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Kristy H (1252 KP) rated I Have Lost My Way in Books
Apr 10, 2018
Lovely novel about three very different individuals
Freya, Harun, and Nathaniel. Three very different individuals whose paths are about to collide in New York City. Freya is an aspiring singer who has just lost her voice. Harun is running away-literally-from his loving, yet overbearing family. And Nathaniel is coming to New York following a misguided plan. Soon Freya will fall off a bridge and fatefully bring the three together. Each feels lost and alone in this giant city. Will accidentally finding each other change that?
I very much love Gayle Forman and am always excited when she has a new novel. This one almost felt like a novella, with my hardcopy clocking in at a little over 250 pages. It was a fast, easy read, as I quickly became immersed in the lives of these three different and diverse characters.. The book is told over the course of one day--the day these three individuals meet, but we get flashbacks into their pasts, as well. Each character gets a chance to tell things from their point of view.
Forman is a lovely storyteller, and it's easy to get lost in this book. If anything, the day--and the book--is over too quickly. I found myself drawn to each character for different reasons. They are each vulnerable in their own way, and it's easy to get lost in their stories. I loved how the characters had diverse backgrounds and ethnic origins, as well. It's a beautiful novel, really, with gorgeous writing. The storylines are often touching and heartbreaking, yet the book felt light and airy--buoyed by the unlikely trio's friendship.
The book seems brief and is over very quickly; it left me wanting to know more about all three individuals. It flies by, especially since you skip from one narrator to the next, limiting what you learn about each, and getting snippets doled out over the course of the story. It all comes together by the end, but at that point, I found myself still wanting to learn more about each of our three characters, or have more time in their lives. It's easy to get invested when the characters are so well-formed.
Overall, this is a very easy-to-read book as it flawlessly draws you in with its diverse characters and excellent writing. It often reminded me of another beautiful tale, The Sun Is Also a Star. It's over all too quickly, but is quite enjoyable while it lasts. Definitely a worthy read.
I very much love Gayle Forman and am always excited when she has a new novel. This one almost felt like a novella, with my hardcopy clocking in at a little over 250 pages. It was a fast, easy read, as I quickly became immersed in the lives of these three different and diverse characters.. The book is told over the course of one day--the day these three individuals meet, but we get flashbacks into their pasts, as well. Each character gets a chance to tell things from their point of view.
Forman is a lovely storyteller, and it's easy to get lost in this book. If anything, the day--and the book--is over too quickly. I found myself drawn to each character for different reasons. They are each vulnerable in their own way, and it's easy to get lost in their stories. I loved how the characters had diverse backgrounds and ethnic origins, as well. It's a beautiful novel, really, with gorgeous writing. The storylines are often touching and heartbreaking, yet the book felt light and airy--buoyed by the unlikely trio's friendship.
The book seems brief and is over very quickly; it left me wanting to know more about all three individuals. It flies by, especially since you skip from one narrator to the next, limiting what you learn about each, and getting snippets doled out over the course of the story. It all comes together by the end, but at that point, I found myself still wanting to learn more about each of our three characters, or have more time in their lives. It's easy to get invested when the characters are so well-formed.
Overall, this is a very easy-to-read book as it flawlessly draws you in with its diverse characters and excellent writing. It often reminded me of another beautiful tale, The Sun Is Also a Star. It's over all too quickly, but is quite enjoyable while it lasts. Definitely a worthy read.
Rachel King (13 KP) rated Fantasy (Includes: Leopard People, #0.5; Midnight, #0.5) in Books
Feb 11, 2019
The fantasy theme was heavy with all four of the stories in the book. The first story is The Widow's Auction by Sabrina Jeffries. In this novella, a young widow is convinced that it is in her favor to auction off one night with her in return for a large sum of money that she can use to benefit her work with a all-boys' school. Of course, she secretly just wants to know what it's like to actually enjoy the bedtime act. In the realm of make-believe, this was quite the enjoyable mix of lust and romance with no negative consequences.
