but it's a chaotic performance that probably should have been left to a new character. Naming him would have been fine if they'd actually given him the necessary story to explain him. As it is we get a glimpse of Black Mask and his gang but it doesn't mean a lot, and in the end it's a rather wasted opportunity.
There are a lot of things I want to say so I think I'm just going to list them off for a bit and then get back to something sensible...
Bojana Novakovic scene where she's on the table. It's completely out of place, there are plenty of ways to show Roman's paranoia and his bizarrely toxic relationship with Zsasz and any of them would have been better than this. The only good thing to take from it is that Black Canary has a really strong performance in it.
LGBT representation. There's so much of it and yet none whatsoever. They show us that Harley had a girlfriend in the past. Montoya is gay and we see the tatters of her relationship with Ellen Yee in a couple of brief exchanges. Roman and Zsasz... their relationship is an odd one, while not acknowledged as being gay they do have a very close bond. It could just be that they enable the destructive kindred spirit in each other, but Zsasz does have a jealous side that appears randomly. So like I said, there's a lot of inclusivity and yet none of it really get much airtime, and certainly not positive airtime.
Harley's narration and what it means for the story. The internet loves its controversy and one of the things with Birds Of Prey is that it's feminism gone made because all men are depicted as bad in the film. What I would say to that is that Harley is the narrator. She's fresh off her breakup with the Joker and she's angry... if she's telling this story the men are either going to be non-descript (police officers minding their own business in her attack) or bad (actual villains, minions or people who have wronged her friends who would therefore be bad in her mind). By that logic it's a really consistent narrative.
I think I've covered most of the random musings there.
Action in Birds Of Prey is really fun, but a little frustrating at times. The police station raid that we see in the trailer is brilliant and I love Harley's fun gun, it's a magical thing to watch and the explosions of colour add a great twist. It's really well choreographed and I actually think it builds well on Harley's changing nature from Suicide Squad. I do have issues with this same sequence though. Those sprinklers, there's no need for it apart from some added flair when they fight... and of course the bad guys all queue up to fight her one by one, very considerate. It then progresses to the evidence room and I don't think they took enough advantage of that for comedic effect, though I did like that it taught me a great technique for escaping an attacker and Harley got a great trick shot in.
The other big sequence is the finale where our leading ladies face off against those evil men inside the fun house (not the Pat Sharp one). There are a lot of oversized props and Cain is just kind of tossed around the set like a ragdoll but there are some amusing moments to be had out of it. My issue with this one is that they don't think things through and they get themselves into something that was entirely avoidable.
Design of everything from costumes to sets is fabulous, the colours in particular really jump out. The camerawork is great too and I enjoyed the slightly hyper nature to it with the way it switches up within scenes. Music choices are brilliant too and I've been on Spotify and got the songs to listen to, none of this album malarkey though, I found a list online of all the song, don't do it by halves... Barracuda and Black Betty need to be on your playlist!
I know I kind of fluffed over those bits very quickly but honestly I don't know how you're still reading this review at this point.
So, in conclusion... there are a lot of flaws, on first viewing I loved the beginning but felt let down by the end. My second viewing went a very similar way, though the divide blurred away a little bit. Even with these issues I really enjoyed Birds Of Prey, the acting is all good (it's only the characters I have problems with) and it's just crazy fun. People pick at the way DCEU films have been going, but honestly, I'm loving it.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/02/birds-of-prey-movie-review.html
Kaysee Hood (83 KP) rated Fangirl in Books
Oct 3, 2017
Fangirling (2 more)
College Life
Carry On
Oh can I relate!
Rainbow Rowell’s Fangirl speaks to the hearts of the current generation of teenagers and young adults who have found love in fandoms, but cannot seem to figure it out in the real world when their heads are in the clouds full of fanfics and theories.
As we grow to become adults we must venture through events of many firsts like kissing, love, heartbreak, and more. It is how we figure out who we are and who we are meant to be even if sometimes the road is not so easy to travel; however, for Cath she was never alone to experience life with her twin sister. This was until Freshmen year of college when Wren wants to separate herself from Cath because they have done everything together always for their whole lives. Cath does not want this. She’s scared to not have Wren feet away from her. She fearful of the strangeness college will offer. She terrified she’s crazy and people will find her weird for her fanfics of Simon and Baz.
Wren does not give in. She moves in with her roommate, Coutrny, and spends her free time getting drunk at parties. She distances herself from Cath to the point they do not even speak to one another. Thus Cath finds out who she is under the layers she’s wrapped around herself since her mom left without Wren to hold her hand to keep her steady. Oh boy, does this journey give her more adventures she has ever had in the last eighteen years of life all because of Nick (writing partner), Reagan (her roommate), and most importantly Levi (the boy who is always waiting outside her dorm for Reagan). There are other important characters at play in Cath’s life. Miniature quests wrapped around the biggest one of all: Cath learning to be her own person.
