Search
Search results
Mark @ Carstairs Considers (2369 KP) rated The Murder Pit in Books
Apr 22, 2020
Body in the Coal Chute
Life is going well for Daisy Savage. Recently remarried, she, her husband, and their blended family are settling into the old fixer upper they just bought. While her husband, Jake, bemoans the work, Daisy fell in love with the place despite the work. The house seems to have quite a few secrets, and Daisy finds one in their basement’s crawl space – an old coal chute. Unfortunately, that discovery also comes with a dead body, and the victim is someone that Daisy recognizes. With the small-town rumor mill kicking in, Daisy finds herself as a suspect. Can she figure out who really killed the victim and why he was dumped in their basement?
The plot started out well, and I enjoyed the added puzzle about why the victim was left in Daisy’s basement. There were some good twists before we reached the end. Sadly, I did have some issues with the book. The characters are a bit thin. I get that some of them were supposed to be comedic, but they still could have been stronger. Daisy’s kids seemed to act younger than they were supposed to be. She homeschools most of the kids, but she seems to justify letting them play and not actually doing any work with them. (Yes, I get that in a cozy, the main character spends all their time on the case instead of their job, but that’s not the case here.) There were some timelines issues as well, nothing that affected the plot, but the author clearly lost track of time. On the other hand, I loved Daisy and Jake’s relationship, and I laughed quite a bit at the character’s interactions. I’ve read other books from Jeff Shelby in the past and enjoyed them, so I will read one of his books again. Hopefully, this was just an off book. Overall, I enjoyed it, but there are some issues that need to be resolved.
The plot started out well, and I enjoyed the added puzzle about why the victim was left in Daisy’s basement. There were some good twists before we reached the end. Sadly, I did have some issues with the book. The characters are a bit thin. I get that some of them were supposed to be comedic, but they still could have been stronger. Daisy’s kids seemed to act younger than they were supposed to be. She homeschools most of the kids, but she seems to justify letting them play and not actually doing any work with them. (Yes, I get that in a cozy, the main character spends all their time on the case instead of their job, but that’s not the case here.) There were some timelines issues as well, nothing that affected the plot, but the author clearly lost track of time. On the other hand, I loved Daisy and Jake’s relationship, and I laughed quite a bit at the character’s interactions. I’ve read other books from Jeff Shelby in the past and enjoyed them, so I will read one of his books again. Hopefully, this was just an off book. Overall, I enjoyed it, but there are some issues that need to be resolved.
LeftSideCut (3776 KP) rated the PlayStation 4 version of The Outer Worlds in Video Games
Jul 9, 2020
The Outer Worlds had me excited from the moment it was announced - a space fairing RPG from the makers of Fallout: New Vegas was enough to do that.
Obsidian have successfully created a charming and colourful universe I'm which is stupidly easy to get lost in. It has a cartoon-ish look to it, but the graphics are top level. The environments available to explore are frequently breath taking, and the game boasts some great creature designs to battle as you explore alien habitats.
It plays not too dissimilar to a Fallout title. Being an RPG, there are menus a-plenty to rifle through, but they have an appealing asthethic, and are relatively simple once understood, so they never feel like a chore.
The combat is fairly similar as well, but I would argue that it's smoother than Fallout ever has been.
The plot is engaging and has many different paths to take - I've only had one playthrough so far, but I can't wait to start a second (where I'll be acting like a dick for the most part), and all the characters you meet along the way are memorable. The writing is fantastic - the dialogue is frequently funny, and is a big factor in why this game is so easy to love.
Like many RPGs these days, you can have companions with you. Recruiting a crew to join your adventure is something I absolutely LOVE about the Mass Effect series, so it was nothing but a pleasure to experience something similar here - each potential recruit comes with a set of loyalty missions and everything!
To top the whole thing off, it has an amazing musical score to accompany your journey.
I really don't have anything negative to say about The Outer Worlds. I've heard talk about some DLC in the future which is exciting, but I really hope Obsidian carry it on into a franchise. I'll be there on day one!
Obsidian have successfully created a charming and colourful universe I'm which is stupidly easy to get lost in. It has a cartoon-ish look to it, but the graphics are top level. The environments available to explore are frequently breath taking, and the game boasts some great creature designs to battle as you explore alien habitats.
