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Night Reader Reviews (683 KP) rated NOS4A2 in Books
Apr 26, 2020
Just Because Review
While I imagine a few already know this it is important to note that Joe Hill is Stephen King's son, which is actually what made me interested in his work. This book reflects the works of Stephen King so much that I almost thought he was the actual author. It is very clear that this book resides in the same universe as Stephen King's works. It mentions things like the Pennywise Circus and True Knot (Doctor Sleep). It also reminded me of Christine and multiple people in the book have "a touch of the shinning" and if readers pay attention they may notice elements from Dreamcatcher and Finders Keepers as well.
As a child, Vic discovers a bike that gives her the ability to cross the Shorter Way Bridge to locate lost things, so long as they are in a fixed position. The bad thing about this is that using the ability has its cost and the price she must pay is the risk of losing part of her mind each time she goes across. One day after fighting with her mother she takes off across the bridge looking for trouble and finds just that in Charles Manx. Luckily she manages to escape but Charles Manx will forever hold a grudge against her and she will see him again after she is an adult and has convinced herself that the Shorter Way Bridge was just a fantasy from a delusional mind.
I highly recommend this book. The only reason why it did not get a 5 out of 5 was that while the story was original the world felt to firmly set in the Stephen King universe and I am not sure if that was intentional or if it was just a by-product of the household that Joe Hill grew up in.
For more reviews check out Night Reader on Smashbomb.com or Night Reader Reviews on Facebook
As a child, Vic discovers a bike that gives her the ability to cross the Shorter Way Bridge to locate lost things, so long as they are in a fixed position. The bad thing about this is that using the ability has its cost and the price she must pay is the risk of losing part of her mind each time she goes across. One day after fighting with her mother she takes off across the bridge looking for trouble and finds just that in Charles Manx. Luckily she manages to escape but Charles Manx will forever hold a grudge against her and she will see him again after she is an adult and has convinced herself that the Shorter Way Bridge was just a fantasy from a delusional mind.
I highly recommend this book. The only reason why it did not get a 5 out of 5 was that while the story was original the world felt to firmly set in the Stephen King universe and I am not sure if that was intentional or if it was just a by-product of the household that Joe Hill grew up in.
For more reviews check out Night Reader on Smashbomb.com or Night Reader Reviews on Facebook
When Men & Mountains Meet: Like the Desire for Drink or Drugs, the Craving for Mountains is Not Easily Overcome
Book
'We had climbed a mountain and crossed a pass; been wet, cold, hungry, frightened, and withal happy....
RəX Regent (349 KP) rated The Passion of Joan of Arc (1928) in Movies
Feb 19, 2019
Silent cinema is not my strongest subject but one which I have been making a concerted effort to learn about over the past decade, but admittedly at a slow pace. The idea of sitting through a silent film can seem to be chore to a modern audience and to be honest, it can be inconceivable to the vast majority, but these attitudes only serve to deprive us of 30 years of cinema, both in primitive evolution and cinematic excellence.
The notion is that silent movies where almost amateurish is style, a three decade long film school to keep up occupied until the Talkies turned up and “film” as we know it, was born. This is wrong. Film is visual medium, Movies, moving pictures, all of which were accompanied by music by the way, so the term “silent” only really refers to the lack of synchronized sound and dialogue.
ydvjeYet, the core of film is visual. Modern cinema is a about perfecting the mesh of media forms, music, photography, narrative and sound. But without dialogue, silent movies had a challenge on their hands and one which The Passion Of Joan Of Arc, one of the last silent movies of the era, rose to perfectly.
Visually, this could have been made yesterday. A truly timeless blend of artistic and innovative cinematography, fast paced editing and outstanding performances. The Danish director, Carl Theodore Dreyer mastered the close up, naturalistic acting and manages to tell the procedural story of the trial of Joan Of Arc in such a gripping manner that you will forget that there is no spoken dialogue, yet you are literally putting the intertitles in to the mouths of the cast.
