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Emma @ The Movies (1786 KP) rated Willy's Wonderland (2021) in Movies
Jul 18, 2021
Oh come on... you know I'm watching Nic Cage go full rage at some killer robots!
A stranger runs into bad luck as he nears a small town in the middle of nowhere. Luckily a local mechanic comes across him stranded and offers him assistance. But the bad luck isn't over. With no way to pay for his new tyres, he has to agree to some light cleaning work in the abandoned town attraction. What could possibly go wrong when you're locked in a family restaurant overnight with some large, menacing looking, animatronics?
What's not to love about this particular breed of film? Horror that is so over the top with daftness and unintentional/intentional humour really does hit the spot.
Is this storyline sensible? Absolutely not. If you pick at any thread this will very quickly fall apart... but we're here for the nonsense. You don't come to a Nic Cage film these days for anything else. And much like shark films, I have an independent scoring system to deem the quality of his offerings.
The dynamics between all of the characters is hilarious. Cage with... everyone... is stranger (as expected), and the others all have stereotypical elements to them that bounce back and forth well. Though none of them are quite as obvious as you'd see in spoof horrors though. Beth Grant is always fun to have in things, and she's got the sinister thing down quite well, definitely a great pick for this role.
Our animatronic actors have the perfect creepy movements, combine this with the oversized costumes and the somewhat magical elements to their activities, and you get some fantastic nightmare fuel.
Though I have to query who designed such a terrible layout for a family restaurant, I can't help but marvel at all the different rooms scattered around the building. A fantastic maze of terror waiting for anyone who enters, and each one with its retro-ramshackle look is a delight to see. Throw in the oversized entertainment and the look is great.
At just 88 minutes in length it's a nice easy watch, and you'll definitely have enough to keep you... intrigued? I found myself shouting at the screen with "why", "how" and "what" type questions, and that just added to my enjoyment. A masterpiece.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/07/willys-wonderland-movie-review.html
A stranger runs into bad luck as he nears a small town in the middle of nowhere. Luckily a local mechanic comes across him stranded and offers him assistance. But the bad luck isn't over. With no way to pay for his new tyres, he has to agree to some light cleaning work in the abandoned town attraction. What could possibly go wrong when you're locked in a family restaurant overnight with some large, menacing looking, animatronics?
What's not to love about this particular breed of film? Horror that is so over the top with daftness and unintentional/intentional humour really does hit the spot.
Is this storyline sensible? Absolutely not. If you pick at any thread this will very quickly fall apart... but we're here for the nonsense. You don't come to a Nic Cage film these days for anything else. And much like shark films, I have an independent scoring system to deem the quality of his offerings.
The dynamics between all of the characters is hilarious. Cage with... everyone... is stranger (as expected), and the others all have stereotypical elements to them that bounce back and forth well. Though none of them are quite as obvious as you'd see in spoof horrors though. Beth Grant is always fun to have in things, and she's got the sinister thing down quite well, definitely a great pick for this role.
Our animatronic actors have the perfect creepy movements, combine this with the oversized costumes and the somewhat magical elements to their activities, and you get some fantastic nightmare fuel.
Though I have to query who designed such a terrible layout for a family restaurant, I can't help but marvel at all the different rooms scattered around the building. A fantastic maze of terror waiting for anyone who enters, and each one with its retro-ramshackle look is a delight to see. Throw in the oversized entertainment and the look is great.
At just 88 minutes in length it's a nice easy watch, and you'll definitely have enough to keep you... intrigued? I found myself shouting at the screen with "why", "how" and "what" type questions, and that just added to my enjoyment. A masterpiece.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/07/willys-wonderland-movie-review.html
Kristy H (1252 KP) rated Lies She Told in Books
Feb 13, 2018
Liza is a struggling writer given an ultimatum by her editor: write a thriller for me in a month. It's been ages since Liza was on the bestseller list (truly, only her first novel was a real success). Meanwhile, she's a mess of fertility drugs and hormones, as she and her lawyer husband, David, are trying to start a family--and getting nowhere. Even worse, David's best friend and business partner, Nick, has been missing for over a month. David is increasingly frantic and distracted, and the police have no leads. So Liza pours her heart and soul into the story of Beth, a new mom who suspects her own lawyer husband of cheating on her. Beth catches him the act and makes a split-second decision that will change their lives forever. As Liza continues to write, the lines between fact and fiction become increasingly blurred.
I was excited to finally pick this one up, as so many of my friends had enjoyed it, but alas, I'm going to be the killjoy here <i>who stands against the popular wave of public opinion.</i> Please note that most people really loved this book and who knows, maybe I'm just getting cranky in my old age. ;) Or maybe I got too caught up in all the hype.
Either way, this one was a let down for me. <i> The clues left along in the story for the reader stand out as huge glaring red flags, basically just screaming the plot twists out</i>. Nothing came as a surprise, I had the entire thing worked out in about the first 15 minutes. Now, I won't lie, this is still an incredibly readable book - <i>it's a fast read</i> for sure. You immediately realize that Liza is an unreliable narrator and a ticking time bomb. I never really warmed to her, but she's somewhat fascinating in trying to figure out what she's up to and what's truly happening.