It plays not too dissimilar to a Fallout title. Being an RPG, there are menus a-plenty to rifle through, but they have an appealing asthethic, and are relatively simple once understood, so they never feel like a chore.
The combat is fairly similar as well, but I would argue that it's smoother than Fallout ever has been.
The plot is engaging and has many different paths to take - I've only had one playthrough so far, but I can't wait to start a second (where I'll be acting like a dick for the most part), and all the characters you meet along the way are memorable. The writing is fantastic - the dialogue is frequently funny, and is a big factor in why this game is so easy to love.
Like many RPGs these days, you can have companions with you. Recruiting a crew to join your adventure is something I absolutely LOVE about the Mass Effect series, so it was nothing but a pleasure to experience something similar here - each potential recruit comes with a set of loyalty missions and everything!
To top the whole thing off, it has an amazing musical score to accompany your journey.
I really don't have anything negative to say about The Outer Worlds. I've heard talk about some DLC in the future which is exciting, but I really hope Obsidian carry it on into a franchise. I'll be there on day one!
Mark @ Carstairs Considers (2369 KP) rated The Skeleton Stuffs a Stocking in Books
Sep 27, 2019
That Bone Isn’t Sid’s
When Dr. Georgia Thackery’s dog, Byron, gets out one afternoon, and when she and her daughter Madison find him again, he is clutching a bone. Naturally, the two assume it is part of Sid, and they race home to apologize to their friend. However, all of Sid’s bones are present and accounted for, so they get the police involved. It turns out that Byron has found part of a normal skeleton (you know, not walking and talking), and the police are able to determine that the skeleton was murdered. The police have no leads on who the skeleton might have been in life, but Georgia’s friend and fellow adjunct, Charles, approaches her. He thinks he might know the victim, but the only way to give the police that information might lead the police directly to Charles. And so Georgia jumps into action again, with Sid doing his best to research the case on the internet. Was the victim Charles’s friend? If so, who killed her?
If you are new to the series, you might be a bit lost. You see, Sid is a walking, talking skeleton and Georgia’s best friend. That’s the only paranormal element to the series, and it is done is a realistic manner, which makes it feel very natural. The characters, including Sid, are very strong, which certainly helps make it all seem real. The plot, while not a traditional cozy mystery plot, is very strong with plenty of twists and surprises along the way to the climax. In fact, I liked the fact that it was something different plot wise, and it certainly kept me engaged the entire time. I did think that Christmas aspect could have been stronger, but that’s my only complaint and a very small one at that. As a lover of puns, I absolutely loved the puns and other humor in the book. If you are just now meeting Sid, you are in for a treat. If you are already a fan, you’ll love this newest visit with him.
If you are new to the series, you might be a bit lost. You see, Sid is a walking, talking skeleton and Georgia’s best friend. That’s the only paranormal element to the series, and it is done is a realistic manner, which makes it feel very natural. The characters, including Sid, are very strong, which certainly helps make it all seem real. The plot, while not a traditional cozy mystery plot, is very strong with plenty of twists and surprises along the way to the climax. In fact, I liked the fact that it was something different plot wise, and it certainly kept me engaged the entire time. I did think that Christmas aspect could have been stronger, but that’s my only complaint and a very small one at that. As a lover of puns, I absolutely loved the puns and other humor in the book. If you are just now meeting Sid, you are in for a treat. If you are already a fan, you’ll love this newest visit with him.
Blackveil: Green Rider #4
Book
Over a millennium ago, Mornhavon the Black, heir to the Arcosian Empire, crossed the great sea...
Interesting and engaging mystery
It's a bright May day when Cedar Valley Detective Gemma Monroe is called to Lost Lake. Sari Chesney, who was camping with her boyfriend, his brother, and her best friend, has gone missing. Sari hated the water, and the group is convinced she would never go missing on her own so near the lake. Sari was scheduled to work at a big gala at Cedar Valley's museum later that evening--a huge event she had been working on for months. Her friends insist she would never miss it. It's still chilly in Colorado in May, the lake still tinged in ice. Gemma begins the search for Sari, not realizing how quickly one woman's disappearance will lead to so much more.
"Later, much later, I would regret every decision I made that morning."
This is the third book in Emily Littlejohn's Gemma Monroe series, and I really enjoy both Gemma's character and the series. The books stand alone, but it's an enjoyable series, and I do recommend reading them from the beginning. At this point, Gemma has a six-month-old daughter, Grace, with her fiance, Brody, and one of my favorite things about the books is how realistically Littlejohn paints Gemma's struggles as a working mom. She loves her career and yet finds it difficult to leave Grace and juggle working and caring for her daughter.
