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LeftSideCut (3776 KP) rated Hellraiser III: Hell on Earth (1992) in Movies
Jan 8, 2022
Hellraiser III is undoubtedly an odd beast. It feels so out of touch with the genuinely fantastic first two films, to the point where it should be a massive shot in the foot, but somehow, it's ludicrously entertaining.
The big and obvious potential for error is the series' infamous antagonist/anti-hero Pinhead. I say anti-hero because the first two films don't portray him as a flat out villain. He's rather, an indifferent creature, who acts with some sort of honour. Hell on Earth just goes full blown bad guy, aligning him more accurately with slasher villains of the 80s. It's proves to be a hinderence in execution, replacing the mysterious and sparingly shown Pinhead of before with one that throws out an evil cackle whilst slaughtering his victims, and even provides a couple of quips. He gets some cool lines here and there but it leans too heavily into occasionally goofy over-exposure.
The other cenobites that surround him are kind of lame this time around as well, even if there's a weird enjoyment in watching one of them slice up innocent bystanders by throwing CDs at their faces.
The story kind of makes sense, and it's commitment to staying connected to the previous films is commendable, but it does completely fall off the rails near the end. It doesn't help that the editing is so jarring between scenes.
In spite of these issues, the overall experience is a lot of fun. It lacks the subtlety and borderline arthouse style that really set the first two apart, but it still kind of works. It's not ideal, but intriguing, kind of like an oddball cousin that might visit now and again.
The big and obvious potential for error is the series' infamous antagonist/anti-hero Pinhead. I say anti-hero because the first two films don't portray him as a flat out villain. He's rather, an indifferent creature, who acts with some sort of honour. Hell on Earth just goes full blown bad guy, aligning him more accurately with slasher villains of the 80s. It's proves to be a hinderence in execution, replacing the mysterious and sparingly shown Pinhead of before with one that throws out an evil cackle whilst slaughtering his victims, and even provides a couple of quips. He gets some cool lines here and there but it leans too heavily into occasionally goofy over-exposure.
The other cenobites that surround him are kind of lame this time around as well, even if there's a weird enjoyment in watching one of them slice up innocent bystanders by throwing CDs at their faces.
The story kind of makes sense, and it's commitment to staying connected to the previous films is commendable, but it does completely fall off the rails near the end. It doesn't help that the editing is so jarring between scenes.
In spite of these issues, the overall experience is a lot of fun. It lacks the subtlety and borderline arthouse style that really set the first two apart, but it still kind of works. It's not ideal, but intriguing, kind of like an oddball cousin that might visit now and again.
Lottie disney bookworm (1056 KP) rated Mirror, Mirror in Books
Aug 16, 2019
Review by Disney Bookworm
Contains spoilers, click to show
If I’m honest I initially thought the tagline to this Snow White twisted tale novel was a massive plot spoiler but, when you are 300 pages into a book and no-one has eaten a poisoned apple, it may be the ideal opportunity to admit you were wrong. This book is not that simple!
Mirror, Mirror explores the traditional Grimm fairy tale of Snow White through the eyes of the two main characters: the Evil Queen and Snow White herself. The reader is completely under the control of these two women: finding themselves with no choice but to witness the familiar story from their perspective.
Jen Calonita’s novel is also heavily built on story telling through flashbacks. In my opinion, this is a genius idea as it provides an undeniable depth to her characters. Let’s be honest, everyone knows the story of Snow White but not everyone knows the story before Snow White and it is here where the twisted tale evolves.
Through these flashbacks we meet Katherine and Ingrid: two sisters whom have lost their mother and are being raised by their neglectful, sometimes violent, father. As a result of their upbringing, Ingrid, the elder sister, has adopted a motherly role towards her younger sister Katherine and strives to protect the innocent girl at all times. They leave home, finding work on a farm where Katherine finds her passion within the apple orchard, cultivating a new variety of apple which will later attract the attention of the King.
Ingrid however, always wants more than what she has. Older and more aware of the hardship life can bring, Ingrid is not as sweet and innocent as her sister: people do not dote on Ingrid as they do Katherine and eventually Ingrid finds that she cannot settle for a simple life- instead opting for a job in a small shop known for its association with dark magic and the home of a certain mirror.
You may have guessed by now that Ingrid is, in fact, the Evil Queen and her sister Katherine is Snow White’s mother! I know what you are thinking, I have just described how protective Ingrid was of the future Queen: surely she wouldn’t “off” her own sister and try to collect her niece’s heart in a box?
This is where the complexity of Ingrid’s character really shines through and where, (if hats suited me) I will take my hat off to Jen Calonita. Mirror Mirror takes you on a journey with Ingrid. You experience her love for her sister first-hand as well as her frustration with her sheltered life but later you also witness her lust for power and how easily Ingrid’s choices lead her down the wrong path.