I've seen some complaints about it being hard to figure out what chapters were Liza's and which were Beth's--I didn't have that problem. They alternate and in my version, Liza's were marked. I occasionally had to remind myself who had which backstory, but I believe that was part of the idea--of Liza blurring the reality around her. And, truly, it was a great idea in concept.
Unfortunately, I found both women to be somewhat frustrating and didn't really buy all of their actions or relationships. Liza's quick attachment to Trevor, for instance, or some of Beth's bizarre decisions. That made it harder to root for them. And, again, absolutely nothing that occurred was a surprise. That was my biggest issue. I want my thriller to surprise me, but none of the twists were shocking whatsoever, right up to the end. Sigh.
Still, as I said, it's an oddly compelling read with the blurred parallels between Liza and Beth and you "wondering" what happened to Nick. At the end, I pondered for a moment whether it was brilliant or awful, but I just couldn't enjoy something I found so predictable, even if it was a page-turner at times. But, I'm certainly in the minority here, so take my review with a grain of salt!
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review. It's available everywhere as of 09/12/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
I was excited to finally pick this one up, as so many of my friends had enjoyed it, but alas, I'm going to be the killjoy here <i>who stands against the popular wave of public opinion.</i> Please note that most people really loved this book and who knows, maybe I'm just getting cranky in my old age. ;) Or maybe I got too caught up in all the hype.
Either way, this one was a let down for me. <i> The clues left along in the story for the reader stand out as huge glaring red flags, basically just screaming the plot twists out</i>. Nothing came as a surprise, I had the entire thing worked out in about the first 15 minutes. Now, I won't lie, this is still an incredibly readable book - <i>it's a fast read</i> for sure. You immediately realize that Liza is an unreliable narrator and a ticking time bomb. I never really warmed to her, but she's somewhat fascinating in trying to figure out what she's up to and what's truly happening.
I've seen some complaints about it being hard to figure out what chapters were Liza's and which were Beth's--I didn't have that problem. They alternate and in my version, Liza's were marked. I occasionally had to remind myself who had which backstory, but I believe that was part of the idea--of Liza blurring the reality around her. And, truly, it was a great idea in concept.
Unfortunately, I found both women to be somewhat frustrating and didn't really buy all of their actions or relationships. Liza's quick attachment to Trevor, for instance, or some of Beth's bizarre decisions. That made it harder to root for them. And, again, absolutely nothing that occurred was a surprise. That was my biggest issue. I want my thriller to surprise me, but none of the twists were shocking whatsoever, right up to the end. Sigh.
Still, as I said, it's an oddly compelling read with the blurred parallels between Liza and Beth and you "wondering" what happened to Nick. At the end, I pondered for a moment whether it was brilliant or awful, but I just couldn't enjoy something I found so predictable, even if it was a page-turner at times. But, I'm certainly in the minority here, so take my review with a grain of salt!
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review. It's available everywhere as of 09/12/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
Merissa (12061 KP) rated Captivating Melody (Discord's Desire #1) in Books
Jul 19, 2018
Captivating Melody (Discord's Desire #1) by Katherine McIntyre
Captivating Melody is the first book in the Discord's Desire series, and it starts off with wollup!
First of all, we are introduced to the band, and their manager. We find out about each of them, and their differing personalities. We see the how's and why's of them getting together, and how Liz walked into their lives. The impact she has on them all is huge, but it is Kieran it impacts the most. He changes his way of life (literally) as nothing else seems to measure up to Liz. She fights it though, as she is worried it will go nowhere. She doesn't know how long she will stay in one spot, and has made it her mission to never get attached. This sneaky incubus isn't giving up though, and their relationship is worth every word!
Quite simply, this was a brilliant start to the series. With family feuds, crazy ex's, and fair-weather friends, this book has a bit of everything. The pacing is smooth, and the pages are filled with action. I loved how Liz and Kieran's story moved along, whilst still having the other characters play a part. Because of how Jett and Renn bicker, I think they should end up together! lol
I can't wait for the rest of this series to see how the different stories (and characters) will pan out. If you are looking for a fun, feisty paranormal romance, then I can definitely recommend this one.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
First of all, we are introduced to the band, and their manager. We find out about each of them, and their differing personalities. We see the how's and why's of them getting together, and how Liz walked into their lives. The impact she has on them all is huge, but it is Kieran it impacts the most. He changes his way of life (literally) as nothing else seems to measure up to Liz. She fights it though, as she is worried it will go nowhere. She doesn't know how long she will stay in one spot, and has made it her mission to never get attached. This sneaky incubus isn't giving up though, and their relationship is worth every word!
Quite simply, this was a brilliant start to the series. With family feuds, crazy ex's, and fair-weather friends, this book has a bit of everything. The pacing is smooth, and the pages are filled with action. I loved how Liz and Kieran's story moved along, whilst still having the other characters play a part. Because of how Jett and Renn bicker, I think they should end up together! lol
I can't wait for the rest of this series to see how the different stories (and characters) will pan out. If you are looking for a fun, feisty paranormal romance, then I can definitely recommend this one.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Ministry of Illusion: Nazi Cinema and Its Afterlife
Book
German cinema of the Third Reich, even a half-century after Hitler's demise, still provokes extreme...