Gemma is a great character overall, and I always enjoy reading a strong mystery that features a female detective. We find Gemma not only dealing with Sari's disappearance, but several more things that happen in the aftermath, which lead to her becoming quite busy, and allow us a solid set of cases to follow. This one kept me guessing the whole way, with a few good twists thrown in too. There's occasionally a bit of telling versus showing, but overall Littlejohn is a strong writer, and you can't help but root for Gemma.
In this one, I especially felt like Gemma was growing as a person, as we find her struggling in her partnership with Finn (her fellow detective) and second guessing some of the decisions she makes in Sari's case. It's nice to see a story where everything isn't easy, cut and dried, and our heroine seems so human and regular. One of the things I like so much about Gemma is that she seems like someone you could befriend (if maybe she let her walls down once in a while). It leads to an insightful and thoughtful book coupled with a good mystery (or two) as well.
Overall, I enjoyed this one. I feel like I can always count on Littlejohn for some excellent characterization with Gemma, and I found the plot to be interesting. It kept me engaged and guessing.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!)
"Later, much later, I would regret every decision I made that morning."
This is the third book in Emily Littlejohn's Gemma Monroe series, and I really enjoy both Gemma's character and the series. The books stand alone, but it's an enjoyable series, and I do recommend reading them from the beginning. At this point, Gemma has a six-month-old daughter, Grace, with her fiance, Brody, and one of my favorite things about the books is how realistically Littlejohn paints Gemma's struggles as a working mom. She loves her career and yet finds it difficult to leave Grace and juggle working and caring for her daughter.
Gemma is a great character overall, and I always enjoy reading a strong mystery that features a female detective. We find Gemma not only dealing with Sari's disappearance, but several more things that happen in the aftermath, which lead to her becoming quite busy, and allow us a solid set of cases to follow. This one kept me guessing the whole way, with a few good twists thrown in too. There's occasionally a bit of telling versus showing, but overall Littlejohn is a strong writer, and you can't help but root for Gemma.
In this one, I especially felt like Gemma was growing as a person, as we find her struggling in her partnership with Finn (her fellow detective) and second guessing some of the decisions she makes in Sari's case. It's nice to see a story where everything isn't easy, cut and dried, and our heroine seems so human and regular. One of the things I like so much about Gemma is that she seems like someone you could befriend (if maybe she let her walls down once in a while). It leads to an insightful and thoughtful book coupled with a good mystery (or two) as well.
Overall, I enjoyed this one. I feel like I can always count on Littlejohn for some excellent characterization with Gemma, and I found the plot to be interesting. It kept me engaged and guessing.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!)
Journey by Moonlight
Antal Szerb, Len Rix and Eoin Ryan
Book
A major classic of 1930s literature, Antal Szerb's Journey by Moonlight (Utas es Holdvilag) is the...
Annie Chanse (15 KP) rated Shadows & Dreams in Books
Dec 19, 2017
Review** spoiler alert ** *Warning: contains spoilers, bad words, and quite a long rant*
To be honest, I was very disappointed in this book. It had a great premise, which meant it had the potential to be a really good story, but the writing style of the author just completely ruined this book for me.
The basic idea behind the story is that Kate Kane, a paranormal PI, sets off on a case to find the brother of a woman she slept with once, and during this investigation, she runs into ALL MANNER OF TROUBLE. There are vampires and werewolves and ex-girlfriends around every corner, just lurking and waiting to pounce on Miss Kane. It's a very busy and involved story, and if it had been better written, I would have easily given it four stars at least, but there was just TOO much about this book -- style-wise -- that drove me insane.
For instance:
1. The plot, itself, is actually fairly well thought out and developed and is nowhere NEAR as cheesy as it sounds when you hear, "Vampires fighting werewolves," -- which, let's be honest, these days is so trite and overdone that it is scoffed at on a regular basis. However, there IS a good story in this novel. But the way Hall writes the not-cheesy story is so cheesy that it makes you THINK the story is cheesy. A lot of cheese, huh? A little confusing? Well then, let me give you an example.
Page 7-8: "Truth be told it was a little bit awkward, but my social weirdness threshold has gone way up since my girlfriend tried to murder my ex-girlfriend because her ex-girlfriend tried to murder her."
