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Erratic.
To begin with I should point out that I listened to this rather than read it, and I have to say that I found (not for the first time with American audiobooks) that the narrator detracted from the story. They chose a woman with a very slow, drawling delivery which in some ways, I imagine, was intended to emphasise the sunny, laid-back easy-going stereotype of the late 60's hippy movement. Unfortunately the actual effect was to make the book drag.
Beyond that the content of the book itself was a mixed bag of the pleasurable and the pointless.
Where Cline excelles in this book is in her portrayal of a normal adolescent female trying to fit the role society has dictated for her. It's important to note that Evie is normal - she's not in the small group of incredibly popular, socially adept, fashionably en point and appropriately presented girls of the moment, nor is she so far away from the 'norm' that she is considered especially weird. She falls firmly within the parameters of 'normal' girls who are just struggling with the 'project of their girlhood'. Nor is it just girls that Cline succeeds in painting an accurate picture of - the tribulations of Evie's mother (newley divorced and struggling to realise the relevance and attraction that society expects from her again) speak to the ongoing and endless demands of a civilisation that puts endless pressure on it's female members to adhere to a very narrow and sharply defined criteria in order to be 'acceptable'. This pressure is something I imagine most female readers of this book will relate to, regardless of age, because, of course, it is still very much a daily aspect of most girls' and womens' lives; some possibly even recognising individual situations in which they have been at some stage in their life.
Understanding and empathising with Evie then, it is disconcerting to follow her absorption into the cult; her fascination with the older girls, the ones she later reflects upon as barely more than children themselves; the ease with which she is manipulated through her desire to please her new friends and to defy her mother; the lies sher emotional side is sold and accepts, even as her more rational mind recognises that they are lies...
These are the things Cline excelles in. I can honestly say I have never read an more accurate depiction of clumsy, normal female adolescence.
Unfortunately interspersed through these parts are large tracts of pointless and incredibly, horribly flowery waffle that don't really add anything else to the story other than to repeat, endlessly the message that 'the girl who was part of the cult' had a sad and unfulfilling life afterwards.The message that she screwed up could have been delivered successfully at the beginning and reinforced at the end - it didn't need that kind of repetition.
Overall I would say that for fans of general fiction (which I'm not), and teen readers (which I am also not), this is probably a good read, just expect it to drag at times. It's not one I shall be revisiting.
Beyond that the content of the book itself was a mixed bag of the pleasurable and the pointless.
Where Cline excelles in this book is in her portrayal of a normal adolescent female trying to fit the role society has dictated for her. It's important to note that Evie is normal - she's not in the small group of incredibly popular, socially adept, fashionably en point and appropriately presented girls of the moment, nor is she so far away from the 'norm' that she is considered especially weird. She falls firmly within the parameters of 'normal' girls who are just struggling with the 'project of their girlhood'. Nor is it just girls that Cline succeeds in painting an accurate picture of - the tribulations of Evie's mother (newley divorced and struggling to realise the relevance and attraction that society expects from her again) speak to the ongoing and endless demands of a civilisation that puts endless pressure on it's female members to adhere to a very narrow and sharply defined criteria in order to be 'acceptable'. This pressure is something I imagine most female readers of this book will relate to, regardless of age, because, of course, it is still very much a daily aspect of most girls' and womens' lives; some possibly even recognising individual situations in which they have been at some stage in their life.
Understanding and empathising with Evie then, it is disconcerting to follow her absorption into the cult; her fascination with the older girls, the ones she later reflects upon as barely more than children themselves; the ease with which she is manipulated through her desire to please her new friends and to defy her mother; the lies sher emotional side is sold and accepts, even as her more rational mind recognises that they are lies...
These are the things Cline excelles in. I can honestly say I have never read an more accurate depiction of clumsy, normal female adolescence.
Unfortunately interspersed through these parts are large tracts of pointless and incredibly, horribly flowery waffle that don't really add anything else to the story other than to repeat, endlessly the message that 'the girl who was part of the cult' had a sad and unfulfilling life afterwards.The message that she screwed up could have been delivered successfully at the beginning and reinforced at the end - it didn't need that kind of repetition.
Overall I would say that for fans of general fiction (which I'm not), and teen readers (which I am also not), this is probably a good read, just expect it to drag at times. It's not one I shall be revisiting.
Heather Cranmer (2721 KP) rated The Turn of The Key in Books
Sep 26, 2019
I am a huge fan of Ruth Ware. Even though I wasn't a fan of her book The Death of Mrs. Westaway, I loved The Lying Game and In a Dark, Dark Wood. When I found out about The Turn of the Key, I knew I had to read it as soon as possible. It was much better than I thought it was going to be!
The synopsis of the book had such a spooky feel, and I loved the plot of The Turn of the Key. Rowan isn't very happy at her job at Little Nippers, a daycare where she looks after babies and toddlers. Plus, it doesn't pay very well. When she comes across an ad to be a live in nanny for a rich couple's children for a fantastic sum, she jumps a the chance. She's surprised when she gets the job, but she is ecstatic. Heatherbrae, the house where she will nanny, is a smart house complete with an app that controls everything in the house. When her employers have to leave the next day, she is thrown into her job as a nanny of Maddie, Ellie, and Petra. Strange things start happening such as being woken up in the middle of the night with music blaring from the speakers all over the house and lights being turned on up to full brightness. Items go missing from their original place, and Maddie is a nightmare child to look after. Rowan begins to second guess her nannying job at Heatherbrae, but she decides to stick it out. Unfortunately, a child ends up dead, and Rowan ends up in prison for the child's murder even though she swears she's innocent. Was Rowan framed or was it the work of something far more sinister?
I thought everything flowed smoothly, and The Turn of the Key definitely had me spooked. I kept trying to guess what was going on. The Turn of the Key hints that it could be something paranormal throughout the story, so I kept wondering if it was some sort of ghost or if it was a person. I'd also try to guess who was behind it all, but I was wrong. There are a few plot twists and one major plot twist that blindsided me completely. It was a plot twist that made me actually made my draw drop! I doubt any reader would have or will predict that plot twist. One minor thing that I was left pondering over had to do with the ending when all is revealed. I won't give any spoilers away, but I will say it's never mentioned how a person can get into a certain sealed off room. That's all I will say on that matter because I don't want to give too much away. Other than that, every other question I had was answered by the last page. As for the pacing, it is done perfectly. Not once did I feel as if The Turn of the Key slowed down at all. This is a book that grabs your hand and pulls you along without letting go!