I also believe that Ingrid is truly scarred by her past. She sneers upon her sister’s kindness and villainises Katherine for letting a man, and later her baby, come between them. Ingrid views herself as wiser and more intelligent than her little sister: believing that she would certainly rule the Kingdom more efficiently and not stopping until this becomes a reality.
Despite being a formidable woman, Ingrid is not devoid of vulnerabilities and, as the story progresses, the readers will witness Ingrid’s ghosts and note how one in particular never leaves her until the very end.
Of course, Ingrid’s enabler is the magic mirror. Calonita paints a picture of a mirror identical to the one we remember from the Disney 1938 classic animated film with a haunting mask dominating and manipulating The Evil Queen with every chance it gets.
The mirror creates an obsession and dependence within Ingrid that is chillingly portrayed. It is undoubtedly the real villain of the story: demanding blood from the start and weakening Ingrid until she cleaves to its will. However, we all know who is standing between the mirror and its plans for domination and undisputed power: the princess Snow White.
In the past, I have made no secret of the fact that Snow is my least favourite Disney princess. Her voice in the film grated on me and I just genuinely found her irritating. Thankfully Calonita’s Snow White is more akin to the ‘Once Upon A Time’ interpretation and so much easier to form a relationship with as a reader.
While fulfilling our expectations of being kind, innocent and prone to falling in love with conveniently handsome Princes: Mirror Mirror’s Snow White is bolder than we are used to and, as her story progresses, becomes more confident in herself as the heir to the kingdom. Her priorities are more political in nature, with a strong focus on rebuilding her kingdom and her bravery shines through almost from the very beginning. Snow does encounter challenges and dark thoughts as any person does but earns her Disney princess badge by helping true love to save the day!
Similarly, the seven dwarves are not as one-dimensional as the classic movie. They assist the Princess of course and shelter her in the forest but they also seem more street-wise (or should that be forest-wise?), squirreling away diamonds for bartering and mustering armies for Snow’s cause. There isn’t too much focus on the seven men in Mirror Mirror but I don’t think that the book is necessarily missing this. I think the characters are so well-known that too much character development would stray away from the main plot.
Mirror, Mirror is a modern adaptation of the familiar fairytale: centring itself around two very strong women in their own right but polar opposites in terms of their characters and choices in life.
The novel makes several nods to the iconic images formed in 1938 by Walt Disney such as the apple, the glass coffin and, of course, the seven dwarves. However, the recurring theme of choosing your own story and the complex backgrounds to her characters cause Jen Calonita’s novel to stand out on its own.
It may not have been the traditional “happy ever after” but this adaptation of Snow White was, in my opinion, the “fairest of them all”.
Written by The Disney Bookworm:
https://disneybookworm.home.blog
Mirror, Mirror explores the traditional Grimm fairy tale of Snow White through the eyes of the two main characters: the Evil Queen and Snow White herself. The reader is completely under the control of these two women: finding themselves with no choice but to witness the familiar story from their perspective.
Jen Calonita’s novel is also heavily built on story telling through flashbacks. In my opinion, this is a genius idea as it provides an undeniable depth to her characters. Let’s be honest, everyone knows the story of Snow White but not everyone knows the story before Snow White and it is here where the twisted tale evolves.
Through these flashbacks we meet Katherine and Ingrid: two sisters whom have lost their mother and are being raised by their neglectful, sometimes violent, father. As a result of their upbringing, Ingrid, the elder sister, has adopted a motherly role towards her younger sister Katherine and strives to protect the innocent girl at all times. They leave home, finding work on a farm where Katherine finds her passion within the apple orchard, cultivating a new variety of apple which will later attract the attention of the King.
Ingrid however, always wants more than what she has. Older and more aware of the hardship life can bring, Ingrid is not as sweet and innocent as her sister: people do not dote on Ingrid as they do Katherine and eventually Ingrid finds that she cannot settle for a simple life- instead opting for a job in a small shop known for its association with dark magic and the home of a certain mirror.
You may have guessed by now that Ingrid is, in fact, the Evil Queen and her sister Katherine is Snow White’s mother! I know what you are thinking, I have just described how protective Ingrid was of the future Queen: surely she wouldn’t “off” her own sister and try to collect her niece’s heart in a box?
This is where the complexity of Ingrid’s character really shines through and where, (if hats suited me) I will take my hat off to Jen Calonita. Mirror Mirror takes you on a journey with Ingrid. You experience her love for her sister first-hand as well as her frustration with her sheltered life but later you also witness her lust for power and how easily Ingrid’s choices lead her down the wrong path.
I also believe that Ingrid is truly scarred by her past. She sneers upon her sister’s kindness and villainises Katherine for letting a man, and later her baby, come between them. Ingrid views herself as wiser and more intelligent than her little sister: believing that she would certainly rule the Kingdom more efficiently and not stopping until this becomes a reality.
Despite being a formidable woman, Ingrid is not devoid of vulnerabilities and, as the story progresses, the readers will witness Ingrid’s ghosts and note how one in particular never leaves her until the very end.