Okay... a bit ridiculous, especially seven/eight pages in, but I can roll with it. However, at the bottom of page eight:
Kane asks, "Who saw him last?"
Her assistant -- who is actually a statue brought to life and gifted to Kate by a group of rats who are apparently all seeing and all knowing God-types -- says, "I don't know. [...] Probably somebody at the hospital."
Kane asks, "Which one?"
And the assistant replies with this fantastic line: "The Whittington. He broke his leg changing a light bulb. Because he was standing on a swivel chair because he's an idiot."
Okay, I concede that maybe this line is supposed to sound ridiculous and funny, so I can even let that one slide. But then, three pages later, Hall completely turns me off to the book with this:
"Well, fuck. I was about to be hired by a woman I'd very nearly slept with to find her missing brother who was working for the woman who'd left me for a tech startup at the tech startup she left me for."
Wh-wh-what?! Are you kidding me? Could that sentence BE anymore convoluted or that plot-point any more ridiculously stereotypical?
And what is truly awful is that the story itself REALLY WASN'T THAT BAD. I mean, the writing was awful, which, overall, meant that the novel was -- in my opinion, of course -- bad, but the way the story progressed WAS interesting. It was nowhere near as bad as these 'recaps' by the main character make it sound, but the problem is that Hall throws in these inner-monologues for Kane ALL throughout the book, and they are terrible! Which, in turn, decreases the value of the entire story.
Another example falls right on the heels of the page 11 jewel.
Page 14: "I really really hoped this wasn't going to be another zombie plague. There'd been an outbreak when I'd taken Eve up to Lake Windermere for our third anniversary, and we'd spent the whole weekend under siege in the hotel, making molotovs from the minibar and clubbing re-animated tourists to death with souvenir walking sticks."
Really? Zombies now? On top of the vampires, witches, and werewolves? Can we POSSIBLY fit anymore para into this normal?
Enough with that.
Now on to point number 2. The girl on girl sex scenes in this book between sexy, snarky PI and her vampire girlfriend, the Prince (yes, Prince) of Cups, should be hot, right? No. They are forced, fake, and ridiculous. Halfway through the first one, I thought, "Jesus. This isn't lesbian sex. This is lesbian sex if it was written by a man who WISHES he could see some lesbian sex." That was the point at which I decided to look up more info on Alexis Hall, and I found out that he is, in fact, a man, which at least explains the sex scenes.
#3. Speaking of sex scenes, Hall also has this really irritating -- and distracting -- habit of throwing in random, explicitly sexual thoughts at TOTALLY inappropriate times. Right in the middle of the most stressful situations -- being locked up, about to be killed, thrown in prison/on trial -- Kate Kane begins inner-monologuing with herself about how much she'd like to fuck whatever female happens to be standing in front of her. RIDICULOUS! And annoying. Hated it.
4. One of the MOST annoying things about this book, however, was that it was in DESPERATE need of a SERIOUS case of editing. All throughout the book there were glaring errors that any first year college student should have caught while reading. I'm willing to discount SOME of these "errors" as simply being lost in translation, as the book is written with a British tone, and I am very much American. However, SOME of these errors simply CANNOT be due to anything other than careless editing.
For instance, page 113: "It's main distinguishing feature, right, was that was it was blue."
WAS that WAS it WAS blue? What does that even mean? Oh, yes, it means that no one bothered editing this beast before printing.
Page 141: "Piercing the heart will paralyse, but it won't kill, and anything will do, it doesn't have to wood."
Okay, so maybe the "paralyse" is simply British, but surely the "doesn't have to wood" bit needs a "be" in there somewhere, right?
Page 157: "Have we have achieved case closed, Miss Kane?"
Yes, yes have we have.
There are several -- SEVERAL -- more examples of these type errors, but I'm not about to point them all out. If you read the book, I'm sure you'll easily catch them on your own.
5. Another thing that drove me NUTS was the repetition. The awful thing is I'm fairly certain that Hall used these repetitious lines PURPOSELY to create some kind of effect -- humor, maybe? Whatever the desired result, it failed to do anything other than annoy me.
For instance, page 163: "'Hi. So. Look.' I tried to find a way to express the fact I had some good news and some bad news that wasn't I've got some good news and some bad news. 'I've got some good news and some bad news.'"
