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Emma @ The Movies (1786 KP) rated Old (2021) in Movies
Aug 22, 2021
Having been out of the "coming soon" game for quite a while so this one came as a surprise when I saw the trailer. It looked good, but there's always that "what is Shyamalan going to do" feeling.
An idyllic resort, a glorious beach. What starts out to be a pleasant day trip turns into tragedy and horror as the guests start ageing at an accelerated rate. What's going on and why can't they seem to do anything about it?
I'm going to mix this up a bit from my usual reviews because it seems appropriate for this oddity of a film.
As a whole, the film probably has a place in the Lost extended universe (especially considering Miles' role in it). Mystery and generalised horror abound, and you're left for prolonged periods of time with more questions than answers. Let's cover the biggie though.
That whole ageing thing... it is in the trailer so I'm going to do my best not to be spoilery.
Let's face it... there's a massive inconsistency. I'm happy to go with the fact that kids will change more physically with age than the adults will initially... no problem with that bit. But the assembled people on the beach have been there for (more or less) two different periods of time. While I don't remember it being established when the first arrived, I would have expected a more pronounced visual than the one we were presented with.
When the group get to the beach, Maddox is 11 and her brother Trent is 6. then there's Kara who is also 6. They progressively age throughout the events and we end up with three teenage looking kids. I'm still on board here, perfectly "logical". But here is also where I start to tail off into what could be a massive psychological debate... their bodies age, but their minds are only exposed to what is around them in that time, so are their actions in line with that?
Thomasin McKenzie seemed to have the right balance, with her character at a starting age of 11 she has the best chance of getting away with it, and her effort was good. I'm not sure the same is true of Alex Wolff and Eliza Scanlen though. Their storyline together, and their behaviour, didn't feel consistent. Particularly with Trent. Mentally the pair should still have been 6, or at least more immature than their look, but that didn't come across very effectively.
We're introduced to all of the characters in fairly quick succession at the beginning, but you do get a very clear idea about what you can expect from them going forward. They don't all really work together, and if chaos wasn't a necessary part of the film then I think I would have tired quickly of them all. As it was, I didn't particularly like any of the characters, including the parents of Trent and Maddox, but at least their journey evolved well through the film.
I feel like I need to mention the dubious sexualisation of the kids, in particular when we have Thomasin McKenzie as Maddox. When they discover the kids have aged up, Mum tells her to change into a swimsuit she has in her bag. The swimsuit she was already wearing covered everything relatively well, and actually has more cloth on it than the alternative. When I think about the things I bring to a beach in my bag with me, I bring a t-shirt, shorts, a sarong... never a second bikini. Would it not have been more logical to give her something different to wear? And was it really necessary to be there at all? I also have another point under this, but it would constitute spoilers I'm afraid.
Old's beach location is stunning, and some of the features allow for a slightly sinister edge. But a lot of the atmosphere is brought in with the cameras, and at one point I felt a rage come over me because of a collection of panning shots of the group. Yes, I know there are better things to be annoyed about, but it bugged me, I couldn't help it!
As a quick round-up of other points:
- I quite enjoyed Shyamalan's role
- Listening to people pronounce my surname wrong gives me palpitations, and
- The one bit of massively noticeable CGI was bad, so very, very, bad.
I'm interested to read the source material and see how its ending compares to what Shyamalan conjured. It's difficult to discuss the end without spoilers, but that's probably just as well because it'll lead to another heavy discussion. The actual resolution though does have a satisfying moment, even though it felt a little wrong.
Now for my overall feelings on the film... I enjoyed the mystery of it, and there are plenty of debates that arise. But the inconsistent moments in the ageing and how the ending comes around, sadly ate into my total score.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/08/old-movie-review.html
An idyllic resort, a glorious beach. What starts out to be a pleasant day trip turns into tragedy and horror as the guests start ageing at an accelerated rate. What's going on and why can't they seem to do anything about it?
I'm going to mix this up a bit from my usual reviews because it seems appropriate for this oddity of a film.
As a whole, the film probably has a place in the Lost extended universe (especially considering Miles' role in it). Mystery and generalised horror abound, and you're left for prolonged periods of time with more questions than answers. Let's cover the biggie though.
That whole ageing thing... it is in the trailer so I'm going to do my best not to be spoilery.