Merissa (12061 KP) rated Fire & Ice (Faerie Song Trilogy #1) in Books
Apr 12, 2023
When we first meet Lorelei she is quiet and unassuming, trying hard to remain that way as she works in her (deceased) Gran's cafe. However, things quickly start moving along as she invokes the wrath of a cheerleader who is dating her best friend, a boy appears out of nowhere and insinuates himself into her life (and she's completely okay with that) and we won't even get to the fact that when she was younger she thinks she did a deal with some sort of angel, except he had black raven's feathers on his wings, and he now controls her singing voice.
There is such a lot going on in this book and that is just the beginning. It all changes when she falls into Adrius' world and discovers that nothing is what it seems. I have to say that for someone who gives the impression of being unassuming in the 'normal' world, she certainly has a lot to say in a world she knows nothing about. I liked Lorelei but I did find her annoying at times with her 'quick wit' and complete disregard for anyone's opinion other than her own. And don't even get me started on how she can't do as she's told! Like I said, quiet and unassuming?!
The relationship between Lorelei and Adrius is complicated, to say the least, and certainly lives up to the title of the book. There is intensity and passion, along with a frisson of the forbidden. There is also, however, a strong hint of a love triangle which I'm really hoping doesn't come to anything. There is enough going on, and they have enough against them, without the need for a triangle. This would just add something completely unnecessary in my opinion but then I'm not a big fan of them anyway.
On the whole, this is a fast-paced, action-packed fantasy novel that starts off a new series with oomph. Definitely recommended to all YA Fantasy fans out there.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
August 27, 2016
There is such a lot going on in this book and that is just the beginning. It all changes when she falls into Adrius' world and discovers that nothing is what it seems. I have to say that for someone who gives the impression of being unassuming in the 'normal' world, she certainly has a lot to say in a world she knows nothing about. I liked Lorelei but I did find her annoying at times with her 'quick wit' and complete disregard for anyone's opinion other than her own. And don't even get me started on how she can't do as she's told! Like I said, quiet and unassuming?!
The relationship between Lorelei and Adrius is complicated, to say the least, and certainly lives up to the title of the book. There is intensity and passion, along with a frisson of the forbidden. There is also, however, a strong hint of a love triangle which I'm really hoping doesn't come to anything. There is enough going on, and they have enough against them, without the need for a triangle. This would just add something completely unnecessary in my opinion but then I'm not a big fan of them anyway.
On the whole, this is a fast-paced, action-packed fantasy novel that starts off a new series with oomph. Definitely recommended to all YA Fantasy fans out there.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
August 27, 2016
Bob Mann (459 KP) rated Churchill (2017) in Movies
Sep 29, 2021
“We will bore them on the beaches”.
“Churchill” tells the story of the great leader’s extreme opposition to “Operation Overlord”, the Eisenhower-led invasion of Normandy in 1944 that ultimately led – more by luck that judgement perhaps – to the fall of the Third Reich in the following year.
I’m not a historian but am married to one, so know the importance of “sources” in the pursuit of “truth”: one man’s terrorist is after all another man’s freedom fighter from a different perspective. Some sources on the internet (here for example) certainly suggest the The British (led by Churchill as Prime Minister) might have sensibly promoted the acceleration of the Italian campaign to reach Berlin rather than the far riskier Channel crossing.
This film however paints Churchill as a man demonised by his decision to send young men to their deaths in the fateful Gallipoli beach landings of World War One, with this – rather than a sensible strategic one – being the primary reason for opposing the Normandy landings. To further paint him as a bumbling old fool that is “worked around” by his peers strikes you as borderline libellous.
So the film’s script, by novice Alex von Tunzelmann, immediately set the wrong tone with me, and the undeniably strong performances of Brian Cox (“The Bourne Identity”) as Churchill and the wonderful Miranda Richardson (“Harry Potter” and the soon to be released “Stronger”) as Clemmie can’t fill the gap.
Besides anything else, diretor Jonathan Teplitzky (“The Railway Man”) delivers a piece so dull and lifeless, and with so much brooding, that its not remotely enjoyable. You think the introduction of a bullied secretary – Ms Garrett (Ella Purnell) – with a strong personal connection to ‘Overlord’ will add dramatic colour? But this angle too seems to go nowhere in particular.
There are many tales of the Normandy landings that are fascinating, over and above the dramatic sweep of “The Longest Day” (which is surely well overdue for a remake?) and Spielberg’s fictionalisation of the Niland brothers in “Saving Private Ryan”. How about the 2 out of 29 American amphibious tanks that reached Omaha beach after ignoring British advice to not launch so far from shore in rough seas?