...blink... ...falls over...
Page 177: "All the more reason to tell them. [...] If they know that we know that she has returned, then they will not be tempted to conspire against us out of the false belief that we do not know. Of course, they may already know, but at present, we have no way to know what they know. If we tell them, we will know what they know, and all we will not know is how long they have known it."
Oh. Jumping. Jesus. On. A. Pogo. Stick. Please tell me you aren't serious.
And there was this one thing that repeated over and over again throughout the book. The first time, it was actually pretty clever. The second time, even, was okay. But by the time I'd read it nine times -- yes, NINE TIMES, no exaggeration whatsoever -- I was ready to never EVER read anything like it ever again.
This particular phrase was something Kate Kane internalized or muttered aloud to herself each time she decided to do something stupid OR she felt her life was in danger. The basic format went something like this:
"Here lies Kate Kane, died peacefully in her sleep aged 94. Beloved daughter."
The "Here lies Kate Kane" part remained constant, as did the "Beloved daughter." It was only the middle part that changed, for instance, "Here lies Kate Kate. Should have minded her own business. Beloved daughter." Or perhaps, "Here lies Kate Kane. She made a difference to dozens. Beloved daughter."
This continued NINE TIMES. It is not cute, funny, or clever after about the second time, definitely after the third. BUT NINE TIMES?! Come on!
And finally, my last complaint.
6. Several of the items, scenes, quotes, etc. in this book seemed waaaaaaaaaay too close to things from other books for my taste. Perhaps it is simply a coincidence and the author did not intentionally siphon plot points and details from other authors -- except, of course, when he obviously did in his quotations, such as his use of "Not all those who wander are lost" and "As old as my tongue, a little bit older than my teeth" which are DIRECTLY taken from other books, but I'm hoping those were intentional and not attempted-to-get-away-with-it plagiarism.
But there are several things in this novel that could have been taken from Jim Butcher's "Dresden Files", Lewis' "Narnia" chronicles, and Tolkien's "Lord of the Rings" series. I'm hoping, however, that they weren't, but they were very, very similar.
All in all, I'm disappointed to say that I was not a fan of this book at all, and I will most likely not be reading anymore Kate Kane books.
To be honest, I was very disappointed in this book. It had a great premise, which meant it had the potential to be a really good story, but the writing style of the author just completely ruined this book for me.
The basic idea behind the story is that Kate Kane, a paranormal PI, sets off on a case to find the brother of a woman she slept with once, and during this investigation, she runs into ALL MANNER OF TROUBLE. There are vampires and werewolves and ex-girlfriends around every corner, just lurking and waiting to pounce on Miss Kane. It's a very busy and involved story, and if it had been better written, I would have easily given it four stars at least, but there was just TOO much about this book -- style-wise -- that drove me insane.
For instance:
1. The plot, itself, is actually fairly well thought out and developed and is nowhere NEAR as cheesy as it sounds when you hear, "Vampires fighting werewolves," -- which, let's be honest, these days is so trite and overdone that it is scoffed at on a regular basis. However, there IS a good story in this novel. But the way Hall writes the not-cheesy story is so cheesy that it makes you THINK the story is cheesy. A lot of cheese, huh? A little confusing? Well then, let me give you an example.
Page 7-8: "Truth be told it was a little bit awkward, but my social weirdness threshold has gone way up since my girlfriend tried to murder my ex-girlfriend because her ex-girlfriend tried to murder her."
Okay... a bit ridiculous, especially seven/eight pages in, but I can roll with it. However, at the bottom of page eight:
Kane asks, "Who saw him last?"
Her assistant -- who is actually a statue brought to life and gifted to Kate by a group of rats who are apparently all seeing and all knowing God-types -- says, "I don't know. [...] Probably somebody at the hospital."
Kane asks, "Which one?"
And the assistant replies with this fantastic line: "The Whittington. He broke his leg changing a light bulb. Because he was standing on a swivel chair because he's an idiot."
Okay, I concede that maybe this line is supposed to sound ridiculous and funny, so I can even let that one slide. But then, three pages later, Hall completely turns me off to the book with this:
"Well, fuck. I was about to be hired by a woman I'd very nearly slept with to find her missing brother who was working for the woman who'd left me for a tech startup at the tech startup she left me for."
Wh-wh-what?! Are you kidding me? Could that sentence BE anymore convoluted or that plot-point any more ridiculously stereotypical?
