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Kristy H (1252 KP) rated The Blackbird Season in Books
Feb 13, 2018
It's just another day in Mount Oanoke, Pennsylvania when the birds start to fall. Hundreds of dead starlings, dropping from the sky during a baseball game. It seems like the birds started it all, but really the secrets and lies began much earlier. Nate Winters, high school teacher and baseball coach, is beloved in the town. That is, until a reporter, in town to cover the birds, catches Nate hugging a student at a local motel. Suddenly, the birds are forgotten, and the story becomes much juicier: Nate; his student, Lucia; and their supposed affair. Lucia fuels the fire by affirming the affair and suddenly Nate and his wife, Alecia, are swept up in the story. The only who believes in Nate's innocence, even a sliver, is his friend and co-worker, Bridget. As Lucia's creative writing teacher, she has unique insight into the girl's mind. But when Lucia suddenly goes missing--with Nate as the prime suspect in her disappearance--not even Bridget may be able to save Nate. But is there more to Lucia's disappearance than an affair with her teacher?
<i>Wow, I was really impressed by this novel. It's a complicated novel that is just as much a character-driven study as it is a mystery.</i> It's incredibly well-written, and Moretti expertly embodies the voice of each of her characters, from beleaguered Alecia, who is worn down from mothering her autistic son, Gabe; to the cast of teenager characters; to Bridget, who lost her husband to cancer a year ago. It's <i>so well-done</i> that often with each chapter (which skip from various points of view -- Bridget, Kate, Lucia, Nate, etc.), I found my myself veering between whom I preferred or believed, constantly second-guessing my allegiances or what happened. This is very rare for me: typically I find my "person" in a novel and stick with them, no matter what.
But here, I was confused, wondering. Was Nate really a cad, who cheated on his wife every second he got, or was he the sweet, affable teacher and baseball coach that the whole town admired and adored? And Alecia--was she more than just a weary mom, broken down by years of staying at home with her autistic son, Gabe, unable to give to anyone beyond him? Did she push Nate away, into the arms of others? Or was the truth more complicated that all of this? I have to hand it to Moretti--she was excellent at creating confusion and doubt. In addition to different perspectives, the novel shifts in time (before the birds fell, after the birds fell, before Lucia disappeared, etc.). It's a little tough to keep track of, but it also keeps you on your toes and always wondering, as you piece various parts of the puzzle together.
For me--even more than the mystery of what exactly happened with Lucia--<i>the strength of this novel was the writing and the characters.</i> I felt for them, even when I was frustrated with them. Moretti captures the angst and meanness of high school extremely well, portraying the cliques of a small town quite superbly. (I was reminded of <a href="https://www.goodreads.com/review/show/2115987339?book_show_action=false&from_review_page=1">WHEN WE WERE WORTHY</a>, which I just finished.) I loved the juxtaposition of this being a small town, so the idea is that everyone knows everyone and everything, and yet there are so many secrets, so much unknown. Being a witness to Alecia and Nate's marriage is amazing-- you see firsthand how the events affect them and how they've reached this point. <i>It's an incredibly realistic portrayal of marriage and of motherhood.</i>
As you probably tell, I just really liked this novel. It's very well-written, with quite compelling characters. I worked out some of the plot, but it didn't stop me from reading at all. I think some of the emphasis on character development slows the story at places, but not in any detrimental way. This one will make you think, as well as intrigue you with what happened to Lucia. Quite worth the read. 4+ stars.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 09/26/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
<i>Wow, I was really impressed by this novel. It's a complicated novel that is just as much a character-driven study as it is a mystery.</i> It's incredibly well-written, and Moretti expertly embodies the voice of each of her characters, from beleaguered Alecia, who is worn down from mothering her autistic son, Gabe; to the cast of teenager characters; to Bridget, who lost her husband to cancer a year ago. It's <i>so well-done</i> that often with each chapter (which skip from various points of view -- Bridget, Kate, Lucia, Nate, etc.), I found my myself veering between whom I preferred or believed, constantly second-guessing my allegiances or what happened. This is very rare for me: typically I find my "person" in a novel and stick with them, no matter what.
But here, I was confused, wondering. Was Nate really a cad, who cheated on his wife every second he got, or was he the sweet, affable teacher and baseball coach that the whole town admired and adored? And Alecia--was she more than just a weary mom, broken down by years of staying at home with her autistic son, Gabe, unable to give to anyone beyond him? Did she push Nate away, into the arms of others? Or was the truth more complicated that all of this? I have to hand it to Moretti--she was excellent at creating confusion and doubt. In addition to different perspectives, the novel shifts in time (before the birds fell, after the birds fell, before Lucia disappeared, etc.). It's a little tough to keep track of, but it also keeps you on your toes and always wondering, as you piece various parts of the puzzle together.