The characters in The Turn of the Key all felt very realistic and fleshed out well enough for everything to be believable. Rowan is a very likable character and kudos for her for actually staying on as a nanny at Heatherbrae when everything went pear shaped. Even though some of the kids were hard to love, she still wanted to do what's right by them. I would have high tailed it out of there quickly if I was in her position! I felt like she dealt with everything to the best of her ability. I admired Jack and how he was willing to help Rowan out. He came across as a very caring man. It was obvious that the character of Jean loved the children at Heatherbrae which made me love her even if she wasn't featured very much. Sandra and Bill (the owners of Heatherbrae and Rowan's employers) were written well. They weren't very good parents I felt. They were too busy with their work to really know their children. Unfortunately, I know this happens in real life too. Maddie had her issues, but I loved how she was written. I felt bad for her because I felt like she was the black sheep of the family. I also felt bad for the oldest daughter Rhiannon. She was another one that seemed to have issues, but I loved her vulnerability at her lowest point. I loved the dialogue between Rowan and Rhiannon. Petra was just adorable, but Ellie was my favorite. She was easily swayed by her sister, Maddie, but I loved when she was away from Maddie and was able to be her own person. I felt she was just the sweetest little girl!
Trigger warnings for The Turn of the Key include profanity, drinking, underage drinking, lying, blackmail, a child's death, marital cheating, and mentions of sex (although not graphic).
Overall, The Turn of the Key is such a well written book. The plot sucks you in from the beginning, and the characters are all very interesting! I would definitely recommend The Turn of the Key by Ruth Ware to everyone age 16+ who enjoy a fantastic psychological read!
The synopsis of the book had such a spooky feel, and I loved the plot of The Turn of the Key. Rowan isn't very happy at her job at Little Nippers, a daycare where she looks after babies and toddlers. Plus, it doesn't pay very well. When she comes across an ad to be a live in nanny for a rich couple's children for a fantastic sum, she jumps a the chance. She's surprised when she gets the job, but she is ecstatic. Heatherbrae, the house where she will nanny, is a smart house complete with an app that controls everything in the house. When her employers have to leave the next day, she is thrown into her job as a nanny of Maddie, Ellie, and Petra. Strange things start happening such as being woken up in the middle of the night with music blaring from the speakers all over the house and lights being turned on up to full brightness. Items go missing from their original place, and Maddie is a nightmare child to look after. Rowan begins to second guess her nannying job at Heatherbrae, but she decides to stick it out. Unfortunately, a child ends up dead, and Rowan ends up in prison for the child's murder even though she swears she's innocent. Was Rowan framed or was it the work of something far more sinister?
I thought everything flowed smoothly, and The Turn of the Key definitely had me spooked. I kept trying to guess what was going on. The Turn of the Key hints that it could be something paranormal throughout the story, so I kept wondering if it was some sort of ghost or if it was a person. I'd also try to guess who was behind it all, but I was wrong. There are a few plot twists and one major plot twist that blindsided me completely. It was a plot twist that made me actually made my draw drop! I doubt any reader would have or will predict that plot twist. One minor thing that I was left pondering over had to do with the ending when all is revealed. I won't give any spoilers away, but I will say it's never mentioned how a person can get into a certain sealed off room. That's all I will say on that matter because I don't want to give too much away. Other than that, every other question I had was answered by the last page. As for the pacing, it is done perfectly. Not once did I feel as if The Turn of the Key slowed down at all. This is a book that grabs your hand and pulls you along without letting go!
The characters in The Turn of the Key all felt very realistic and fleshed out well enough for everything to be believable. Rowan is a very likable character and kudos for her for actually staying on as a nanny at Heatherbrae when everything went pear shaped. Even though some of the kids were hard to love, she still wanted to do what's right by them. I would have high tailed it out of there quickly if I was in her position! I felt like she dealt with everything to the best of her ability. I admired Jack and how he was willing to help Rowan out. He came across as a very caring man. It was obvious that the character of Jean loved the children at Heatherbrae which made me love her even if she wasn't featured very much. Sandra and Bill (the owners of Heatherbrae and Rowan's employers) were written well. They weren't very good parents I felt. They were too busy with their work to really know their children. Unfortunately, I know this happens in real life too. Maddie had her issues, but I loved how she was written. I felt bad for her because I felt like she was the black sheep of the family. I also felt bad for the oldest daughter Rhiannon. She was another one that seemed to have issues, but I loved her vulnerability at her lowest point. I loved the dialogue between Rowan and Rhiannon. Petra was just adorable, but Ellie was my favorite. She was easily swayed by her sister, Maddie, but I loved when she was away from Maddie and was able to be her own person. I felt she was just the sweetest little girl!
Trigger warnings for The Turn of the Key include profanity, drinking, underage drinking, lying, blackmail, a child's death, marital cheating, and mentions of sex (although not graphic).
Overall, The Turn of the Key is such a well written book. The plot sucks you in from the beginning, and the characters are all very interesting! I would definitely recommend The Turn of the Key by Ruth Ware to everyone age 16+ who enjoy a fantastic psychological read!
Awkward, failed attempt at satire?
After college, Elinor moves to New York with her journalism degree and dreams of writing pieces that mean something. She sees a future with her boyfriend, Mike, also a journalist. Instead, Elinor lives in a cramped apartment with no kitchen, sleeps on a foam pad, and nannies to two slightly whiny and obsessive children. She thinks her future is looking up when she's offered a position at Journalism.ly, a digital brand a la BuzzFeed. But soon Elinor learns that her sole function there is to produce pieces that go "viral" and then she and Mike break up, pushing her into a deeper depression. Is it even possible to have the creative and romantic life she dreamed of, Elinor wonders?
I won't lie; this was a strange book. Even the narration style is odd. While it's told mostly from Elinor's point of view, we get this peculiar device thrown in at times (e.g., "the reader should know"). You get used to it eventually, but still.
In fact, the whole novel can be very awkward at times and after a while, I lost the thread on whether it was because the book was well-done (she's so well-written!) or just awkward and painful. A lot of the book features much melodrama between the characters, most of whom always seemed to be having bad days. Really, was life so terrible? There is much angst, a lot of social media usage, lots of happy hours and supposed networking, and not a lot of people to care about.
For indeed, a lot of the characters are not likable, and I found myself vacillating in my feelings for Elinor. I didn't grow up in the social media world, like she, but am immersed in it enough now that I could empathize with her--to a point. At some stages, the novel really captured some painful situations. There were some funny points, and places where Elinor could be helpless yet sympathetic. At other points, Elinor was just hapless and unable to take charge of her life in any capacity and filled me with abject terror for the future of the nation.