Rowell’s style is very pleasing when it comes to the flow between Cath around people in real life and how Cath is when she is logged in FanFixx posting Carry On, Simon chapters. We can relate to the girl who has hidden in her room relying on Wren to give little breathes of life from the one she is not living. She is realistic and not a carbon copy twisted to fit into a new plot to gain readers. In general Rowell writes her characters exquisitely as they stand out being not only realistic versions of possibly real people we could run into on the street, but all have their own lives not pieced together solely to further the plot for Cath alone shown with each word written through their actions or when they speak. Each could stand alone as interesting additions instead of misplaced messes. Even the subplots do not feel tacked on and further the story until the final page is done where it is easy to see how each line led to the end.
By the end of it all none of it felt overdone or predictable and I personally stood behind Cath cheering for her. Anyone could read Fangirl and enjoy Cath’s voyage alone as a Freshmen in college, but I think the fangirls and fanboys might enjoy it a bit more. Pick up a copy as soon as possible to learn how Cath’s story ends.
As we grow to become adults we must venture through events of many firsts like kissing, love, heartbreak, and more. It is how we figure out who we are and who we are meant to be even if sometimes the road is not so easy to travel; however, for Cath she was never alone to experience life with her twin sister. This was until Freshmen year of college when Wren wants to separate herself from Cath because they have done everything together always for their whole lives. Cath does not want this. She’s scared to not have Wren feet away from her. She fearful of the strangeness college will offer. She terrified she’s crazy and people will find her weird for her fanfics of Simon and Baz.
Wren does not give in. She moves in with her roommate, Coutrny, and spends her free time getting drunk at parties. She distances herself from Cath to the point they do not even speak to one another. Thus Cath finds out who she is under the layers she’s wrapped around herself since her mom left without Wren to hold her hand to keep her steady. Oh boy, does this journey give her more adventures she has ever had in the last eighteen years of life all because of Nick (writing partner), Reagan (her roommate), and most importantly Levi (the boy who is always waiting outside her dorm for Reagan). There are other important characters at play in Cath’s life. Miniature quests wrapped around the biggest one of all: Cath learning to be her own person.
Rowell’s style is very pleasing when it comes to the flow between Cath around people in real life and how Cath is when she is logged in FanFixx posting Carry On, Simon chapters. We can relate to the girl who has hidden in her room relying on Wren to give little breathes of life from the one she is not living. She is realistic and not a carbon copy twisted to fit into a new plot to gain readers. In general Rowell writes her characters exquisitely as they stand out being not only realistic versions of possibly real people we could run into on the street, but all have their own lives not pieced together solely to further the plot for Cath alone shown with each word written through their actions or when they speak. Each could stand alone as interesting additions instead of misplaced messes. Even the subplots do not feel tacked on and further the story until the final page is done where it is easy to see how each line led to the end.
By the end of it all none of it felt overdone or predictable and I personally stood behind Cath cheering for her. Anyone could read Fangirl and enjoy Cath’s voyage alone as a Freshmen in college, but I think the fangirls and fanboys might enjoy it a bit more. Pick up a copy as soon as possible to learn how Cath’s story ends.
Kaysee Hood (83 KP) rated Fangirl in Books
Nov 16, 2017
Twin Life (4 more)
College Life
Mental Illness
Carry On
Fan Fic
Fangirl speaks to the hearts of the current generation of teenagers and young adults who have found love in fandoms but cannot seem to figure it out in the real world when their heads are in the clouds full of fanfics and theories.
As we grow to become adults we must venture through events of many firsts like kissing, love, heartbreak, and more. It is how we figure out who we are, who we want to be, and where we want to go even if sometimes the road is not easy to travel; however, for Cath she was never alone with her twin sister and she never experienced much other than living through Wren. This was until Freshmen year of college because Wren wants to separate herself from Cath. They've done everything together since birth. Cath does not want this. Cath does not want the space. She's scared not to have Wren feet away. She's fearful of the strangeness college will offer. She's terrified she's crazy and people will find her weird for the Simon and Baz fanfics she's written.
Wren does not give in. She moves in with her roommate, Coutrny, and spends her free time getting drunk at parties. She distances herself from Cath to the point they do not even speak. Thus Cath finds out who she is under the layers she’s wrapped around herself since her mom left without Wren to hold her hand and keep her steady. Oh boy, does this journey give her more adventures she has ever had in the last eighteen years of life all because of Nick (writing partner), Reagan (her roommate), and most importantly Levi (the boy who is always waiting outside her dorm for Reagan). There are other important characters at play in Cath’s life. Miniature quests wrapped around the biggest one of all: Cath learning to be her own person.
