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Nicole Hadley (380 KP) rated Coming Up For Air in Books
Jun 14, 2018
Coming Up for Air by Miranda Kenneally is a fantastic book in the Hundred Oaks series. This is the 5th book I've read in the series. I love getting lost in the sporty world that Miranda Kenneally has created. I love that each book features a different girl with a different sport.
In Coming Up for Air the main character is Maggie. Maggie is a devoted swimmer. Swimming is her entire life, she is passionate about it. Maggie hopes that one day she'll get into the Olympics. Swimming is not something that is forced rather it is something she loves.
Coming Up for Air is light, funny and cute. Maggie has four great friends, who all have sports that they love more than life itself. Levi is her best friend, and he swims with her. They are great characters, and have a great romance. They are best friends first. They don't let anything come in the way of their friendship; however, when Maggie feels she needs experience in certain areas before she heads off to college, Levi is the one person she feels most comfortable asking for help.
Maggie wanting experience before going to college causes their relationship to go through a period of being a awkward and emotional. Eventually they both begin to see the other in a new way, and to start feeling emotions. The new direction of the friendship does not feel forced; but, rather natural. The strong bond between Maggie and Levi and their friendship was more important than anything else, and that was the one thing they wanted to save.
This book was such a worthy edition to the Hundred Oaks series. I also loved that Jordan Woods got a bigger speaking role as Maggie’s school coach.
In Coming Up for Air the main character is Maggie. Maggie is a devoted swimmer. Swimming is her entire life, she is passionate about it. Maggie hopes that one day she'll get into the Olympics. Swimming is not something that is forced rather it is something she loves.
Coming Up for Air is light, funny and cute. Maggie has four great friends, who all have sports that they love more than life itself. Levi is her best friend, and he swims with her. They are great characters, and have a great romance. They are best friends first. They don't let anything come in the way of their friendship; however, when Maggie feels she needs experience in certain areas before she heads off to college, Levi is the one person she feels most comfortable asking for help.
Maggie wanting experience before going to college causes their relationship to go through a period of being a awkward and emotional. Eventually they both begin to see the other in a new way, and to start feeling emotions. The new direction of the friendship does not feel forced; but, rather natural. The strong bond between Maggie and Levi and their friendship was more important than anything else, and that was the one thing they wanted to save.
This book was such a worthy edition to the Hundred Oaks series. I also loved that Jordan Woods got a bigger speaking role as Maggie’s school coach.
ClareR (5911 KP) rated The Liar's Room in Books
Aug 10, 2018
A one-sitting read!
Set in one room (pretty much!), this tells the story of a counsellor, Susannah, and a patient, Adam. What begins as an innocent counselling session, ends up revealing a series of lies that have been hidden for many years.
This was such an exciting - when I read the synopsis that explained that almost all of the book took place in one room, I had flashbacks to my A level French lessons and 'Huis Clos' (a play by Jean-Paul Sartre). Whether that's a good thing or not, I'm not altogether sure. Reading that play was a slog! Luckily, it wasn't the same (huge sigh of relief here!), and if I had been reading the actual book instead of the daily 'stave' from The Pigeonhole, I think I would have charged through this book in an afternoon.
We were taken out of the room via some peripheral characters (Ruth, the dentist who works in the same offices as Susannah and Emily, Susannah's daughter) and some necessary flashback scenes. These flashbacks are a really important device, and they added some real tension to the story.
Adam, the character who has (supposedly) come for counselling, is a really menacing character, although there were times that I felt sorry for him - he seemed very much like a lost little boy.
Ultimately, I felt that this was a story that told of how it wasn't such a good idea to keep secrets: they can build up and become increasingly damaging. Susannah didn't have much of a choice in what she did though, as she wanted to protect her daughter.
A really good thriller, and many thanks to The Pigeonhole, the author and the publisher.
This was such an exciting - when I read the synopsis that explained that almost all of the book took place in one room, I had flashbacks to my A level French lessons and 'Huis Clos' (a play by Jean-Paul Sartre). Whether that's a good thing or not, I'm not altogether sure. Reading that play was a slog! Luckily, it wasn't the same (huge sigh of relief here!), and if I had been reading the actual book instead of the daily 'stave' from The Pigeonhole, I think I would have charged through this book in an afternoon.