The second story is Luisa's Desire by Emma Holly. In this fascinating read, an immortal woman seeks an alternative to her need for blood to survive in a remote lamasery buried in the Himalayan mountains of Tibet. While she assumes that the answer is a particular form of meditation, what she instead gets is an aspiring monk who possesses a much more fleshly solution to her problem. Reincarnation takes on a whole new meaning in this short story, and I found the different take on vampires in fiction to be well-written.
The third story is Mr. Speedy by Elda Minger. In this plot, an ambitious young woman decides to make herself over into a man in order to sneak into and cover a male-only conference entirely about getting a woman to go to bed with the man. Her genius plan takes a left-turn when she discovers she is rooming with the city's most eligible bachelor coming off of a horrid divorce - whom she is overwhelmingly attracted to. The irony of this story is that the bachelor becomes increasingly interested in her before he is even aware she is in disguise. The humor of this story made it quite charming in a sexy sort of way.
The final story is The Awakening by Christine Feehan. The story begins her series, the Leopard People, with the tale of a young veterinarian lured deep into the jungle to track down her inheritance. Heavy lust and desire take over quite early in the story as the reader discovers that her presence there has been manipulated by a man of the leopard people who has already claimed her for his mate. The intensity and over-dramatization in the writing made this story less enjoyable for me than the others. I was also put off by the man's extreme obsession with the woman and his reluctance to tell her what was happening to her right from the beginning.
The second story is Luisa's Desire by Emma Holly. In this fascinating read, an immortal woman seeks an alternative to her need for blood to survive in a remote lamasery buried in the Himalayan mountains of Tibet. While she assumes that the answer is a particular form of meditation, what she instead gets is an aspiring monk who possesses a much more fleshly solution to her problem. Reincarnation takes on a whole new meaning in this short story, and I found the different take on vampires in fiction to be well-written.
The third story is Mr. Speedy by Elda Minger. In this plot, an ambitious young woman decides to make herself over into a man in order to sneak into and cover a male-only conference entirely about getting a woman to go to bed with the man. Her genius plan takes a left-turn when she discovers she is rooming with the city's most eligible bachelor coming off of a horrid divorce - whom she is overwhelmingly attracted to. The irony of this story is that the bachelor becomes increasingly interested in her before he is even aware she is in disguise. The humor of this story made it quite charming in a sexy sort of way.
The final story is The Awakening by Christine Feehan. The story begins her series, the Leopard People, with the tale of a young veterinarian lured deep into the jungle to track down her inheritance. Heavy lust and desire take over quite early in the story as the reader discovers that her presence there has been manipulated by a man of the leopard people who has already claimed her for his mate. The intensity and over-dramatization in the writing made this story less enjoyable for me than the others. I was also put off by the man's extreme obsession with the woman and his reluctance to tell her what was happening to her right from the beginning.
Goddess in the Stacks (553 KP) rated Jackaby (Jackaby, #1) in Books
May 10, 2019
I don't remember why this book was recommended to me, but it's been languishing in my library stack for at least a couple of months now. I finally got around to reading it - and it's delightful! There are three more books and a novella in this series, and the author has apparently started another fantasy series.
Jackaby is told from the viewpoint of Abigail Rook, an English miss who ran away from home in search of adventure. The book opens on her arrival in America, by way of the Ukraine and Germany. The only work she can find in this new town is as an assistant to Jackaby, a distinctly odd character who claims to see things no one else can. Abigail, however, begins to believe him, and accompanies him to a murder scene, where she spots mundane details that he had overlooked. With Jackaby spotting supernatural things that no one else can, and Abigail taking note of more mundane details that Jackaby misses, the two make a formidable team.
Jackaby, of course, has that infuriating habit of not telling Abigail all the things he knows, which leads to her not mentioning useful details because she didn't know they were useful. I'm hopeful, now that she's earned his trust, that in future books they will communicate better and work together more seamlessly.