Rowell’s style is very pleasing when it comes to the flow between Cath around people in real life and how Cath is when she is logged in FanFixx posting Carry On, Simon chapters. We can relate to the girl who has hidden in her room relying on Wren to give little breathes of life from the one she is not living. She is realistic and not a carbon copy twisted to fit into a new plot to gain readers. In general Rowell writes her characters exquisitely as they stand out being not only realistic versions of possibly real people we could run into on the street, but all have their own lives not pieced together solely to further the plot for Cath alone shown with each word written through their actions or when they speak. Each could stand alone as interesting additions instead of misplaced messes. Even the subplots do not feel tacked on and further the story until the final page is done where it is easy to see how each line led to the end.
By the end of it all none of it felt overdone or predictable and I personally stood behind Cath cheering for her. Anyone could read Fangirl and enjoy Cath’s voyage alone as a Freshmen in college, but I think the fangirls and fanboys might enjoy it a bit more. Pick up a copy as soon as possible to learn how Cath’s story ends.
As we grow to become adults we must venture through events of many firsts like kissing, love, heartbreak, and more. It is how we figure out who we are, who we want to be, and where we want to go even if sometimes the road is not easy to travel; however, for Cath she was never alone with her twin sister and she never experienced much other than living through Wren. This was until Freshmen year of college because Wren wants to separate herself from Cath. They've done everything together since birth. Cath does not want this. Cath does not want the space. She's scared not to have Wren feet away. She's fearful of the strangeness college will offer. She's terrified she's crazy and people will find her weird for the Simon and Baz fanfics she's written.
Wren does not give in. She moves in with her roommate, Coutrny, and spends her free time getting drunk at parties. She distances herself from Cath to the point they do not even speak. Thus Cath finds out who she is under the layers she’s wrapped around herself since her mom left without Wren to hold her hand and keep her steady. Oh boy, does this journey give her more adventures she has ever had in the last eighteen years of life all because of Nick (writing partner), Reagan (her roommate), and most importantly Levi (the boy who is always waiting outside her dorm for Reagan). There are other important characters at play in Cath’s life. Miniature quests wrapped around the biggest one of all: Cath learning to be her own person.
Rowell’s style is very pleasing when it comes to the flow between Cath around people in real life and how Cath is when she is logged in FanFixx posting Carry On, Simon chapters. We can relate to the girl who has hidden in her room relying on Wren to give little breathes of life from the one she is not living. She is realistic and not a carbon copy twisted to fit into a new plot to gain readers. In general Rowell writes her characters exquisitely as they stand out being not only realistic versions of possibly real people we could run into on the street, but all have their own lives not pieced together solely to further the plot for Cath alone shown with each word written through their actions or when they speak. Each could stand alone as interesting additions instead of misplaced messes. Even the subplots do not feel tacked on and further the story until the final page is done where it is easy to see how each line led to the end.
By the end of it all none of it felt overdone or predictable and I personally stood behind Cath cheering for her. Anyone could read Fangirl and enjoy Cath’s voyage alone as a Freshmen in college, but I think the fangirls and fanboys might enjoy it a bit more. Pick up a copy as soon as possible to learn how Cath’s story ends.
postapocalypticplayground (27 KP) rated Crooked Kingdom in Books
Jan 9, 2018
Brekker is back and with more fiendish frivolity from the barrel. Still trying to recover from the disastrous end to the Ice Court job, little does Kaz know how deep the deception went and how much he is going to have to unravel to even begin to salvage what he started. Kaz maybe clever but he is far from the only clever man in Ketterdam. He is going to have to work even harder than ever before to try and recapture what he is owed, but with Inej captured, Nina battling an addiction with parem, Wylan tailored to the wrong face and Jesper now forced to confront his past, how easy will that be?
Crooked Kingdom is a longer book than Six of Crows yet the action takes place mainly over a matter of days, the multiple POV's stretching the tortuously epic and heart thumping twists across the pages. It still has that immense page turning captivation that was within Six of Crows, but it just lacked that extra sense of excitement along with it. They are both books of equal joy but I think book 1 just pips it, but only just. In typical Kaz Brekker style there are twists and swindles and multiple cons that would given Danny Ocean on his best day a run for his money. I love a story that keeps me questioning myself and hanging on a thread as to the outcome, and Crooked Kingdom gave this to me in spades.
I don't know what is wrong with me of late in the emotions stake, but this book again reduced me to tears, the short but intense bursts of connectivity with the characters overwhelmed me. Multiple POV's in books is a risk and I have been drowned by them in books in the past but Leigh Bardugo manages to completely avoid this. Despite every player being forced to battle for chapter time, I felt utterly part of them and their story, sharing their joys and sadness as they peaked and troughed through the words.