And what is truly awful is that the story itself REALLY WASN'T THAT BAD. I mean, the writing was awful, which, overall, meant that the novel was -- in my opinion, of course -- bad, but the way the story progressed WAS interesting. It was nowhere near as bad as these 'recaps' by the main character make it sound, but the problem is that Hall throws in these inner-monologues for Kane ALL throughout the book, and they are terrible! Which, in turn, decreases the value of the entire story.
Another example falls right on the heels of the page 11 jewel.
Page 14: "I really really hoped this wasn't going to be another zombie plague. There'd been an outbreak when I'd taken Eve up to Lake Windermere for our third anniversary, and we'd spent the whole weekend under siege in the hotel, making molotovs from the minibar and clubbing re-animated tourists to death with souvenir walking sticks."
Really? Zombies now? On top of the vampires, witches, and werewolves? Can we POSSIBLY fit anymore para into this normal?
Enough with that.
Now on to point number 2. The girl on girl sex scenes in this book between sexy, snarky PI and her vampire girlfriend, the Prince (yes, Prince) of Cups, should be hot, right? No. They are forced, fake, and ridiculous. Halfway through the first one, I thought, "Jesus. This isn't lesbian sex. This is lesbian sex if it was written by a man who WISHES he could see some lesbian sex." That was the point at which I decided to look up more info on Alexis Hall, and I found out that he is, in fact, a man, which at least explains the sex scenes.
#3. Speaking of sex scenes, Hall also has this really irritating -- and distracting -- habit of throwing in random, explicitly sexual thoughts at TOTALLY inappropriate times. Right in the middle of the most stressful situations -- being locked up, about to be killed, thrown in prison/on trial -- Kate Kane begins inner-monologuing with herself about how much she'd like to fuck whatever female happens to be standing in front of her. RIDICULOUS! And annoying. Hated it.
4. One of the MOST annoying things about this book, however, was that it was in DESPERATE need of a SERIOUS case of editing. All throughout the book there were glaring errors that any first year college student should have caught while reading. I'm willing to discount SOME of these "errors" as simply being lost in translation, as the book is written with a British tone, and I am very much American. However, SOME of these errors simply CANNOT be due to anything other than careless editing.
For instance, page 113: "It's main distinguishing feature, right, was that was it was blue."
WAS that WAS it WAS blue? What does that even mean? Oh, yes, it means that no one bothered editing this beast before printing.
Page 141: "Piercing the heart will paralyse, but it won't kill, and anything will do, it doesn't have to wood."
Okay, so maybe the "paralyse" is simply British, but surely the "doesn't have to wood" bit needs a "be" in there somewhere, right?
Page 157: "Have we have achieved case closed, Miss Kane?"
Yes, yes have we have.
There are several -- SEVERAL -- more examples of these type errors, but I'm not about to point them all out. If you read the book, I'm sure you'll easily catch them on your own.
5. Another thing that drove me NUTS was the repetition. The awful thing is I'm fairly certain that Hall used these repetitious lines PURPOSELY to create some kind of effect -- humor, maybe? Whatever the desired result, it failed to do anything other than annoy me.
For instance, page 163: "'Hi. So. Look.' I tried to find a way to express the fact I had some good news and some bad news that wasn't I've got some good news and some bad news. 'I've got some good news and some bad news.'"
...blink... ...falls over...
Page 177: "All the more reason to tell them. [...] If they know that we know that she has returned, then they will not be tempted to conspire against us out of the false belief that we do not know. Of course, they may already know, but at present, we have no way to know what they know. If we tell them, we will know what they know, and all we will not know is how long they have known it."
Oh. Jumping. Jesus. On. A. Pogo. Stick. Please tell me you aren't serious.
And there was this one thing that repeated over and over again throughout the book. The first time, it was actually pretty clever. The second time, even, was okay. But by the time I'd read it nine times -- yes, NINE TIMES, no exaggeration whatsoever -- I was ready to never EVER read anything like it ever again.
This particular phrase was something Kate Kane internalized or muttered aloud to herself each time she decided to do something stupid OR she felt her life was in danger. The basic format went something like this:
"Here lies Kate Kane, died peacefully in her sleep aged 94. Beloved daughter."