So, as a film, it might be “worthy”. But I didn’t remotely believe the depiction of Churchill and it astonished me that such a rivetingly exciting period of British history could deliver a film that bored me. So, sorry, can’t recommend this one. Perhaps Joe Wright will have a better go with Gary Oldman as Churchill in “Darkest Hour”…
I’m not a historian but am married to one, so know the importance of “sources” in the pursuit of “truth”: one man’s terrorist is after all another man’s freedom fighter from a different perspective. Some sources on the internet (here for example) certainly suggest the The British (led by Churchill as Prime Minister) might have sensibly promoted the acceleration of the Italian campaign to reach Berlin rather than the far riskier Channel crossing.
This film however paints Churchill as a man demonised by his decision to send young men to their deaths in the fateful Gallipoli beach landings of World War One, with this – rather than a sensible strategic one – being the primary reason for opposing the Normandy landings. To further paint him as a bumbling old fool that is “worked around” by his peers strikes you as borderline libellous.
So the film’s script, by novice Alex von Tunzelmann, immediately set the wrong tone with me, and the undeniably strong performances of Brian Cox (“The Bourne Identity”) as Churchill and the wonderful Miranda Richardson (“Harry Potter” and the soon to be released “Stronger”) as Clemmie can’t fill the gap.
Besides anything else, diretor Jonathan Teplitzky (“The Railway Man”) delivers a piece so dull and lifeless, and with so much brooding, that its not remotely enjoyable. You think the introduction of a bullied secretary – Ms Garrett (Ella Purnell) – with a strong personal connection to ‘Overlord’ will add dramatic colour? But this angle too seems to go nowhere in particular.
There are many tales of the Normandy landings that are fascinating, over and above the dramatic sweep of “The Longest Day” (which is surely well overdue for a remake?) and Spielberg’s fictionalisation of the Niland brothers in “Saving Private Ryan”. How about the 2 out of 29 American amphibious tanks that reached Omaha beach after ignoring British advice to not launch so far from shore in rough seas?
So, as a film, it might be “worthy”. But I didn’t remotely believe the depiction of Churchill and it astonished me that such a rivetingly exciting period of British history could deliver a film that bored me. So, sorry, can’t recommend this one. Perhaps Joe Wright will have a better go with Gary Oldman as Churchill in “Darkest Hour”…
Annie Chanse (15 KP) rated Shadows & Dreams in Books
Dec 19, 2017
Review** spoiler alert ** *Warning: contains spoilers, bad words, and quite a long rant*
To be honest, I was very disappointed in this book. It had a great premise, which meant it had the potential to be a really good story, but the writing style of the author just completely ruined this book for me.
The basic idea behind the story is that Kate Kane, a paranormal PI, sets off on a case to find the brother of a woman she slept with once, and during this investigation, she runs into ALL MANNER OF TROUBLE. There are vampires and werewolves and ex-girlfriends around every corner, just lurking and waiting to pounce on Miss Kane. It's a very busy and involved story, and if it had been better written, I would have easily given it four stars at least, but there was just TOO much about this book -- style-wise -- that drove me insane.
For instance:
1. The plot, itself, is actually fairly well thought out and developed and is nowhere NEAR as cheesy as it sounds when you hear, "Vampires fighting werewolves," -- which, let's be honest, these days is so trite and overdone that it is scoffed at on a regular basis. However, there IS a good story in this novel. But the way Hall writes the not-cheesy story is so cheesy that it makes you THINK the story is cheesy. A lot of cheese, huh? A little confusing? Well then, let me give you an example.
Page 7-8: "Truth be told it was a little bit awkward, but my social weirdness threshold has gone way up since my girlfriend tried to murder my ex-girlfriend because her ex-girlfriend tried to murder her."
Okay... a bit ridiculous, especially seven/eight pages in, but I can roll with it. However, at the bottom of page eight:
Kane asks, "Who saw him last?"
Her assistant -- who is actually a statue brought to life and gifted to Kate by a group of rats who are apparently all seeing and all knowing God-types -- says, "I don't know. [...] Probably somebody at the hospital."
Kane asks, "Which one?"
And the assistant replies with this fantastic line: "The Whittington. He broke his leg changing a light bulb. Because he was standing on a swivel chair because he's an idiot."
Okay, I concede that maybe this line is supposed to sound ridiculous and funny, so I can even let that one slide. But then, three pages later, Hall completely turns me off to the book with this:
"Well, fuck. I was about to be hired by a woman I'd very nearly slept with to find her missing brother who was working for the woman who'd left me for a tech startup at the tech startup she left me for."
Wh-wh-what?! Are you kidding me? Could that sentence BE anymore convoluted or that plot-point any more ridiculously stereotypical?
And what is truly awful is that the story itself REALLY WASN'T THAT BAD. I mean, the writing was awful, which, overall, meant that the novel was -- in my opinion, of course -- bad, but the way the story progressed WAS interesting. It was nowhere near as bad as these 'recaps' by the main character make it sound, but the problem is that Hall throws in these inner-monologues for Kane ALL throughout the book, and they are terrible! Which, in turn, decreases the value of the entire story.
Another example falls right on the heels of the page 11 jewel.