The only thing that I didn't enjoy about this concluding part of the duology was entirely down to the publisher. I read the paperback of this book and found that the text was just so hard to read. The margins were so tight, the text was disappearing into the gutter and hiding under my thumbs as I was reading. I hate having to bend back spines on paperbacks which made this even more of an arduous task, I get that more text on a page means fewer pages and lower print costs but this made it such a hard read at times, sort it out Indigo!! This is the first Duology that I have read and I have to say this is now my favourite book series style, all of the action and none of the filler - I hope that more writers/publishers take this forward in the future.
Would I love more from Kaz and the Dregs? Of course! However, unlike a TV show that jumps the shark I am glad that the world of Ketterdam has been left the way it has and I look forward immensely to the next original world created by Bardugo.
Crooked Kingdom is a longer book than Six of Crows yet the action takes place mainly over a matter of days, the multiple POV's stretching the tortuously epic and heart thumping twists across the pages. It still has that immense page turning captivation that was within Six of Crows, but it just lacked that extra sense of excitement along with it. They are both books of equal joy but I think book 1 just pips it, but only just. In typical Kaz Brekker style there are twists and swindles and multiple cons that would given Danny Ocean on his best day a run for his money. I love a story that keeps me questioning myself and hanging on a thread as to the outcome, and Crooked Kingdom gave this to me in spades.
I don't know what is wrong with me of late in the emotions stake, but this book again reduced me to tears, the short but intense bursts of connectivity with the characters overwhelmed me. Multiple POV's in books is a risk and I have been drowned by them in books in the past but Leigh Bardugo manages to completely avoid this. Despite every player being forced to battle for chapter time, I felt utterly part of them and their story, sharing their joys and sadness as they peaked and troughed through the words.
The only thing that I didn't enjoy about this concluding part of the duology was entirely down to the publisher. I read the paperback of this book and found that the text was just so hard to read. The margins were so tight, the text was disappearing into the gutter and hiding under my thumbs as I was reading. I hate having to bend back spines on paperbacks which made this even more of an arduous task, I get that more text on a page means fewer pages and lower print costs but this made it such a hard read at times, sort it out Indigo!! This is the first Duology that I have read and I have to say this is now my favourite book series style, all of the action and none of the filler - I hope that more writers/publishers take this forward in the future.
Would I love more from Kaz and the Dregs? Of course! However, unlike a TV show that jumps the shark I am glad that the world of Ketterdam has been left the way it has and I look forward immensely to the next original world created by Bardugo.
Eilidh G Clark (177 KP) rated Nasty Women in Books
May 13, 2017
Nasty women is hard-hitting, eye-opening, and unashamedly honest.
‘Sometimes the role model you need is not an example to aspire to, but someone who reflects back the parts of yourself that society deems fit.’ -
Becca Inglis
Nasty Women, published by 404 ink, is a collection of essays about what it is, and how it feels to be a woman in the 21st century. When I first picked up the book, I assumed, like I think most readers would, that it would be an easy book to just pick up and put down whenever I had a spare ten minutes. Wrong, I was sucked into this book right from the beginning, and read it all in a day. That doesn’t mean it was an easy read, or perhaps easy is the wrong word – it isn’t a comfortable read - and it isn’t meant to be. Nasty women is hard-hitting, eye-opening, and unashamedly honest.
The book opens with ‘Independence Day’ by Katie Muriel. A story of mixed race and identity in Trump’s America, Muriel discusses her experience of inter-family racism, heightened by political differences, ‘This is not the first, nor is it the last family divide Trump will leave in his wake, but I refuse to think of him as some deity who stands around shifting pieces on a board in his golden war room.’ The anger in this piece is clear, but it is the rationalism and clarity of the writer that speaks volumes. Race, racism and xenophobia, is a prominent feature in these stories. Claire L. Heuchan, for example, talks about ‘Othering’ a term that readers will see repeatedly in this book, ‘Scotland,’ she writes, ‘is a fairly isolating place to be a black woman.’
Survival is a key trope in Nasty Women. Mel Reeve, in ‘The Nastiness of Survival,’ talks about being a survivor of rape and emotional abuse, ‘I do not fit the ‘right’ definition of someone who has been raped.’ This statement alone is filled with irony.
I was particularly drawn to Laura Waddell’s essay, ‘Against Stereotypes: Working Class Girls and Working Class Art.’ Laura talks about the difficulty of both gender and class inequality, and, in particular, the lack of working class writers and working class fiction being published, ‘I have read a lot of fiction’ she says, ‘I have read almost none from housing estates such as the one I grew up on. These stories are missing, from shelves, and from the record.’ As a Scottish fiction writer from a working-class background myself, these words resonate deeply.
