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David McK (3687 KP) rated Raising Steam: (Discworld Novel 40) in Books
Jan 28, 2019
The 40th(!) Discworld novel, that probably best fits into the Industrial Revolution sub-series of such novels (i.e. [b:Moving Pictures|34510|Moving Pictures (Discworld, #10)|Terry Pratchett|https://d202m5krfqbpi5.cloudfront.net/books/1320456553s/34510.jpg|1229354], [b:The Truth|51737|The Truth About Forever|Sarah Dessen|https://d202m5krfqbpi5.cloudfront.net/books/1362767907s/51737.jpg|1032900], [b:Monstrous Regiment|34511|Monstrous Regiment The Play|Stephen Briggs|https://d202m5krfqbpi5.cloudfront.net/books/1375908503s/34511.jpg|2073281], [b:Going Postal|64222|Going Postal (Discworld, #33)|Terry Pratchett|https://d202m5krfqbpi5.cloudfront.net/books/1388236899s/64222.jpg|1636617] and [b:Making Money|116296|Making Money (Discworld, #36)|Terry Pratchett|https://d202m5krfqbpi5.cloudfront.net/books/1386925136s/116296.jpg|144656] (possibly also including [b:Unseen Academicals|6250169|Unseen Academicals (Discworld, #37)|Terry Pratchett|https://d202m5krfqbpi5.cloudfront.net/books/1388348045s/6250169.jpg|6432996] and [b:Snuff|1840511|Snuff|Chuck Palahniuk|https://d202m5krfqbpi5.cloudfront.net/books/1320410088s/1840511.jpg|2034926])), and is also the third book to feature Moist Von Lipwig as the main protaganist (after [b:Going Postal|64222|Going Postal (Discworld, #33)|Terry Pratchett|https://d202m5krfqbpi5.cloudfront.net/books/1388236899s/64222.jpg|1636617] and [b:Making Money|116296|Making Money (Discworld, #36)|Terry Pratchett|https://d202m5krfqbpi5.cloudfront.net/books/1386925136s/116296.jpg|144656]).
This one is to do with the introduction of the railway to the Discworld, and also offers many a reference to previous characters and situations in the series as a whole: indeed, at times, it almost feels as if Pratchett is trying to squeeze as many in as possible.
Unfortunately, it's also not his best: I have to admit, in general, I've found most of his Industrial Revolution novels to not be as good as, say, those based around either The City Watch or those based around The Witches. Like the locomotive on which it is based, I found this one to take a fair bit of time to gather steam, and to feel a wee bit ponderous and unwieldy - this, I have to say, is not a novel I would use to introduce somebody new to the delights of the Discworld. :-(
This one is to do with the introduction of the railway to the Discworld, and also offers many a reference to previous characters and situations in the series as a whole: indeed, at times, it almost feels as if Pratchett is trying to squeeze as many in as possible.
Unfortunately, it's also not his best: I have to admit, in general, I've found most of his Industrial Revolution novels to not be as good as, say, those based around either The City Watch or those based around The Witches. Like the locomotive on which it is based, I found this one to take a fair bit of time to gather steam, and to feel a wee bit ponderous and unwieldy - this, I have to say, is not a novel I would use to introduce somebody new to the delights of the Discworld. :-(
Merissa (13668 KP) rated Crushed (Gold Hockey #18) in Books
May 23, 2023
CRUSHED is the eighteenth book in the Gold Hockey series and is Will and Lily's story. Let me start by saying I know I will be in the minority with my review and I apologise for that.
Going wide first, I love the Gold family. I love how they are there for each other, no matter what, but are not afraid to speak bluntly either. I'm not looking forward to Britt retiring any more than any of the others.
Now, on to Will and Lily. Individually, I loved them. I thought Lily was so strong, her backbone is made of steel. She did the right thing for the right reasons and it all went pear-shaped. But she stepped up and carried on, regardless. Will is the one guy you can always count on, good to his friends and everything you could dream of. BUT - and this is the part I hate - I just didn't see them as a couple. Yes, they had chemistry, but the back and forth of their 'relationship' drove me insane. I really didn't enjoy that bit. If it had just been like that at the beginning/middle, it would have been okay. But it went all the way through. And I know angsty stories are a thing, but I don't know. Something about these two as a couple didn't work for me.
The epilogue that leads us to the next book was amazing though! The sparks were flying between Lucas and Maddy whenever they shared a scene. I can't wait to read their book.
Crushed is a great addition to the Gold Hockey series, just not one of my favourites. I can still recommend it though as I know it will appeal to many.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 23, 2023
Going wide first, I love the Gold family. I love how they are there for each other, no matter what, but are not afraid to speak bluntly either. I'm not looking forward to Britt retiring any more than any of the others.