I was honestly baffled at times on whether the book was satiric, or a commentary on social media and journalism, or taking itself too seriously. Elinor winds up working for Journalism.ly, which is said to be similar to BuzzFeed (and many other sites), and she's told to make things go viral, which, funnily enough, she has a bit of a knack for, despite her own inability to make friends or succeed in social situations (or life, in general). Whether all of this is ironic or not, I'll never quite know.
So, in the end, I'm at a loss with this one. I really don't know how I feel. Satire? A look at a generation? A bunch of hapless unlikable people prattling on? All three combined? I can say that this was a fast read--the author drew me in, as I read it in about a day. I was left with a weird feeling when I finished. I can't say I really recommend it, but it was an interesting read at times.
I received a copy of this novel from the publisher and Edelweiss in return for an unbiased review; more at https://justacatandabookatherside.blogspot.com/.
I won't lie; this was a strange book. Even the narration style is odd. While it's told mostly from Elinor's point of view, we get this peculiar device thrown in at times (e.g., "the reader should know"). You get used to it eventually, but still.
In fact, the whole novel can be very awkward at times and after a while, I lost the thread on whether it was because the book was well-done (she's so well-written!) or just awkward and painful. A lot of the book features much melodrama between the characters, most of whom always seemed to be having bad days. Really, was life so terrible? There is much angst, a lot of social media usage, lots of happy hours and supposed networking, and not a lot of people to care about.
For indeed, a lot of the characters are not likable, and I found myself vacillating in my feelings for Elinor. I didn't grow up in the social media world, like she, but am immersed in it enough now that I could empathize with her--to a point. At some stages, the novel really captured some painful situations. There were some funny points, and places where Elinor could be helpless yet sympathetic. At other points, Elinor was just hapless and unable to take charge of her life in any capacity and filled me with abject terror for the future of the nation.
I was honestly baffled at times on whether the book was satiric, or a commentary on social media and journalism, or taking itself too seriously. Elinor winds up working for Journalism.ly, which is said to be similar to BuzzFeed (and many other sites), and she's told to make things go viral, which, funnily enough, she has a bit of a knack for, despite her own inability to make friends or succeed in social situations (or life, in general). Whether all of this is ironic or not, I'll never quite know.
So, in the end, I'm at a loss with this one. I really don't know how I feel. Satire? A look at a generation? A bunch of hapless unlikable people prattling on? All three combined? I can say that this was a fast read--the author drew me in, as I read it in about a day. I was left with a weird feeling when I finished. I can't say I really recommend it, but it was an interesting read at times.
I received a copy of this novel from the publisher and Edelweiss in return for an unbiased review; more at https://justacatandabookatherside.blogspot.com/.
TheDefunctDiva (304 KP) rated The Outsider in Books
Oct 7, 2018
From the Inside, Out
Contains spoilers, click to show
This book opens like an episode of “Law and Order: SVU” not suitable for primetime.
A gruesome crime, involving a child (and complete with elements of cannibalism) is committed. The alleged murderer, damned by seemingly undeniable forensic proof, is then very publicly apprehended. And then the twists and turns begin. Though eyewitnesses also put beloved schoolteacher Terry Maitland at the scene of the horrific crime, the accused was actually at a conference in another city, where he was seen on camera no less. Then comes a series of events that threatens not only the man’s quality of life but his very existence.
The novel then expands into a whodunnit with a notably creepy character, a morphing being known as the Outsider. As the true perpetrator of this and other crimes against children and their families, he is at once very human and very otherworldly.
This novel is set in the southwest, which is an unusual departure for Stephen King. Therefore, the descriptions of places were perhaps a bit less detailed and authentic than I would have liked. But having lived in San Antonio, I can say he did a pretty good job and the scenery offered certainly didn’t detract from the story.
In some respects, the monster in the Outsider echoed back to Kafka’s The Metamorphosis. The descriptions of the constantly morphing Outsider character had an eerie element. In the end, the flesh of the outsider consisted of nightmarish worms. And there was a particularly nasty substance he used to morph into his intended victims, some unidentifiable black substance which seems the stuff nightmares are made of. Appropriate, since he went around “eating sorrow” like some unhinged emo kid. Leaving entire families in his wake with his vile need to satiate himself. In his default shape, he resembled a man with “straws for eyes” which is haunting, but not nearly as terrifying as some of King’s other humanoid villains.
This book had several scenes that are now ingrained in my memory. The scene that stole the show for me was when bereaved Arlene Peterson, the victim’s mother, pours funeral leftovers on her head before ultimately succumbing to a heart attack. But the arraignment scene was definitely one that offered more action and intrigue than previously seen in the book. Chaos is one of the things King does best, and this section was remarkable. The book up to this point dragged a little, but the arraignment reigns as a pivotal point that brings many horrors sharply into focus.
I especially enjoyed the murder mystery elements of the book, as I am a sucker for a good detective story. Holly, an investigator who worked with lead detective Ralph Anderson, was my favorite character. Throughout the novel, she is depicted as smart, shrewd, and socially inept. She is also a tad obsessive-compulsive, which I related to on a personal level.
Throughout, the book seems to focus on the dual nature of man, especially in the concluding scene. It seems every man in his lifetime, by choice or fate, wears more than one face. The Outsider was a quality thriller and mystery. It is at once mysterious and devastating, and a testament to the tenacity of the human spirit.
A gruesome crime, involving a child (and complete with elements of cannibalism) is committed. The alleged murderer, damned by seemingly undeniable forensic proof, is then very publicly apprehended. And then the twists and turns begin. Though eyewitnesses also put beloved schoolteacher Terry Maitland at the scene of the horrific crime, the accused was actually at a conference in another city, where he was seen on camera no less. Then comes a series of events that threatens not only the man’s quality of life but his very existence.
The novel then expands into a whodunnit with a notably creepy character, a morphing being known as the Outsider. As the true perpetrator of this and other crimes against children and their families, he is at once very human and very otherworldly.
This novel is set in the southwest, which is an unusual departure for Stephen King. Therefore, the descriptions of places were perhaps a bit less detailed and authentic than I would have liked. But having lived in San Antonio, I can say he did a pretty good job and the scenery offered certainly didn’t detract from the story.
In some respects, the monster in the Outsider echoed back to Kafka’s The Metamorphosis. The descriptions of the constantly morphing Outsider character had an eerie element. In the end, the flesh of the outsider consisted of nightmarish worms. And there was a particularly nasty substance he used to morph into his intended victims, some unidentifiable black substance which seems the stuff nightmares are made of. Appropriate, since he went around “eating sorrow” like some unhinged emo kid. Leaving entire families in his wake with his vile need to satiate himself. In his default shape, he resembled a man with “straws for eyes” which is haunting, but not nearly as terrifying as some of King’s other humanoid villains.