Alice Tarbuck’s ‘Foraging and Feminism: Hedge-Witchcraft in the 21st Century’, is almost fun to read in a deeply devastating way. There is a desperate tone in this piece, and a desperate need to escape society. ‘There is beauty and bounty around us if we look for it, and perhaps that is all the magic we need. Or perhaps, what we need is real magic, whether that comes in the form of resistance and community or the form of blackthorn charms and skullcap tinctures, and howling to the moon.
I loved this book. This book gives women a voice. And it is loud! Well done 404 Ink, and all the contributors, for bravely breaking the silence.
Becca Inglis
Nasty Women, published by 404 ink, is a collection of essays about what it is, and how it feels to be a woman in the 21st century. When I first picked up the book, I assumed, like I think most readers would, that it would be an easy book to just pick up and put down whenever I had a spare ten minutes. Wrong, I was sucked into this book right from the beginning, and read it all in a day. That doesn’t mean it was an easy read, or perhaps easy is the wrong word – it isn’t a comfortable read - and it isn’t meant to be. Nasty women is hard-hitting, eye-opening, and unashamedly honest.
The book opens with ‘Independence Day’ by Katie Muriel. A story of mixed race and identity in Trump’s America, Muriel discusses her experience of inter-family racism, heightened by political differences, ‘This is not the first, nor is it the last family divide Trump will leave in his wake, but I refuse to think of him as some deity who stands around shifting pieces on a board in his golden war room.’ The anger in this piece is clear, but it is the rationalism and clarity of the writer that speaks volumes. Race, racism and xenophobia, is a prominent feature in these stories. Claire L. Heuchan, for example, talks about ‘Othering’ a term that readers will see repeatedly in this book, ‘Scotland,’ she writes, ‘is a fairly isolating place to be a black woman.’
Survival is a key trope in Nasty Women. Mel Reeve, in ‘The Nastiness of Survival,’ talks about being a survivor of rape and emotional abuse, ‘I do not fit the ‘right’ definition of someone who has been raped.’ This statement alone is filled with irony.
I was particularly drawn to Laura Waddell’s essay, ‘Against Stereotypes: Working Class Girls and Working Class Art.’ Laura talks about the difficulty of both gender and class inequality, and, in particular, the lack of working class writers and working class fiction being published, ‘I have read a lot of fiction’ she says, ‘I have read almost none from housing estates such as the one I grew up on. These stories are missing, from shelves, and from the record.’ As a Scottish fiction writer from a working-class background myself, these words resonate deeply.
Alice Tarbuck’s ‘Foraging and Feminism: Hedge-Witchcraft in the 21st Century’, is almost fun to read in a deeply devastating way. There is a desperate tone in this piece, and a desperate need to escape society. ‘There is beauty and bounty around us if we look for it, and perhaps that is all the magic we need. Or perhaps, what we need is real magic, whether that comes in the form of resistance and community or the form of blackthorn charms and skullcap tinctures, and howling to the moon.
I loved this book. This book gives women a voice. And it is loud! Well done 404 Ink, and all the contributors, for bravely breaking the silence.
Haley Mathiot (9 KP) rated Crescendo (Hush, Hush, #2) in Books
Apr 27, 2018
Crescendo by Becca Fitzpatrick
Genre: YA
ISBN: 9781416989431
Publication date: October 19th 2010 by Simon & Schuster Children's Publishing
Rating: 5
(No summary, to keep spoilers out!)
Ok. Crescendo definitely wasn’t what I expected. I definitely liked it—maybe loved it. But I can’t say I enjoyed reading it. I won’t spoil it, but we’ll just say there were times when I wanted to wring the characters necks. It was wonderful, and it was miserable.
And Patch. Oh Patch.
Ok. Can’t say anything else about Patch.
I admire a book that surprises the crap out of me. Crescendo did that. I had absolutely no idea of who was the bad guy until the very last page, and it was nothing but wishful thinking that kept the hero in his position. Although the tension, both romantic and emotional, made it difficult to read at times, I tore through it and couldn't put it down.
So here are the things that made it wonderful:
1. The plot was woven perfectly, intricately, and complexly, and it surprised me. There was so much to it, that it might take a while for me to completely wrap my head around it. It did not have plot overkill, thank goodness, but it would have if it hadn’t been organized and written so well.
2. The emotional turmoil was very real… reading it was almost depressing… if I hadn’t had so much faith in Patch… Wow. Having faith in Patch isn’t a good thing, is it?