Let's face it... there's a massive inconsistency. I'm happy to go with the fact that kids will change more physically with age than the adults will initially... no problem with that bit. But the assembled people on the beach have been there for (more or less) two different periods of time. While I don't remember it being established when the first arrived, I would have expected a more pronounced visual than the one we were presented with.
When the group get to the beach, Maddox is 11 and her brother Trent is 6. then there's Kara who is also 6. They progressively age throughout the events and we end up with three teenage looking kids. I'm still on board here, perfectly "logical". But here is also where I start to tail off into what could be a massive psychological debate... their bodies age, but their minds are only exposed to what is around them in that time, so are their actions in line with that?
Thomasin McKenzie seemed to have the right balance, with her character at a starting age of 11 she has the best chance of getting away with it, and her effort was good. I'm not sure the same is true of Alex Wolff and Eliza Scanlen though. Their storyline together, and their behaviour, didn't feel consistent. Particularly with Trent. Mentally the pair should still have been 6, or at least more immature than their look, but that didn't come across very effectively.
We're introduced to all of the characters in fairly quick succession at the beginning, but you do get a very clear idea about what you can expect from them going forward. They don't all really work together, and if chaos wasn't a necessary part of the film then I think I would have tired quickly of them all. As it was, I didn't particularly like any of the characters, including the parents of Trent and Maddox, but at least their journey evolved well through the film.
I feel like I need to mention the dubious sexualisation of the kids, in particular when we have Thomasin McKenzie as Maddox. When they discover the kids have aged up, Mum tells her to change into a swimsuit she has in her bag. The swimsuit she was already wearing covered everything relatively well, and actually has more cloth on it than the alternative. When I think about the things I bring to a beach in my bag with me, I bring a t-shirt, shorts, a sarong... never a second bikini. Would it not have been more logical to give her something different to wear? And was it really necessary to be there at all? I also have another point under this, but it would constitute spoilers I'm afraid.
Old's beach location is stunning, and some of the features allow for a slightly sinister edge. But a lot of the atmosphere is brought in with the cameras, and at one point I felt a rage come over me because of a collection of panning shots of the group. Yes, I know there are better things to be annoyed about, but it bugged me, I couldn't help it!
As a quick round-up of other points:
- I quite enjoyed Shyamalan's role
- Listening to people pronounce my surname wrong gives me palpitations, and
- The one bit of massively noticeable CGI was bad, so very, very, bad.
I'm interested to read the source material and see how its ending compares to what Shyamalan conjured. It's difficult to discuss the end without spoilers, but that's probably just as well because it'll lead to another heavy discussion. The actual resolution though does have a satisfying moment, even though it felt a little wrong.
Now for my overall feelings on the film... I enjoyed the mystery of it, and there are plenty of debates that arise. But the inconsistent moments in the ageing and how the ending comes around, sadly ate into my total score.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/08/old-movie-review.html
Gareth von Kallenbach (980 KP) rated the PC version of The Evil Within 2 in Video Games
Jun 19, 2019
The Evil Within 2 is not only a worthy follow up to the original game but is easily one of the best survival horror games ever created in my opinion. The game takes place three years after the events of the first game and follows protagonist Sebastian Castellanos as he deals with the aftermath of his experiences in the first game. Sebastian is reeling from his prior experiences as well as a personal tragedy and has hit rock bottom.
When a former partner offers Sebastian a chance to rectify many of his issues and reclaim what he lost he reluctantly takes the opportunity even though he has to again deal with the mysterious mobius organization. Sebastian is tasked with entering a virtual world simulation known as “Union” to locate the missing operatives who had been sent in previously as well as something of a personal nature to Sebastian.
Once entering the world, it is clear that something has gone horribly wrong as all manner of nightmare inducing creatures roam the land, killing all they encounter. As if this was not bad enough, there is also a mysterious figure that seems to be leading the chaos and seems to delight in toying with and killing all he encounters.
Sebastian must locate weapons, supplies and other survivors in order to craft what he needs to survive and find his way back home. Along the way he will have to deal with puzzles, limited ammunition and supplies, and a never ending assortment of creatures looking to shred him to pieces whenever they can.
The game not only has amazing visuals and sounds, the story are very compelling and drew me into the scenarios faster than the first game did. I loved the detailed world that Sebastian found himself in and loved exploring locales ranging from churches to garages along the way.
The game did require me to adjust my usual run and gun style of play as supplies are not infinite so discretion is the better part of valor as avoiding a fight is often much wiser than confronting enemies.