This book had several scenes that are now ingrained in my memory. The scene that stole the show for me was when bereaved Arlene Peterson, the victim’s mother, pours funeral leftovers on her head before ultimately succumbing to a heart attack. But the arraignment scene was definitely one that offered more action and intrigue than previously seen in the book. Chaos is one of the things King does best, and this section was remarkable. The book up to this point dragged a little, but the arraignment reigns as a pivotal point that brings many horrors sharply into focus.
I especially enjoyed the murder mystery elements of the book, as I am a sucker for a good detective story. Holly, an investigator who worked with lead detective Ralph Anderson, was my favorite character. Throughout the novel, she is depicted as smart, shrewd, and socially inept. She is also a tad obsessive-compulsive, which I related to on a personal level.
Throughout, the book seems to focus on the dual nature of man, especially in the concluding scene. It seems every man in his lifetime, by choice or fate, wears more than one face. The Outsider was a quality thriller and mystery. It is at once mysterious and devastating, and a testament to the tenacity of the human spirit.
Debbiereadsbook (1421 KP) rated Charles (Learning to Love #1) in Books
Jul 28, 2021
deep and complex emotions involved, but I loved it!
Independent reviewer for Archaeolibrarain, I was gifted my copy of this book.
Once upon a time, there was a reader much like yourself. She read for pleasure, but also had fallen down the slippery slope of reading to review, so every book she read needed a review written. Fun, but hard work sometimes, especially when said reader found herself in a book funk of EPIC proportions, and that almost every book she read, was dumped.
Then THIS book landed in her queue to read and review. There had been lots of books dumped this past week, and there weren't many review books in her queue, but this one was asked for ages ago, and so she wanted to read it. So on a quiet evening at work, she jumped in.
And she was pulled back into the small Cornish village that this book is set, the same one that feature in the HIS series, and she was pulled deeper and deeper and she did not stop reading! Well, she did, but only because she was at work! Going home, and she finished this book, staying up waaaaaaaaaaaaaaaaaay past her bedtime, and she loved it!
She loved Charles. Charles is the third son of an Earl, but he just wants to use his degree to help children who might slip through the net, much like he did. His undiagnosed dyslexia meant he did not get the help he needed as a child, and he doesn't want that for another child. He sees the world differently and wants to help. Applying for the teachers job for a group of 4/5 year olds is his dream job. But the head doesn't think Charles is qualified enough but offers Charles a different sort of job. To bring a smile to his friend's face again.
The reader loved Hugo too. Even though Hugo isn't given a voice, the reader heard him good and well when he speaks. When he touches Charles, when Charles touches him. Hugo was HEARD. Hugo's calling is questioned but his faith is not. He needs to make a decision about fully committing to the church, but he also needs to heal first. Charles helps him to heal, inside and out.
The reader loved that Hugo doesn't hold Charles' history against him. Loved the fact that Hugo almost embraced it. The reader was made to cry. Charles has a deep soul, and he wears his emotions on his face and Hugo sees Charles, really SEES him.
The reader loved that Kier and Mitch, from His Haven. Charles and Kier are best friends. Loved that Kier saw Charles too, just in a different way to Hugo. The reader loved that Charles and his brother George got on soooooooooo much better towards the end of the book than the beginning!
The reader found this a very emotional book. Whether that was because of Charles, or Hugo or them both together, she wasn't quite sure, but she loved that it was. There are deep and complex emotions in this book, and it made the reader slow her reading down, to fully appreciate them.
And the epilogue?? Oh, the reader bawled her heart out at that, she really did!
So, all in all, the reader LOVED this book! The reader wants more of this author!
And the reader lived happily ever after, because lots of this author's books are now settled on her kindle!
The end, with 5 full and shiny stars!
**same worded review will appear elsewhere**
Once upon a time, there was a reader much like yourself. She read for pleasure, but also had fallen down the slippery slope of reading to review, so every book she read needed a review written. Fun, but hard work sometimes, especially when said reader found herself in a book funk of EPIC proportions, and that almost every book she read, was dumped.
Then THIS book landed in her queue to read and review. There had been lots of books dumped this past week, and there weren't many review books in her queue, but this one was asked for ages ago, and so she wanted to read it. So on a quiet evening at work, she jumped in.
And she was pulled back into the small Cornish village that this book is set, the same one that feature in the HIS series, and she was pulled deeper and deeper and she did not stop reading! Well, she did, but only because she was at work! Going home, and she finished this book, staying up waaaaaaaaaaaaaaaaaay past her bedtime, and she loved it!
She loved Charles. Charles is the third son of an Earl, but he just wants to use his degree to help children who might slip through the net, much like he did. His undiagnosed dyslexia meant he did not get the help he needed as a child, and he doesn't want that for another child. He sees the world differently and wants to help. Applying for the teachers job for a group of 4/5 year olds is his dream job. But the head doesn't think Charles is qualified enough but offers Charles a different sort of job. To bring a smile to his friend's face again.
The reader loved Hugo too. Even though Hugo isn't given a voice, the reader heard him good and well when he speaks. When he touches Charles, when Charles touches him. Hugo was HEARD. Hugo's calling is questioned but his faith is not. He needs to make a decision about fully committing to the church, but he also needs to heal first. Charles helps him to heal, inside and out.
The reader loved that Hugo doesn't hold Charles' history against him. Loved the fact that Hugo almost embraced it. The reader was made to cry. Charles has a deep soul, and he wears his emotions on his face and Hugo sees Charles, really SEES him.
The reader loved that Kier and Mitch, from His Haven. Charles and Kier are best friends. Loved that Kier saw Charles too, just in a different way to Hugo. The reader loved that Charles and his brother George got on soooooooooo much better towards the end of the book than the beginning!
The reader found this a very emotional book. Whether that was because of Charles, or Hugo or them both together, she wasn't quite sure, but she loved that it was. There are deep and complex emotions in this book, and it made the reader slow her reading down, to fully appreciate them.
And the epilogue?? Oh, the reader bawled her heart out at that, she really did!
So, all in all, the reader LOVED this book! The reader wants more of this author!
And the reader lived happily ever after, because lots of this author's books are now settled on her kindle!
The end, with 5 full and shiny stars!
**same worded review will appear elsewhere**
Thinkrolls
Education and Games
App
Set your child's mind in motion! Thinkrolls are the 26 smart characters in this award-winning app...