Of course, Ingrid’s enabler is the magic mirror. Calonita paints a picture of a mirror identical to the one we remember from the Disney 1938 classic animated film with a haunting mask dominating and manipulating The Evil Queen with every chance it gets.
The mirror creates an obsession and dependence within Ingrid that is chillingly portrayed. It is undoubtedly the real villain of the story: demanding blood from the start and weakening Ingrid until she cleaves to its will. However, we all know who is standing between the mirror and its plans for domination and undisputed power: the princess Snow White.
In the past, I have made no secret of the fact that Snow is my least favourite Disney princess. Her voice in the film grated on me and I just genuinely found her irritating. Thankfully Calonita’s Snow White is more akin to the ‘Once Upon A Time’ interpretation and so much easier to form a relationship with as a reader.
While fulfilling our expectations of being kind, innocent and prone to falling in love with conveniently handsome Princes: Mirror Mirror’s Snow White is bolder than we are used to and, as her story progresses, becomes more confident in herself as the heir to the kingdom. Her priorities are more political in nature, with a strong focus on rebuilding her kingdom and her bravery shines through almost from the very beginning. Snow does encounter challenges and dark thoughts as any person does but earns her Disney princess badge by helping true love to save the day!
Similarly, the seven dwarves are not as one-dimensional as the classic movie. They assist the Princess of course and shelter her in the forest but they also seem more street-wise (or should that be forest-wise?), squirreling away diamonds for bartering and mustering armies for Snow’s cause. There isn’t too much focus on the seven men in Mirror Mirror but I don’t think that the book is necessarily missing this. I think the characters are so well-known that too much character development would stray away from the main plot.
Mirror, Mirror is a modern adaptation of the familiar fairytale: centring itself around two very strong women in their own right but polar opposites in terms of their characters and choices in life.
The novel makes several nods to the iconic images formed in 1938 by Walt Disney such as the apple, the glass coffin and, of course, the seven dwarves. However, the recurring theme of choosing your own story and the complex backgrounds to her characters cause Jen Calonita’s novel to stand out on its own.
It may not have been the traditional “happy ever after” but this adaptation of Snow White was, in my opinion, the “fairest of them all”.
Written by The Disney Bookworm:
https://disneybookworm.home.blog
The Colour of Injustice: The Mysterious Murder of the Daughter of a High Court Judge
Book
Based on actual (sometimes exclusive) materials, The Colour of Injustice raises questions about...
Bob Mann (459 KP) rated The Upside (2019) in Movies
Sep 28, 2021
Not the 5* French classic, but a fun and moving movie nonetheless.
So, the movie-going audience for this film will divide into two categories:
Category A: those that have seen the original 2011 French classic “The Intouchables” that this is based on, and;
Category B: those that haven’t.
2011 is just before I started “One Mann’s Movies”, but “The Intouchables” would have got 5* from me, no problem.
This movie joins a list of standout European movies – for example, “The Girl with the Dragon Tattoo”; “Let The Right One In”; “Sleepless Night”; etc. – that have had Hollywood “makeovers” that don’t match up to the originals. And this is no exception. However, it’s still been well made and deserves respect as a standalone piece of movie-making.
The Plot
Based on a true story, Phillip Lacasse (Bryan Cranston) is left both paraplegic and widowed by a string of bad luck. Not that money can buy you everything, but his care arrangements are substantially helped by him being a multi-millionaire (“Not rich enough to buy The Yankees; Rich enough to buy The Mets”). This is from success in investments and writing about such investments.
Depressed, cranky and with a “DNR” that his diligent PA Yvonne (Nicole Kidman) seems unable to comply with, Phillip lashes out at anyone and everyone and so dispatches his carers with monotonous regularity. Dell Scott (Kevin Hart) is on parole, with the requirement to seek work. Due to a mix-up, he finds himself in the employ of Phillip: with the suspicion that he’s been hired because he is the very worst candidate imaginable, and thus the most likely to let Phillip shuffle off this mortal coil. But the two men’s antipathy to each other slowly thaws as they teach each other new tricks.
Pin left in the grenade
Those who have seen “The Intouchables” will fondly remember the first 5 minutes of that film: a flash-forward to a manic police car-chase featuring our protagonists (there played by François Cluzet and Omar Sy). It drops like a comedy hand-grenade to open the film. Unfortunately, you can’t help but feel a bit let down by the same re-creation in “The Upside”. It has all the same content but none of the heart.
After that rocky start, the film continues to rather stutter along. Part of the reason for this I think is Kevin Hart. It’s not that he’s particularly bad in the role: it’s just that he IS Kevin Hart, and I was constantly thinking “there’s that comedian playing that role”.
However, once the story gets into its swing, giving Cranston more of a chance to shine (which he does), then the film started to motor and my reservations about Hart started to wane. Some of these story set pieces – such as the one about the art work – are punch-the-air funny in their own right. Cranston’s timing in delivering his punchlines is immaculate.