Playing on the PS4 Pro, the game ran smoothly and looked amazing and while I did need a bit to get used to the controls and combat system, if you have played the original it will come back to you quickly.
I found myself enjoying the sequel even more than the original as it grabbed me from the start and did not let go. While there are puzzled in the game that have to be solved in order to progress, I did not find them as frustrating as some in the past game such as trying to turn a wheel to raise a gate while waves of enemies attacked my ammunition depleted character.
Not only did I enjoy pretty much everything about the game, I would go so far as to say it was one of my favorite releases of 2017 and is a contender for end of year awards as far as I am concerned. I am really interested to see where Bethesda will go next with the series as this was a highly enjoyable game.
http://sknr.net/2017/11/19/evil-within-2/
When a former partner offers Sebastian a chance to rectify many of his issues and reclaim what he lost he reluctantly takes the opportunity even though he has to again deal with the mysterious mobius organization. Sebastian is tasked with entering a virtual world simulation known as “Union” to locate the missing operatives who had been sent in previously as well as something of a personal nature to Sebastian.
Once entering the world, it is clear that something has gone horribly wrong as all manner of nightmare inducing creatures roam the land, killing all they encounter. As if this was not bad enough, there is also a mysterious figure that seems to be leading the chaos and seems to delight in toying with and killing all he encounters.
Sebastian must locate weapons, supplies and other survivors in order to craft what he needs to survive and find his way back home. Along the way he will have to deal with puzzles, limited ammunition and supplies, and a never ending assortment of creatures looking to shred him to pieces whenever they can.
The game not only has amazing visuals and sounds, the story are very compelling and drew me into the scenarios faster than the first game did. I loved the detailed world that Sebastian found himself in and loved exploring locales ranging from churches to garages along the way.
The game did require me to adjust my usual run and gun style of play as supplies are not infinite so discretion is the better part of valor as avoiding a fight is often much wiser than confronting enemies.
Playing on the PS4 Pro, the game ran smoothly and looked amazing and while I did need a bit to get used to the controls and combat system, if you have played the original it will come back to you quickly.
I found myself enjoying the sequel even more than the original as it grabbed me from the start and did not let go. While there are puzzled in the game that have to be solved in order to progress, I did not find them as frustrating as some in the past game such as trying to turn a wheel to raise a gate while waves of enemies attacked my ammunition depleted character.
Not only did I enjoy pretty much everything about the game, I would go so far as to say it was one of my favorite releases of 2017 and is a contender for end of year awards as far as I am concerned. I am really interested to see where Bethesda will go next with the series as this was a highly enjoyable game.
http://sknr.net/2017/11/19/evil-within-2/
Sophia (Bookwyrming Thoughts) (530 KP) rated Gathering Frost (Once Upon a Curse, #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Xpresso Book Tours in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
Congratulations, Kaitlyn Davis. I've found my favorite Sleeping Beauty retelling (for now) – FINALLY! (Because a lot of the other retellings I've come across have been Sleeping Beauty, and I've managed to not get along with them.)
The first book in the <i>Once Upon a Curse</i> series is <b>set up in a futuristic New York where two worlds merged as one in an earthquake</b> when Jade was younger. Years later, Jade lives in a world where a queen strips all of the inhabitants' emotions away, leaving them with no emotion. When she comes across the queen's lost son, Prince Asher, the queen sets her on a mission to be captured and trusted by the prince, eventually betraying and returning him back to the queen.
<b>There's something I really liked about <i>Gathering Frost</i> – something that Davis did here that wasn't done in other Sleeping Beauty retellings.</b> I enjoyed the futuristic world Davis creates – two worlds, one of them believed to be parallel to Earth, being merged together and a queen who takes away all emotions from her people, along with the ability to control them. Somehow, throughout all of that, <b>Davis weaves in a bit of Sleeping Beauty and make her own fairytale world as well</b> – I really liked the addition of Jade coming across the original story while staying in the rebel camp.
There's also <b>something about Davis' writing style that I really enjoyed</b>, despite the fact there were a few moments where I started questioning the grammar, or there were commas where there really shouldn't have been any commas, or there were commas thrown in when the sentence would have worked so much better as two sentences. There were some parts that were <b>just written beautifully and flowed together extremely well</b> (read: the beauty of parallel structure).