Page 14: "I really really hoped this wasn't going to be another zombie plague. There'd been an outbreak when I'd taken Eve up to Lake Windermere for our third anniversary, and we'd spent the whole weekend under siege in the hotel, making molotovs from the minibar and clubbing re-animated tourists to death with souvenir walking sticks."
Really? Zombies now? On top of the vampires, witches, and werewolves? Can we POSSIBLY fit anymore para into this normal?
Enough with that.
Now on to point number 2. The girl on girl sex scenes in this book between sexy, snarky PI and her vampire girlfriend, the Prince (yes, Prince) of Cups, should be hot, right? No. They are forced, fake, and ridiculous. Halfway through the first one, I thought, "Jesus. This isn't lesbian sex. This is lesbian sex if it was written by a man who WISHES he could see some lesbian sex." That was the point at which I decided to look up more info on Alexis Hall, and I found out that he is, in fact, a man, which at least explains the sex scenes.
#3. Speaking of sex scenes, Hall also has this really irritating -- and distracting -- habit of throwing in random, explicitly sexual thoughts at TOTALLY inappropriate times. Right in the middle of the most stressful situations -- being locked up, about to be killed, thrown in prison/on trial -- Kate Kane begins inner-monologuing with herself about how much she'd like to fuck whatever female happens to be standing in front of her. RIDICULOUS! And annoying. Hated it.
4. One of the MOST annoying things about this book, however, was that it was in DESPERATE need of a SERIOUS case of editing. All throughout the book there were glaring errors that any first year college student should have caught while reading. I'm willing to discount SOME of these "errors" as simply being lost in translation, as the book is written with a British tone, and I am very much American. However, SOME of these errors simply CANNOT be due to anything other than careless editing.
For instance, page 113: "It's main distinguishing feature, right, was that was it was blue."
WAS that WAS it WAS blue? What does that even mean? Oh, yes, it means that no one bothered editing this beast before printing.
Page 141: "Piercing the heart will paralyse, but it won't kill, and anything will do, it doesn't have to wood."
Okay, so maybe the "paralyse" is simply British, but surely the "doesn't have to wood" bit needs a "be" in there somewhere, right?
Page 157: "Have we have achieved case closed, Miss Kane?"
Yes, yes have we have.
There are several -- SEVERAL -- more examples of these type errors, but I'm not about to point them all out. If you read the book, I'm sure you'll easily catch them on your own.
5. Another thing that drove me NUTS was the repetition. The awful thing is I'm fairly certain that Hall used these repetitious lines PURPOSELY to create some kind of effect -- humor, maybe? Whatever the desired result, it failed to do anything other than annoy me.
For instance, page 163: "'Hi. So. Look.' I tried to find a way to express the fact I had some good news and some bad news that wasn't I've got some good news and some bad news. 'I've got some good news and some bad news.'"
...blink... ...falls over...
Page 177: "All the more reason to tell them. [...] If they know that we know that she has returned, then they will not be tempted to conspire against us out of the false belief that we do not know. Of course, they may already know, but at present, we have no way to know what they know. If we tell them, we will know what they know, and all we will not know is how long they have known it."
Oh. Jumping. Jesus. On. A. Pogo. Stick. Please tell me you aren't serious.
And there was this one thing that repeated over and over again throughout the book. The first time, it was actually pretty clever. The second time, even, was okay. But by the time I'd read it nine times -- yes, NINE TIMES, no exaggeration whatsoever -- I was ready to never EVER read anything like it ever again.
This particular phrase was something Kate Kane internalized or muttered aloud to herself each time she decided to do something stupid OR she felt her life was in danger. The basic format went something like this:
"Here lies Kate Kane, died peacefully in her sleep aged 94. Beloved daughter."
The "Here lies Kate Kane" part remained constant, as did the "Beloved daughter." It was only the middle part that changed, for instance, "Here lies Kate Kate. Should have minded her own business. Beloved daughter." Or perhaps, "Here lies Kate Kane. She made a difference to dozens. Beloved daughter."
This continued NINE TIMES. It is not cute, funny, or clever after about the second time, definitely after the third. BUT NINE TIMES?! Come on!
And finally, my last complaint.
6. Several of the items, scenes, quotes, etc. in this book seemed waaaaaaaaaay too close to things from other books for my taste. Perhaps it is simply a coincidence and the author did not intentionally siphon plot points and details from other authors -- except, of course, when he obviously did in his quotations, such as his use of "Not all those who wander are lost" and "As old as my tongue, a little bit older than my teeth" which are DIRECTLY taken from other books, but I'm hoping those were intentional and not attempted-to-get-away-with-it plagiarism.
But there are several things in this novel that could have been taken from Jim Butcher's "Dresden Files", Lewis' "Narnia" chronicles, and Tolkien's "Lord of the Rings" series. I'm hoping, however, that they weren't, but they were very, very similar.
All in all, I'm disappointed to say that I was not a fan of this book at all, and I will most likely not be reading anymore Kate Kane books.
To be honest, I was very disappointed in this book. It had a great premise, which meant it had the potential to be a really good story, but the writing style of the author just completely ruined this book for me.