Gareth von Kallenbach (980 KP) rated Annabelle Comes Home (2019) in Movies
Jun 28, 2019
Not The Best In The Series But Entertains
One of the most intriguing yet often exaggerated lines in movie history is “based on actual events”. I’ve always had a fascination with supernatural thrillers that came with this tag line, whether it’s a movie like Amityville Horror or The Exorcism of Emily Rose. None of these are more popular than The Conjuring series, based on two real life demonologists Ed and Lorraine Warren. Whether you believe in ghosts and haunted houses or not, these films always played on the notion that the events “could” possibly happen…even if they were exaggerated for Hollywood audiences. Annabelle Comes Home breaks the trend of previous Conjuring movies by not bothering to pretend that it’s based on any of the “actual” events from the previous films. So how does it stack up to its predecessors?
The movie begins with Ed and Lorraine Warren retrieving Annabelle and taking the scary doll home to lock her away in the now infamous artifact room. The dolls presence is so evil, that it takes not only blessings by a priest but being locked away in a case made up of glass from an old church to keep it’s evil at bay. Not only is the display case locked, but a sign is placed upon it, warning any who may enter not to release the doll within. Several pad locks later the Warrens feel comfortable that the evil within is contained.
A year passes and both Ed and Lorraine are called away on business, entrusting the care of their young daughter Judy (McKenna Grace) to her responsible babysitter Mary Ellen (Madison Iseman). Mary Ellen’s friend Daniela (Katie Sarife) blackmails Mary Ellen into allowing her to come over and stay with her and Judy in the Warren’s household. Using an opportunity when both Judy and Mary Ellen are out of the house, Daniela finds the artifact room (and the keys necessary to open it), and what at first appears to be idle curiosity, quickly turns into an attempt to utilize the artifacts in the room to reach out to her recently deceased father. It is in this attempt that Daniela unknowingly releases the evil in the room when she opens the case that Annabelle is in (it’s not like there was a BIG sign warning her not to do so).
Annabelle in her search for a soul, releases the full power and evil of all the artifacts in the room. Everything from an empty suit of Samurai armor to a wedding dress the drives the wearer insane is on display. Even a werewolf is released upon the world hunting an unwary suitor of Mary Ellen’s who happens to be at the wrong place at the wrong time. It’s up to this band of babysitters and children to restore order to the house and find a way to contain the evil that has been brought upon the world.
Annabelle Comes Home starts out fairly slow and takes awhile to build the tension. The first hour of the movie is mainly the interaction between the family and friends, and introductions to the various artifacts that are in the room. It’s not until the second half of the film when things really begin to take off. When the movie finally hits its creepy stride, it has plenty of genuine scares and intense moments, but focuses on several of the iconic artifacts and their affect on the individuals in the house.
While each of the artifacts has its own unique and interesting characteristics, we are hit with a barrage of items that are each going after one of the guests in the house. Whether it’s the television that can predict the future, or the locket that allows communication with the dead, it’s a lot to keep track of and tends to lose focus on the main plot. The movie attempts to cram every noticeable item from its previous films and give it some main purpose in the plot. In fact, the creepiest of all the artifacts Annabelle, takes on the role of evil puppet master controlling the artifacts which means less screen time and scares for her. Personally, Annabelle is scary enough to carry her own film (she has in previous installments), but in this film she is relegated to a side character, where the haunted artifacts take center stage.
The area I feel the movie loses the most is in the “believability” state. Remember that the Conjuring universe is based on real people, and on their actual encounters. Unfortunately, at no point in this film does one believe that any of these supernatural events could be mistaken for reality. It’s what I feel is the difference between a supernatural thriller and simply a monster movie. Much like other supernatural films, it’s about what you don’t see, rather than what you do, and Annabelle Comes Home unfortunately relies too much on its visuals leaving little to the viewers imagination. Imagining what a demon could look like is scarier than what Hollywood can dream up and show on the screen.
Ultimately Annabelle Comes home is a good movie which should have been great. It forgoes much of what made the series popular and replaces it with some goofy scenes and special effects. The artifacts are interesting, which makes the movie enjoyable, but not scary. I went in with hopes that I’d leave at least a little unnerved, looking under my covers, or turning the numerous dolls around that adorn my wife’s doll room. Unfortunately, I left feeling as though I’d simply been given a tour of the artifact room, with one night of scares that would disappear the next morning, as if from a bad dream. If you are looking to be scared, this movie likely won’t do that. If you are looking for an interesting movie with deeper background into the artifacts that have adorned the Warrens room for the past films, then this is the film for you.
3 out of 5 stars
http://sknr.net/2019/06/20/annabelle-comes-home/
The movie begins with Ed and Lorraine Warren retrieving Annabelle and taking the scary doll home to lock her away in the now infamous artifact room. The dolls presence is so evil, that it takes not only blessings by a priest but being locked away in a case made up of glass from an old church to keep it’s evil at bay. Not only is the display case locked, but a sign is placed upon it, warning any who may enter not to release the doll within. Several pad locks later the Warrens feel comfortable that the evil within is contained.
A year passes and both Ed and Lorraine are called away on business, entrusting the care of their young daughter Judy (McKenna Grace) to her responsible babysitter Mary Ellen (Madison Iseman). Mary Ellen’s friend Daniela (Katie Sarife) blackmails Mary Ellen into allowing her to come over and stay with her and Judy in the Warren’s household. Using an opportunity when both Judy and Mary Ellen are out of the house, Daniela finds the artifact room (and the keys necessary to open it), and what at first appears to be idle curiosity, quickly turns into an attempt to utilize the artifacts in the room to reach out to her recently deceased father. It is in this attempt that Daniela unknowingly releases the evil in the room when she opens the case that Annabelle is in (it’s not like there was a BIG sign warning her not to do so).
Annabelle in her search for a soul, releases the full power and evil of all the artifacts in the room. Everything from an empty suit of Samurai armor to a wedding dress the drives the wearer insane is on display. Even a werewolf is released upon the world hunting an unwary suitor of Mary Ellen’s who happens to be at the wrong place at the wrong time. It’s up to this band of babysitters and children to restore order to the house and find a way to contain the evil that has been brought upon the world.
Annabelle Comes Home starts out fairly slow and takes awhile to build the tension. The first hour of the movie is mainly the interaction between the family and friends, and introductions to the various artifacts that are in the room. It’s not until the second half of the film when things really begin to take off. When the movie finally hits its creepy stride, it has plenty of genuine scares and intense moments, but focuses on several of the iconic artifacts and their affect on the individuals in the house.