For me--even more than the mystery of what exactly happened with Lucia--<i>the strength of this novel was the writing and the characters.</i> I felt for them, even when I was frustrated with them. Moretti captures the angst and meanness of high school extremely well, portraying the cliques of a small town quite superbly. (I was reminded of <a href="https://www.goodreads.com/review/show/2115987339?book_show_action=false&from_review_page=1">WHEN WE WERE WORTHY</a>, which I just finished.) I loved the juxtaposition of this being a small town, so the idea is that everyone knows everyone and everything, and yet there are so many secrets, so much unknown. Being a witness to Alecia and Nate's marriage is amazing-- you see firsthand how the events affect them and how they've reached this point. <i>It's an incredibly realistic portrayal of marriage and of motherhood.</i>
As you probably tell, I just really liked this novel. It's very well-written, with quite compelling characters. I worked out some of the plot, but it didn't stop me from reading at all. I think some of the emphasis on character development slows the story at places, but not in any detrimental way. This one will make you think, as well as intrigue you with what happened to Lucia. Quite worth the read. 4+ stars.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 09/26/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
Gareth von Kallenbach (980 KP) rated Suburbicon (2017) in Movies
Jul 11, 2019
Suburbicon is a picturesque community built to free families from all the hustle and bustle of the big city but with all the amenities a community will need. For all intents in purposes Suburbicon is the ideal place to raise a family in the 1950s. That is exactly what the Lodge family is doing. That is until the night Nicky (Noah Jupe) is awoken by his father, Gardner (Matt Damon), and told that there are two men in the house. The two criminals, Sloan and Louis (Glenn Fleshler and Alex Hassell), move the family to the kitchen and tie Nicky, Gardner, Nicky’s mother Rose (Julianne Moore) and Rose’s sister Margaret (also Julianne Moore) to chairs and put them to sleep using chloroform. When Nicky awakens in the hospital his father and aunt are waiting for him but sadly his mother was overdosed with chloroform and died. After the funeral it is decided by Gardner that Aunt Margaret should come stay with them. When officer Hightower (Jack Conley) calls to let them know they have found two possible suspects Gardner rushes to the police station to look at a lineup. Gardner arrives and is surprised to find Margaret and Nicky there. He asks that Nicky be left outside to save him from the trauma. After a line of potential criminals are paraded in front of Gardner and Margaret both agree that the perpetrators are not there. When they turn around they are surprised to see Nicky with a shocked look on his face as he is staring directly at Sloan and Louis. Nicky now knows that something is going on with his mother’s death and he may be trapped in a house with the two people who are responsible. He is not the only one that thinks something is amiss an insurance investigator, Bud Cooper (Oscar Isaac), shows up with questions about the policy. Is the Suburbicon truly the sanctuary that it looks like from the outside or is there something sinister happening behind closed doors?
This dark comedy, thriller, and mystery is directed by George Clooney (The Monuments Men, Leatherheads) and written by Joel and Ethan Coen (Fargo, The Big Lebowski). The film has some fun moments and interesting twists. I enjoyed how they made the film authentic to the 1950s era. The scenery and sets all give you the feel of the time period. The performances were are mostly well done. Julianne Moore’s performance was really good in both roles but especially as the out there Margaret. She was at times very innocent and loving and the next moment really scary in a deranged kind of way. The supporting cast was large and all were fun, especially the dry Hightower (Conley) and the lovable Uncle Mitch (Gary Basaraba). Matt Damon is part scary and funny but sometimes over the top.
Where this film lost me was on parts of the story really that felt disjointed from other parts of the film. For instance another story line that is playing out during the film is that the Mayers’ family moves to Suburbicon on the same day that the break in at the Lodge’s. The Mayers are the first African American family to move into the area and they are instantly judged and discriminated against. As the movie continues and more craziness is happing at the Lodge home, which shares a back yard with the Mayers, there is an escalation in the persecution of the Mayers. I totally understand what point the film was attempting to make about how people were up in arms about a single family that just moving the town and ignoring, or rather too busy to even notice, the evil deeds being committed so close. I just believe that two stories never felt like they were truly tied together and in some points even part of the same film. I really believe an opportunity was missed. Also the comedy was at times really good but also times where it felt forced. When Matt Damon is riding a child bike with a blood soaked shirt down suburban streets you would think that would be funny, and it looked funny in the trailer, but it felt forced when put into the context of the scene.