The basic idea behind the story is that Kate Kane, a paranormal PI, sets off on a case to find the brother of a woman she slept with once, and during this investigation, she runs into ALL MANNER OF TROUBLE. There are vampires and werewolves and ex-girlfriends around every corner, just lurking and waiting to pounce on Miss Kane. It's a very busy and involved story, and if it had been better written, I would have easily given it four stars at least, but there was just TOO much about this book -- style-wise -- that drove me insane.
For instance:
1. The plot, itself, is actually fairly well thought out and developed and is nowhere NEAR as cheesy as it sounds when you hear, "Vampires fighting werewolves," -- which, let's be honest, these days is so trite and overdone that it is scoffed at on a regular basis. However, there IS a good story in this novel. But the way Hall writes the not-cheesy story is so cheesy that it makes you THINK the story is cheesy. A lot of cheese, huh? A little confusing? Well then, let me give you an example.
Page 7-8: "Truth be told it was a little bit awkward, but my social weirdness threshold has gone way up since my girlfriend tried to murder my ex-girlfriend because her ex-girlfriend tried to murder her."
Okay... a bit ridiculous, especially seven/eight pages in, but I can roll with it. However, at the bottom of page eight:
Kane asks, "Who saw him last?"
Her assistant -- who is actually a statue brought to life and gifted to Kate by a group of rats who are apparently all seeing and all knowing God-types -- says, "I don't know. [...] Probably somebody at the hospital."
Kane asks, "Which one?"
And the assistant replies with this fantastic line: "The Whittington. He broke his leg changing a light bulb. Because he was standing on a swivel chair because he's an idiot."
Okay, I concede that maybe this line is supposed to sound ridiculous and funny, so I can even let that one slide. But then, three pages later, Hall completely turns me off to the book with this:
"Well, fuck. I was about to be hired by a woman I'd very nearly slept with to find her missing brother who was working for the woman who'd left me for a tech startup at the tech startup she left me for."
Wh-wh-what?! Are you kidding me? Could that sentence BE anymore convoluted or that plot-point any more ridiculously stereotypical?
And what is truly awful is that the story itself REALLY WASN'T THAT BAD. I mean, the writing was awful, which, overall, meant that the novel was -- in my opinion, of course -- bad, but the way the story progressed WAS interesting. It was nowhere near as bad as these 'recaps' by the main character make it sound, but the problem is that Hall throws in these inner-monologues for Kane ALL throughout the book, and they are terrible! Which, in turn, decreases the value of the entire story.
Another example falls right on the heels of the page 11 jewel.
Page 14: "I really really hoped this wasn't going to be another zombie plague. There'd been an outbreak when I'd taken Eve up to Lake Windermere for our third anniversary, and we'd spent the whole weekend under siege in the hotel, making molotovs from the minibar and clubbing re-animated tourists to death with souvenir walking sticks."
Really? Zombies now? On top of the vampires, witches, and werewolves? Can we POSSIBLY fit anymore para into this normal?
Enough with that.
Now on to point number 2. The girl on girl sex scenes in this book between sexy, snarky PI and her vampire girlfriend, the Prince (yes, Prince) of Cups, should be hot, right? No. They are forced, fake, and ridiculous. Halfway through the first one, I thought, "Jesus. This isn't lesbian sex. This is lesbian sex if it was written by a man who WISHES he could see some lesbian sex." That was the point at which I decided to look up more info on Alexis Hall, and I found out that he is, in fact, a man, which at least explains the sex scenes.
#3. Speaking of sex scenes, Hall also has this really irritating -- and distracting -- habit of throwing in random, explicitly sexual thoughts at TOTALLY inappropriate times. Right in the middle of the most stressful situations -- being locked up, about to be killed, thrown in prison/on trial -- Kate Kane begins inner-monologuing with herself about how much she'd like to fuck whatever female happens to be standing in front of her. RIDICULOUS! And annoying. Hated it.
4. One of the MOST annoying things about this book, however, was that it was in DESPERATE need of a SERIOUS case of editing. All throughout the book there were glaring errors that any first year college student should have caught while reading. I'm willing to discount SOME of these "errors" as simply being lost in translation, as the book is written with a British tone, and I am very much American. However, SOME of these errors simply CANNOT be due to anything other than careless editing.
For instance, page 113: "It's main distinguishing feature, right, was that was it was blue."
WAS that WAS it WAS blue? What does that even mean? Oh, yes, it means that no one bothered editing this beast before printing.
Page 141: "Piercing the heart will paralyse, but it won't kill, and anything will do, it doesn't have to wood."
Okay, so maybe the "paralyse" is simply British, but surely the "doesn't have to wood" bit needs a "be" in there somewhere, right?
Page 157: "Have we have achieved case closed, Miss Kane?"
Yes, yes have we have.
There are several -- SEVERAL -- more examples of these type errors, but I'm not about to point them all out. If you read the book, I'm sure you'll easily catch them on your own.
5. Another thing that drove me NUTS was the repetition. The awful thing is I'm fairly certain that Hall used these repetitious lines PURPOSELY to create some kind of effect -- humor, maybe? Whatever the desired result, it failed to do anything other than annoy me.