The worldbuilding here seems to take "America as a melting pot" into the supernatural world as well, with creatures from various cultures migrating with their humans to America. Jackaby has a rather improbable knowledge of this huge variety of creatures, as well as a library to look up more obscure facts that aren't already in his labyrinth of a mind.
I liked that Abigail wasn't portrayed as stupid; she's a bit ignorant of the supernatural world, but she didn't know it existed until Jackaby, and she's learning quickly. She also can't see it like he can, so she of course misses some things that he thinks are obvious. He could be a little better about remembering that not everyone can see the supernatural, though.
The cover mentions that it's Dr. Who meets Sherlock, and that's a very apt description. Jackaby is VERY Dr. Who like, with the bustling energy and quick mind that comes off as arrogant but is more...oblivious, really. Abigail fills the companion role, along with a certain policeman that I'm hoping shows up in the following books as well. I will have to track those down and find out!You can find all my reviews at http://goddessinthestacks.com
Jackaby is told from the viewpoint of Abigail Rook, an English miss who ran away from home in search of adventure. The book opens on her arrival in America, by way of the Ukraine and Germany. The only work she can find in this new town is as an assistant to Jackaby, a distinctly odd character who claims to see things no one else can. Abigail, however, begins to believe him, and accompanies him to a murder scene, where she spots mundane details that he had overlooked. With Jackaby spotting supernatural things that no one else can, and Abigail taking note of more mundane details that Jackaby misses, the two make a formidable team.
Jackaby, of course, has that infuriating habit of not telling Abigail all the things he knows, which leads to her not mentioning useful details because she didn't know they were useful. I'm hopeful, now that she's earned his trust, that in future books they will communicate better and work together more seamlessly.
The worldbuilding here seems to take "America as a melting pot" into the supernatural world as well, with creatures from various cultures migrating with their humans to America. Jackaby has a rather improbable knowledge of this huge variety of creatures, as well as a library to look up more obscure facts that aren't already in his labyrinth of a mind.
I liked that Abigail wasn't portrayed as stupid; she's a bit ignorant of the supernatural world, but she didn't know it existed until Jackaby, and she's learning quickly. She also can't see it like he can, so she of course misses some things that he thinks are obvious. He could be a little better about remembering that not everyone can see the supernatural, though.
The cover mentions that it's Dr. Who meets Sherlock, and that's a very apt description. Jackaby is VERY Dr. Who like, with the bustling energy and quick mind that comes off as arrogant but is more...oblivious, really. Abigail fills the companion role, along with a certain policeman that I'm hoping shows up in the following books as well. I will have to track those down and find out!You can find all my reviews at http://goddessinthestacks.com
Alice (12 KP) rated Blood Bank in Books
Jul 3, 2018
<i>I received a copy of this book in exchange for an honest review</i>
Blood Bank is the first book by Zoe Markham that I’ve read and it was one of those “swallow you whole” books. It was only a short little novella but it was packed full of action and kept your interest from the get go.
From the very first page we’re drawn into a story about the paranormal like no other; it begins with a carnival and quickly transfers into the town of Swindon and vampires. Not just any vampires – we’re talking brutal business men – not the romantic kind we all know – but vampires you DO NOT FUCK with.
There’s a club in Swindon where only the down-on-their-luck can get an invitation into its depths, where, if you can’t pay in money, you pay in the next best commodity – blood. The characters we see in this book are Zack, Ben and Lucy – all three of whom eventually have a link.
Zack and Lucy are in a relationship and this is basically where the story begins, they’re out on a date and as usual Lucy ends up paying for it, Zach has got himself into some big time debt and the only way to get out of it is to donate his blood.
Ben is a vampire – 10 years converted and hating it more each day – he comes to Lucy’s rescue when something bad happens to her and they develop a relationship that seems to be healthier than Lucy and Zack’s one. Zack has got the ugliest bracelet on which was supplied to him by his new employer, the creepiest priest agoing y’all. When they call, he has to come, if he doesn’t then the debt goes to his nearest and dearest.