3. Not only was the plot complicated, but it was fast paced the entire time. There was no down-time, there was nothing simple.
As far as the writing, I have nothing great to say about it. It was every-day satisfyingly mediocre writing style and vocabulary, but it wasn’t bad.
And of course, the characters… well they don’t have that many redeeming qualities, do they? I mean, really. Name five things about Patch that make him a worth-while guy, besides being sexy and smelling delicious. And yes, sometimes I wanted to yell at Nora to forget about her pride and just “do it!” (no not that! you’ll understand when you read it!)
Now for my favorite part: The end. It was good and bad: Good because I got the end that I wanted in the first place (!!!) and bad because at the very end, the last paragraph, I read it and freaked out… SERIOUSLY? BECCA, THAT’S NOT AN ENDING! It was worse than Catching Fire. But the rest was wonderful! *swoons*
So. I absolutely recommend Crescendo. I recommend reading it when you have all day to devote to it, because you won’t want to stop and leave yourself feeling angry and depressed. Because really, the whole mood of this book is angry, sad, and depressing. But it was ok that way.
Then again… you may want to wait to read it until book 3 comes out. Because there will definitely be a book 3. And I definitely want it right now.
And that’s all I have to say about that.
Content/recommendation: Ages 16+ for some sensuality. And you have to read Hush, Hush first or none of it will make any sense.
By the way, I got my ARC of Hush Hush at ARC swap. So head over there to see if there are any goodies you’d like to swap for. Last I checked, there was an ARC of Fallout, Tyger Tyger, Party, Perchance to Dream, and quite a few more. http://arcswap.webs.com
Genre: YA
ISBN: 9781416989431
Publication date: October 19th 2010 by Simon & Schuster Children's Publishing
Rating: 5
(No summary, to keep spoilers out!)
Ok. Crescendo definitely wasn’t what I expected. I definitely liked it—maybe loved it. But I can’t say I enjoyed reading it. I won’t spoil it, but we’ll just say there were times when I wanted to wring the characters necks. It was wonderful, and it was miserable.
And Patch. Oh Patch.
Ok. Can’t say anything else about Patch.
I admire a book that surprises the crap out of me. Crescendo did that. I had absolutely no idea of who was the bad guy until the very last page, and it was nothing but wishful thinking that kept the hero in his position. Although the tension, both romantic and emotional, made it difficult to read at times, I tore through it and couldn't put it down.
So here are the things that made it wonderful:
1. The plot was woven perfectly, intricately, and complexly, and it surprised me. There was so much to it, that it might take a while for me to completely wrap my head around it. It did not have plot overkill, thank goodness, but it would have if it hadn’t been organized and written so well.
2. The emotional turmoil was very real… reading it was almost depressing… if I hadn’t had so much faith in Patch… Wow. Having faith in Patch isn’t a good thing, is it?
3. Not only was the plot complicated, but it was fast paced the entire time. There was no down-time, there was nothing simple.
As far as the writing, I have nothing great to say about it. It was every-day satisfyingly mediocre writing style and vocabulary, but it wasn’t bad.
And of course, the characters… well they don’t have that many redeeming qualities, do they? I mean, really. Name five things about Patch that make him a worth-while guy, besides being sexy and smelling delicious. And yes, sometimes I wanted to yell at Nora to forget about her pride and just “do it!” (no not that! you’ll understand when you read it!)
Now for my favorite part: The end. It was good and bad: Good because I got the end that I wanted in the first place (!!!) and bad because at the very end, the last paragraph, I read it and freaked out… SERIOUSLY? BECCA, THAT’S NOT AN ENDING! It was worse than Catching Fire. But the rest was wonderful! *swoons*
So. I absolutely recommend Crescendo. I recommend reading it when you have all day to devote to it, because you won’t want to stop and leave yourself feeling angry and depressed. Because really, the whole mood of this book is angry, sad, and depressing. But it was ok that way.
Then again… you may want to wait to read it until book 3 comes out. Because there will definitely be a book 3. And I definitely want it right now.
And that’s all I have to say about that.
Content/recommendation: Ages 16+ for some sensuality. And you have to read Hush, Hush first or none of it will make any sense.
By the way, I got my ARC of Hush Hush at ARC swap. So head over there to see if there are any goodies you’d like to swap for. Last I checked, there was an ARC of Fallout, Tyger Tyger, Party, Perchance to Dream, and quite a few more. http://arcswap.webs.com
Haley Mathiot (9 KP) rated The Wolf Next Door (Westfield Wolves, #3) in Books
Apr 27, 2018
The Wolf Next Door by Lydia Dare
Genre: Paranormal werewolf romance, historical fiction
ISBN:9781402236969
Published: June 1st 2010 by Sourcebooks Casablanca
Rating:
Years ago, William Westfield and Pricia Hawthorne were in love—but Pricia's heart was broken and she refuses to let the scoundrel forget it. She knows now that he never committed the accused crime… but she can't bare to give her heart to him again. Even though she wants to.