While each of the artifacts has its own unique and interesting characteristics, we are hit with a barrage of items that are each going after one of the guests in the house. Whether it’s the television that can predict the future, or the locket that allows communication with the dead, it’s a lot to keep track of and tends to lose focus on the main plot. The movie attempts to cram every noticeable item from its previous films and give it some main purpose in the plot. In fact, the creepiest of all the artifacts Annabelle, takes on the role of evil puppet master controlling the artifacts which means less screen time and scares for her. Personally, Annabelle is scary enough to carry her own film (she has in previous installments), but in this film she is relegated to a side character, where the haunted artifacts take center stage.
The area I feel the movie loses the most is in the “believability” state. Remember that the Conjuring universe is based on real people, and on their actual encounters. Unfortunately, at no point in this film does one believe that any of these supernatural events could be mistaken for reality. It’s what I feel is the difference between a supernatural thriller and simply a monster movie. Much like other supernatural films, it’s about what you don’t see, rather than what you do, and Annabelle Comes Home unfortunately relies too much on its visuals leaving little to the viewers imagination. Imagining what a demon could look like is scarier than what Hollywood can dream up and show on the screen.
Ultimately Annabelle Comes home is a good movie which should have been great. It forgoes much of what made the series popular and replaces it with some goofy scenes and special effects. The artifacts are interesting, which makes the movie enjoyable, but not scary. I went in with hopes that I’d leave at least a little unnerved, looking under my covers, or turning the numerous dolls around that adorn my wife’s doll room. Unfortunately, I left feeling as though I’d simply been given a tour of the artifact room, with one night of scares that would disappear the next morning, as if from a bad dream. If you are looking to be scared, this movie likely won’t do that. If you are looking for an interesting movie with deeper background into the artifacts that have adorned the Warrens room for the past films, then this is the film for you.
3 out of 5 stars
http://sknr.net/2019/06/20/annabelle-comes-home/
Hazel (1853 KP) rated A Library of Lemons in Books
Dec 17, 2018
<i>This ebook was provided by the publisher via NetGalley in exchange for an honest review
A Library of Lemons</i> is the most recent novel by children’s author Jo Cotterill. It is a moving story about a child’s perception of a life heavily affected by loss and grief, and the impact a positive friendship can bring. Calypso is only ten years old but has the reading age of someone much older. In fact she loves books so much that she prefers them to interacting with other people. Since her mother’s death five years previously, Calypso’s father has distanced himself from the world, focusing on writing and reading in his study, and has encouraged his only daughter to do the same: “be your own best friend.” However, a new girl at school causes Calypso to question and change the way she views the world.
Despite never having had a friend at school, Calypso quickly develops a strong friendship with Mae who also has a passion for reading. The difference is Mae lets herself feel emotion and is happy to let other people into her life, a concept that is initially alien to Calypso. As time goes on Calypso realizes she is the happiest she has ever been and that Mae has filled a gap she did not know was there. Regrettably, her newfound contentment is shattered on discovering that something is wrong with her father, and that he has developed an unhealthy obsession with lemons…
From the very beginning the reader is shown how difficult Calypso’s life is. She often comes home to a cold, dark house where she has to fix herself her own dinner from a very limited supply of food. Yet until Calypso meets Mae, she does not realize that there is anything wrong with this. Once Calypso learns that her father is suffering with depression – something that older readers will already have guessed – she sees how unfair life is for her and notices that she is very different from other children her age. This is a heartbreaking situation for readers to imagine, but Calypso’s strength as a young carer is admirable – similarly to characters in some of her favourite books, such as<i> Anne of Green Gables</i>.
There are so many well-known novels referenced in <i>A Library of Lemons</i>, which emphasizes Calypso’s love of literature. Although Cotterill has included children’s classics amongst these titles, it is doubtful that young readers will be familiar with them all. This poses the problem that certain allusions to characters or storylines will be lost, however if the youngsters are just as passionate about reading as Calypso is, they may be inspired to seek out these famous works.
I was initially drawn to <i>A Library of Lemons</i> because I had loved Cotterill’s previous novel, <i>Looking at the Stars</i>. I was not aware at first that this novel tackled mental illness – which was not a problem as I often read books of that genre – but I was expecting something powerful and moving. And that is what I got. I much preferred <i>Looking at the Stars</i>, which I thought was a lot more emotional and shocking – a refugee camp in a third world country – however <i>A Library of Lemons</i> is still a beautiful story with deep and quotable prose.
Before I finish this review I would like to praise Cotterill for the way she dealt with the taboo subject of mental illness. Often illnesses of this nature are either glamourized or stigmatized, neither of which occurred in this novel. Cotterill’s portrayal of depression and its affects on both sufferer and child are extremely realistic. The way that the book ends is also true-to-life. There is no happy ever after, no amazing cure – but there is hope, a glimpse of recovery and a better future.
Although Calypso is ten, her advanced reading age and the difficult subject matter result in a book that is more suitable for young teenagers. Young and old adults will also enjoy it too, especially those who can relate to certain situations Calypso has to deal with. <i>A Library of Lemons</i> is definitely a story to read if you are a lover of books - a bookworm. You will not be disappointed.
A Library of Lemons</i> is the most recent novel by children’s author Jo Cotterill. It is a moving story about a child’s perception of a life heavily affected by loss and grief, and the impact a positive friendship can bring. Calypso is only ten years old but has the reading age of someone much older. In fact she loves books so much that she prefers them to interacting with other people. Since her mother’s death five years previously, Calypso’s father has distanced himself from the world, focusing on writing and reading in his study, and has encouraged his only daughter to do the same: “be your own best friend.” However, a new girl at school causes Calypso to question and change the way she views the world.
Despite never having had a friend at school, Calypso quickly develops a strong friendship with Mae who also has a passion for reading. The difference is Mae lets herself feel emotion and is happy to let other people into her life, a concept that is initially alien to Calypso. As time goes on Calypso realizes she is the happiest she has ever been and that Mae has filled a gap she did not know was there. Regrettably, her newfound contentment is shattered on discovering that something is wrong with her father, and that he has developed an unhealthy obsession with lemons…
From the very beginning the reader is shown how difficult Calypso’s life is. She often comes home to a cold, dark house where she has to fix herself her own dinner from a very limited supply of food. Yet until Calypso meets Mae, she does not realize that there is anything wrong with this. Once Calypso learns that her father is suffering with depression – something that older readers will already have guessed – she sees how unfair life is for her and notices that she is very different from other children her age. This is a heartbreaking situation for readers to imagine, but Calypso’s strength as a young carer is admirable – similarly to characters in some of her favourite books, such as<i> Anne of Green Gables</i>.