This IS what actors do
There seems to have been some furore about the casting of Bryan Cranston as the role of the disabled millionaire instead of a disabled actor. Lord save us! He’s an actor! That’s what actors do for a living: pretend to be people they’re not! It’s also worth pointing out that François Cluzet was an able-bodied actor as well.
As already mentioned, Bryan Cranston excels in the role. Phillip goes through such a wide range of emotions from despair to pure joy and back again that you can’t help but be impressed by the performance.
On the female side of the cast, it’s really nice to see Nicole Kidman in such a quiet and understated role and it’s nicely done; Aja Naomi King does a nice job as Dell’s protective ex-girlfriend Latrice; and there’s a nice female cameo as well, which I won’t spoil since I wasn’t expecting to see her in the film.
Final Thoughts
As a standalone film it has some laugh-out-loud moments, some feelgood highs and some moments of real pathos. The audience I saw this with was small, but there was still a buzz in the room and sporadic applause as the end titles came up: God only knows that’s unusual for a film!
The director is “Limitless” and “Divergent” director Neil Burger, and it’s a perfectly fun and innocent night out at the flicks that I commend to the house in this month of celluloid awards heavyweights.
Category A: those that have seen the original 2011 French classic “The Intouchables” that this is based on, and;
Category B: those that haven’t.
2011 is just before I started “One Mann’s Movies”, but “The Intouchables” would have got 5* from me, no problem.
This movie joins a list of standout European movies – for example, “The Girl with the Dragon Tattoo”; “Let The Right One In”; “Sleepless Night”; etc. – that have had Hollywood “makeovers” that don’t match up to the originals. And this is no exception. However, it’s still been well made and deserves respect as a standalone piece of movie-making.
The Plot
Based on a true story, Phillip Lacasse (Bryan Cranston) is left both paraplegic and widowed by a string of bad luck. Not that money can buy you everything, but his care arrangements are substantially helped by him being a multi-millionaire (“Not rich enough to buy The Yankees; Rich enough to buy The Mets”). This is from success in investments and writing about such investments.
Depressed, cranky and with a “DNR” that his diligent PA Yvonne (Nicole Kidman) seems unable to comply with, Phillip lashes out at anyone and everyone and so dispatches his carers with monotonous regularity. Dell Scott (Kevin Hart) is on parole, with the requirement to seek work. Due to a mix-up, he finds himself in the employ of Phillip: with the suspicion that he’s been hired because he is the very worst candidate imaginable, and thus the most likely to let Phillip shuffle off this mortal coil. But the two men’s antipathy to each other slowly thaws as they teach each other new tricks.
Pin left in the grenade
Those who have seen “The Intouchables” will fondly remember the first 5 minutes of that film: a flash-forward to a manic police car-chase featuring our protagonists (there played by François Cluzet and Omar Sy). It drops like a comedy hand-grenade to open the film. Unfortunately, you can’t help but feel a bit let down by the same re-creation in “The Upside”. It has all the same content but none of the heart.
After that rocky start, the film continues to rather stutter along. Part of the reason for this I think is Kevin Hart. It’s not that he’s particularly bad in the role: it’s just that he IS Kevin Hart, and I was constantly thinking “there’s that comedian playing that role”.
However, once the story gets into its swing, giving Cranston more of a chance to shine (which he does), then the film started to motor and my reservations about Hart started to wane. Some of these story set pieces – such as the one about the art work – are punch-the-air funny in their own right. Cranston’s timing in delivering his punchlines is immaculate.
This IS what actors do
There seems to have been some furore about the casting of Bryan Cranston as the role of the disabled millionaire instead of a disabled actor. Lord save us! He’s an actor! That’s what actors do for a living: pretend to be people they’re not! It’s also worth pointing out that François Cluzet was an able-bodied actor as well.
As already mentioned, Bryan Cranston excels in the role. Phillip goes through such a wide range of emotions from despair to pure joy and back again that you can’t help but be impressed by the performance.
On the female side of the cast, it’s really nice to see Nicole Kidman in such a quiet and understated role and it’s nicely done; Aja Naomi King does a nice job as Dell’s protective ex-girlfriend Latrice; and there’s a nice female cameo as well, which I won’t spoil since I wasn’t expecting to see her in the film.
Final Thoughts
As a standalone film it has some laugh-out-loud moments, some feelgood highs and some moments of real pathos. The audience I saw this with was small, but there was still a buzz in the room and sporadic applause as the end titles came up: God only knows that’s unusual for a film!
The director is “Limitless” and “Divergent” director Neil Burger, and it’s a perfectly fun and innocent night out at the flicks that I commend to the house in this month of celluloid awards heavyweights.