The writing style of this book was one that I really liked, the correct terminology was used for the enemy of the vampires which was great and there was a suitable amount of freak out on Zack’s part and it was written with that in mind. Lucy was surprisingly mature given her age and I liked that about her.
There also wasn’t a lot of unnecessary filler dialogue or descriptions which I sometimes find with novellas – as if they struggled to fill the small amount of pages novellas take up – I didn’t find this with Zoe’s Blood Bank which has kind of given me an insight into her other writing which I’d love to read.
Blood Bank is the first book by Zoe Markham that I’ve read and it was one of those “swallow you whole” books. It was only a short little novella but it was packed full of action and kept your interest from the get go.
From the very first page we’re drawn into a story about the paranormal like no other; it begins with a carnival and quickly transfers into the town of Swindon and vampires. Not just any vampires – we’re talking brutal business men – not the romantic kind we all know – but vampires you DO NOT FUCK with.
There’s a club in Swindon where only the down-on-their-luck can get an invitation into its depths, where, if you can’t pay in money, you pay in the next best commodity – blood. The characters we see in this book are Zack, Ben and Lucy – all three of whom eventually have a link.
Zack and Lucy are in a relationship and this is basically where the story begins, they’re out on a date and as usual Lucy ends up paying for it, Zach has got himself into some big time debt and the only way to get out of it is to donate his blood.
Ben is a vampire – 10 years converted and hating it more each day – he comes to Lucy’s rescue when something bad happens to her and they develop a relationship that seems to be healthier than Lucy and Zack’s one. Zack has got the ugliest bracelet on which was supplied to him by his new employer, the creepiest priest agoing y’all. When they call, he has to come, if he doesn’t then the debt goes to his nearest and dearest.
The writing style of this book was one that I really liked, the correct terminology was used for the enemy of the vampires which was great and there was a suitable amount of freak out on Zack’s part and it was written with that in mind. Lucy was surprisingly mature given her age and I liked that about her.
There also wasn’t a lot of unnecessary filler dialogue or descriptions which I sometimes find with novellas – as if they struggled to fill the small amount of pages novellas take up – I didn’t find this with Zoe’s Blood Bank which has kind of given me an insight into her other writing which I’d love to read.
BookwormMama14 (18 KP) rated An Elegant Façade (Hawthorne House, #2) in Books
Jan 2, 2019
How much is Lady Georgina willing to risk to protect her secret? Will she be able to keep up her façade long enough to land a titled husband who will protect her at all costs? First things first...I have NEVER read a book quite like this. And I LOVE it!!! The storyline overlaps A Noble Masquerade from both Lady Georgina's and Colin McCrae's perspective. Giving us a whole new level to the story. Simply brilliant. (Kristi, I am happy you were able to retain a bit of sanity while writing it, the result is beautiful!!!) We revisit several scenes and now I want to go back and reread the original scenes in A Noble Masquerade. Kristi weaves the story together so beautifully. Both intriguing and refreshing, there is not a dull moment between the covers of this book. Lady Georgina's character definitely lives up to the expectations presented to us in both the novella and the first book of the series. I fully expected her to be self-centered and snobbish and that is how she begins. However, her secret (and no, I'm not telling you what it is) adds a new dimension to her character that produced compassion in me, for her (yes I am shocked myself). Her journey and growth is astonishing to behold. And I can say that I am truly proud of the person that she becomes. And can I just say, "Lord bless Colin McCrae." Annie over on Just Commonly has already called dibs on Colin, which is fine with me. But he is one of the most charming and by far a favorite hero of mine. His growing admiration of Georgina was thrilling to see unfold before my eyes, and closely mirrored my own feelings about her. Faith and self acceptance play a big role in this book. Not only being ok with who you are and how God created you, but thriving in that knowledge that God accepts us for who we are. It is truly important to realise how valued we are, not just by God, but our friends and family as well. And above all, there is nothing too great to keep the Father's love from us. I am even more excited now for Trent's story in An Uncommon Courtship scheduled to come out in January 2017.