Overall this is a film was good but really left me feeling like I just didn’t get it. It was definitely original and I would encourage people to watch it and come to their own conclusions.
This dark comedy, thriller, and mystery is directed by George Clooney (The Monuments Men, Leatherheads) and written by Joel and Ethan Coen (Fargo, The Big Lebowski). The film has some fun moments and interesting twists. I enjoyed how they made the film authentic to the 1950s era. The scenery and sets all give you the feel of the time period. The performances were are mostly well done. Julianne Moore’s performance was really good in both roles but especially as the out there Margaret. She was at times very innocent and loving and the next moment really scary in a deranged kind of way. The supporting cast was large and all were fun, especially the dry Hightower (Conley) and the lovable Uncle Mitch (Gary Basaraba). Matt Damon is part scary and funny but sometimes over the top.
Where this film lost me was on parts of the story really that felt disjointed from other parts of the film. For instance another story line that is playing out during the film is that the Mayers’ family moves to Suburbicon on the same day that the break in at the Lodge’s. The Mayers are the first African American family to move into the area and they are instantly judged and discriminated against. As the movie continues and more craziness is happing at the Lodge home, which shares a back yard with the Mayers, there is an escalation in the persecution of the Mayers. I totally understand what point the film was attempting to make about how people were up in arms about a single family that just moving the town and ignoring, or rather too busy to even notice, the evil deeds being committed so close. I just believe that two stories never felt like they were truly tied together and in some points even part of the same film. I really believe an opportunity was missed. Also the comedy was at times really good but also times where it felt forced. When Matt Damon is riding a child bike with a blood soaked shirt down suburban streets you would think that would be funny, and it looked funny in the trailer, but it felt forced when put into the context of the scene.
Overall this is a film was good but really left me feeling like I just didn’t get it. It was definitely original and I would encourage people to watch it and come to their own conclusions.
Movie Metropolis (309 KP) rated Mary Poppins Returns (2018) in Movies
Jun 10, 2019
Disney knocks it out of the park
It was 1964 when the world was introduced to a practically-perfect British nanny in Walt Disney’s Mary Poppins. Back then, Julie Andrews starred as the eponymous character alongside Dick van Dyke and David Tomlinson. It was an instant hit and became one of Disney’s most-loved feature films.
That is, by everyone apart from the author of Mary Poppins, PL Travers. So incensed by what she felt was Disney’s misunderstanding of her source material, she banned all future work with the studio.
So, 54 years later and with Travers’ estate finally agreeing to a sequel (I wonder how much Disney executives had to pay for that), we get a sequel that no-one was really asking for. Mary Poppins Returns brings the titular character back into the hearts of newcomers and fans alike, but is the film as practically-perfect in every way like its lead? Or is it a bit of a dud?
Now an adult with three children, bank teller Michael Banks (Ben Whishaw) learns that his house will be repossessed in five days unless he can pay back a loan. His only hope is to find a missing certificate that shows proof of valuable shares that his father left him years earlier. Just as all seems lost, Michael and his sister Jane (Emily Mortimer) receive the surprise of a lifetime when Mary Poppins (Emily Blunt), the beloved nanny from their childhood, arrives to save the day and take the Banks family on a magical, fun-filled adventure.
Emily Blunt as Mary Poppins? You’re right to be sceptical. After all, how can an American actress bring to life a character so quintessentially British? Remarkably, she does it, with a cracking British accent to match. Blunt is, as she is in all her films, picture-perfect and oozing charisma. In fact, the entire cast is fabulous with the likes of Colin Firth and Meryl Streep joining the party as a sneaky bank manager and Mary Poppins’ cousin respectively. We’ve also got Julie Walters popping up every now and then as Ellen the housekeeper.
The new Banks children are absolutely wonderful. Pixie Davies, Nathanael Saleh and Joel Dawson show a range of emotions that would make seasoned actors blush, but here they thrive and look like they were having a blast. And that’s a trait clearly shared by the entire cast. Lin-Manuel Miranda’s plucky lamp-lighter, Jack, is obviously having the time of his life and this makes the whimsical nature of Mary Poppins Returns even more apparent.
In its hey-day, Mary Poppins was a technical revolution. Mixing live-action with colourful animation made the screen burst alive with imagination. Of course, special effects have moved on in the 50+ years that Mary has been away from our screens, but you’ll be pleased to know that each sequence feels just as magical.
From under the sea adventures to topsy-turvy houses, the ‘action’ scenes are beautifully filmed by director Rob Marshall. One scene in particular, involving hundreds of lamp-lighters is absolutely astounding and exquisitely choreographed.