Rachel Maria Berney (114 KP) rated The Little Shop of Found Things in Books
Dec 9, 2018
Plot (1 more)
Writing
A nice story that is a little too obvious
I was looking forward to reading this, the story sounded very interesting and something that is right up my alley. However, I was underwhelmed and dissapointed.
The Main character is like a cardboard cutout, glossy blonde ringlets, Dr Martens, beautiful singing voice, antique expert and a psychic gift, but no real depth till the end. You want to like her, her gist is interesting. You want to feel for her, looking after her sick mother, innocent and sent to jail, she has had a trying time. You want to root for her, but you can't, she's too 2 dimensional. I found Xanthe tinny and annoying, with an impulse to slap her, had she been real.
I wanted to like the story, love it, it was such a good idea. There are so many good elements, that put together right, should've made the book shine. But the whole book just hangs there, hollow. You don't feel anything much for the characters or their plight, it maybe stirs you a little in the second half of the book, but too little too late. The story plods along and doesn't build up intrigue like it should.
I was dissapointed, expecting so much more, it failed to deliver that imaginational jump. it is nothing more than words on a page, with no depth or room for your imagination. I found Blackburns writing too descriptive, she has a tendency to state the obvious to the reader when readers are not stupid, it is annoying and takes something away from the story. From the descriptions it is clear Blackburn has done her historical research and in that respect, she does bring to life the past.
One of the saving graces of the story is the telling of the relationshop between Xanthe and Samuel, it brings an emotional aspect to the book, that up until that point, was lacking.
Overall the story is predicatable, the writing ok, and the only reason you read to end is the optimistic hope that there will be some kind of twist or an unxpected resolution; you are left feeling underwhelmed and frustrated.
The Main character is like a cardboard cutout, glossy blonde ringlets, Dr Martens, beautiful singing voice, antique expert and a psychic gift, but no real depth till the end. You want to like her, her gist is interesting. You want to feel for her, looking after her sick mother, innocent and sent to jail, she has had a trying time. You want to root for her, but you can't, she's too 2 dimensional. I found Xanthe tinny and annoying, with an impulse to slap her, had she been real.
I wanted to like the story, love it, it was such a good idea. There are so many good elements, that put together right, should've made the book shine. But the whole book just hangs there, hollow. You don't feel anything much for the characters or their plight, it maybe stirs you a little in the second half of the book, but too little too late. The story plods along and doesn't build up intrigue like it should.
I was dissapointed, expecting so much more, it failed to deliver that imaginational jump. it is nothing more than words on a page, with no depth or room for your imagination. I found Blackburns writing too descriptive, she has a tendency to state the obvious to the reader when readers are not stupid, it is annoying and takes something away from the story. From the descriptions it is clear Blackburn has done her historical research and in that respect, she does bring to life the past.
One of the saving graces of the story is the telling of the relationshop between Xanthe and Samuel, it brings an emotional aspect to the book, that up until that point, was lacking.
Overall the story is predicatable, the writing ok, and the only reason you read to end is the optimistic hope that there will be some kind of twist or an unxpected resolution; you are left feeling underwhelmed and frustrated.
Mark @ Carstairs Considers (2353 KP) rated Dark Horse in Books
May 4, 2022 (Updated May 4, 2022)
Always Bet on Orphan X
Evan Smoak’s latest client is giving him pause. Evan prefers to help the innocent who have gotten in over their heads. The call he’s taken is from Aragon Urrea, the kingpin of a major drug operation in South Texas. Evan initially hangs up on Aragon, but decides to help him because of his request. Aragon’s daughter was kidnapped from her eighteenth birthday party by a rival drug cartel, and Aragon needs someone to get her back without starting a drug war. It isn’t long before Evan realizes just how bad the rival gang is. But can he find a way to fulfill his mission without compromising who he is trying to become?
Yes, this book does address the cliffhanger ending from the last book, but it spends a couple of chapters setting up this book before it gets into that. I’ll admit, I struggled to get into the book. The beginning was a little slow. It was using that time to make the new characters complex enough that we could root for Evan to succeed. It worked, because once that was established, I was hooked and raced through the book to see how Evan would overcome overwhelming odds this time. The violence went a bit further than I felt it needed to, even for this series. Evan continues to evolve as a character, and I love watching him struggle to overcome his training. While not as dramatic as the last book’s cliffhanger, we are definitely left wanting to know what is going to happen to Evan next. Fans of the series will be rewarded if they stick with the book.
Yes, this book does address the cliffhanger ending from the last book, but it spends a couple of chapters setting up this book before it gets into that. I’ll admit, I struggled to get into the book. The beginning was a little slow. It was using that time to make the new characters complex enough that we could root for Evan to succeed. It worked, because once that was established, I was hooked and raced through the book to see how Evan would overcome overwhelming odds this time. The violence went a bit further than I felt it needed to, even for this series. Evan continues to evolve as a character, and I love watching him struggle to overcome his training. While not as dramatic as the last book’s cliffhanger, we are definitely left wanting to know what is going to happen to Evan next. Fans of the series will be rewarded if they stick with the book.