I received a free copy of An Elegant Façade from the author in exchange for my honest review. All opinions expressed are mine alone.
I received a free copy of An Elegant Façade from the author in exchange for my honest review. All opinions expressed are mine alone.
The Proposition (Nights Series #6)
10.0
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They call me the Charmer. My best friend Wade tells me it’s because I’m suave and mysterious....
M_M Contemporary Romance
Dragon's Mate Volume Two: Books 4-7
6.0
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Enjoy the Dragon’s Mate series in this convenient bundle. Witch Mate? Anthony is in trouble....
MM Paranormal Romance Shifters Dragons
Hadley (567 KP) rated The Turn of the Screw in Books
Mar 24, 2020 (Updated Mar 24, 2020)
Well written (1 more)
Ahead of its time
Overly descriptive (1 more)
Vague
The ghost stories of the Victorian era are full of scares and mysteries- - - from the karma-ridden future, past and present ghosts of Charles Dickens' "A Christmas Carol" to the comedic ghost story by Oscar Wilde called 'the Canterville Ghost." But among all of them, Henry James found another subject to add to the pot in the novella 'the Turn of the Screw.'
With only 93 pages and the viewpoint of a governess, the story is one that has been up for debate as to its meaning for over a century, a story that blends child abuse and ghostly possession way ahead of its time. But even with its great plot, the story falls short and becomes bland throughout most of its short pages.
So why is the meaning of the Turn of the Screw still being debated? There's only one thing that has caused that --- it's in the way that James wrote the story, nothing is explained and everything is vague, these being very important parts that can keep this book from being enjoyable to many readers. Here's a summary of the story: a woman becomes governess of two children, one of which is sent home from school (technically expelled, in today's terms), the entire book has this woman trying to figure out why the child was sent home, but with ghosts thrown into the mix.
The story starts off with a man telling this ghost story from letters he received from a woman (the governess). But, even at the end of the book, the story never turns back to the man finishing the letters, yet this was done so masterfully that when you are done with the book, you completely forget about the man at the beginning, something that isn't easily done today in most writing. The man is reading these letters to a small audience that is also never revealed why, something that will seem completely irrelevant for the reader.
Readers finally get their paranormal fix when our main character, the governess, sees her first ghost in the Turn of the Screw. Our governess goes on an isolated walk when she spots an older man staring at her from a tower on the estate. But not until after a second encounter with this man, she decides to tell a housemaid about it, who quickly knows whom she speaks of. The maid is very certain that the man the governess has spotted twice is a deceased man that used to work for the family, but the maid is terrified by this because this man seems to have been abusive towards the son of the family and now seems to be continuing to torment him even after death.
Our governess seems to go down a path of paranoia as she seems to believe that the children are seeing the ghosts, too, but refusing to tell her so, and she becomes convinced that the key to getting them to confess is to finding out why the boy was sent home from school in the first place. She tries many times to get him to tell her why, but lets him take control of the conversations where he is able to divert the attention to something else. When things seem to be too much for the governess and housemaid to handle, they decide to try to write the childrens' uncle, and ask him to visit - - - this being the uncle that hired the governess and asked to never be bothered by her again, and that he wants nothing to do with his niece and nephew ever again, and especially don't write to him about any problems.
James is considered one of the greatest authors of the English language, but although this novella did very well, he wasn't known for ghost stories. His most popular book is 'the Portrait of a Lady,' which is about a young woman who comes into a large amount of money only to have it stolen by two con-men. Being that he is a Victorian-era writer, you can expect the overly long paragraphs and descriptions that the time was known for in 'the Turn of the Screw.' I personally felt the story had too many interludes of the governess' thoughts and ideas, which border on rambling. There seemed no point in the governess obsessing over why the boy was sent home from school when there are ghosts tormenting them at home- - - how this mode was suppose to work has left me clueless.