Will has established his reputation as the best lover in six centuries. And he knows he did it to get Pricia out of his head. He still loves and adores her, snotty remarks and spirited personality and rule-breaking attitude and all. But when he is forced to visit the Hawthorne house to escort his sisters-in-law, he discovers that another man—another Lycan man—is pursuing her hand in marriage. Will doesn't think: The games are over. He decides that he will do anything and everything to keep the other werewolf away, and claim her forever.
This was, out of the three Westfield stories, my favorite. From the time I started reading, I couldn't put it down. It was fast-paced, exciting, and romantic. Although can I say that the covers—for this one and the others—could have been better? Still, I loved the story.
Will has always been my favorite Westfield, because of his happy, funny, warm, laid-back personality… and I loved seeing him desperately in love, trying his hardest to charm Pricia's socks off. Pricia is my favorite kind of heroine: the kind that can hold her own, especially with five brothers. Put Will and Pricia together, and you have an epic couple: They love each other, they hate each other. But they only hate each other because they love each other… a never-ending circle, a never-ending conversation, and a never-ending story… but a very satisfying ending to the book.
The plot was a lot more exciting than Dare's other werewolf stories—not to say the others aren't exciting. But this one surpassed the others. The other Lycan threatening Will's happiness added a good conflict to the story. Pricia's execution of torture on poor Will was both pitiful and hilarious. There was a war going on between the two wolves, and a war going on between the lovers, and it made for a stay-up-until-3-AM kind of book.
One of the reasons this one was probably my favorite, was because it wasn't sappy. I'm not saying the others are: but there was this running theme of the woman telling the man she was in love with him, and the man not admitting it until way too late, and causing problems because of it. There was none of that in The Wolf Next Door. Will straight up told Pricia that he loved her. He told her father he loved her. He told his brothers, and her brothers, that he loved her. And it made their romance much better and much more believable.
Magic, romance, heart-break, rivals, witches, and true love…all tied together with a sweet, naive, innocent little devil, and a very handsome werewolf. This one is begging to be re-read.
Content/recommendation: Little language, some sex. Ages 18+
Genre: Paranormal werewolf romance, historical fiction
ISBN:9781402236969
Published: June 1st 2010 by Sourcebooks Casablanca
Rating:
Years ago, William Westfield and Pricia Hawthorne were in love—but Pricia's heart was broken and she refuses to let the scoundrel forget it. She knows now that he never committed the accused crime… but she can't bare to give her heart to him again. Even though she wants to.
Will has established his reputation as the best lover in six centuries. And he knows he did it to get Pricia out of his head. He still loves and adores her, snotty remarks and spirited personality and rule-breaking attitude and all. But when he is forced to visit the Hawthorne house to escort his sisters-in-law, he discovers that another man—another Lycan man—is pursuing her hand in marriage. Will doesn't think: The games are over. He decides that he will do anything and everything to keep the other werewolf away, and claim her forever.
This was, out of the three Westfield stories, my favorite. From the time I started reading, I couldn't put it down. It was fast-paced, exciting, and romantic. Although can I say that the covers—for this one and the others—could have been better? Still, I loved the story.
Will has always been my favorite Westfield, because of his happy, funny, warm, laid-back personality… and I loved seeing him desperately in love, trying his hardest to charm Pricia's socks off. Pricia is my favorite kind of heroine: the kind that can hold her own, especially with five brothers. Put Will and Pricia together, and you have an epic couple: They love each other, they hate each other. But they only hate each other because they love each other… a never-ending circle, a never-ending conversation, and a never-ending story… but a very satisfying ending to the book.
The plot was a lot more exciting than Dare's other werewolf stories—not to say the others aren't exciting. But this one surpassed the others. The other Lycan threatening Will's happiness added a good conflict to the story. Pricia's execution of torture on poor Will was both pitiful and hilarious. There was a war going on between the two wolves, and a war going on between the lovers, and it made for a stay-up-until-3-AM kind of book.
One of the reasons this one was probably my favorite, was because it wasn't sappy. I'm not saying the others are: but there was this running theme of the woman telling the man she was in love with him, and the man not admitting it until way too late, and causing problems because of it. There was none of that in The Wolf Next Door. Will straight up told Pricia that he loved her. He told her father he loved her. He told his brothers, and her brothers, that he loved her. And it made their romance much better and much more believable.
Magic, romance, heart-break, rivals, witches, and true love…all tied together with a sweet, naive, innocent little devil, and a very handsome werewolf. This one is begging to be re-read.