Hazel (1853 KP) rated Salt to the Sea in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review
“We survivors are not the true witnesses. The true witnesses, those in possession of the unspeakable truth, are the drowned, the dead, the disappeared.” </i>– Primo Levi
World War Two has got to be the most well known and talked about period of history. Despite it not even being a century ago, it is already taught in schools around the globe. However a lot of events are omitted from our history books. A lot of people, including those alive at the time, have no idea of some of the situations Europeans found themselves in. Ruta Sepetys, despite having only previously written two novels, has become known for her stories about the lesser-known aspects of the Second World War. Her third book, <i>Salt to the Sea</i>, is no different.
In 1945 things were not looking great for the people living in Germany. Their greatest concern was the invading Russian army, resulting in thousands of Germans evacuating their hometowns. Four characters in their late teens/early twenties narrate <i>Salt to the Sea</i>: Joana, Florian, Emilia and Alfred. Their varied nationalities – Lithuanian, Prussian, Polish and German – help provide a range of opinions about the war, but regardless of who they believe to be the enemy, whether it be German or Russian or both, they are all figuratively in the same boat.
Joana, Emilia and Florian meet each other amongst a group of refugees trekking to freedom. A lot of trust is involved especially as no one is willing to reveal his or her true story. It is clear that each character is hiding something personal, something to do with the war, yet they all rely on and help each other to continue on their journey.
Naturally, being a war story there is masses of death and destruction. Set in January, the weather conditions are just as dangerous as the Russian soldiers. It is the end of the novel that contains the most shocking of events: a sinking of a ship that kills 9000 passengers. The most severe maritime disaster ever, yet it is doubtful that readers already know about it.
Despite being a work of fiction, Sepetys sticks to the facts in her heavily researched novel. She shocks the reader with the severity of the situation, and may even bring some to tears with the outcome. She has not sugar coated anything. Some storytellers save the innocents from harm, but this was not the case in <i>Salt to the Sea</i>. In war, no one can choose who lives and who dies. Millions of innocent people perish.
The short chapters keep the story flowing quickly. It is shocking, gripping and engaging. There is a brief notion of romance but this is not focused on and thus does not detract from the factual storyline. There was a hinted connection between characters in this novel and those in <i>Between Shades of Grey </i>– one of Sepetys’ earlier novels, however this is not a sequel or part of a series.
With the help of maps showing the difference between Europe now and Europe in 1945,<i> Salt to the Sea</i> is highly educational. Although aimed at young adults it is suitable for older generations as well. Whilst containing shocking content, you are certain to fall in love with Sepetys’ writing.
“We survivors are not the true witnesses. The true witnesses, those in possession of the unspeakable truth, are the drowned, the dead, the disappeared.” </i>– Primo Levi
World War Two has got to be the most well known and talked about period of history. Despite it not even being a century ago, it is already taught in schools around the globe. However a lot of events are omitted from our history books. A lot of people, including those alive at the time, have no idea of some of the situations Europeans found themselves in. Ruta Sepetys, despite having only previously written two novels, has become known for her stories about the lesser-known aspects of the Second World War. Her third book, <i>Salt to the Sea</i>, is no different.
In 1945 things were not looking great for the people living in Germany. Their greatest concern was the invading Russian army, resulting in thousands of Germans evacuating their hometowns. Four characters in their late teens/early twenties narrate <i>Salt to the Sea</i>: Joana, Florian, Emilia and Alfred. Their varied nationalities – Lithuanian, Prussian, Polish and German – help provide a range of opinions about the war, but regardless of who they believe to be the enemy, whether it be German or Russian or both, they are all figuratively in the same boat.
Joana, Emilia and Florian meet each other amongst a group of refugees trekking to freedom. A lot of trust is involved especially as no one is willing to reveal his or her true story. It is clear that each character is hiding something personal, something to do with the war, yet they all rely on and help each other to continue on their journey.
Naturally, being a war story there is masses of death and destruction. Set in January, the weather conditions are just as dangerous as the Russian soldiers. It is the end of the novel that contains the most shocking of events: a sinking of a ship that kills 9000 passengers. The most severe maritime disaster ever, yet it is doubtful that readers already know about it.
Despite being a work of fiction, Sepetys sticks to the facts in her heavily researched novel. She shocks the reader with the severity of the situation, and may even bring some to tears with the outcome. She has not sugar coated anything. Some storytellers save the innocents from harm, but this was not the case in <i>Salt to the Sea</i>. In war, no one can choose who lives and who dies. Millions of innocent people perish.
The short chapters keep the story flowing quickly. It is shocking, gripping and engaging. There is a brief notion of romance but this is not focused on and thus does not detract from the factual storyline. There was a hinted connection between characters in this novel and those in <i>Between Shades of Grey </i>– one of Sepetys’ earlier novels, however this is not a sequel or part of a series.