The finale is typical sickly-sweet Disney, but in a movie populated by cartoon penguins, Irish dogs and the meaning of childhood, why shouldn’t it be?
The setting of Depression-era London lives and breathes before your very eyes. The CGI and practical effects used to create the capital in 1935 is astonishing, and testament to the teams behind the film. That £130million budget was clearly very well spent.
Then there are the songs. We all know the masterpieces from the original, but will there be any here that children will still be singing along to when they grow older? That’s debatable, but there are three or four that have the potential to be future classics. Look out for Trip the Light Fantastic, which makes up part of the film’s best scenes.
The finale is typical sickly-sweet Disney, but in a movie populated by cartoon penguins, Irish dogs and the meaning of childhood, why shouldn’t it be? The world is filled with such atrocities, it’s nice to sit back, relax with the family and enjoy a film that allows you to escape into your own imagination.
Any downsides? Well, while the pacing is nearly spot on, there’s no denying that Mary Poppins Returns is a long film by family film standards. At 130 minutes, it feels like this sequel is perhaps more for fans of the original than the children that the older film was clearly made for.
But these are small gripes in a sequel that pleasantly surprises on each and every turn. While lacking in the typical Disney poignancy, the film’s message is read loud and clear. There’s no doubt that Mary Poppins Returns is yet another hit for the studio and you’re sure to leave the cinema with a huge smile on your face. Mary is back and she means business.
https://moviemetropolis.net/2018/12/23/mary-poppins-returns-review-disney-knocks-it-out-of-the-park/
That is, by everyone apart from the author of Mary Poppins, PL Travers. So incensed by what she felt was Disney’s misunderstanding of her source material, she banned all future work with the studio.
So, 54 years later and with Travers’ estate finally agreeing to a sequel (I wonder how much Disney executives had to pay for that), we get a sequel that no-one was really asking for. Mary Poppins Returns brings the titular character back into the hearts of newcomers and fans alike, but is the film as practically-perfect in every way like its lead? Or is it a bit of a dud?
Now an adult with three children, bank teller Michael Banks (Ben Whishaw) learns that his house will be repossessed in five days unless he can pay back a loan. His only hope is to find a missing certificate that shows proof of valuable shares that his father left him years earlier. Just as all seems lost, Michael and his sister Jane (Emily Mortimer) receive the surprise of a lifetime when Mary Poppins (Emily Blunt), the beloved nanny from their childhood, arrives to save the day and take the Banks family on a magical, fun-filled adventure.
Emily Blunt as Mary Poppins? You’re right to be sceptical. After all, how can an American actress bring to life a character so quintessentially British? Remarkably, she does it, with a cracking British accent to match. Blunt is, as she is in all her films, picture-perfect and oozing charisma. In fact, the entire cast is fabulous with the likes of Colin Firth and Meryl Streep joining the party as a sneaky bank manager and Mary Poppins’ cousin respectively. We’ve also got Julie Walters popping up every now and then as Ellen the housekeeper.
The new Banks children are absolutely wonderful. Pixie Davies, Nathanael Saleh and Joel Dawson show a range of emotions that would make seasoned actors blush, but here they thrive and look like they were having a blast. And that’s a trait clearly shared by the entire cast. Lin-Manuel Miranda’s plucky lamp-lighter, Jack, is obviously having the time of his life and this makes the whimsical nature of Mary Poppins Returns even more apparent.
In its hey-day, Mary Poppins was a technical revolution. Mixing live-action with colourful animation made the screen burst alive with imagination. Of course, special effects have moved on in the 50+ years that Mary has been away from our screens, but you’ll be pleased to know that each sequence feels just as magical.
From under the sea adventures to topsy-turvy houses, the ‘action’ scenes are beautifully filmed by director Rob Marshall. One scene in particular, involving hundreds of lamp-lighters is absolutely astounding and exquisitely choreographed.
The finale is typical sickly-sweet Disney, but in a movie populated by cartoon penguins, Irish dogs and the meaning of childhood, why shouldn’t it be?
The setting of Depression-era London lives and breathes before your very eyes. The CGI and practical effects used to create the capital in 1935 is astonishing, and testament to the teams behind the film. That £130million budget was clearly very well spent.
Then there are the songs. We all know the masterpieces from the original, but will there be any here that children will still be singing along to when they grow older? That’s debatable, but there are three or four that have the potential to be future classics. Look out for Trip the Light Fantastic, which makes up part of the film’s best scenes.
The finale is typical sickly-sweet Disney, but in a movie populated by cartoon penguins, Irish dogs and the meaning of childhood, why shouldn’t it be? The world is filled with such atrocities, it’s nice to sit back, relax with the family and enjoy a film that allows you to escape into your own imagination.