It's a usual horror trope to have children being possessed as the core of a book because it's something that can shake adults to their core at the thought that their own children could be that vulnerable. But James was way ahead of his time in the Turn of the Screw. He was able to put together psychological standpoints that weren't even discussed in his time, bouncing between child abuse with those children acting out to the power that abusers can still hold over their victims, even after death.
I'm giving the story a high rating, although I really didn't enjoy it. Why? Because it was a great idea and it was well written. If James hadn't been so vague on key parts, and hadn't left readers with a shocking unexplained ending, then maybe I would have liked it more. I can only recommend this book to people who like Victorian ghost stories, but for paranormal lovers, I think it falls short.
With only 93 pages and the viewpoint of a governess, the story is one that has been up for debate as to its meaning for over a century, a story that blends child abuse and ghostly possession way ahead of its time. But even with its great plot, the story falls short and becomes bland throughout most of its short pages.
So why is the meaning of the Turn of the Screw still being debated? There's only one thing that has caused that --- it's in the way that James wrote the story, nothing is explained and everything is vague, these being very important parts that can keep this book from being enjoyable to many readers. Here's a summary of the story: a woman becomes governess of two children, one of which is sent home from school (technically expelled, in today's terms), the entire book has this woman trying to figure out why the child was sent home, but with ghosts thrown into the mix.
The story starts off with a man telling this ghost story from letters he received from a woman (the governess). But, even at the end of the book, the story never turns back to the man finishing the letters, yet this was done so masterfully that when you are done with the book, you completely forget about the man at the beginning, something that isn't easily done today in most writing. The man is reading these letters to a small audience that is also never revealed why, something that will seem completely irrelevant for the reader.
Readers finally get their paranormal fix when our main character, the governess, sees her first ghost in the Turn of the Screw. Our governess goes on an isolated walk when she spots an older man staring at her from a tower on the estate. But not until after a second encounter with this man, she decides to tell a housemaid about it, who quickly knows whom she speaks of. The maid is very certain that the man the governess has spotted twice is a deceased man that used to work for the family, but the maid is terrified by this because this man seems to have been abusive towards the son of the family and now seems to be continuing to torment him even after death.
Our governess seems to go down a path of paranoia as she seems to believe that the children are seeing the ghosts, too, but refusing to tell her so, and she becomes convinced that the key to getting them to confess is to finding out why the boy was sent home from school in the first place. She tries many times to get him to tell her why, but lets him take control of the conversations where he is able to divert the attention to something else. When things seem to be too much for the governess and housemaid to handle, they decide to try to write the childrens' uncle, and ask him to visit - - - this being the uncle that hired the governess and asked to never be bothered by her again, and that he wants nothing to do with his niece and nephew ever again, and especially don't write to him about any problems.
James is considered one of the greatest authors of the English language, but although this novella did very well, he wasn't known for ghost stories. His most popular book is 'the Portrait of a Lady,' which is about a young woman who comes into a large amount of money only to have it stolen by two con-men. Being that he is a Victorian-era writer, you can expect the overly long paragraphs and descriptions that the time was known for in 'the Turn of the Screw.' I personally felt the story had too many interludes of the governess' thoughts and ideas, which border on rambling. There seemed no point in the governess obsessing over why the boy was sent home from school when there are ghosts tormenting them at home- - - how this mode was suppose to work has left me clueless.
It's a usual horror trope to have children being possessed as the core of a book because it's something that can shake adults to their core at the thought that their own children could be that vulnerable. But James was way ahead of his time in the Turn of the Screw. He was able to put together psychological standpoints that weren't even discussed in his time, bouncing between child abuse with those children acting out to the power that abusers can still hold over their victims, even after death.