The "Here lies Kate Kane" part remained constant, as did the "Beloved daughter." It was only the middle part that changed, for instance, "Here lies Kate Kate. Should have minded her own business. Beloved daughter." Or perhaps, "Here lies Kate Kane. She made a difference to dozens. Beloved daughter."
This continued NINE TIMES. It is not cute, funny, or clever after about the second time, definitely after the third. BUT NINE TIMES?! Come on!
And finally, my last complaint.
6. Several of the items, scenes, quotes, etc. in this book seemed waaaaaaaaaay too close to things from other books for my taste. Perhaps it is simply a coincidence and the author did not intentionally siphon plot points and details from other authors -- except, of course, when he obviously did in his quotations, such as his use of "Not all those who wander are lost" and "As old as my tongue, a little bit older than my teeth" which are DIRECTLY taken from other books, but I'm hoping those were intentional and not attempted-to-get-away-with-it plagiarism.
But there are several things in this novel that could have been taken from Jim Butcher's "Dresden Files", Lewis' "Narnia" chronicles, and Tolkien's "Lord of the Rings" series. I'm hoping, however, that they weren't, but they were very, very similar.
All in all, I'm disappointed to say that I was not a fan of this book at all, and I will most likely not be reading anymore Kate Kane books.
Debbiereadsbook (1463 KP) rated Five Minutes Longer (Enhanced #1) in Books
Sep 18, 2018
different but brilliant
Independent reviewer for Divine Magazine, I was gifted the AUDIO file of this book.
Some 30 years ago, children began waking up with a mark on their faces and enhanced abilities: speed, strength, mental abilities. Talon, now given the job of setting up a human/enhanced task force within the FBI, was one of the first. He doesn't want to work with normals on his team, but this task force is his, and the other enhanced team members, last chance at becoming a useful member of society, not just a mark on his face. Finn wanted to join the FBI forever, and worked hard to get to apply, but he is not accepted. Instead he gets a cryptic phone and flies to Florida, and finds himself face to face with several huge enhanced, one of whom makes Finn want that boyfriend he never had. They have four weeks to make this team work, do or, quite possibly, die.
Oooooo-eeeee! Loved this! Different, very different and different is always good in my book!
The guys on the team really don't want Finn around, but know they gotta put up with him, at least for a little bit, but he grows on them, Talon especially but Talon fights that attraction all the bloody way, and when he finally gives up the fight?? Oh yes ma'am, that boy falls hard and he falls FAST! And when Finn gets caught in the cross fire at a bank robbery?? Talon goes all MAJOR Alpha-Male- Protect-What's-Mine!
I loved that not everything is fully revealed about the guys abilities, I think there is quite a bit more to come!
Nick J Russo narrates and he does a sterling job! He's a firm favourite of mine, and each and every time I listen to his work, it becomes my NEW favourite!
Russo's voices are clear and distinctive, even in multi person conversations. He reading voice is deep and even and I had no trouble, not at all, keeping up.
He gets cross all of Finn's emotions and his reactions to the guys, to Talon. His intense dislike of his brother and how his mum was with his dad. Russo gets across all of Talon's fighting, and that boy fights hard, his feelings for Finn, and you get just how much Finn means to him, when he thinks Finn is lost.
This is book one, there appears to be an underlying story arc running through these books, and I look forward to watching that unfold, and to watching these guys fall, like dominoes, one by one.
Off to listen to book 2, which is a continuation of Finn and Talon's story.
5 stars for the book
5 stars for the narration
5 stars overall
**same worded review will appear elsewhere**
Some 30 years ago, children began waking up with a mark on their faces and enhanced abilities: speed, strength, mental abilities. Talon, now given the job of setting up a human/enhanced task force within the FBI, was one of the first. He doesn't want to work with normals on his team, but this task force is his, and the other enhanced team members, last chance at becoming a useful member of society, not just a mark on his face. Finn wanted to join the FBI forever, and worked hard to get to apply, but he is not accepted. Instead he gets a cryptic phone and flies to Florida, and finds himself face to face with several huge enhanced, one of whom makes Finn want that boyfriend he never had. They have four weeks to make this team work, do or, quite possibly, die.
Oooooo-eeeee! Loved this! Different, very different and different is always good in my book!
The guys on the team really don't want Finn around, but know they gotta put up with him, at least for a little bit, but he grows on them, Talon especially but Talon fights that attraction all the bloody way, and when he finally gives up the fight?? Oh yes ma'am, that boy falls hard and he falls FAST! And when Finn gets caught in the cross fire at a bank robbery?? Talon goes all MAJOR Alpha-Male- Protect-What's-Mine!