Any downsides? Well, while the pacing is nearly spot on, there’s no denying that Mary Poppins Returns is a long film by family film standards. At 130 minutes, it feels like this sequel is perhaps more for fans of the original than the children that the older film was clearly made for.
But these are small gripes in a sequel that pleasantly surprises on each and every turn. While lacking in the typical Disney poignancy, the film’s message is read loud and clear. There’s no doubt that Mary Poppins Returns is yet another hit for the studio and you’re sure to leave the cinema with a huge smile on your face. Mary is back and she means business.
https://moviemetropolis.net/2018/12/23/mary-poppins-returns-review-disney-knocks-it-out-of-the-park/
Sophia (Bookwyrming Thoughts) (530 KP) rated Neptune's Tears (Timedance, #1) in Books
Jan 23, 2020
Original Review posted on <a title="Neptune's Tears by Susan Waggoner" href="http://bookwyrming-thoughts.blogspot.com/2013/05/arc-review-neptunes-tears-by-susan-waggoner.html">Bookwyrming Thoughts</a>.
Note: Formatting is lost due to copy and paste.
<i><b>Disclaimer:</b> I received an ARC copy of the book from the publisher via Netgalley. My review is not influenced in any way.</i>
In a futuristic London, England, seventeen-year-old Zee McAdams is an empath a psychic healer working at the Royal London Hospital. As an empath, she can't afford distractions getting in the way of her career, such as falling in love or even reading (oh, wait, reading? *squeak of horror*). But then she meets a cute patient who pretty much breaks down her wall of calm that she has earned throughout her career. During that time of anarchist bombings, Zee is also experiencing other psychic abilities relating to the bombings.
As soon as the word "alien" appeared, I pretty much freaked out. I assumed it was going to be another I Am Number Four type of alien story where a mortal girl falls in love with super hot alien dude and it's forbidden but the alien dude hasn't told her the truth yet until something totally out of the ordinary happens and he has to tell her the truth (that was a mouthful... I think). Then when she finds out the truth, she doesn't freak out. It's pretty much, "Oh. Okay. You're an alien. Cool. I still like you, and we'll fight to the end, side by side." Not that I mind, really, but it's just the very fact that the mortal doesn't even have the slightest bit of panic.
In this case, it's not exactly that type of alien story. It finally (FINALLY!) happens that someone actually seemed to panic and run off freaking out (er, more like a what-just-happened-I-don't-think-I-heard-right type of way) about an alien race merging with us fellow Earthlings. I was so happy to read that, having a slice of Dauntless cake right then and there would have been perfect timing.
Zee's friend, Rani, is a fashionista, and a romantic. I find her to be a caring and supportive friend to Zee when she needs it. I also find that she's caring due to what she does for Zee near the end. I find it really sad, since Rani is actually one of my favorite characters in Neptune's Tears.
Waggoner creates an amazingly exciting futuristic world with a lot of new technologies. The very fact that email is being used with a stick and that there's an interactive theater along with many others is truly amazing. I would love to live in that type of world and experience it one day.
Note: Formatting is lost due to copy and paste.
<i><b>Disclaimer:</b> I received an ARC copy of the book from the publisher via Netgalley. My review is not influenced in any way.</i>
In a futuristic London, England, seventeen-year-old Zee McAdams is an empath a psychic healer working at the Royal London Hospital. As an empath, she can't afford distractions getting in the way of her career, such as falling in love or even reading (oh, wait, reading? *squeak of horror*). But then she meets a cute patient who pretty much breaks down her wall of calm that she has earned throughout her career. During that time of anarchist bombings, Zee is also experiencing other psychic abilities relating to the bombings.
As soon as the word "alien" appeared, I pretty much freaked out. I assumed it was going to be another I Am Number Four type of alien story where a mortal girl falls in love with super hot alien dude and it's forbidden but the alien dude hasn't told her the truth yet until something totally out of the ordinary happens and he has to tell her the truth (that was a mouthful... I think). Then when she finds out the truth, she doesn't freak out. It's pretty much, "Oh. Okay. You're an alien. Cool. I still like you, and we'll fight to the end, side by side." Not that I mind, really, but it's just the very fact that the mortal doesn't even have the slightest bit of panic.
In this case, it's not exactly that type of alien story. It finally (FINALLY!) happens that someone actually seemed to panic and run off freaking out (er, more like a what-just-happened-I-don't-think-I-heard-right type of way) about an alien race merging with us fellow Earthlings. I was so happy to read that, having a slice of Dauntless cake right then and there would have been perfect timing.