With the help of maps showing the difference between Europe now and Europe in 1945,<i> Salt to the Sea</i> is highly educational. Although aimed at young adults it is suitable for older generations as well. Whilst containing shocking content, you are certain to fall in love with Sepetys’ writing.
Connor Sheffield (293 KP) rated Pirates of the Caribbean: On Stranger Tides (2011) in Movies
May 31, 2017
Blackbeard (Ian McShane) (2 more)
New cast members relieve us of the same old faces
It's not the usual PotC film, but still recognizable
New lore and a Great cast
This is actually one of my favourite installments of the franchise. I loved the first film for its humour and charm, the second was awesome with good action and a sense of fantasy, the third had great action but not enough charm in my opinion, and this fourth installment is able to mix all three of those films, but not quite to the full extent as I'd hoped.
When I heard Blackbeard was coming into the franchise I was happy but cautious. Then when I heard that Ian McShane was to portray the role, I was happier because he is a great actor! He did not disappoint either. His portrayal of Blackbeard was menacing, with the looks alone, you could believe that this was Blackbeard, the most feared pirate during his time. Then there was the fantasy element of his power to control ships with his sword, or his dabbling in voodoo magic as well as being able to capture ships and place them into bottles, which includes Jack's beloved Black Pearl.
Whilst Will (Orlando Bloom) and Elizabeth (Keira Knightley) do not make an appearance in this film (due to not being paid enough I believe) the film does not lack in replacing them with other great actors and characters. The character of Angelica replaces Elizabeth and honestly, I prefer Angelica. She's strong, keeps Jack on his toes, and is as fearsome as Blackbeard herself when she needs to be. It would have been nice to have seen her in Salazar's Revenge after what happens in this film's finale, which I won't spoil here.
Philip (Sam Claflin) seems to replace Will in this film, but as a more innocent character who falls in love with a mermaid.....did I mention this film has mermaids? This film has mermaids!
I should warn you though, these mermaid don't wish to sing jolly songs for pleasure, they sing to lure sailors to their death. These are the mermaids of legend, also known as sirens, who sing beautiful songs and lure sailors over the side of the ship, before dragging them to the depths for reasons often debated. Some say to mate with before eating them, others just say to eat them, but either way, being dragged to the bottom of the sea is not something you'd want either way. I loved this aspect as we had never seen mermaids in this franchise until now and it was great to see more and more historical lore being brought into the franchise with the fantasy aspect of the film.
The film doesn't quite make it to the top of my favourite films lists, but it's certainly in my top favourite pirate media lists. (I've not seen enough films to just make it a film list so I include film, TV, books and games). I would recommend this to any Pirate fan, and to anyone who has not yet seen it due to it's lesser reviews by critics.
Here's a tip for any film....don't listen to critics. If their is a film you want to see, but it's got a low rating by critics on Rotten Tomatoes or in the film magazines, then by all means read them, but do it after you see the film, because if you read it before, you're going to pick the film apart and it ruins the experience in my opinion.
When I heard Blackbeard was coming into the franchise I was happy but cautious. Then when I heard that Ian McShane was to portray the role, I was happier because he is a great actor! He did not disappoint either. His portrayal of Blackbeard was menacing, with the looks alone, you could believe that this was Blackbeard, the most feared pirate during his time. Then there was the fantasy element of his power to control ships with his sword, or his dabbling in voodoo magic as well as being able to capture ships and place them into bottles, which includes Jack's beloved Black Pearl.
Whilst Will (Orlando Bloom) and Elizabeth (Keira Knightley) do not make an appearance in this film (due to not being paid enough I believe) the film does not lack in replacing them with other great actors and characters. The character of Angelica replaces Elizabeth and honestly, I prefer Angelica. She's strong, keeps Jack on his toes, and is as fearsome as Blackbeard herself when she needs to be. It would have been nice to have seen her in Salazar's Revenge after what happens in this film's finale, which I won't spoil here.
Philip (Sam Claflin) seems to replace Will in this film, but as a more innocent character who falls in love with a mermaid.....did I mention this film has mermaids? This film has mermaids!
I should warn you though, these mermaid don't wish to sing jolly songs for pleasure, they sing to lure sailors to their death. These are the mermaids of legend, also known as sirens, who sing beautiful songs and lure sailors over the side of the ship, before dragging them to the depths for reasons often debated. Some say to mate with before eating them, others just say to eat them, but either way, being dragged to the bottom of the sea is not something you'd want either way. I loved this aspect as we had never seen mermaids in this franchise until now and it was great to see more and more historical lore being brought into the franchise with the fantasy aspect of the film.
The film doesn't quite make it to the top of my favourite films lists, but it's certainly in my top favourite pirate media lists. (I've not seen enough films to just make it a film list so I include film, TV, books and games). I would recommend this to any Pirate fan, and to anyone who has not yet seen it due to it's lesser reviews by critics.
