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Merissa (12051 KP) rated Grayality in Books
Oct 4, 2022
A story full of emotions, both good and bad
GRAYALITY is a book full of emotions, both good and bad. Pate is a trans-man who likes the on-and-off again girlfriend of the local bully, and Oakley, his best friend, thinks he is straight until he meets Sadie at a drag-queen show. Their new start in a small country town just got more complicated.
There are words of wisdom in here, spoken between the two best friends, or their new friends. However, there is also a lot of country stereotypical behaviour that may or may not be exaggerated.
I loved seeing Pate and Oak go through their relationships, although I can honestly say I couldn't stand Maybelle from the beginning. Oak is the one who had to change his thinking the most and is also the one who suffered the most, I would say. Pate is the one who physically paid for being who he is.
This was a great story that I thoroughly enjoyed. It is emotional and almost tangible in what our young friends go through. A brilliant read that I highly recommend.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
There are words of wisdom in here, spoken between the two best friends, or their new friends. However, there is also a lot of country stereotypical behaviour that may or may not be exaggerated.
I loved seeing Pate and Oak go through their relationships, although I can honestly say I couldn't stand Maybelle from the beginning. Oak is the one who had to change his thinking the most and is also the one who suffered the most, I would say. Pate is the one who physically paid for being who he is.
This was a great story that I thoroughly enjoyed. It is emotional and almost tangible in what our young friends go through. A brilliant read that I highly recommend.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
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Dianne Robbins (1738 KP) rated 9-1-1: Lone star in TV
Apr 4, 2021 (Updated Apr 4, 2021)
I tried to watch this one. I used to be an EMT and I miss the rush and the life so I want to find a good medical drama to satisfy my blood lust for intelligently written, exciting, tv. This is not it. It's painfully fake. I was unable to get through more than a few minutes. Now, I like Rob Lowe. I grew up watching him and the Brat Pack and he's a pretty man so all the girls my age had a crush on him. I really liked him in Aaron Sorkin's The West Wing and Parks and Rec. Rob Lowe does his best acting in a suit. I could not take him seriously as a first responder. I can't even remember if his character is a firefighter, police officer, or EMT in this show. All I know is that I had to tap out after the first few lines.
Perhaps my rating is unfair because I'm basing my judgment with 911 Lonestar being an extension of 911 with the same writing style and situations, and that show has stiff acting, and outrageously fake scenarios. I recently tried to watch 911 due to a draught of medical dramas and I ended up yelling at the tv about all the technical mistakes the EMTs and firefighters were making. I mean, they took an elevator up to an upper floor when the building was unstable and at risk of collapse or having a power outage. It was ridiculous. Who does that? If you are good at suspending belief, maybe you can tolerate this show. But I just can't. Sorry, Rob. See you in my dreams.
Perhaps my rating is unfair because I'm basing my judgment with 911 Lonestar being an extension of 911 with the same writing style and situations, and that show has stiff acting, and outrageously fake scenarios. I recently tried to watch 911 due to a draught of medical dramas and I ended up yelling at the tv about all the technical mistakes the EMTs and firefighters were making. I mean, they took an elevator up to an upper floor when the building was unstable and at risk of collapse or having a power outage. It was ridiculous. Who does that? If you are good at suspending belief, maybe you can tolerate this show. But I just can't. Sorry, Rob. See you in my dreams.
Kristy H (1252 KP) rated The Last Thing He Told Me in Books
Jun 17, 2021
A riveting mystery about a missing man
Hannah and Owen have not been married very long before he disappears without a trace. He leaves behind a brief note stating, "Protect her." Hannah knows the note refers to Owen's sixteen-year-old daughter, Bailey. Bailey lost her mother as a child, and Owen is all she has. Meanwhile, the company Owen works for is caught up in a swirl of scandal, while the FBI and U.S. Marshals show up on Hannah's doorstep. The more Hannah investigates, the more she realizes that Owen must have been hiding secrets about his past. And those secrets may be putting her and Bailey in grave danger.
"Owen's note is short. One line, its own puzzle. Protect her."
This was an excellent page-turner: a wonderful character-driven mystery that sucked me in from the very beginning. It keeps you wondering and guessing from the start. Why did Owen disappear? Is he a good guy or a bad one? We discover things as Hannah does, and the book is so engrossing. She and Bailey unravel Owen's past, becoming detectives themselves, and we get snippets from the past they do.
It's fascinating trying to piece everything together. I was frantically flipping the pages, and I read this one in only a couple of settings. The language is flowery but absorbing. In addition to the key disappearance, Dave reflects on Hannah's relationships with both Owen and Bailey. If you want to get lost in a good mystery for a couple of days (or hours), I highly recommend this one.
"Owen's note is short. One line, its own puzzle. Protect her."
This was an excellent page-turner: a wonderful character-driven mystery that sucked me in from the very beginning. It keeps you wondering and guessing from the start. Why did Owen disappear? Is he a good guy or a bad one? We discover things as Hannah does, and the book is so engrossing. She and Bailey unravel Owen's past, becoming detectives themselves, and we get snippets from the past they do.
It's fascinating trying to piece everything together. I was frantically flipping the pages, and I read this one in only a couple of settings. The language is flowery but absorbing. In addition to the key disappearance, Dave reflects on Hannah's relationships with both Owen and Bailey. If you want to get lost in a good mystery for a couple of days (or hours), I highly recommend this one.