Zee's friend, Rani, is a fashionista, and a romantic. I find her to be a caring and supportive friend to Zee when she needs it. I also find that she's caring due to what she does for Zee near the end. I find it really sad, since Rani is actually one of my favorite characters in Neptune's Tears.
Waggoner creates an amazingly exciting futuristic world with a lot of new technologies. The very fact that email is being used with a stick and that there's an interactive theater along with many others is truly amazing. I would love to live in that type of world and experience it one day.
Sophia (Bookwyrming Thoughts) (530 KP) rated The Polaris Uprising (Polaris, #1) in Books
Jan 23, 2020
Another bystander review yet again. T_T But throughout the story, I was making connections – yet again – to movies and books:
Corsets – Incarceron. Mercifully no prisons.
Probe Bots – *that seriously cute voice from that one movie* Wall-E! Of course, those robots had inflection and it's not Wall-E's voice I'm calling cute.
Arranged Marriages – At the time I started The Polaris Uprising, I completed Delirium not too long ago and it turned out to be a TERRIBLE experience. Fortunately, this book fared better off and it's not similar to Delirium. *phew* In fact... this quote got me quite worried:
<blockquote>When you’re president, this will all be a distant memory.</blockquote>
Is this similar to "When you're cured, this will all be a distant memory" or what? I could have sworn I saw that exact same sentence in Delirium a million times maybe. O_O (Obviously I didn't let that stop me from continuing).
Truth Serum – Welcome to the Candor faction. Need I say more?
That one sentence before this: And then all hell broke loose – Similar to The Hunger Games, but different. And no, that's no spoiler. Close, but no.
<blockquote>Alanna! Alanna!</blockquote>
e_e 1984's B! B! B! That book was quite dreadful, so I'm surprised I still remember the letter B! (that was not me in exclamation).
Now that I've gone through my dreadful (and some positive) experiences with some dystopians, let's get on with some positive notes and why I gave The Polaris Uprising a high rating:
~ The message comes across clearly throughout the book. Maybe confusing at first (switching views from the prologue and first chapter), but everything fits in nicely later.
~ Here's the big plus: it's different from other dystopians. As in really different. How? It's like many years later, a dystopian AFTER another dystopian failed. At least, that's what I assume. The signs were there, which brings me to my next point.
~ Dare to be different. I would've had to choose a faction back in September if I were in Divergent (Movie's out in 28 DAYS). Here, you're an adult at 25. That gives me what? 7-8 years to be a semi-kid? Yippee.
~ This might actually take a different end from other dystopians. Of course, there's no guarantee, so don't take that word for granted.
But overall, an impressive debut novel for Jennifer Ibarra.
-----------------------
Review copy provided by the author for review on the blog tour
Formatting is lost due to copy and paste
This review and more can be found at <a href="http://bookwyrming-thoughts.blogspot.com/2014/02/blog-tour-the-polaris-uprising-by-jennifer-ibarra-review-and-giveaway.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; /></a>
Corsets – Incarceron. Mercifully no prisons.
Probe Bots – *that seriously cute voice from that one movie* Wall-E! Of course, those robots had inflection and it's not Wall-E's voice I'm calling cute.
Arranged Marriages – At the time I started The Polaris Uprising, I completed Delirium not too long ago and it turned out to be a TERRIBLE experience. Fortunately, this book fared better off and it's not similar to Delirium. *phew* In fact... this quote got me quite worried:
<blockquote>When you’re president, this will all be a distant memory.</blockquote>
Is this similar to "When you're cured, this will all be a distant memory" or what? I could have sworn I saw that exact same sentence in Delirium a million times maybe. O_O (Obviously I didn't let that stop me from continuing).
Truth Serum – Welcome to the Candor faction. Need I say more?
That one sentence before this: And then all hell broke loose – Similar to The Hunger Games, but different. And no, that's no spoiler. Close, but no.
<blockquote>Alanna! Alanna!</blockquote>
e_e 1984's B! B! B! That book was quite dreadful, so I'm surprised I still remember the letter B! (that was not me in exclamation).
Now that I've gone through my dreadful (and some positive) experiences with some dystopians, let's get on with some positive notes and why I gave The Polaris Uprising a high rating:
~ The message comes across clearly throughout the book. Maybe confusing at first (switching views from the prologue and first chapter), but everything fits in nicely later.
~ Here's the big plus: it's different from other dystopians. As in really different. How? It's like many years later, a dystopian AFTER another dystopian failed. At least, that's what I assume. The signs were there, which brings me to my next point.