I honestly can't say too much about the characters, particularly in Jade's case. Since her emotions have been taken away by the queen, <b>it was only natural for Jade to be depicted as a cold, detached, statuesque character and focus mainly on her surroundings.</b> As Jade spends more time in the rebel camp, though, <b>she slowly starts to develop emotions and feelings, and Jade's focus seems to balance out a little with her surroundings, her past, and her newly developed emotions.</b>
With a hint on what the sequel will probably be about, Davis doesn't actually leave us on a major cliffhanger. Instead, she seems to be conveying that <b>Jade's and Asher's story definitely won't be ending with <i>Gathering Frost</i></b> – they're more than likely to appear in the second book, and I can't wait to see what Davis comes up with for her retelling of <i>Beauty and the Beast</i>.
<a href="https://bookwyrmingthoughts.com/review-gathering-frost-by-kaitlyn-davis/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Congratulations, Kaitlyn Davis. I've found my favorite Sleeping Beauty retelling (for now) – FINALLY! (Because a lot of the other retellings I've come across have been Sleeping Beauty, and I've managed to not get along with them.)
The first book in the <i>Once Upon a Curse</i> series is <b>set up in a futuristic New York where two worlds merged as one in an earthquake</b> when Jade was younger. Years later, Jade lives in a world where a queen strips all of the inhabitants' emotions away, leaving them with no emotion. When she comes across the queen's lost son, Prince Asher, the queen sets her on a mission to be captured and trusted by the prince, eventually betraying and returning him back to the queen.
<b>There's something I really liked about <i>Gathering Frost</i> – something that Davis did here that wasn't done in other Sleeping Beauty retellings.</b> I enjoyed the futuristic world Davis creates – two worlds, one of them believed to be parallel to Earth, being merged together and a queen who takes away all emotions from her people, along with the ability to control them. Somehow, throughout all of that, <b>Davis weaves in a bit of Sleeping Beauty and make her own fairytale world as well</b> – I really liked the addition of Jade coming across the original story while staying in the rebel camp.
There's also <b>something about Davis' writing style that I really enjoyed</b>, despite the fact there were a few moments where I started questioning the grammar, or there were commas where there really shouldn't have been any commas, or there were commas thrown in when the sentence would have worked so much better as two sentences. There were some parts that were <b>just written beautifully and flowed together extremely well</b> (read: the beauty of parallel structure).
I honestly can't say too much about the characters, particularly in Jade's case. Since her emotions have been taken away by the queen, <b>it was only natural for Jade to be depicted as a cold, detached, statuesque character and focus mainly on her surroundings.</b> As Jade spends more time in the rebel camp, though, <b>she slowly starts to develop emotions and feelings, and Jade's focus seems to balance out a little with her surroundings, her past, and her newly developed emotions.</b>
With a hint on what the sequel will probably be about, Davis doesn't actually leave us on a major cliffhanger. Instead, she seems to be conveying that <b>Jade's and Asher's story definitely won't be ending with <i>Gathering Frost</i></b> – they're more than likely to appear in the second book, and I can't wait to see what Davis comes up with for her retelling of <i>Beauty and the Beast</i>.
<a href="https://bookwyrmingthoughts.com/review-gathering-frost-by-kaitlyn-davis/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Lee (2222 KP) rated Supernova (2020) in Movies
Oct 12, 2020
When I first saw the trailer for Supernova, I could tell that we were in for a fairly intense depiction of dementia and its effect on loved ones, delivered by a couple of veteran actors at the top of their game. Consequently, it was one of the movies I was most looking forward to as part of this years London Film Festival, and while it wasn’t quite as full-on or emotional for me as I was expecting, that’s certainly not the fault of Colin Firth or Stanley Tucci, who are both outstanding.
“We’re not going back, you know,” Sam (Firth) says to husband Tusker (Tucci) as they head off in their campervan for a road trip. He’s referring to any items they might have needed for the trip which are left behind, but those words will prove to hold a much deeper meaning as their journey progresses. Tusker, a best-selling author, has deliberately left his medication at home, having decided that it is having no effect in his battle with dementia. When Sam leaves Tusker in the van to head into a supermarket for supplies, he returns to find Tusker missing - a frantic drive down nearby country lanes finds him standing alone, lost and confused. His mind is clearly beginning to fail him.