I'm giving the story a high rating, although I really didn't enjoy it. Why? Because it was a great idea and it was well written. If James hadn't been so vague on key parts, and hadn't left readers with a shocking unexplained ending, then maybe I would have liked it more. I can only recommend this book to people who like Victorian ghost stories, but for paranormal lovers, I think it falls short.
Rachel King (13 KP) rated Shalador's Lady (The Black Jewels, #8) in Books
Feb 11, 2019
I found this book to be a very satisfying continuation of Lady Cassidy's story from The Shadow Queen (Black Jewels, Book 7). Even though a Bishop wields a substantial cast of characters between the pages of this book, each character is given his or her time in the spotlight, from my series favorites, such as Surreal and Daemon, to newer characters like Gray and Ranon. Each one has a subplot to work through, yet all loose ends are resolved quite neatly. I enjoyed how the plot would switch seamlessly between the story arcs of Cassidy's realm and Jaenelle's realm without taking away from either.
This book seemed to give the reader a glimpse into how the tainting of the Blood occurred by how good men could become bound to bad Queens. Kermilla played the role perfectly by how naive and self-centered she behaved, making her completely oblivious to the trouble she was creating. It is easy to see what Theran sees in her, because it is clear to me that were she to ever learn to use her strengths for the good of others instead of herself, she could become a very powerful force. Though I could not stand Kermilla from the very beginning, I think her character has too much potential not to use her in further books in the Black Jewels series.
The Kindred of the Blood continue to take a vital role in the progression of the plot, which I find both ingenious and quite humorous, as they are unpredictable in many ways. With the Kindred involved, there is guaranteed to be surprises - both good and bad. I could easily see a Kindred-centered novella come out of this book.
My favorite part of this book was watching the transformation of Gray into Jared Blaed as him and Cassidy fall in love. The progression is slow without feeling dragged out, and each stage has its rewards, with his casual relationship with Jaenelle's inner circle, as well as his introduction into Cassidy's circle. I'm a bit disappointed that Bishop did not create a way for Gray to gain the power he missed out on the first time, simply because it feels like he was punished for what he had no control over in his past.
I also love the humor that Bishop interjects so effortlessly into the plot, such as the interactions between Ranon and Gray and the rest of Jaenelle's court. The same old chemistry is still there with all of the "former court," and I have to wonder if the references to her court don't indicate a coming change in future books. I greatly look forward to the next installment in the Black Jewels series, Twilight's Dawn: A Black Jewels Book.
This book seemed to give the reader a glimpse into how the tainting of the Blood occurred by how good men could become bound to bad Queens. Kermilla played the role perfectly by how naive and self-centered she behaved, making her completely oblivious to the trouble she was creating. It is easy to see what Theran sees in her, because it is clear to me that were she to ever learn to use her strengths for the good of others instead of herself, she could become a very powerful force. Though I could not stand Kermilla from the very beginning, I think her character has too much potential not to use her in further books in the Black Jewels series.
The Kindred of the Blood continue to take a vital role in the progression of the plot, which I find both ingenious and quite humorous, as they are unpredictable in many ways. With the Kindred involved, there is guaranteed to be surprises - both good and bad. I could easily see a Kindred-centered novella come out of this book.
My favorite part of this book was watching the transformation of Gray into Jared Blaed as him and Cassidy fall in love. The progression is slow without feeling dragged out, and each stage has its rewards, with his casual relationship with Jaenelle's inner circle, as well as his introduction into Cassidy's circle. I'm a bit disappointed that Bishop did not create a way for Gray to gain the power he missed out on the first time, simply because it feels like he was punished for what he had no control over in his past.
I also love the humor that Bishop interjects so effortlessly into the plot, such as the interactions between Ranon and Gray and the rest of Jaenelle's court. The same old chemistry is still there with all of the "former court," and I have to wonder if the references to her court don't indicate a coming change in future books. I greatly look forward to the next installment in the Black Jewels series, Twilight's Dawn: A Black Jewels Book.