~ Dare to be different. I would've had to choose a faction back in September if I were in Divergent (Movie's out in 28 DAYS). Here, you're an adult at 25. That gives me what? 7-8 years to be a semi-kid? Yippee.
~ This might actually take a different end from other dystopians. Of course, there's no guarantee, so don't take that word for granted.
But overall, an impressive debut novel for Jennifer Ibarra.
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Review copy provided by the author for review on the blog tour
Formatting is lost due to copy and paste
This review and more can be found at <a href="http://bookwyrming-thoughts.blogspot.com/2014/02/blog-tour-the-polaris-uprising-by-jennifer-ibarra-review-and-giveaway.html">Bookwyrming Thoughts</a>
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Lee (2222 KP) rated Angel Has Fallen (2019) in Movies
Aug 23, 2019
Gerard Butler returns once again as secret service agent Mike Banning in this third entry in the 'fallen' series. The first movie, Olympus Has Fallen (not to be confused with White House Down, the Channing Tatum movie which was also released in 2013 and also covered a similar plot!) saw Banning trapped in the White House during a terrorist attack. It had an enjoyable Die Hard feel to it, and a sequel was inevitable. London Has Fallen (2016) saw Banning venture to London for the funeral of the Prime Minister and becoming involved in a terrorist plot to assassinate the world leaders who were in attendance. Not quite as good as Olympus, losing that enclosed claustrophobic setting from the first movie, but it was still a fun piece of action.
Which brings us to Angel Has Fallen. That angel being Mike Banning, guardian angel to President Trumbull (Morgan Freeman) who has now been promoted from vice president in the last movie. Mike is starting to feel the strain of old age and his years of being a hero and one man army - insomnia, a reliance on pills, migraines. His secret service colleagues, even the president, are noticing his health issues and his doctor plainly tells him "You're a disaster waiting to happen"!
This time round, the terrorist attack comes in the form of a swarm of drones, which appear in the skies over the lake where the president is fishing on a boat. Taking out the secret service team on protection duty, both the president and Banning are forced into the water in order to try and avoid being blown to pieces. But, instead of being hailed a hero once again, Banning is now accused of masterminding and orchestrating the attack and it becomes clear that he is being setup, forcing him to go on the run in order to try and clear his name.
Once again, it's all ridiculous crowd pleasing stuff. Some elements make absolutely no sense whatsoever, and it's not exactly difficult to work out who the bad guys are right from the offset - hell, the trailer even gives one of them away! The action for the most part is fairly enjoyable, although it does suffer from the occasional bit of dodgy CGI and there are moments of dark close-up action - quickly edited, shaky camera work, which make it frustratingly difficult to work out what on earth is going on at times.
As with London Has Fallen, we lose that claustrophobic and confined Die Hard action once again, giving us something more alike to The Fugitive and a poor mans John Wick 3. But overall, it's still an enjoyable ride, with a fun cameo from Nick Nolte as Mike's long lost father and a third act which actually delivers.
Which brings us to Angel Has Fallen. That angel being Mike Banning, guardian angel to President Trumbull (Morgan Freeman) who has now been promoted from vice president in the last movie. Mike is starting to feel the strain of old age and his years of being a hero and one man army - insomnia, a reliance on pills, migraines. His secret service colleagues, even the president, are noticing his health issues and his doctor plainly tells him "You're a disaster waiting to happen"!
This time round, the terrorist attack comes in the form of a swarm of drones, which appear in the skies over the lake where the president is fishing on a boat. Taking out the secret service team on protection duty, both the president and Banning are forced into the water in order to try and avoid being blown to pieces. But, instead of being hailed a hero once again, Banning is now accused of masterminding and orchestrating the attack and it becomes clear that he is being setup, forcing him to go on the run in order to try and clear his name.
Once again, it's all ridiculous crowd pleasing stuff. Some elements make absolutely no sense whatsoever, and it's not exactly difficult to work out who the bad guys are right from the offset - hell, the trailer even gives one of them away! The action for the most part is fairly enjoyable, although it does suffer from the occasional bit of dodgy CGI and there are moments of dark close-up action - quickly edited, shaky camera work, which make it frustratingly difficult to work out what on earth is going on at times.
As with London Has Fallen, we lose that claustrophobic and confined Die Hard action once again, giving us something more alike to The Fugitive and a poor mans John Wick 3. But overall, it's still an enjoyable ride, with a fun cameo from Nick Nolte as Mike's long lost father and a third act which actually delivers.