As they put the incident behind them and continue their journey, we get a real sense of the love and commitment they both share. As they travel through the beautiful scenery of the Lake District, they bicker and joke with each other, like a gay version of Steve Coogan and Rob Brydon series, The Trip. “It isn’t even satisfying half the time,” Tusker admits after teasing Sam. When asked why he bothers anymore, he just smiles and replies “Because of the other half.”
Tusker continues to work on a new novel, but is finding it increasingly difficult to write anymore and has instead become preoccupied with gazing at the night sky, fascinated with astronomy. Sam, a semi-retired concert pianist, has taken a break to join Tusker on one last road-trip, revisiting locations from their lives together. They stop off at the home of Sam’s sister and her family, where a surprise birthday party brings together old friends and distant family. A chance to reminisce and take stock of what the future holds as Tusker continues to deteriorate. But a discovery during the party leads to some more serious discussions between Sam and Tusker, forcing them to acknowledge and attempt to come to terms with what lies ahead for them both.
Supernova didn’t head in the direction I expected it to, or deliver it in the way I envisioned from the trailer. For the most part, it’s just simple conversations between two lovers, sometimes playful, sometimes deadly serious. But it is delivered by two incredible actors, on peak-form and with such wonderful chemistry. And while it didn’t quite leave me feeling as emotional as it did for many others who watched it as part of the festival, it certainly managed to make a lasting impact.
“We’re not going back, you know,” Sam (Firth) says to husband Tusker (Tucci) as they head off in their campervan for a road trip. He’s referring to any items they might have needed for the trip which are left behind, but those words will prove to hold a much deeper meaning as their journey progresses. Tusker, a best-selling author, has deliberately left his medication at home, having decided that it is having no effect in his battle with dementia. When Sam leaves Tusker in the van to head into a supermarket for supplies, he returns to find Tusker missing - a frantic drive down nearby country lanes finds him standing alone, lost and confused. His mind is clearly beginning to fail him.
As they put the incident behind them and continue their journey, we get a real sense of the love and commitment they both share. As they travel through the beautiful scenery of the Lake District, they bicker and joke with each other, like a gay version of Steve Coogan and Rob Brydon series, The Trip. “It isn’t even satisfying half the time,” Tusker admits after teasing Sam. When asked why he bothers anymore, he just smiles and replies “Because of the other half.”
Tusker continues to work on a new novel, but is finding it increasingly difficult to write anymore and has instead become preoccupied with gazing at the night sky, fascinated with astronomy. Sam, a semi-retired concert pianist, has taken a break to join Tusker on one last road-trip, revisiting locations from their lives together. They stop off at the home of Sam’s sister and her family, where a surprise birthday party brings together old friends and distant family. A chance to reminisce and take stock of what the future holds as Tusker continues to deteriorate. But a discovery during the party leads to some more serious discussions between Sam and Tusker, forcing them to acknowledge and attempt to come to terms with what lies ahead for them both.
Supernova didn’t head in the direction I expected it to, or deliver it in the way I envisioned from the trailer. For the most part, it’s just simple conversations between two lovers, sometimes playful, sometimes deadly serious. But it is delivered by two incredible actors, on peak-form and with such wonderful chemistry. And while it didn’t quite leave me feeling as emotional as it did for many others who watched it as part of the festival, it certainly managed to make a lasting impact.
graveyardgremlin (7194 KP) rated The Jinx (Rachel Benjamin, #2) in Books
Feb 15, 2019
Jan. 16, 2008
I'm close to the middle of the book and am not sure if I want to read on because of these reasons...
(1) I've picked this book up numerous times, in many months I might add, and have only read a few pages at a time. Definitely not a good sign.
(2) It's slow and rather boring
(3) Rachel's been irritating - whiny, pompous, dumb, and she overreacts.. This doesn't sound like the girl from the first book.
(4) I am so sick of hearing about her Diet Coke addiction! WTF?????!!!!!
(5) Ms. Sturman seems to like throwing out words that are hardly used in the English language in attempt to make her look smarter than she might, in fact, be.
(6) I think I already figured out who's the culprit to this mystery (and I use this term loosely since there's hardly any mystery so far). Of course I'm not sure about this, but who's to tell?
I'm still thinking I might read towards the end because I have the next one at the ready. Hopefully it will improve. If not, then it's the end of the line for me. But then again, I might just 'cheat' and read the last chapter or two.