Here's a tip for any film....don't listen to critics. If their is a film you want to see, but it's got a low rating by critics on Rotten Tomatoes or in the film magazines, then by all means read them, but do it after you see the film, because if you read it before, you're going to pick the film apart and it ruins the experience in my opinion.
Gareth von Kallenbach (980 KP) rated Your Highness (2011) in Movies
Aug 7, 2019
For all you minotaur lovers out there, the movie Your Highness is the film for you. Not that the movie is about them but it has the most unique minotaur I have ever seen in a movie. Your Highness takes place long ago in a land far away in a kingdom that has two princes. The oldest and heir-to-the-throne is Prince Fabious (the fabulous James Franco). He is a prince’s prince, a knight’s knight, he enjoys protecting the innocent, he slays evil cyclops and other evil things that should be slayed.
The youngest is Prince Thadeous (film co-writer Danny McBride), he is a slacker’s slacker, a player’s player, he enjoys booze and other mind-altering stuff, he lays with easy maidens and…well, you get the point. Even though the two brothers are so very different they still love each other, even if Thadeous won’t admit it. So when Prince Fabious was to be married to the beautiful yet naive Belladonna (the enchanting Zooey Deschanel) he wanted none other than his younger brother to be his best man.
But fate had other plans and what should have been the happiest of wedding days was ruined when the evil wizard Leezar (Justin Theroux) kidnaps Belladonna so he can produce an evil dragon offspring that he would use to rule the world. The two brothers vow to save her and kill Leezar. Ok, technically Thadeous is told by their father the King (Charles Dance) that either he goes with his older brother or he will be kicked out of the kingdom and it is Fabious who does the vowing. So they ride out with their most trusted knights and along the way they meet the Great Wize (not a typo) Wizard (voiced by Mario Torres. Jr.), the highly skilled fighter Isabel (played by a pretty intimidating Natalie Portman), the Minotaur (Brian Steele, a surprisingly fitting name), forest people (I loved the forest people!). Epic adventure and treachery ensue – dun dun dunn! Will they save Belladonna and the world? Will Thadeous become a respectable prince? Will the minotaur live happily ever after?
The movie is funny but the humor is on par with middle-school-aged male humor so approximately 80% of all adult males will probably find the movie funny and a lot of wives will be wondering why they married them. It also had some decent fight scenes sprinkled throughout the movie. I’ll be honest, there were a couple of scenes in the film that I wish I could un-see… the kind of stuff that never happened in any dice role-playing game that I have ever played.
Now I am sure we have all seen movies where one person’s performance was so well done that it made the other people’s performances seem lacking (whether they truly were or not). To me this movie fell victim to that problem. After all with people like Charles Dance, Natalie Portman, James Franco, Zooey Deschanel and Damian Lewis, who plays Boremont, one of the trusted Knights, it was bound to happen. Overall, a very entertaining and funny movie.
The youngest is Prince Thadeous (film co-writer Danny McBride), he is a slacker’s slacker, a player’s player, he enjoys booze and other mind-altering stuff, he lays with easy maidens and…well, you get the point. Even though the two brothers are so very different they still love each other, even if Thadeous won’t admit it. So when Prince Fabious was to be married to the beautiful yet naive Belladonna (the enchanting Zooey Deschanel) he wanted none other than his younger brother to be his best man.
But fate had other plans and what should have been the happiest of wedding days was ruined when the evil wizard Leezar (Justin Theroux) kidnaps Belladonna so he can produce an evil dragon offspring that he would use to rule the world. The two brothers vow to save her and kill Leezar. Ok, technically Thadeous is told by their father the King (Charles Dance) that either he goes with his older brother or he will be kicked out of the kingdom and it is Fabious who does the vowing. So they ride out with their most trusted knights and along the way they meet the Great Wize (not a typo) Wizard (voiced by Mario Torres. Jr.), the highly skilled fighter Isabel (played by a pretty intimidating Natalie Portman), the Minotaur (Brian Steele, a surprisingly fitting name), forest people (I loved the forest people!). Epic adventure and treachery ensue – dun dun dunn! Will they save Belladonna and the world? Will Thadeous become a respectable prince? Will the minotaur live happily ever after?
The movie is funny but the humor is on par with middle-school-aged male humor so approximately 80% of all adult males will probably find the movie funny and a lot of wives will be wondering why they married them. It also had some decent fight scenes sprinkled throughout the movie. I’ll be honest, there were a couple of scenes in the film that I wish I could un-see… the kind of stuff that never happened in any dice role-playing game that I have ever played.
Now I am sure we have all seen movies where one person’s performance was so well done that it made the other people’s performances seem lacking (whether they truly were or not). To me this movie fell victim to that problem. After all with people like Charles Dance, Natalie Portman, James Franco, Zooey Deschanel and Damian Lewis, who plays Boremont, one of the trusted Knights, it was bound to happen. Overall, a very entertaining and funny movie.