MaryAnn (14 KP) rated A Tale of Two Hearts (Once Upon a Dickens Christmas, #2) in Books
Mar 5, 2019
Innkeeper’s daughter Mina Scott will do anything to escape the drudgery of her life. She saves every penny to attend a finishing school, dreaming of the day she’ll become a real lady—and catch the eye of William Barlow, a frequent guest at the inn. William is a gentleman’s son, a charming rogue but penniless. However, his bachelor uncle will soon name an heir—either him or his puritanical cousin. In an effort to secure the inheritance, William gives his uncle the impression he’s married, which works until he’s invited to bring his wife for a visit. William asks Mina to be his pretend bride, only until his uncle names an heir on Christmas Day. Mina is flattered and frustrated by the offer, for she wants a true relationship with William. Yet, she agrees. . .then wishes she hadn’t as she comes to love the old man. And when the truth is finally discovered, more than just money is lost. Can two hearts survive such a deception?
My Thoughts: Mina has had her eye on Will since the first time she served him at her father's inn; so when Will asks her to help him by pretending to be his bride, she jumps at the chance. But as Mina and Will find out, deception brings on worries and more deception. They soon learn that as the Bible says that truth will set you free. There are many lessons in this novel. One is to not lie, to be truthful in all things. It's never good to keep secrets. It's never a good thing to play with another's affections. It is also a story of forgiveness and second chances.
This was a fun book to read. This is the second book in the series "Once Upon a Dickens Christmas" and even though I haven't read the first one, it was easy to read and follow along. The characters were fun, Mina being the main character is a sweet young woman who loves to read. The readers are instantly drawn to her. Then there are Will's cousins, which I found to be very comical and in some ways true to life.
Michelle Griep is a wonderful writer, who holds the reader's attention and adds a little whimsy to the characters and story-line.
I truly enjoyed this book and will be looking forward to reading more from Michelle Griep.
My Thoughts: Mina has had her eye on Will since the first time she served him at her father's inn; so when Will asks her to help him by pretending to be his bride, she jumps at the chance. But as Mina and Will find out, deception brings on worries and more deception. They soon learn that as the Bible says that truth will set you free. There are many lessons in this novel. One is to not lie, to be truthful in all things. It's never good to keep secrets. It's never a good thing to play with another's affections. It is also a story of forgiveness and second chances.
This was a fun book to read. This is the second book in the series "Once Upon a Dickens Christmas" and even though I haven't read the first one, it was easy to read and follow along. The characters were fun, Mina being the main character is a sweet young woman who loves to read. The readers are instantly drawn to her. Then there are Will's cousins, which I found to be very comical and in some ways true to life.
Michelle Griep is a wonderful writer, who holds the reader's attention and adds a little whimsy to the characters and story-line.
I truly enjoyed this book and will be looking forward to reading more from Michelle Griep.
Neon's Nerd Nexus (360 KP) rated Skyscraper (2018) in Movies
May 14, 2019
Tower inferno
#skyscraper tries so hard to be the new #diehard but instead comes crashing down in a fiery mess. I wasn't particularly hoping skyscraper would be any good but I was at least expecting a #fun time with some #cool #action set pieces, instead what I got was a totally generic below average action #movie. Before you go & see this ask yourself this question "Do I like cgi fire?" because I can tell you now a good 80% of this film is either cgi fire or explosions (& not the good kind). The problem with all the action being cgi is its not very believable, #dwaynejohnson could be in #danger multiple times but if it doesn't look like he is in danger the #fear & tension is lost instantly in every scene. Most of the action falls flat because of this & leads to all the big set pieces blurring into one big boring repetitive mess of orange #fire & bad motion blur effects. As a building #thepearl looks great & its well designed too its just to bad we dont get to see much of what it really has to offer internaly (e.g we are shown inside the sphere at the top early on knowing full well it will come back into play later, problem is when it does its poorly filmed, not very interesting & a huge missed opportunity to #dazzle or do something visually clever with this scene). Writing & dialog wise its terrible too & characters lack depth & #emotion with some (the police officers mainly) feeling like wooden planks just put in to move the plot forward faster. Characters also constantly spill exposition & frustrate by falling in & out of trust with each other in seconds or guessing the solution to problems instantly without any thought process or reason except assumption. The #villain is also non threatening & disposable with poor motives too. Its just a very flat, #boring & repetitive #film with no real reason to keep you invested & because of this I either found my mind wondering or myself starting to nodd off. I cant recommend Skyscraper at all especially when Die Hard has just been released on #4k so it seems #silly to go see a film like this when one that does it so perfectly already exists. #odeon #odeonlimitless #therock #sundayfunday #silly #funny #ripoff #filmbuff #filmcritic
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