Jan. 17, 2008
I give up! I am not enjoying this book at all and I might as well give it up as a lost cause. I mean there's no sense in finishing it if I'm not liking it. I did read the last few chapters and they were utterly ridiculous - now I'm not even sure if I want to read the next book. I might try though. It's such a disappointment because I really liked The Pact and thought it was a nice change in the Chick Lit scene. *sigh* Oh well. Good luck to future readers.
I'm close to the middle of the book and am not sure if I want to read on because of these reasons...
(1) I've picked this book up numerous times, in many months I might add, and have only read a few pages at a time. Definitely not a good sign.
(2) It's slow and rather boring
(3) Rachel's been irritating - whiny, pompous, dumb, and she overreacts.. This doesn't sound like the girl from the first book.
(4) I am so sick of hearing about her Diet Coke addiction! WTF?????!!!!!
(5) Ms. Sturman seems to like throwing out words that are hardly used in the English language in attempt to make her look smarter than she might, in fact, be.
(6) I think I already figured out who's the culprit to this mystery (and I use this term loosely since there's hardly any mystery so far). Of course I'm not sure about this, but who's to tell?
I'm still thinking I might read towards the end because I have the next one at the ready. Hopefully it will improve. If not, then it's the end of the line for me. But then again, I might just 'cheat' and read the last chapter or two.
Jan. 17, 2008
I give up! I am not enjoying this book at all and I might as well give it up as a lost cause. I mean there's no sense in finishing it if I'm not liking it. I did read the last few chapters and they were utterly ridiculous - now I'm not even sure if I want to read the next book. I might try though. It's such a disappointment because I really liked The Pact and thought it was a nice change in the Chick Lit scene. *sigh* Oh well. Good luck to future readers.
Nicole Hadley (380 KP) rated The Hawaiian Quilt in Books
Jun 18, 2018
The Hawaiian Quilt by Wanda E. Brunstetter & Jean Brunstetter is a refreshing new twist on Amish fiction. This is not your typical Amish story. There is such faith, hope, dreams, heartbreak and determination throughout this wonderful story. This one will keep you turning pages right up to the very end so you can see how it ends.
A very different type of Amish story, we are going to Hawaii, and we are using cameras and cell phones, and doing tourist things, we are also on a cruise ship.
Four dear friends decide to take a trip of a lifetime, and decide to take a cruise to Hawaii and Mexico, this is happening before they join the Amish church. Now you can picture these sheltered young women being on this exciting journey, how different for them. Mandy, Ellen, Barbara and Sadie decide early on their trip to each take separate side trips and then share their experiences with each other so that they are able to see more. Mandy and Ellen are late getting back to the ship while in Kawai and when they get to the dock the ship is gone. These girls sure had God’s hand on them, you can imagine all kind of bad things happening, but they end up staying with Christians and this is where the lost quilt comes into the story.
I enjoyed this quick read, questioned some of Mandy’s actions, but then remembering they are in their run around time, but I could see that Ellen was more set in her faith. The ending to me left a lot to be desired, it seemed a bit rushed, but then I didn’t write the book, and as I said this is a very different Amish story.
I received this book from Barbour Publishing and Shiloh Run Press via NetGalley in exchange for an honest review.
A very different type of Amish story, we are going to Hawaii, and we are using cameras and cell phones, and doing tourist things, we are also on a cruise ship.
Four dear friends decide to take a trip of a lifetime, and decide to take a cruise to Hawaii and Mexico, this is happening before they join the Amish church. Now you can picture these sheltered young women being on this exciting journey, how different for them. Mandy, Ellen, Barbara and Sadie decide early on their trip to each take separate side trips and then share their experiences with each other so that they are able to see more. Mandy and Ellen are late getting back to the ship while in Kawai and when they get to the dock the ship is gone. These girls sure had God’s hand on them, you can imagine all kind of bad things happening, but they end up staying with Christians and this is where the lost quilt comes into the story.
I enjoyed this quick read, questioned some of Mandy’s actions, but then remembering they are in their run around time, but I could see that Ellen was more set in her faith. The ending to me left a lot to be desired, it seemed a bit rushed, but then I didn’t write the book, and as I said this is a very different Amish story.
I received this book from Barbour Publishing and Shiloh Run Press via NetGalley in exchange for an honest review.