There are so many well-known novels referenced in <i>A Library of Lemons</i>, which emphasizes Calypso’s love of literature. Although Cotterill has included children’s classics amongst these titles, it is doubtful that young readers will be familiar with them all. This poses the problem that certain allusions to characters or storylines will be lost, however if the youngsters are just as passionate about reading as Calypso is, they may be inspired to seek out these famous works.
I was initially drawn to <i>A Library of Lemons</i> because I had loved Cotterill’s previous novel, <i>Looking at the Stars</i>. I was not aware at first that this novel tackled mental illness – which was not a problem as I often read books of that genre – but I was expecting something powerful and moving. And that is what I got. I much preferred <i>Looking at the Stars</i>, which I thought was a lot more emotional and shocking – a refugee camp in a third world country – however <i>A Library of Lemons</i> is still a beautiful story with deep and quotable prose.
Before I finish this review I would like to praise Cotterill for the way she dealt with the taboo subject of mental illness. Often illnesses of this nature are either glamourized or stigmatized, neither of which occurred in this novel. Cotterill’s portrayal of depression and its affects on both sufferer and child are extremely realistic. The way that the book ends is also true-to-life. There is no happy ever after, no amazing cure – but there is hope, a glimpse of recovery and a better future.
Although Calypso is ten, her advanced reading age and the difficult subject matter result in a book that is more suitable for young teenagers. Young and old adults will also enjoy it too, especially those who can relate to certain situations Calypso has to deal with. <i>A Library of Lemons</i> is definitely a story to read if you are a lover of books - a bookworm. You will not be disappointed.
Night Reader Reviews (683 KP) rated Full Dark No Stars in Books
Apr 14, 2020
Casual Review
Full Dark, No Stars is a collection of four short stories by Stephen King. These stories include 1922, Big Driver, Fair Extension, and A Good Marriage. As Stephen King admits in the Afterword at the back of the book these four stories are disturbing and hard to read at times but they are well worth it. In these four books Stephen King explores the possibility of each person having at least one more person inside them, the person that comes out when we experience something too traumatic for our typical self to handle. What happens when this person we keep hidden deep inside of us gets let out? Can we put this person back and go on to live a normal life or does it change us forever?
1922
This story reminded me largely of Poe's Tell-Tale Heart and I am sure many other bookworms will see the resemblance between these two stories. Wilfred Leland James is a farmer living on 80 acres of land with his wife and his son. When his wife is given 100 acres of adjacent land when her father dies, Wilfred is thrilled until he learns that she plans on selling all of it off to a big company and that there is nothing he can do to stop her. She is determined to sell the land and move to the city, taking their son with her either Wilfred wants to go or not. Their respective stubbornness starts a chain of events that can only end in pain and misery for all involved.
Big Driver
Tess is a mystery writer of the sort that writes simple little mysteries often read by older ladies and their book clubs and who occasionally makes guest appearances to talk about her books. When she takes a shortcut home suggested to her after one such event she finds herself in a world that she doesn't even dare to write about. A stranger stopping to help her ends up having other plans for her and leaves her for dead after raping her multiple times. Tess manages to survive and makes her way home but the damage has been done in more than one way and she sets out to get revenge on all she believes to be involved in what happened. Is it possible though that she doesn't know the full story?
Fair Extension
Dave Streeter has cancer and doesn't have much time left to live, under a year for sure. He is extremely jealous of an old friend of his from school who seems to have it all while Dave and his family are not struggling but they also are not doing as well as what his old friend is. Then one day while heading home and contemplating his life. he sees a man along the extension by the airport with a little stand set up. This man offers Dave an extension on his life but Dave has to offer someone that he hates up to this man in exchange, not to kill him but someone must pay the price.
A Good Marriage
One day while Darcy's husband is away on business and she is looking for batteries she stubbles on a box that her husband has hidden under a table in the garage. When she tries to push the box under the table the rest of the way she pushes the box up against something that she ends up wishing she never investigated. When she looks at what the box hit she ends up discovering that her husband has been harboring a horrible secret from even before they were married but this puts her in a very bad spot. She fears no one would believe that she did not know about what he was doing until now and she also fears the stigma that the discovery will leave on their children. At the same time though she must do something about what she found out.
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https://smashbomb.com/nightreader
1922
This story reminded me largely of Poe's Tell-Tale Heart and I am sure many other bookworms will see the resemblance between these two stories. Wilfred Leland James is a farmer living on 80 acres of land with his wife and his son. When his wife is given 100 acres of adjacent land when her father dies, Wilfred is thrilled until he learns that she plans on selling all of it off to a big company and that there is nothing he can do to stop her. She is determined to sell the land and move to the city, taking their son with her either Wilfred wants to go or not. Their respective stubbornness starts a chain of events that can only end in pain and misery for all involved.
Big Driver
Tess is a mystery writer of the sort that writes simple little mysteries often read by older ladies and their book clubs and who occasionally makes guest appearances to talk about her books. When she takes a shortcut home suggested to her after one such event she finds herself in a world that she doesn't even dare to write about. A stranger stopping to help her ends up having other plans for her and leaves her for dead after raping her multiple times. Tess manages to survive and makes her way home but the damage has been done in more than one way and she sets out to get revenge on all she believes to be involved in what happened. Is it possible though that she doesn't know the full story?
Fair Extension
Dave Streeter has cancer and doesn't have much time left to live, under a year for sure. He is extremely jealous of an old friend of his from school who seems to have it all while Dave and his family are not struggling but they also are not doing as well as what his old friend is. Then one day while heading home and contemplating his life. he sees a man along the extension by the airport with a little stand set up. This man offers Dave an extension on his life but Dave has to offer someone that he hates up to this man in exchange, not to kill him but someone must pay the price.
A Good Marriage
One day while Darcy's husband is away on business and she is looking for batteries she stubbles on a box that her husband has hidden under a table in the garage. When she tries to push the box under the table the rest of the way she pushes the box up against something that she ends up wishing she never investigated. When she looks at what the box hit she ends up discovering that her husband has been harboring a horrible secret from even before they were married but this puts her in a very bad spot. She fears no one would believe that she did not know about what he was doing until now and she also fears the stigma that the discovery will leave on their children. At the same time though she must do something about what she found out.
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https://nightreaderreviews.blogspot.com/
https://smashbomb.com/nightreader
Movie Metropolis (309 KP) rated Alita: Battle Angel (2019) in Movies
Jun 10, 2019
A visual spectacle
It’s always a worry when a production company feels the need to force feed you the fact that a big-name is in a relatively minor role. In the case of Alita: Battle Angel, 20th Century Fox have been hammering home the fact that James Cameron is involved in a Producer capacity.