Now, on to Will and Lily. Individually, I loved them. I thought Lily was so strong, her backbone is made of steel. She did the right thing for the right reasons and it all went pear-shaped. But she stepped up and carried on, regardless. Will is the one guy you can always count on, good to his friends and everything you could dream of. BUT - and this is the part I hate - I just didn't see them as a couple. Yes, they had chemistry, but the back and forth of their 'relationship' drove me insane. I really didn't enjoy that bit. If it had just been like that at the beginning/middle, it would have been okay. But it went all the way through. And I know angsty stories are a thing, but I don't know. Something about these two as a couple didn't work for me.
The epilogue that leads us to the next book was amazing though! The sparks were flying between Lucas and Maddy whenever they shared a scene. I can't wait to read their book.
Crushed is a great addition to the Gold Hockey series, just not one of my favourites. I can still recommend it though as I know it will appeal to many.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 23, 2023
BankofMarquis (1832 KP) rated The Many Saints of Newark (2021) in Movies
Oct 12, 2021
The "non-Sopranos" part of this film worked much better
The new Sopranos prequel film THE MANY SAINTS OF NEWARK is a review-proof film. Most people fall into 1 of 2 camps.
The first, fans of the 1999-2007 landmark HBO series that some (including myself) call one of the best TV series of all time. The folks that fall into this camp will be checking this film out no matter what.
The second are folks that either never saw the series or have only a passing knowledge of it - these folks are (more than likely) gonna take a pass at this film.
And both camps would be right and wrong for THE MANY SAINTS OF NEWARK is a middle-of-the-road film that will be satisfying for SOPRANOS fans, but the part of this film that really, really works well has nothing to do with the series.
Written by Sopranos creator David Chase, TMSON is set in the late 1960’s-early 1970’s and tells the tale of a young Tony Soprano and his introduction to the North Jersey mafia and the charismatic mob boss who he is drawn to.
The first 15 minutes of this film were written specifically for SOPRANOS fans for it is here that you are introduced to younger versions of many of your favorite characters. From Tony to Uncle Junior to Livia (Tony’s Mom) to Pauly Walnuts, Silvio and “Big Pussy” they are all there - along with a few others you don’t know (and it is not a spoiler to say, there is a reason that they never made it to the TV series). You are also introduced to Tony’s Father Johnny Soprano, Mob Boss “Hollywood” Dick Moltisanti and the center of this film, the son of the Boss “Uncle” Dickie Moltisanti (father of future TV Series character Christopher).
It’s an enjoyable enough introduction, but it is nothing new. The characters sit around, talk, act tough and eat. Something that we’ve seen in countless mob movies before. Chase and Director Alan Taylor (THOR: THE DARK WORLD) appear somewhat bored with this part of the film - almost as if they are saying “here they all are, enjoy this for we have a more interesting story to tell”. This first 15 minutes of the film seem to go on forever.
And then the movie - and Chase’s ideas and Taylor’s Direction - kick in.
And this is where TMSON begins to escalate as the story splits into 2 parts - the first following Dickie (Alessandro Nivola) and the 2nd following one of his “runners” (Leslie Odom, Jr.) who is destined to become a powerful boss of the “Black Mafia”.
It’s a smart juxtaposition of story, but unfortunately for SOPRANO’s fans, the first story (following Dickie) and including most of the Soprano’s characters is the less interesting of the 2 stories. It is the journey of Leslie Odom, Jr.’s character that makes for a more compelling story. It is as if Chase had an interesting idea for a mob film but knew he would not be able to get it made unless he tied it somewhat to a Sopranos story.
Leslie Odom Jr. is magnetic as Harold McBrayer, the former numbers runner for Dickie that has an awaking through the Black Power movement of the late ‘60’s and becomes a formidable mob boss in his own right. This half of the movie/story is intriguing and interesting for you never know in what direction it is going to land. This “B” story is free to be whatever it wants/needs to be and this freedom elevates it.
The same cannot be said for the “A” story - the journey of Dickie Moltisanti. Alessandro Nivola is charming enough as this sadistic, sociopathic mobster, but he is saddled with too much TV show baggage to become a character on his own. Specifically his mentorship and (ultimate) disassociation with the young Tony Soprano (played by Michael Gandolfini, the son of the late James Gandolfini who played Tony in the TV series). I felt like these characters were burdened with the weight of the TV show and the need to pay homage to what will be coming in their lives via the TV show and to shoehorn in each character along the way.
Consequently some great actors like Vera Farmiga (Tony’s mother Livia), Jon Bernthal (Tony’s father), and Corey Stoll (as Uncle Junior) are all filming extended cameos. They do a good (enough) job bringing the essence of the characters from the TV Series to this film, but they just don’t have enough to do. I would love for these 3 to spin-off on their own.
