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Andy K (10821 KP) rated Psycho (1960) in Movies
Sep 30, 2019
Most Hollywood scholars and film critics agree Vertigo is the ultimate Hitchcock masterpiece with Psycho, North By Northwest or Rear Window rounding out the top 4. Although I would give each a 10 out of 10, I would say Psycho is probably my all time favorite.
Maybe you could say Vertigo is a better technical film or it uses camera, lighting, sets and scenery better, but Psycho has all of that as well and then some. I remember reading somewhere a list of movies where mid way through the film the plot was hijacked in a completely different direction than it had been going (for movies like From Dusk Till Dawn and True Lies), but Psycho was not listed.
I was extremely surprised in that by 1960, how many filmmakers would dare kill off their only main character and the only one the audience cares about partially through and leave the audience gasping as what was to happen next? I wish I had been sitting in a darkened theatre in 1960 to see just that. Working at movie theatres for years, I have had my share of watching crowd reaction both in laughter and in fear, and I can see how movie makers enjoy doing this themselves for their own films.
Great movies keep you coming back even though you are completely familiar with every detail already, but still come back to rewatch anyways.
I have to assume Anthony Perkins did too good of a job as Norman Bates to have any casting directors use him for different roles. He reprised Norman, several times in the 80s and 90s, and also had roles in other films like The Black Hole and Murder on the Orient Express, but no one really remembers him for anything other than Psycho. He was just that great.
I absolutely love the Bernard Herrmann score, especially over the haunting opening credit sequence. One of the best of all time. Have to mention Janet Leigh also won an Oscar for Best Supporting Actress. She was memorable and marvelous as well.
And Hitch never won Best Director.
Maybe you could say Vertigo is a better technical film or it uses camera, lighting, sets and scenery better, but Psycho has all of that as well and then some. I remember reading somewhere a list of movies where mid way through the film the plot was hijacked in a completely different direction than it had been going (for movies like From Dusk Till Dawn and True Lies), but Psycho was not listed.
I was extremely surprised in that by 1960, how many filmmakers would dare kill off their only main character and the only one the audience cares about partially through and leave the audience gasping as what was to happen next? I wish I had been sitting in a darkened theatre in 1960 to see just that. Working at movie theatres for years, I have had my share of watching crowd reaction both in laughter and in fear, and I can see how movie makers enjoy doing this themselves for their own films.
Great movies keep you coming back even though you are completely familiar with every detail already, but still come back to rewatch anyways.
I have to assume Anthony Perkins did too good of a job as Norman Bates to have any casting directors use him for different roles. He reprised Norman, several times in the 80s and 90s, and also had roles in other films like The Black Hole and Murder on the Orient Express, but no one really remembers him for anything other than Psycho. He was just that great.
I absolutely love the Bernard Herrmann score, especially over the haunting opening credit sequence. One of the best of all time. Have to mention Janet Leigh also won an Oscar for Best Supporting Actress. She was memorable and marvelous as well.
And Hitch never won Best Director.