Carma (21 KP) rated Seducing Daphne A Fake Fiancée Romance (The Redwood Billionaires Series Book 3) in Books
Jun 17, 2019
Aiden and Daphne are co-workers in the Coast Guard and have been friends for years. Aiden is the black sheep of his family with most of them believe he is a lost soul who doesnt stand a chance in the real world. After getting pushed by his parents one too many times to grow up and get married he produces a fiancé, Daphne.
Daphne likes her life, she loves work, spending time with her sister and niece and joking around with Aiden. Her ex boyfriend Frank is trying to worm his way back into her life but she is shutting the door on that history.
Aiden asks Daphne to accompany him to Las Vegas for his brothers fundraiser, on the way he fills her in on his plans to trick his parents. Daphne agrees to help, neither of them realizing they actually have feelings for each other.
Daphne finds out who Aiden really is, as far as the money he comes from because she knows him down to his core. Can she honestly see herself in his world? Aiden knows he has feelings for Daphne that extend past a normal friendship, can she trust him into her life for the future?
I enjoyed the majority of the story line for this part of the series. I did feel like Frank was a weird addition to have drama in the story line and ended up skimming some pages. Aiden and Daphne are a perfect fit for each other, finding and utilizing their strengths and weaknesses together for the best outcome of a situation. I read and received an advance copy without expectation for review. 4 out of 5 stars for this latest entry in the Redwood Billionaires series
Daphne likes her life, she loves work, spending time with her sister and niece and joking around with Aiden. Her ex boyfriend Frank is trying to worm his way back into her life but she is shutting the door on that history.
Aiden asks Daphne to accompany him to Las Vegas for his brothers fundraiser, on the way he fills her in on his plans to trick his parents. Daphne agrees to help, neither of them realizing they actually have feelings for each other.
Daphne finds out who Aiden really is, as far as the money he comes from because she knows him down to his core. Can she honestly see herself in his world? Aiden knows he has feelings for Daphne that extend past a normal friendship, can she trust him into her life for the future?
I enjoyed the majority of the story line for this part of the series. I did feel like Frank was a weird addition to have drama in the story line and ended up skimming some pages. Aiden and Daphne are a perfect fit for each other, finding and utilizing their strengths and weaknesses together for the best outcome of a situation. I read and received an advance copy without expectation for review. 4 out of 5 stars for this latest entry in the Redwood Billionaires series
Bong Mines Entertainment (15 KP) rated Making It Up by Kathryn Legendre in Music
Jun 17, 2019
Kathryn Legendre is a rising singer-songwriter from Austin, Texas. Not too long ago, she released a lovely country tune, entitled, “There You Go”.
“I try to keep myself at bay, but I miss you every day. You took off when I needed you the most. All I’ve got to get me through are these memories of you. It’s easier believing in a ghost. There you go again and here I am alone.” – lyrics
‘There You Go’ tells an interesting tale of a young woman who doesn’t like saying goodbye to her significant other.
Apparently, he has to travel on the road again. Therefore, he has to leave the love-of-his-life all by her lonesome.
After his emotional departure, she washes dishes in the sink, hangs with her friends, and counts the hours down to when she will see her partner’s smiling face again.
Later, she admits that it still feels like he just left, and all she has to get her through this lonely period are the memories of him.
‘There You Go’ contains a relatable storyline, ear-welcoming vocals, and vibey instrumentation scented with a country fragrance.
“I have a dear friend who lost her fiancé in a car accident while he was out on tour. ‘There You Go’ is a song about the fear of your loved one leaving and the fear of them never coming back.” – Kathryn Legendre
Kathryn Legendre drives around Austin with a ‘God Bless Merle Haggard’ sticker on her bumper.
The rising country artist thrives the most when she feels that something is missing. Also, she takes pride in the ability to relate to the human condition
https://www.bongminesentertainment.com/kathryn-legendre-there-you-go/
“I try to keep myself at bay, but I miss you every day. You took off when I needed you the most. All I’ve got to get me through are these memories of you. It’s easier believing in a ghost. There you go again and here I am alone.” – lyrics
‘There You Go’ tells an interesting tale of a young woman who doesn’t like saying goodbye to her significant other.
Apparently, he has to travel on the road again. Therefore, he has to leave the love-of-his-life all by her lonesome.
After his emotional departure, she washes dishes in the sink, hangs with her friends, and counts the hours down to when she will see her partner’s smiling face again.