For instance, page 163: "'Hi. So. Look.' I tried to find a way to express the fact I had some good news and some bad news that wasn't I've got some good news and some bad news. 'I've got some good news and some bad news.'"
...blink... ...falls over...
Page 177: "All the more reason to tell them. [...] If they know that we know that she has returned, then they will not be tempted to conspire against us out of the false belief that we do not know. Of course, they may already know, but at present, we have no way to know what they know. If we tell them, we will know what they know, and all we will not know is how long they have known it."
Oh. Jumping. Jesus. On. A. Pogo. Stick. Please tell me you aren't serious.
And there was this one thing that repeated over and over again throughout the book. The first time, it was actually pretty clever. The second time, even, was okay. But by the time I'd read it nine times -- yes, NINE TIMES, no exaggeration whatsoever -- I was ready to never EVER read anything like it ever again.
This particular phrase was something Kate Kane internalized or muttered aloud to herself each time she decided to do something stupid OR she felt her life was in danger. The basic format went something like this:
"Here lies Kate Kane, died peacefully in her sleep aged 94. Beloved daughter."
The "Here lies Kate Kane" part remained constant, as did the "Beloved daughter." It was only the middle part that changed, for instance, "Here lies Kate Kate. Should have minded her own business. Beloved daughter." Or perhaps, "Here lies Kate Kane. She made a difference to dozens. Beloved daughter."
This continued NINE TIMES. It is not cute, funny, or clever after about the second time, definitely after the third. BUT NINE TIMES?! Come on!
And finally, my last complaint.
6. Several of the items, scenes, quotes, etc. in this book seemed waaaaaaaaaay too close to things from other books for my taste. Perhaps it is simply a coincidence and the author did not intentionally siphon plot points and details from other authors -- except, of course, when he obviously did in his quotations, such as his use of "Not all those who wander are lost" and "As old as my tongue, a little bit older than my teeth" which are DIRECTLY taken from other books, but I'm hoping those were intentional and not attempted-to-get-away-with-it plagiarism.
But there are several things in this novel that could have been taken from Jim Butcher's "Dresden Files", Lewis' "Narnia" chronicles, and Tolkien's "Lord of the Rings" series. I'm hoping, however, that they weren't, but they were very, very similar.
All in all, I'm disappointed to say that I was not a fan of this book at all, and I will most likely not be reading anymore Kate Kane books.
Haley Mathiot (9 KP) rated The Stolen Ones (Jessica Balzano & Kevin Byrne, #7) in Books
Apr 27, 2018
A cold case comes to live with the discovery of a new body, a new murder, and multiple new connections. A two-year-old child is found standing in the middle of the street. A mysterious man in ragged clothing appears in a little girls closet completely out of nowhere. A woman disappears from her basement without having left her house. With the help of the rest of the experts in the Philadelphia Police Department, Detectives Jessica Balzano and Kevin Byrne unravel a chilling series of dream-like murders.
The Stolen Ones is book 7 of a series of detective novels. At the time of request, I was unaware of this fact, and I hoped that I would not be confused because I hadn’t read the others. I’m happy to say that I had no trouble at all getting lost in this story. I am totally in love with Kevin Byrne and his snarky Irish attitude, and Jessica’s tough-girl-who-is-here-to-kick-ass mentality.
The story was incredibly complex, and a few times I found myself stopping and saying “wait, what? I’m confused.” I had to check to make sure I hadn’t skipped a track in the audiobook. I hadn’t, all was well… there were just some jarring sections that I think were hard to interpret because it was audio instead of printed. however all things considered it wasn’t enough to negatively affect the story.
The performance by William Hope was very good. I liked his voices and interpretations of the characters a lot, especially Kevin Byrne. He has done quite a few audiobooks, and his experience is obvious; he reads with a good authority, pace, and energy.
There were some gruesome details of violence so it is not for the faint of heart or stomach. It was enough to shock me, but it wasn’t anything I would regret listening to. I’d definitely recommend it to ages 18+ who are into the crime thriller genre.
The Stolen Ones is book 7 of a series of detective novels. At the time of request, I was unaware of this fact, and I hoped that I would not be confused because I hadn’t read the others. I’m happy to say that I had no trouble at all getting lost in this story. I am totally in love with Kevin Byrne and his snarky Irish attitude, and Jessica’s tough-girl-who-is-here-to-kick-ass mentality.
The story was incredibly complex, and a few times I found myself stopping and saying “wait, what? I’m confused.” I had to check to make sure I hadn’t skipped a track in the audiobook. I hadn’t, all was well… there were just some jarring sections that I think were hard to interpret because it was audio instead of printed. however all things considered it wasn’t enough to negatively affect the story.
The performance by William Hope was very good. I liked his voices and interpretations of the characters a lot, especially Kevin Byrne. He has done quite a few audiobooks, and his experience is obvious; he reads with a good authority, pace, and energy.
There were some gruesome details of violence so it is not for the faint of heart or stomach. It was enough to shock me, but it wasn’t anything I would regret listening to. I’d definitely recommend it to ages 18+ who are into the crime thriller genre.