You have to feel a little sorry for director Robert Rodriguez as his name has been almost usurped by Cameron’s in the marketing push for this live-action adaptation of the classic manga. Of course, Cameron is too busy making the four Avatar sequels no-one actually cares about anymore and instead, entrusted his vision for Alita: Battle Angel to Rodriguez. He’s certainly an intriguing choice of director, but does the finished product work?
Set several centuries in the future, the abandoned Alita (Rosa Salazar) is found in the scrapyard of Iron City by Ido (Christoph Waltz), a compassionate cyber-doctor who takes the unconscious cyborg Alita to his clinic. When Alita awakens, she has no memory of who she is, nor does she have any recognition of the world she finds herself in. As Alita learns to navigate her new life and the treacherous streets of Iron City, Ido tries to shield her from her mysterious past.
After spending nearly $200million on Alita, Fox clearly think they’ve got another massive hit on their hands and to an extent, they deserve one. Battle Angel is a majestic film, filled with visual presence not dissimilar to the spectacle of watching Avatar for the first time in 2009. The bustling world of Iron City feels as if it’s living and breathing right before our eyes and that’s a testament to both Cameron and Rodriguez as well as the visual effects people down at Weta Digital.
This thriving metropolis is populated by practical and CGI effects of varying qualities, but as a movie world, it works much better than Wakanda did in Black Panther and is leagues ahead of the empty, soulless Asgard from Thor.
It is reminiscent of Sakaar in Thor: Ragnarok however, with its narrow streets and market stalls. The difference here is that Iron City is a much darker, eerier place than Sakarr ever was, save for Jeff Goldblum’s Grandmaster towering above everything.
The casting is also very good and features some household names that were clearly intrigued by the project. Waltz is excellent as the compassionate Ido and Jennifer Connelly works well as his ex-wife, though she is underused throughout.
Alita: Battle Angel is a pleasant surprise from a director who has needed a hit for quite some time.
Ed Skrein turns up every now and then as Zapan, a cyborg bounty hunter and provides some light comic relief in a film that has more than its fair share of darker moments. TV actor Keann Johnson makes his big-budget film debut here and he is excellent as Hugo, Alita’s love interest.
Unfortunately, the initial optimism fades somewhat when you realise that Alita: Battle Angel struggles under the weight of its own script. Plot points in the first 45 minutes feel ridiculously rushed and then the film hurtles towards its climax without stopping for breath.
You get the feeling there was much more that had to be cut to trim the runtime down to a more family friendly 2 hours. The dialogue too isn’t a strong point. Overly expositional and riddled in cliché, Alita is not a film you watch because of its sparkling and witty one-liners.
Niggles aside though and Alita: Battle Angel is much better than I thought it was going to be. The plot, while unoriginal, is sweet and easy enough to swallow, making it a great family film. True, it has its darker moments, but the strong visuals and vibrant environment will make it enjoyable for older children and adults alike.
Overall, Alita: Battle Angel is a pleasant surprise from a director who has needed a hit for quite some time. It’s a flawed film that struggles to cope with its many ideas that continuously pull it in hundreds of different directions, but it’s worth a watch just for the visual spectacle and emotionally arresting story. Whether or not it recoups that colossal $200million budget remains to be seen.
https://moviemetropolis.net/2019/02/09/alita-battle-angel-review-a-visual-spectacle/
You have to feel a little sorry for director Robert Rodriguez as his name has been almost usurped by Cameron’s in the marketing push for this live-action adaptation of the classic manga. Of course, Cameron is too busy making the four Avatar sequels no-one actually cares about anymore and instead, entrusted his vision for Alita: Battle Angel to Rodriguez. He’s certainly an intriguing choice of director, but does the finished product work?
Set several centuries in the future, the abandoned Alita (Rosa Salazar) is found in the scrapyard of Iron City by Ido (Christoph Waltz), a compassionate cyber-doctor who takes the unconscious cyborg Alita to his clinic. When Alita awakens, she has no memory of who she is, nor does she have any recognition of the world she finds herself in. As Alita learns to navigate her new life and the treacherous streets of Iron City, Ido tries to shield her from her mysterious past.
After spending nearly $200million on Alita, Fox clearly think they’ve got another massive hit on their hands and to an extent, they deserve one. Battle Angel is a majestic film, filled with visual presence not dissimilar to the spectacle of watching Avatar for the first time in 2009. The bustling world of Iron City feels as if it’s living and breathing right before our eyes and that’s a testament to both Cameron and Rodriguez as well as the visual effects people down at Weta Digital.
This thriving metropolis is populated by practical and CGI effects of varying qualities, but as a movie world, it works much better than Wakanda did in Black Panther and is leagues ahead of the empty, soulless Asgard from Thor.
It is reminiscent of Sakaar in Thor: Ragnarok however, with its narrow streets and market stalls. The difference here is that Iron City is a much darker, eerier place than Sakarr ever was, save for Jeff Goldblum’s Grandmaster towering above everything.
The casting is also very good and features some household names that were clearly intrigued by the project. Waltz is excellent as the compassionate Ido and Jennifer Connelly works well as his ex-wife, though she is underused throughout.
Alita: Battle Angel is a pleasant surprise from a director who has needed a hit for quite some time.
Ed Skrein turns up every now and then as Zapan, a cyborg bounty hunter and provides some light comic relief in a film that has more than its fair share of darker moments. TV actor Keann Johnson makes his big-budget film debut here and he is excellent as Hugo, Alita’s love interest.
Unfortunately, the initial optimism fades somewhat when you realise that Alita: Battle Angel struggles under the weight of its own script. Plot points in the first 45 minutes feel ridiculously rushed and then the film hurtles towards its climax without stopping for breath.
You get the feeling there was much more that had to be cut to trim the runtime down to a more family friendly 2 hours. The dialogue too isn’t a strong point. Overly expositional and riddled in cliché, Alita is not a film you watch because of its sparkling and witty one-liners.
Niggles aside though and Alita: Battle Angel is much better than I thought it was going to be. The plot, while unoriginal, is sweet and easy enough to swallow, making it a great family film. True, it has its darker moments, but the strong visuals and vibrant environment will make it enjoyable for older children and adults alike.
Overall, Alita: Battle Angel is a pleasant surprise from a director who has needed a hit for quite some time. It’s a flawed film that struggles to cope with its many ideas that continuously pull it in hundreds of different directions, but it’s worth a watch just for the visual spectacle and emotionally arresting story. Whether or not it recoups that colossal $200million budget remains to be seen.
https://moviemetropolis.net/2019/02/09/alita-battle-angel-review-a-visual-spectacle/