Later, she admits that it still feels like he just left, and all she has to get her through this lonely period are the memories of him.
‘There You Go’ contains a relatable storyline, ear-welcoming vocals, and vibey instrumentation scented with a country fragrance.
“I have a dear friend who lost her fiancé in a car accident while he was out on tour. ‘There You Go’ is a song about the fear of your loved one leaving and the fear of them never coming back.” – Kathryn Legendre
Kathryn Legendre drives around Austin with a ‘God Bless Merle Haggard’ sticker on her bumper.
The rising country artist thrives the most when she feels that something is missing. Also, she takes pride in the ability to relate to the human condition
https://www.bongminesentertainment.com/kathryn-legendre-there-you-go/
James Koppert (2698 KP) rated Arctic Zoo in Books
Oct 28, 2019
Challenging the world
Even with a good book, 456 pages can start to drag. With Arctic Zoo however, I wanted to continue on Julius and Georgia's story. This is brilliantly paced read with a "one more chapter before bed" level of intrigue on every page to keep you up far too late every night. The story follows Georgia, and relatively unextrordinary English schoolgirl who has lost her sister who becomes the face of the protest counter culture community, and celebrity, completely by accident, who with no choice, is drawn further into that world, and Julius, the son of very rich Nigerian political elite, who is guy and ousted from the family. Both these teenagers stories interweave intermittently and both are engaging on their own. The thing is I really liked Julius and I really liked Georgia and I wanted so much for each of them to succeed despite all the things thrown against them. Whats also brilliant s this book has a lot to say without it ever forcing anything down your throat and doesn't shy away from throwing up hypocrisies either. Muchamore is an absolute master writer who has managed to create an engaging novel that any adult or teenager will enjoy without ever feeling like the pages have been dumbed down to reach a general audience. Yes it was 456 pages long at at the end I said, "ohh, its finished" feeling disappointed rather than the sense of achievement I normally get when completing a book, just because I wanted to stay with these characters in this book and be with them for more of their journeys. But that is what a great artist does, leaves them wanting more, Muchamore.
Gareth von Kallenbach (980 KP) rated The Road (2009) in Movies
Aug 8, 2019
“The Road” takes us on the post-apocalyptic story of the man, played by Viggo Morganson and the boy (Kodi Smit-McPhee), a father and son doing their best to get along in a world which is no longer suitable for humanity. Constantly teaching his son survival skills and doing his best not to focus on his lost love the man attempts to explain the essence of humanity to his boy who has never known a better world. Add in the ever-present threat of cannibals and you have the film adaptation of this best selling book.
The echoed use of color takes the viewer directly into the unnamed devastation that riddles the world of our two heroes. Moreover, the small sounds from the creeks of not quite abandoned buildings to the harrowing screams of cannibal victims make the world of “the Road” wholly engrossing. Maybe that is the problem.
Riddled with themes of devastation, survival, faith, and family, “The Road” is a piece of cinema significantly different from anything else. With all that said I am not sure this was a horrific and arduous journey one needs to go through.
After I first saw it I didn’t like “The Road”, and I couldn’t figure out who would want to watch this film. Too mature for many audiences and appearing to lack the complication to appeal to intellectual film crowd, it took a few days for me to develop the merit of the film. Now, I can’t stop thinking about the string of moments presented as powerful small scenes that compose “The Road” even though I wish I could.
If you have read the book, then “The Road” delivers a vivid understanding of the story, but before paying to see the film I ask you, is that a story you really want to experience on screen?
The echoed use of color takes the viewer directly into the unnamed devastation that riddles the world of our two heroes. Moreover, the small sounds from the creeks of not quite abandoned buildings to the harrowing screams of cannibal victims make the world of “the Road” wholly engrossing. Maybe that is the problem.
Riddled with themes of devastation, survival, faith, and family, “The Road” is a piece of cinema significantly different from anything else. With all that said I am not sure this was a horrific and arduous journey one needs to go through.
After I first saw it I didn’t like “The Road”, and I couldn’t figure out who would want to watch this film. Too mature for many audiences and appearing to lack the complication to appeal to intellectual film crowd, it took a few days for me to develop the merit of the film. Now, I can’t stop thinking about the string of moments presented as powerful small scenes that compose “The Road” even though I wish I could.
If you have read the book, then “The Road” delivers a vivid understanding of the story, but before paying to see the film I ask you, is that a story you really want to experience on screen?