Search

Search only in certain items:

A Furever Home: A Friends of Gaynor Beach Animal Rescue Romance
A Furever Home: A Friends of Gaynor Beach Animal Rescue Romance
Kaje Harper, Gabbi Grey | 2025 | Contemporary, LGBTQ+, Romance
8
8.0 (1 Ratings)
Book Rating
loved the emotional connection!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.

What this is, right, is a bloody good book!

I mean, there is drama, both for Arthur and Brooklyn and other folks in their lives. Brooklyn's sister, Cheyenne, arrives with a whole host of problems, and really that is the most drama.

There is so much love in Gaynor Beach, that it jumps off the page. Arthur and Brooklyn have fast attraction, but given that Arthur is injured, they do take a *small* amount of time to act on it.

FURBABIES!! Lots and lots of furbabies and I did get a bit lost at one point, but I'm not holding anything against the book for that! Also, no furbabies were harmed in this book. Scared, yes indeed, but not harmed.

I loved the emotional connection between Arthur and Brooklyn. It grows at pace, and doesn't let up. The steam level is perfect for these two. Steamy in places and fade to grey in others.

There is a huge amount of support for Arthur, when things happen. For Brooklyn too, when Cheyenne arrives. What she is dealing with is quite dark, but on the whole, very well dealt with. The book is a light book, apart from this.

I have not read other books in this series, and a quick glance at the blurbs for those books means, at some point (!!) I want to go back and read them.

A wonderful, 4 star read.

*same worded review will appear elsewhere
  
40x40

ClareR (5996 KP) rated Snap Shot in Books

Oct 25, 2019  
Snap Shot
Snap Shot
Marilyn Todd | 2019 | Fiction & Poetry, Mystery, Thriller
8
8.0 (1 Ratings)
Book Rating
An enjoyable Victorian mystery
Julia McAllister is a female photographer in 1895 who works for herself - which is a struggle in England at this time, as she would have had no legal rights. She pretends to her clients that she is working for a male photographer, but in reality he left her the business when he died. So, in order to make ends meet she finds work taking ‘French Style’ photos. These were risqué pornographic photos. Julia makes sure her models are comfortable with what they’re doing and that they’re well paid. She feels responsible for these young women.

When three of them are found murdered, and Julia is visited by an Inspector Collingwood asking questions because her stamp is on the back of the photos found with these women, Julia is devastated. Devastated that she is in the frame, and devastated that she has lost women who she considers to be friends. So Julia sets out to find the killer herself, because she has secrets that she doesn’t want anyone finding out.

This book is pretty jam packed with dead bodies, if I’m honest. The dead models and two unconnected men. Julia is involved with finding the perpetrators of these deaths too. So if you don’t like dead bodies, you’re going to struggle with this one! Although it’s not graphic in any way. It’s not a salacious book - the photos aren’t really described in any great detail: the making of them is just a part of the story.

I liked Julia. She is a caring character who looks after her models, her neighbours, and she even gives a home to a street urchin. I found the photography descriptions (taking photos and developing them) really interesting, and I thought the setting was really well described: the sights and sounds of a busy urban Victorian England especially. This is a very enjoyable book, and one for those who enjoy an easy reading mystery.

Many thanks to Sapere Books for sending me my copy to read and honestly review.
  
40x40

JT (287 KP) rated A Good Year (2006) in Movies

Mar 10, 2020  
A Good Year (2006)
A Good Year (2006)
2006 | Comedy, Drama, Romance
6
4.3 (3 Ratings)
Movie Rating
This is certainly not your conventional Ridley Scott film, but it’s one that was well shot but not very well written. Investment broker Max Skinner (Russell Crowe) knows only one thing, how to make money. But when he inherits his Uncle’s chateau in Provence where he spent much of his childhood he must decide between the life he has in London or the life in France.

After arriving in Provence the only thing on his mind is to sell, but with childhood memories floating all around him as well as women it’s not long before the predictable is happening.It provides enough and features some telling performances but it’s simply not funny enough to register as the comedy it so desperately strives to be. The film most notably reunited Scott with Crowe and their first foray into a romantic comedy, with not a great deal of success.

A Good Year has scenery could not be more fitting for a romantic comedy, and the picturesque winery is paramount to the beautiful shots it creates. However, at times it looks more like a car advert than a film.

On the comedy aspect there are a few small laughs but they fall flat as Crowe is not able to deliver on them, you wonder if Hugh Grant might have done a better job. Crowe’s upper class English accent is out of place against the free flowing French that is predominant throughout and he’d probably feel more at home with large sword in his hand as opposed to a wine bottle.

The introduction of Uncle Henry’s supposedly long lost daughter throws a complicated spanner in the works which does more harm than good. It’s a heartwarming tale and it will tug on the heart strings of all the old romantics out there, but Scott and Crowe have never made a romantic comedy before and it certainly shows. It’s not got the characteristics of a fine wine, but may get past some peoples tastes.
  
40x40

Kristy H (1252 KP) rated Good Company in Books

Apr 15, 2021  
Good Company
Good Company
Cynthia D'Aprix Sweeney | 2021 | Contemporary, Fiction & Poetry
6
6.0 (1 Ratings)
Book Rating
Well-written albeit slow going look at marriage and motherhood
Flora Mancini has been happily married for twenty years. But that foundation crumbles when she finds her husband's wedding ring--the one he claimed he lost when their daughter was five--in the back of a drawer. Now she wonders what exactly Julian has kept hidden from her all these years. Is their whole marriage, their whole life, based on a lie?

This is such a hard book to review, because I loved Sweeney's THE NEST so very much. And GOOD COMPANY, while a nice book, is just not THE NEST. Don't get me wrong, it's not a bad book, it just did not move me as much as THE NEST.

GOOD COMPANY offers a thoughtful look into marriage and relationships. It's one of those interesting novels where it feels like not much happens, yet it truly covers the span of an entire relationship--a whole marriage. But there is a lot of ruminating, a lot of speculation, and a lot of angst. It's a very New York sort of book, even if Flora and Julian move to Los Angeles when their daughter, Ruby, is young.

This book is well-written, of course. Sweeney is a wonderful writer. It switches between time periods (the present, and going back in Flora and Julian's relationship) and various points of view, which include Flora, Julian, Ruby, and Flora's best friend, famous actress Margot Ledder. I probably felt the most for Ruby--it's hard to really sympathize much for the adults here. And this is a very "theater" book, with Flora, Julian, and Margot all being in the business. If that's not your thing (it's not mine), it's a little harder to feel engaged in some of the story.

Overall, this is an interesting read, but it can be slow going at times and hard to feel engaged with all the characters. If you like introspective, character-driven reads or you're a theater geek, GOOD COMPANY may be for you. 3 stars.