We were taken out of the room via some peripheral characters (Ruth, the dentist who works in the same offices as Susannah and Emily, Susannah's daughter) and some necessary flashback scenes. These flashbacks are a really important device, and they added some real tension to the story.
Adam, the character who has (supposedly) come for counselling, is a really menacing character, although there were times that I felt sorry for him - he seemed very much like a lost little boy.
Ultimately, I felt that this was a story that told of how it wasn't such a good idea to keep secrets: they can build up and become increasingly damaging. Susannah didn't have much of a choice in what she did though, as she wanted to protect her daughter.
A really good thriller, and many thanks to The Pigeonhole, the author and the publisher.
Merissa (13089 KP) rated Lies of Golden Straw: A Rumplestilskin Retelling (End of Ever After) in Books
Jan 14, 2019
Lies of Golden Straw: A Rumplestilskin Retelling (End of Ever After #2) by E.L. Tenenbaum
Lies of Golden Straw is the second in the fairy tale re-tellings, and it is very different, but just as amazing as End of Ever After (book one). This one is a Rumplestiltskin re-telling, but you get so much more. Merlin is in here, plus a couple of famous storytellers themselves, who I won't name. Trust me when I say they all fit perfectly in this story.
Told from the perspective of Millie, you find out about her childhood as the Miller's Daughter, right through to the present when she goes to Ella's coronation, and after. It is full of grand descriptions, fairy tales you may know, and situations where no one is really the winner.
I have to say I think this is the first book where the couple are not in love. Instead, their relationship is built on friendship and respect. It makes sense for the story, but I will admit to wanting a HEA for Millie and...? ? I won't say this name either as I don't want to ruin it for anyone else!
An emotional story that is rich in story-telling history, I was lost within the story and absolutely loving every word. I honestly don't know if there were any errors as I was too engrossed. I would highly doubt it though, as the author is E.L. Tenenbaum, and I have only read the highest quality from her.
An absolute stunner of a book that I loved. Completely and utterly recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Told from the perspective of Millie, you find out about her childhood as the Miller's Daughter, right through to the present when she goes to Ella's coronation, and after. It is full of grand descriptions, fairy tales you may know, and situations where no one is really the winner.
I have to say I think this is the first book where the couple are not in love. Instead, their relationship is built on friendship and respect. It makes sense for the story, but I will admit to wanting a HEA for Millie and...? ? I won't say this name either as I don't want to ruin it for anyone else!
An emotional story that is rich in story-telling history, I was lost within the story and absolutely loving every word. I honestly don't know if there were any errors as I was too engrossed. I would highly doubt it though, as the author is E.L. Tenenbaum, and I have only read the highest quality from her.
An absolute stunner of a book that I loved. Completely and utterly recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
LeftSideCut (3776 KP) rated Vampires vs. the Bronx (2020) in Movies
Oct 12, 2020 (Updated Oct 12, 2020)
Starting with the positives for this one...
The three young leads are pretty likable, one of them wears a Ghost shirt at one point which was cool. Method Man plays a priest which is always going to be a good time. It has a diverse cast and deals with the issue of gentrification which you don't see often in movies.
But that was about it for me, everything else is just kind of shoddy. Although the whole cast seem to gel nicely, aside from a few moments that made me smile, none of the humour really landed.
The vampire aspect of this movie was just a bit lame. There's a lot of references to Blade, and a nod to The Lost Boys, but all that does is remind the audience that they could be watching a much better vampire film.
I appreciate that this a family friendly film, but I don't recall seeing a single drop of blood, which is weird considering the subject matter.
There aren't really any set pieces until the end, and honestly, the final showdown is woefully shit. The stakes never seem high throughout, and the twist regarding the vampire leader is telegraphed from the first moment they appear on screen.
