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Lee (2222 KP) rated Thor: Ragnarok (2017) in Movies
Oct 27, 2017
Thor! (3 more)
Hulk!
Korg!
Everything else!
Finally, a decent Thor movie!
Thor movies have always been a bit hit and miss for me. The first one did a pretty decent, standard job of introducing Thor and the mythology surrounding him and home world of Asgard. It also introducing us to mischievous brother Loki, in preparation for his involvement in the Avengers and beyond. But, in my opinion the movie never really hit the mark in the way that the first Captain America or Iron Man movies did. The Dark World was just awful. I remember falling asleep halfway through and then waking up right at the end. Before I drifted off, Loki was dead. When I woke up, he was alive. I just couldn't be arsed to go back and find out what the hell had happened in-between, and I still don't know.
Since then, the appeal of Thor (aside from his obvious appeal to the ladies) has grown considerably via his other appearances within the Marvel Cinematic Universe. His humourous side began to show a lot more. Ragnarok just takes that side of him to a whole other level, delivering the funniest most ridiculous Marvel movie to date. And it's a joyous blast!
Things start as they mean to go on, with Thor dangling in chains before giant fire demon Surtur, constantly interrupting his monologue as he waffles on about destroying Asgard. Thor soon escapes, defeating a huge army and killing a dragon creature in an impressive battle sequence. Then, it's back to Asgard for a little bit of Loki mischief, down to Earth for a brief but hilarious meeting with one of the newest additions to the MCU, followed by a trip to Norway! And then it's time to introduce us to the big bad of the movie, banished sister of Thor and Loki, Hela the goddess of death (Cate Blanchett), who has returned to claim the throne of Asgard. It's no secret, if you've seen the trailer, that she's powerful enough to destroy Mjolnir, so when she does, Thor and Loki both know she means business. Hela banishes Thor to Sakaar, and that's where the crazy really kicks in. Captured by a Valkyrie from Asgard, Thor is transported to the fighting pits where he is set to meet the Grandmaster (Jeff Goldblum) and fight against his champion in the main event. It's at this point that we also meet Korg, a rock gladiator voiced by Taika Waititi himself, who manages to deliver many of the films funniest lines in a softly spoken Kiwi accent.
Again, if you've seen the trailer then you've already at this point got a pretty good idea who the champion gladiator is going to be. And the "He's a friend from work" line sums up just how much fun this entire scene is. Watching from the sidelines is Loki, and his reaction upon seeing Hulk, along with his reaction to the whole magnificent fight sequence, is hilarious. But, the one thing on Thor's mind is to get back to Asgard and stop Hela. And his plan involves eventually recruiting Hulk, the Valkyrie who captured him, and even Loki, to form a brand new team called 'The Revengers'!
Along with Thor, this is also the best use of Hulk within a Marvel movie so far. He has plenty more to say this time round, and with a wider range of emotions too. Most of the time though this involves being sulky and moody, and complaining about everyone on Earth thinking he's the stupidest Avenger. The banter between Thor and Hulk throughout the entire movie is just brilliant.
I tend to judge my Marvel movies on how often I catch myself gazing at the screen with a wide-eyed, slack-jawed geeky grin on my face and there were a lot of those moments during Ragnarok, especially during the final scenes. I can't remember the last time I had this much fun watching a Marvel movie!
Since then, the appeal of Thor (aside from his obvious appeal to the ladies) has grown considerably via his other appearances within the Marvel Cinematic Universe. His humourous side began to show a lot more. Ragnarok just takes that side of him to a whole other level, delivering the funniest most ridiculous Marvel movie to date. And it's a joyous blast!
Things start as they mean to go on, with Thor dangling in chains before giant fire demon Surtur, constantly interrupting his monologue as he waffles on about destroying Asgard. Thor soon escapes, defeating a huge army and killing a dragon creature in an impressive battle sequence. Then, it's back to Asgard for a little bit of Loki mischief, down to Earth for a brief but hilarious meeting with one of the newest additions to the MCU, followed by a trip to Norway! And then it's time to introduce us to the big bad of the movie, banished sister of Thor and Loki, Hela the goddess of death (Cate Blanchett), who has returned to claim the throne of Asgard. It's no secret, if you've seen the trailer, that she's powerful enough to destroy Mjolnir, so when she does, Thor and Loki both know she means business. Hela banishes Thor to Sakaar, and that's where the crazy really kicks in. Captured by a Valkyrie from Asgard, Thor is transported to the fighting pits where he is set to meet the Grandmaster (Jeff Goldblum) and fight against his champion in the main event. It's at this point that we also meet Korg, a rock gladiator voiced by Taika Waititi himself, who manages to deliver many of the films funniest lines in a softly spoken Kiwi accent.