Content/recommendation: Little language, some sex. Ages 18+
Daniel Boyd (1066 KP) rated Russian Doll in TV
Feb 5, 2019 (Updated Feb 5, 2019)
Natasha Lyonne carries this entire series phenomenally (2 more)
Good, tight script full of quick, witty dialogue
Short and sweet
Death Becomes Her
I watched Netflix's latest series Russian Doll over the past weekend and I loved it. Natasha Lyonne stars as a woman who on the night of her 36th birthday party, is suddenly hit by a car and dies. She then comes to and finds herself again standing in the bathroom in front of the sink back at her birthday party without a scratch. Then after dying a few more times and returning to the same spot in the bathroom, she realises that she is unable to stay dead and is going to be stuck in this loop indefinitely.
I had no clue what to expect going into this one. I was a fan of Natasha Lyonne from her role in Orange Is The New Black and had heard that she had co-wrote this project and even had a hand in directing it. This peaked my curiosity enough to give it a shot, and I'm glad that I did because, (although it is only February,) this is my favourite show of this year so far.
There is of course the presence of the obvious 'Groundhog Day,' trope, but thankfully the show uses this mechanic to it's benefit and manages to tell a fairly unique story based on a pretty unoriginal story-telling device. The show was co-written by Lyonne, Amy Poehler and Leslye Headland and the writing is brilliant. The show is comedic in all of the right places while managing to achieve and maintain a more serious tone when it wants to for certain moments, especially towards the end of the series.
Consisting of eight episodes all around 30 minutes in duration, the series moves at an extremely brisk pace and it is a pace that matches the quick dialogue and editing style that the series adopts during many of the death montage sequences. This all gels together to ensure that the show never feels stagnant or dragging in any sense. The score and cinematography are also great and compliment the other aspects of the show very nicely. All of this together is what gives this show it's unique, quirky feel.
Though, none of this would work without having a reliable lead protagonist to tie the whole thing together and Natasha Lyonne pulls off this difficult task flawlessly. I have always enjoyed seeing Lyonne pop up in several projects as a solid supporting actress, but this is the first time that I have seen her in the lead role and she is phenomenal through the entire eight episodes that Russian Doll consists of. Match that with the writing and directing credits that she claims on this series and you realise that we are watching an artist with incredible talent getting to realise her vision through this project and it is a joy to witness the whole thing unfold.
Overall, Russian Doll is a fantastic series that is enjoyable from start to finish. It features brilliant writing, fantastic performances and plenty of laughs. Due to the oddball nature and tone of this wonderful series, I am not sure if I want to see a second season. However, I am very much looking forward to seeing wherever Lyonne goes from here and what she plans to do next, both as an actress and as an auteur.
I had no clue what to expect going into this one. I was a fan of Natasha Lyonne from her role in Orange Is The New Black and had heard that she had co-wrote this project and even had a hand in directing it. This peaked my curiosity enough to give it a shot, and I'm glad that I did because, (although it is only February,) this is my favourite show of this year so far.
There is of course the presence of the obvious 'Groundhog Day,' trope, but thankfully the show uses this mechanic to it's benefit and manages to tell a fairly unique story based on a pretty unoriginal story-telling device. The show was co-written by Lyonne, Amy Poehler and Leslye Headland and the writing is brilliant. The show is comedic in all of the right places while managing to achieve and maintain a more serious tone when it wants to for certain moments, especially towards the end of the series.
Consisting of eight episodes all around 30 minutes in duration, the series moves at an extremely brisk pace and it is a pace that matches the quick dialogue and editing style that the series adopts during many of the death montage sequences. This all gels together to ensure that the show never feels stagnant or dragging in any sense. The score and cinematography are also great and compliment the other aspects of the show very nicely. All of this together is what gives this show it's unique, quirky feel.
Though, none of this would work without having a reliable lead protagonist to tie the whole thing together and Natasha Lyonne pulls off this difficult task flawlessly. I have always enjoyed seeing Lyonne pop up in several projects as a solid supporting actress, but this is the first time that I have seen her in the lead role and she is phenomenal through the entire eight episodes that Russian Doll consists of. Match that with the writing and directing credits that she claims on this series and you realise that we are watching an artist with incredible talent getting to realise her vision through this project and it is a joy to witness the whole thing unfold.
Overall, Russian Doll is a fantastic series that is enjoyable from start to finish. It features brilliant writing, fantastic performances and plenty of laughs. Due to the oddball nature and tone of this wonderful series, I am not sure if I want to see a second season. However, I am very much looking forward to seeing wherever Lyonne goes from here and what she plans to do next, both as an actress and as an auteur.