Living in the UK, I can't comment on how well Vampires vs The Bronx represents The Bronx itself. In that regard, I've heard positive things, and the closing lines of the movie suggest that this is a film made for those who live there, which is a great thing, but it may somewhat explain why I just didn't connect with it in the way that others have.
As a commentary on several relevant social issues, it's not too bad. As a vampire film, it sucks, pun fully intended.
The three young leads are pretty likable, one of them wears a Ghost shirt at one point which was cool. Method Man plays a priest which is always going to be a good time. It has a diverse cast and deals with the issue of gentrification which you don't see often in movies.
But that was about it for me, everything else is just kind of shoddy. Although the whole cast seem to gel nicely, aside from a few moments that made me smile, none of the humour really landed.
The vampire aspect of this movie was just a bit lame. There's a lot of references to Blade, and a nod to The Lost Boys, but all that does is remind the audience that they could be watching a much better vampire film.
I appreciate that this a family friendly film, but I don't recall seeing a single drop of blood, which is weird considering the subject matter.
There aren't really any set pieces until the end, and honestly, the final showdown is woefully shit. The stakes never seem high throughout, and the twist regarding the vampire leader is telegraphed from the first moment they appear on screen.
Living in the UK, I can't comment on how well Vampires vs The Bronx represents The Bronx itself. In that regard, I've heard positive things, and the closing lines of the movie suggest that this is a film made for those who live there, which is a great thing, but it may somewhat explain why I just didn't connect with it in the way that others have.
As a commentary on several relevant social issues, it's not too bad. As a vampire film, it sucks, pun fully intended.
Emma @ The Movies (1786 KP) rated Greta (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
I sat down to write up my notes for the weekend's films and I had already forgotten this one. I quite enjoyed it and yet it hasn't really stuck with me at all.
Frances, played by Chloë Grace Moretz, finds a handbag on the subway, unable to hand it in to lost property she takes it home with the intention of returning it the next day. Greta is a lonely widow whose daughter is abroad and she has nothing but her piano and photos for company. When the pair meet they connect immediately and their friendship grows. To say Greta is clingy would be an understatement and when Frances discovers a cupboard full of identical "missing" handbags she knows she needs to get some distance.
Right, so, the idea here relies on someone returning her handbag, admittedly a handbag is less suspicious than a rucksack or a suitcase, but I'm still not convinced. It relies on no one seeing her leave it when she gets up to leave, and no one spotting it when they get on at the stop, and then not a single member of staff being in the subway station to take the bag. Erica says it best, "you call the bomb squad"... yes you do, Erica.
I very much enjoyed the idea of this film, as thrillers go it's a good set up. I'm becoming increasingly frustrated by trailers though, and in this instance I think they gave you too many moments that would have given a greater impact as a surprise. It also exposed an inconsistency.
The trailer shows Frances stuck in a lift as it's being crushed. In the context of the full film it made sense, sort of, but it left the question in the trailer of whether it was slightly sci-fi. While I knew what the whole scene was trying to achieve I felt that it was too confusing given the tone everywhere else.
Isabelle Huppert gives her character of Greta a delightfully creepy vibe, always pleasant and threatening at the same time and Chloë Grace Moretz played the naive Frances convincingly, but... I didn't think either particularly hit the spot. Greta was crazy but not devious enough and Frances was bordering on cliche when it came to her naivety.
There are lots of things that caused me issues, the passage of time being a major one. There's no clear idea of how long anything takes, how long their friendship went for, how long she was kidnapped, and it's surprisingly frustrating. I also am at a loss as to why her father resorts to a private investigator over the police, in my head it's because the police are saying she's a grown up and the messages suggest she's fine, but I don't think that's ever explicitly said.
I was getting very mixed tones from the film, first it was a drama, then a thriller, and then it seemed to want to be a horror. There's one point where it gets a little gruesome and it stuck out like a sore thumb. The very end as well, without trying to give spoilers, shows something I would fully expect to see in a horror movie, and in that setting it's a great way to finish it but in Greta seemed like a step in the wrong direction.
I've mentioned before that I don't over think the film while I'm watching it, I try not to look for the twists in advance, but I actually wrote the ending in my notes. While it was satisfying I was right, it was irritating that it was so obvious.