Andy K (10821 KP) rated The Impossible (2012) in Movies
Apr 16, 2019
Epic and intimate
How would you like to take your family on holiday to Thailand only to be caught in the onslaught of a tsunami? Such is the case in this film based on the true story of a family's painful and moving ordeal from the 2004 tidal wave.
The wall of water comes out of nowhere when no one was expecting anything and everyone was just having a good time playing or relaxing by the pool. In an instant everyone present has their lives changed forever as they just try and hold on to something and claw their way to safety.
The disaster sequences are amazing, but it is all over quickly so the film is about love, loss and survival. Trying to make it back to the civilized world or at least what is left of it and trying to locate your missing family members is all the family cares about.
Understandably emotions run high throughout the film and I dare you to hold back the tears when several of the most touching moments occur. You are moved continually as you hope and pray the family find each other again and make it off together and patched up the best they can.
Naomi Watts was nominated for an Oscar for this role and she really deserves it giving an intense, emotional performance. Ewan McGregor is also emotional when he gets to use a cell phone to call his family and breaks down. Even young Spider-Man, Tom Holland, is along for the ride as the couple's oldest son frantically trying to help his mother to safety.
The triumph of the human spirit is present here and you are taken along with them as your empathy pours out to the victims of this tragedy.
Keep your tissues close by for this one.
The wall of water comes out of nowhere when no one was expecting anything and everyone was just having a good time playing or relaxing by the pool. In an instant everyone present has their lives changed forever as they just try and hold on to something and claw their way to safety.
The disaster sequences are amazing, but it is all over quickly so the film is about love, loss and survival. Trying to make it back to the civilized world or at least what is left of it and trying to locate your missing family members is all the family cares about.
Understandably emotions run high throughout the film and I dare you to hold back the tears when several of the most touching moments occur. You are moved continually as you hope and pray the family find each other again and make it off together and patched up the best they can.
Naomi Watts was nominated for an Oscar for this role and she really deserves it giving an intense, emotional performance. Ewan McGregor is also emotional when he gets to use a cell phone to call his family and breaks down. Even young Spider-Man, Tom Holland, is along for the ride as the couple's oldest son frantically trying to help his mother to safety.
The triumph of the human spirit is present here and you are taken along with them as your empathy pours out to the victims of this tragedy.
Keep your tissues close by for this one.
Phillip McSween (751 KP) rated The Pursuit of Happyness (2006) in Movies
Jan 29, 2018
Inspirational
If I'm being honest, I didn't expect to like this film. Everyone in the past twelve years since its release that has recommended it to me can only talk about how sad and downright heartbreaking it can be at times. Why would I want watch a film like that? After sitting through The Pursuit of Happyness, I have my answer.
Chris Gardner (Will Smith) is just trying to make money and take care of his family. After investing his entire life savings in a company that goes nowhere, he decides to risk it all and go out for an unpaid internship with a stockbroking company. The message here is extremely powerful, a message he delivers to his son about halfway through the film: If you want something, go get it. And, in the process of getting it, don't let anyone tell you that you can't have it.
The film revolves Gardner's struggle to work for no pay and still manage to take care of his son. You can't help but admire his hustle. Despite numerous shortcomings and failed attempts, he continues to push toward his vision. It's inspiration at its finest. And, just as people warned me, it's also heartbreaking to watch. I mean, the guy can't seem to catch a break. Ever. He takes a step forward then eight back. I appreciated the film being delivered in this fashion because of how real it felt. I never got the sense of sugarcoating. This man was broken, yet he found a way to piece himself back together.
I would be remiss if I didn't mention Jaden Smith's performance as Chris jr. He carries the innocence and sadness of a kid that's a victim of a situation he doesn't seem to fully understand. While it's heartbreaking to see them struggle, it's heartwarming to watch them struggle together.
My one complaint would be the movie ending a bit too abruptly for my taste. Other than that, what a great film! I give it a 92.
Chris Gardner (Will Smith) is just trying to make money and take care of his family. After investing his entire life savings in a company that goes nowhere, he decides to risk it all and go out for an unpaid internship with a stockbroking company. The message here is extremely powerful, a message he delivers to his son about halfway through the film: If you want something, go get it. And, in the process of getting it, don't let anyone tell you that you can't have it.
The film revolves Gardner's struggle to work for no pay and still manage to take care of his son. You can't help but admire his hustle. Despite numerous shortcomings and failed attempts, he continues to push toward his vision. It's inspiration at its finest. And, just as people warned me, it's also heartbreaking to watch. I mean, the guy can't seem to catch a break. Ever. He takes a step forward then eight back. I appreciated the film being delivered in this fashion because of how real it felt. I never got the sense of sugarcoating. This man was broken, yet he found a way to piece himself back together.
I would be remiss if I didn't mention Jaden Smith's performance as Chris jr. He carries the innocence and sadness of a kid that's a victim of a situation he doesn't seem to fully understand. While it's heartbreaking to see them struggle, it's heartwarming to watch them struggle together.
My one complaint would be the movie ending a bit too abruptly for my taste. Other than that, what a great film! I give it a 92.