Again, if you've seen the trailer then you've already at this point got a pretty good idea who the champion gladiator is going to be. And the "He's a friend from work" line sums up just how much fun this entire scene is. Watching from the sidelines is Loki, and his reaction upon seeing Hulk, along with his reaction to the whole magnificent fight sequence, is hilarious. But, the one thing on Thor's mind is to get back to Asgard and stop Hela. And his plan involves eventually recruiting Hulk, the Valkyrie who captured him, and even Loki, to form a brand new team called 'The Revengers'!
Along with Thor, this is also the best use of Hulk within a Marvel movie so far. He has plenty more to say this time round, and with a wider range of emotions too. Most of the time though this involves being sulky and moody, and complaining about everyone on Earth thinking he's the stupidest Avenger. The banter between Thor and Hulk throughout the entire movie is just brilliant.
I tend to judge my Marvel movies on how often I catch myself gazing at the screen with a wide-eyed, slack-jawed geeky grin on my face and there were a lot of those moments during Ragnarok, especially during the final scenes. I can't remember the last time I had this much fun watching a Marvel movie!
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Bob Mann (459 KP) rated The Snowman (2017) in Movies
Sep 29, 2021
“We’re trudging through the slush”.
Unlike its animated namesake, “The Snowman” is not a good film. Frustratingly it has all the right ingredients:
A story by bestselling Nordic writer Jo Nesbø;
Gorgeously photogenic snowy scenes of Oslo and Bergen;
A stellar cast (Michael Fassbender (“Alien: Covenant“); Rebecca Ferguson (“Mission Impossible: Rogue Nation“); J.K. Simmons (“Whiplash“); Toby Jones (“Dad’s Army“); Chloe Sevigny (“Love and Friendship“); Charlotte Gainsbourg (“Independence Day: Resurgence“, very sexy as Fassbender’s ex-squeeze) and even Val Kilmer (“Top Gun”, whose mother – interesting fact – is actually Swedish).
snowman2
That sinking feeling when you realise you’ve been drinking all night and its too late for bed before work.
And while these elements congeal in the snow together quite well as vignettes, the whole film jerks from vignette to vignette in a most unsatisfactory way. I haven’t read the book (which might be much better) but the inclusion in the (terrible!) trailers of key scenes that never made the final cut (where was the fire for example?, the fish? the man trap?) implied to me that the director (Tomas Alfredson, “Tinker, Tailor, Soldier, Spy”) and screenwriting team – Peter Straughan (also “Tinker, Tailor”), Hossein Amini (“The Two Faces of January“) and Søren Sveistrup (TV’s “The Killing”) – either didn’t have (or didn’t agree on) the direction they wanted the film to go in.
Film Title: The Snowman
Arve Stop (J.K. Simmons) and Katrine (Rebecca Ferguson) having a “Weinstein moment” at the hotel.
Nesbø (and indeed most crime writers these days) litter their work with damaged cops…. you have to question whether the detective application form has a mandatory check-box with “alcoholic and borderline psycho” on it!. This film is no exception. Fassbender plays Nesbø’s master sleuth Harry Hole: an alcoholic insomniac well off the rails between homicide cases. “If only Oslo had a higher murder rate” bemoans his boss (Ronan Vibert). He joins forces with newby officer Katrine Bratt (Rebecca Ferguson), who has her fair share of mental demons to fight, in investigating a series of missing person/murder cases. The duo unearth a link between the cases – all happen when the snow starts to fall and to particular types of women, with the protagonist leaving a snowman at the scene.
snowman5
One of the cuter snowmen… they get worse… much worse.
The plot is highly formulaic – I guessed who the killer was within about 20 minutes. But what makes this movie stand out, for all the wrong reasons, is that it has one of the most stupid, vacuous, flaccid, inane, ridiculous … (add 50 other thesaurus entries)… endings imaginable. My mouth actually gaped in astonishment!
There are also a surprisingly large number of loose ends you ponder after the film ends: why the “Snowman”‘s fixation with Harry?; what was with the “Vetlesen cleaner” subplot? How is Star Trek transportation possible in Norway? (But wait… “Telemark”… “Teleport”…. coincidence????? 🙂
On the plus side, there is some lovely Norwegian drone cinematography – (by Australian Dion Beebe (“Edge of Tomorrow“) – that immediately made me put “travel by winter train from Oslo to Bergen” on my life-map. The music by Marco Beltrami (“Logan“) is also effective and suitably Hitchcockian.