The same can be said for Billy Magnussen (Pauly), John Magaro (Silvio) and Samson Moeakiola (Big Pussy). They all do a nice job bringing the younger versions of these characters to life (especailly Magaro) but they just don’t have enough to do.
And then there is Ray Liotta’s over-the-top performance as Mob Boss “Hollywood” Dick Moltisanti. Ove-the-top doesn’t even begin to describe the performance he is giving. I will give him credit, though, he does tone it down about 1/2 way through the film, but…geez…the first part…wow.
Ultimately, the failure of the “A” story to captivate dooms this movie to mediocre status. I would have loved for Chase to really sink his teeth into the “B” story - and to let Leslie Odom Jr. really fly as a character and and actor.
But that would have defeated the purpose of making a Sopranos prequel - a prequel that, perhaps, shouldn’t have been made in the first place.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
The first, fans of the 1999-2007 landmark HBO series that some (including myself) call one of the best TV series of all time. The folks that fall into this camp will be checking this film out no matter what.
The second are folks that either never saw the series or have only a passing knowledge of it - these folks are (more than likely) gonna take a pass at this film.
And both camps would be right and wrong for THE MANY SAINTS OF NEWARK is a middle-of-the-road film that will be satisfying for SOPRANOS fans, but the part of this film that really, really works well has nothing to do with the series.
Written by Sopranos creator David Chase, TMSON is set in the late 1960’s-early 1970’s and tells the tale of a young Tony Soprano and his introduction to the North Jersey mafia and the charismatic mob boss who he is drawn to.
The first 15 minutes of this film were written specifically for SOPRANOS fans for it is here that you are introduced to younger versions of many of your favorite characters. From Tony to Uncle Junior to Livia (Tony’s Mom) to Pauly Walnuts, Silvio and “Big Pussy” they are all there - along with a few others you don’t know (and it is not a spoiler to say, there is a reason that they never made it to the TV series). You are also introduced to Tony’s Father Johnny Soprano, Mob Boss “Hollywood” Dick Moltisanti and the center of this film, the son of the Boss “Uncle” Dickie Moltisanti (father of future TV Series character Christopher).
It’s an enjoyable enough introduction, but it is nothing new. The characters sit around, talk, act tough and eat. Something that we’ve seen in countless mob movies before. Chase and Director Alan Taylor (THOR: THE DARK WORLD) appear somewhat bored with this part of the film - almost as if they are saying “here they all are, enjoy this for we have a more interesting story to tell”. This first 15 minutes of the film seem to go on forever.
And then the movie - and Chase’s ideas and Taylor’s Direction - kick in.
And this is where TMSON begins to escalate as the story splits into 2 parts - the first following Dickie (Alessandro Nivola) and the 2nd following one of his “runners” (Leslie Odom, Jr.) who is destined to become a powerful boss of the “Black Mafia”.
It’s a smart juxtaposition of story, but unfortunately for SOPRANO’s fans, the first story (following Dickie) and including most of the Soprano’s characters is the less interesting of the 2 stories. It is the journey of Leslie Odom, Jr.’s character that makes for a more compelling story. It is as if Chase had an interesting idea for a mob film but knew he would not be able to get it made unless he tied it somewhat to a Sopranos story.
Leslie Odom Jr. is magnetic as Harold McBrayer, the former numbers runner for Dickie that has an awaking through the Black Power movement of the late ‘60’s and becomes a formidable mob boss in his own right. This half of the movie/story is intriguing and interesting for you never know in what direction it is going to land. This “B” story is free to be whatever it wants/needs to be and this freedom elevates it.
The same cannot be said for the “A” story - the journey of Dickie Moltisanti. Alessandro Nivola is charming enough as this sadistic, sociopathic mobster, but he is saddled with too much TV show baggage to become a character on his own. Specifically his mentorship and (ultimate) disassociation with the young Tony Soprano (played by Michael Gandolfini, the son of the late James Gandolfini who played Tony in the TV series). I felt like these characters were burdened with the weight of the TV show and the need to pay homage to what will be coming in their lives via the TV show and to shoehorn in each character along the way.
Consequently some great actors like Vera Farmiga (Tony’s mother Livia), Jon Bernthal (Tony’s father), and Corey Stoll (as Uncle Junior) are all filming extended cameos. They do a good (enough) job bringing the essence of the characters from the TV Series to this film, but they just don’t have enough to do. I would love for these 3 to spin-off on their own.
The same can be said for Billy Magnussen (Pauly), John Magaro (Silvio) and Samson Moeakiola (Big Pussy). They all do a nice job bringing the younger versions of these characters to life (especailly Magaro) but they just don’t have enough to do.
And then there is Ray Liotta’s over-the-top performance as Mob Boss “Hollywood” Dick Moltisanti. Ove-the-top doesn’t even begin to describe the performance he is giving. I will give him credit, though, he does tone it down about 1/2 way through the film, but…geez…the first part…wow.