RəX Regent (349 KP) rated The Wicker Man (1973) in Movies
Feb 18, 2019
Come. It is time to keep your appointment with the Wicker Man.
Though we never even lay eyes on it until the final few moments of the film, the Wicker Man, both as pagan image and classic horror flick, has become an icon of the genre.
But if you are expecting some dimly lit, slow burn slasher movie, then you will be sorely disappointed. The Wicker Man spends most of its runtime, which varies from its various versions, Theatrical, Director’s and Final Cuts, providing us with a pretty decent, if not disturbing insight into paganism.
Or more over, Paganism verses Christianity. Both spiritual, both magical, yet one is fun and the other is boring. The virgin sacrifice by the sexually liberated heathens is played out brilliantly.
The beauty here is that the final twist is so well conceived and executed throughout the entire film that even though most of us know the ending whether we have seen the film or not, it is not spoiled by that foreknowledge.
It is a kin to the previously released Planet Of The Apes (1968) or the much later Sixth Sense (1999). Both spin out complex genre tales which culminate in “that ending”. But in this case, Edward Woodward delivers a chilling performance in the finale, as he is taken to his death, locked inside the burning Wicker Man to be sacrificed in order to restore the poor harvest of the previous year.
“Don’t you see that killing me is not going to bring back your apples?”
But Woodward’s character is a devout Christian and he has only his faith and a dogged view of the world to aide him. Unable to accept the seemingly free spirited community in which his finds himself, one where sex is commonplace as he himself is still a virgin.
On the other hand there is Lord Summerisle, Christopher Lee, who steals the show as per usual as the charismatic leader of the this pagan community and the descendant of a lord who routed Christianity from the Highland Island a century before.
But whilst on the surface it may seem like a rather academic subject, the film is a trippy 1970’s sexploitation movie in many ways. Some of the sex and violence fits in well with plot but other moments, such as the nude dance by Britt Ekland, though actually doubled by Lorraine Peters is a prime example of a needless, if not memorable sequence.
Overall, The Wicker Man is low budget British movie of the 1970’s and one which has endured to earn it’s classic status, by meeting the main criteria of being smart, engaging and visually compelling, along with several standout performances throughout.
But if you are expecting some dimly lit, slow burn slasher movie, then you will be sorely disappointed. The Wicker Man spends most of its runtime, which varies from its various versions, Theatrical, Director’s and Final Cuts, providing us with a pretty decent, if not disturbing insight into paganism.
Or more over, Paganism verses Christianity. Both spiritual, both magical, yet one is fun and the other is boring. The virgin sacrifice by the sexually liberated heathens is played out brilliantly.
The beauty here is that the final twist is so well conceived and executed throughout the entire film that even though most of us know the ending whether we have seen the film or not, it is not spoiled by that foreknowledge.
It is a kin to the previously released Planet Of The Apes (1968) or the much later Sixth Sense (1999). Both spin out complex genre tales which culminate in “that ending”. But in this case, Edward Woodward delivers a chilling performance in the finale, as he is taken to his death, locked inside the burning Wicker Man to be sacrificed in order to restore the poor harvest of the previous year.
“Don’t you see that killing me is not going to bring back your apples?”
But Woodward’s character is a devout Christian and he has only his faith and a dogged view of the world to aide him. Unable to accept the seemingly free spirited community in which his finds himself, one where sex is commonplace as he himself is still a virgin.
On the other hand there is Lord Summerisle, Christopher Lee, who steals the show as per usual as the charismatic leader of the this pagan community and the descendant of a lord who routed Christianity from the Highland Island a century before.
But whilst on the surface it may seem like a rather academic subject, the film is a trippy 1970’s sexploitation movie in many ways. Some of the sex and violence fits in well with plot but other moments, such as the nude dance by Britt Ekland, though actually doubled by Lorraine Peters is a prime example of a needless, if not memorable sequence.
Overall, The Wicker Man is low budget British movie of the 1970’s and one which has endured to earn it’s classic status, by meeting the main criteria of being smart, engaging and visually compelling, along with several standout performances throughout.
Cat Goddess Freyja (16 KP) rated Dark Wake (2018) in Movies
Dec 5, 2018
A Dark Indie Film
Contains spoilers, click to show
Most likely to the dismay of my friend- who I forced to watch this with me- I had stumbled across this little weird gem of a short film on one of my favorite websites- The 7th Matrix. This is a super easy watch as it is only 17mins long, and, so far, I have only been able to find it on 7th Matrix and www.alldark.net. Dark Wake, directed by Abdul Ali, is about a man who wakes up in his small apartment with no memory of who he is. The odd gets odder in this short film, as a red and black hole appears in the wall. A 'person' on the other side of the hole, of whom we only see a wrinkled and scarred lower half of their face, tells the confused man that they have talked before and that he must remember something in order to save himself, then almost happily says that they have a guest. The creatures of the film- of which there is three, not including the thing in the wall- show up pretty quickly and had pretty cool designs to them, even though you could guess at the practical parts that made them up. The sole purpose of the creatures seemed to be to eat the man over and over again, along with whoever else was in the same oblivion the man was in- which the thing in the wall said was not Hell, despite it's continued use of the words "Down Here." The ending was odd and left much to go, wtf over, as the man was finally able to escape his room, which seemed to upset the thing in the wall. Aside from the ending, the only thing that stood out as an issue was how calm the main character was with everything that was happening to him, except when he was getting eaten. Be sure to give this a watch if you are into the odd indie film.