If you like your films gory, this one is definitely for you, with some pretty graphic content that (for those who like to cover their eyes) is cut to so quickly by editors Thelma Schoonmaker (“The Wolf of Wall Street“) and Claire Simpson (“Far From The Madding Crowd“) that your hands won’t have time to leave your lap! I remember this being a feature of a previous Nesbø adaptation (the much better “Headhunters” from 2011) but here it goes into overdrive.
snowman1
One of my favourite actresses – Rebecca Ferguson, curiously playing much “younger” in this film than she appears in her previous hits.
Overall this was a rather disappointing effort that was heading for a FFf rating. But just because of that ending I’m knocking a whole extra Fad off!
A story by bestselling Nordic writer Jo Nesbø;
Gorgeously photogenic snowy scenes of Oslo and Bergen;
A stellar cast (Michael Fassbender (“Alien: Covenant“); Rebecca Ferguson (“Mission Impossible: Rogue Nation“); J.K. Simmons (“Whiplash“); Toby Jones (“Dad’s Army“); Chloe Sevigny (“Love and Friendship“); Charlotte Gainsbourg (“Independence Day: Resurgence“, very sexy as Fassbender’s ex-squeeze) and even Val Kilmer (“Top Gun”, whose mother – interesting fact – is actually Swedish).
snowman2
That sinking feeling when you realise you’ve been drinking all night and its too late for bed before work.
And while these elements congeal in the snow together quite well as vignettes, the whole film jerks from vignette to vignette in a most unsatisfactory way. I haven’t read the book (which might be much better) but the inclusion in the (terrible!) trailers of key scenes that never made the final cut (where was the fire for example?, the fish? the man trap?) implied to me that the director (Tomas Alfredson, “Tinker, Tailor, Soldier, Spy”) and screenwriting team – Peter Straughan (also “Tinker, Tailor”), Hossein Amini (“The Two Faces of January“) and Søren Sveistrup (TV’s “The Killing”) – either didn’t have (or didn’t agree on) the direction they wanted the film to go in.
Film Title: The Snowman
Arve Stop (J.K. Simmons) and Katrine (Rebecca Ferguson) having a “Weinstein moment” at the hotel.
Nesbø (and indeed most crime writers these days) litter their work with damaged cops…. you have to question whether the detective application form has a mandatory check-box with “alcoholic and borderline psycho” on it!. This film is no exception. Fassbender plays Nesbø’s master sleuth Harry Hole: an alcoholic insomniac well off the rails between homicide cases. “If only Oslo had a higher murder rate” bemoans his boss (Ronan Vibert). He joins forces with newby officer Katrine Bratt (Rebecca Ferguson), who has her fair share of mental demons to fight, in investigating a series of missing person/murder cases. The duo unearth a link between the cases – all happen when the snow starts to fall and to particular types of women, with the protagonist leaving a snowman at the scene.
snowman5
One of the cuter snowmen… they get worse… much worse.
The plot is highly formulaic – I guessed who the killer was within about 20 minutes. But what makes this movie stand out, for all the wrong reasons, is that it has one of the most stupid, vacuous, flaccid, inane, ridiculous … (add 50 other thesaurus entries)… endings imaginable. My mouth actually gaped in astonishment!
There are also a surprisingly large number of loose ends you ponder after the film ends: why the “Snowman”‘s fixation with Harry?; what was with the “Vetlesen cleaner” subplot? How is Star Trek transportation possible in Norway? (But wait… “Telemark”… “Teleport”…. coincidence????? 🙂
On the plus side, there is some lovely Norwegian drone cinematography – (by Australian Dion Beebe (“Edge of Tomorrow“) – that immediately made me put “travel by winter train from Oslo to Bergen” on my life-map. The music by Marco Beltrami (“Logan“) is also effective and suitably Hitchcockian.
If you like your films gory, this one is definitely for you, with some pretty graphic content that (for those who like to cover their eyes) is cut to so quickly by editors Thelma Schoonmaker (“The Wolf of Wall Street“) and Claire Simpson (“Far From The Madding Crowd“) that your hands won’t have time to leave your lap! I remember this being a feature of a previous Nesbø adaptation (the much better “Headhunters” from 2011) but here it goes into overdrive.
snowman1
One of my favourite actresses – Rebecca Ferguson, curiously playing much “younger” in this film than she appears in her previous hits.
Overall this was a rather disappointing effort that was heading for a FFf rating. But just because of that ending I’m knocking a whole extra Fad off!
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