Ultimately, the failure of the “A” story to captivate dooms this movie to mediocre status. I would have loved for Chase to really sink his teeth into the “B” story - and to let Leslie Odom Jr. really fly as a character and and actor.
But that would have defeated the purpose of making a Sopranos prequel - a prequel that, perhaps, shouldn’t have been made in the first place.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Natacha (374 KP) rated The Well of Ascension (Mistborn, #2) in Books
Feb 23, 2019 (Updated Feb 23, 2019)
Is was a great book with even more twists and turns than the first one. The only reason why I’m not giving this book full marks is the following:
1) The first two third of the book was more focused on political games. And although we were kept guessing all the way about what was happening and I had many moments of “I didn't see that coming” in my personal liking ⅔ of the book were a tiny bit more than what I would have liked.
2) Again, to my personal liking, I little bit too much self-doubting from Vin about who she is and if she should be with the man she loves or not.
Having said tha, holy moly did the last part of the book did make up for the above. I couldn't put the book down. Full of twist, battle and amazing moments! Now I can wait to read the final book in the series.
1) The first two third of the book was more focused on political games. And although we were kept guessing all the way about what was happening and I had many moments of “I didn't see that coming” in my personal liking ⅔ of the book were a tiny bit more than what I would have liked.
2) Again, to my personal liking, I little bit too much self-doubting from Vin about who she is and if she should be with the man she loves or not.
Having said tha, holy moly did the last part of the book did make up for the above. I couldn't put the book down. Full of twist, battle and amazing moments! Now I can wait to read the final book in the series.
Michelle (114 KP) rated Star Wars: Episode V – The Empire Strikes Back (1980) in Movies
Mar 16, 2018
Loved this film even though all three of the original films were filmed and seen before the first part of the Star Wars series. Mark Hamell, Harrison Ford, The late Carrie Fisher were the best as Luke Skywalker, Han Solo and Princess Lai she soon should everyone that she was not some helpless princess who let everyone else do things while she sat back and did nothing. Her costumes were amazing, she was right in there fighting along with them to save their homelands/worlds from the Dark Lord Darth Vada. The ariel battles were fantastic. Storm Troopers were meant to be menacing when in fact they were quite funny at times. R2 D2 and 3PO where hilarious and Chewie adorable. The Jedi training was good. The shock about Luke's father I mean who would not be shocked and disgusted at finding out your father is Darth Vada and the girl you love turns out to be your sister.
Gisell Middleton (189 KP) rated Naked We Came (Jake Travis, #5) in Books
Jul 12, 2018
I had a really hard time getting into this novel. The fact that it is fifth in a series, and I had not read the previous four, bothered me but it might not have been so bad had the author put a bit more background into the characters, often imposed without rhyme or reason, whom it felt we should already know and be familiar with. Many previous events from other novels were also referenced often which I felt was akin to joining a conversation, which had already been going on for a very long time, halfway through. The book was a bit sluggish for a large part of the story, finally hitting its stride about 3/4 of the way in. I wasn’t crazy about the cadence of the writing and sometimes it was difficult to discern who was speaking or how many people were part of a scene. Many of the situations lacked insight and seemed incredibly far fetched.
Wanted (Pretty Little Liars, #8)
8.0
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In Rosewood, not all that glitters is gold, and the town harbors secrets darker than anyone could...
Colin Newman recommended Tabula Rasa by Arvo Part in Music (curated)
Emma @ The Movies (1786 KP) rated Toy Story 4 (2019) in Movies
Jun 25, 2019
Toy Story 4 is the sequel that no one really needed. Its one massive positive is that it manages not to ruin what the first three films created. It does somehow take characters back a step in their development though, which is slightly confusing, particularly with Buzz. Seeing this film is definitely not a waste of your time, but I don't think it can top what we've already had in the series, apart from when it comes to the animation which is truly incredible. I guarantee you'll think that within the first five minutes.
Remember to stay for the credit scenes, there are four (I think) in the first section, and then one right at the end.
(Full review here. Warning... it contains a spoiler but it's in white writing on a white background so you can read the review without seeing it, just highlight it to read my waffle. http://emmaatthemovies.blogspot.com/2019/06/toy-story-4-movie-review.html)
Remember to stay for the credit scenes, there are four (I think) in the first section, and then one right at the end.
(Full review here. Warning... it contains a spoiler but it's in white writing on a white background so you can read the review without seeing it, just highlight it to read my waffle. http://emmaatthemovies.blogspot.com/2019/06/toy-story-4-movie-review.html)
Salvation (The Captive, #4)
6.0
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Imprisoned by Caleb and at the mercy of the king, Aria is determined not to let them break her. ...