I loved that not everything is fully revealed about the guys abilities, I think there is quite a bit more to come!
Nick J Russo narrates and he does a sterling job! He's a firm favourite of mine, and each and every time I listen to his work, it becomes my NEW favourite!
Russo's voices are clear and distinctive, even in multi person conversations. He reading voice is deep and even and I had no trouble, not at all, keeping up.
He gets cross all of Finn's emotions and his reactions to the guys, to Talon. His intense dislike of his brother and how his mum was with his dad. Russo gets across all of Talon's fighting, and that boy fights hard, his feelings for Finn, and you get just how much Finn means to him, when he thinks Finn is lost.
This is book one, there appears to be an underlying story arc running through these books, and I look forward to watching that unfold, and to watching these guys fall, like dominoes, one by one.
Off to listen to book 2, which is a continuation of Finn and Talon's story.
5 stars for the book
5 stars for the narration
5 stars overall
**same worded review will appear elsewhere**
Merissa (13032 KP) rated Finding Home in Books
Jul 5, 2017
Finding Home by Meg Harding
Finding Home starts off with Jared. He has lost his job, is living back with his mother as his husband cheated with someone else, and now he finds out that his grandma has died. His mother wants him out of the house so she sends him off to hell (Florida in May) where he finds more than he bargained for, and learns about just who he is and what he wants.
This is a sweet and steamy, low angst, story full of feel-good factors. Jared's brothers are all brilliant, and Chase is... well, Chase is Chase and I wouldn't change a thing. Jared's neuroses were a tad annoying to start with, but as his story became clear, all was forgiven as I literally couldn't see him growing up any differently given the circumstances.
One thing I loved in particular (without giving away any spoilers) is when Jared does something that others might not agree with, but he does it for himself, for his own reasons, and to find things out about himself. I LOVED THAT!!! He is aware of what jumping into something might be like, but he is prepared to work with himself to ensure that everything goes the way it should.
With no editing or grammatical errors that disrupted my reading flow, this was a page-turner that had humour, family, hotness, and love. Definitely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
This is a sweet and steamy, low angst, story full of feel-good factors. Jared's brothers are all brilliant, and Chase is... well, Chase is Chase and I wouldn't change a thing. Jared's neuroses were a tad annoying to start with, but as his story became clear, all was forgiven as I literally couldn't see him growing up any differently given the circumstances.
One thing I loved in particular (without giving away any spoilers) is when Jared does something that others might not agree with, but he does it for himself, for his own reasons, and to find things out about himself. I LOVED THAT!!! He is aware of what jumping into something might be like, but he is prepared to work with himself to ensure that everything goes the way it should.
With no editing or grammatical errors that disrupted my reading flow, this was a page-turner that had humour, family, hotness, and love. Definitely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Phoebe (0 KP) rated Pitch Perfect 3 (2017) in Movies
Nov 19, 2018
Sometimes there just shouldn’t be a 3rd one
Contains spoilers, click to show
Back with the Bellas after college to find their lives just aren’t all that great in the “real world”. They’re all in jobs that they seem to hate and miss singing together. They’re thrilled when they’re invited to a performance by the current Barton Bellas only to end up disappointed that they’re not performing themselves. Then it just gets crazy. They end up on tour with other artists who are (unsurprisingly) a lot more talented than the Bellas. Some very well done “riff offs” ensue and of course when the Bellas stop taking themselves seriously they get a lot more popular. This storyline was a bit of fun if not completely predictable and as a Pitch Perfect fan I wasn’t really complaining - I’m mostly there for the music at the end of the day. It was after this though that the movie lost me completely. Turning into an espionage movie where they do indeed sing to get out of trouble. The Bellas are luckily rescued by the military and Beca is encouraged to take an offer from DJ Khaled to sing alone. Then in the final seen Beca opens for DJ Khaled alone but invites the Bellas onstage to sing Freedom! ‘90 with her creating a touching scene that Pitch Perfect always manages to do - especially as this seems to be the end of the road for the group. I loved the song choices in the movie and that the competition was higher stakes but between the convoluted plot line and sometimes forced comedic moments this definitely wasn’t my favourite Pitch Perfect installment.