Like I mentioned above, the concept was great and it left a lot of opportunities for a brilliant thriller, but I feel like it just kept missing the point. A lot of the intrigue was stolen by the trailer and the identity crisis with the genre just held it back from what it could have achieved.
What you should do
It's not a bad watch, certainly catch it when it goes to streaming services.
Movie thing you wish you could take home
The ability to keep a home clutter free like Erica and Frances.
Frances, played by Chloë Grace Moretz, finds a handbag on the subway, unable to hand it in to lost property she takes it home with the intention of returning it the next day. Greta is a lonely widow whose daughter is abroad and she has nothing but her piano and photos for company. When the pair meet they connect immediately and their friendship grows. To say Greta is clingy would be an understatement and when Frances discovers a cupboard full of identical "missing" handbags she knows she needs to get some distance.
Right, so, the idea here relies on someone returning her handbag, admittedly a handbag is less suspicious than a rucksack or a suitcase, but I'm still not convinced. It relies on no one seeing her leave it when she gets up to leave, and no one spotting it when they get on at the stop, and then not a single member of staff being in the subway station to take the bag. Erica says it best, "you call the bomb squad"... yes you do, Erica.
I very much enjoyed the idea of this film, as thrillers go it's a good set up. I'm becoming increasingly frustrated by trailers though, and in this instance I think they gave you too many moments that would have given a greater impact as a surprise. It also exposed an inconsistency.
The trailer shows Frances stuck in a lift as it's being crushed. In the context of the full film it made sense, sort of, but it left the question in the trailer of whether it was slightly sci-fi. While I knew what the whole scene was trying to achieve I felt that it was too confusing given the tone everywhere else.
Isabelle Huppert gives her character of Greta a delightfully creepy vibe, always pleasant and threatening at the same time and Chloë Grace Moretz played the naive Frances convincingly, but... I didn't think either particularly hit the spot. Greta was crazy but not devious enough and Frances was bordering on cliche when it came to her naivety.
There are lots of things that caused me issues, the passage of time being a major one. There's no clear idea of how long anything takes, how long their friendship went for, how long she was kidnapped, and it's surprisingly frustrating. I also am at a loss as to why her father resorts to a private investigator over the police, in my head it's because the police are saying she's a grown up and the messages suggest she's fine, but I don't think that's ever explicitly said.
I was getting very mixed tones from the film, first it was a drama, then a thriller, and then it seemed to want to be a horror. There's one point where it gets a little gruesome and it stuck out like a sore thumb. The very end as well, without trying to give spoilers, shows something I would fully expect to see in a horror movie, and in that setting it's a great way to finish it but in Greta seemed like a step in the wrong direction.
I've mentioned before that I don't over think the film while I'm watching it, I try not to look for the twists in advance, but I actually wrote the ending in my notes. While it was satisfying I was right, it was irritating that it was so obvious.
Like I mentioned above, the concept was great and it left a lot of opportunities for a brilliant thriller, but I feel like it just kept missing the point. A lot of the intrigue was stolen by the trailer and the identity crisis with the genre just held it back from what it could have achieved.
What you should do
It's not a bad watch, certainly catch it when it goes to streaming services.
Movie thing you wish you could take home
The ability to keep a home clutter free like Erica and Frances.
Jessica Erdas (463 KP) rated Where She Went (If I Stay, #2) in Books
May 16, 2018
Another amazing piece by Gayle Forman. Instead of following the life and thoughts of Mia, as the first book did, Where She Went follows Adam and his spiraling journey after the accident, gaining fame and his struggle with the lost connection with his dreams and the love of his life. As relatable as If I Stay in the realistic emotional and physical turmoil of mental health, waning friendships, exhaustion and so much more. Three years have passed since Adam saw Mia and their connection was seemingly destroyed. A chance of fate brings the two back together for one day to face the demons that brought their relationship a halt as their lives skyrocketed away from them both. Highly recommend a read, especially if Where She Went pulled at your heart strings and kept you turning page after page, as it did to me.
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