Not a single cast member is wasted, with every one pouring their hearts and souls in to the camera in such nuanced ways that it can be left to debate and interpretation as to exactly who is thinking or feeling what as Joan, Maria Falconetti in her third and final film role, steals the screen with her tortured soul and face shown almost entirely in close up.
the-passion-of-joan-of-arc-large-pictureOver acting has given way to strong acting, each shot designed to allow us access to her soul as she, in a plot not to dissimilar from the last hours of Jesus Christ, is torn between torture and certain death of abandoning her faith and spending the rest of her life imprisoned with only bread and water to look forward too.
The script is based on the actually accounts of the future saint’s trial in 1431 but the real events took place over 18 months whilst this either compresses this into one day or takes place on the last one, but the feeling is that this is the one and only trial of Joan so in that sense, theatrical licence has been taken but it hardly matters. The facts are present and the story is harrowing, made more so by an almost perfect production, led by a controversial, almost Kubrickian director, forcing his cast to suffer for their art, yet this version of events is also contested.
joan-of-arc-soundtrackFor everyone out there who believes that Silent movies are just cut to the chase comedies, or overly flamboyant and patronising filler until “real films” are made, this may just serve as wake up call, that films have evolved, but Sound would actually set the industry back in the 1930’s, as the new audio based art form evolved just as movies had up until this point., but Joan Of Arc should help all see that film has always been able to convey anything, from humour to horror; Real of make-believe.
Many believe that this movie is one of the best ever made and I do believe that to be true. An outstanding and forgotten film to all but critics and film buffs, one which everyone should see.
VERSION
The version which I watched was The Criterion Edition of the 1985 restoration of Dreyer’s “Lost” original cut. The music to this film was never deemed to be that important so there are several compositions which have been attached to the film over the years.
The “Lo Duca” cut, which was the a 61 minute version (1951) doing the rounds for years after the original cut was lost in a fire soon after the film’s release, was cut together by Joseph-Marie Lo Duca after discovering a negative in a vault. This version, as well as the “Director’s Cut” are both available on the Blu-ray, whilst it appeared that the 1985 restoration (Director’s Cut) is more widely available on DVD.
The notion is that silent movies where almost amateurish is style, a three decade long film school to keep up occupied until the Talkies turned up and “film” as we know it, was born. This is wrong. Film is visual medium, Movies, moving pictures, all of which were accompanied by music by the way, so the term “silent” only really refers to the lack of synchronized sound and dialogue.
ydvjeYet, the core of film is visual. Modern cinema is a about perfecting the mesh of media forms, music, photography, narrative and sound. But without dialogue, silent movies had a challenge on their hands and one which The Passion Of Joan Of Arc, one of the last silent movies of the era, rose to perfectly.
Visually, this could have been made yesterday. A truly timeless blend of artistic and innovative cinematography, fast paced editing and outstanding performances. The Danish director, Carl Theodore Dreyer mastered the close up, naturalistic acting and manages to tell the procedural story of the trial of Joan Of Arc in such a gripping manner that you will forget that there is no spoken dialogue, yet you are literally putting the intertitles in to the mouths of the cast.
Not a single cast member is wasted, with every one pouring their hearts and souls in to the camera in such nuanced ways that it can be left to debate and interpretation as to exactly who is thinking or feeling what as Joan, Maria Falconetti in her third and final film role, steals the screen with her tortured soul and face shown almost entirely in close up.
the-passion-of-joan-of-arc-large-pictureOver acting has given way to strong acting, each shot designed to allow us access to her soul as she, in a plot not to dissimilar from the last hours of Jesus Christ, is torn between torture and certain death of abandoning her faith and spending the rest of her life imprisoned with only bread and water to look forward too.
The script is based on the actually accounts of the future saint’s trial in 1431 but the real events took place over 18 months whilst this either compresses this into one day or takes place on the last one, but the feeling is that this is the one and only trial of Joan so in that sense, theatrical licence has been taken but it hardly matters. The facts are present and the story is harrowing, made more so by an almost perfect production, led by a controversial, almost Kubrickian director, forcing his cast to suffer for their art, yet this version of events is also contested.
joan-of-arc-soundtrackFor everyone out there who believes that Silent movies are just cut to the chase comedies, or overly flamboyant and patronising filler until “real films” are made, this may just serve as wake up call, that films have evolved, but Sound would actually set the industry back in the 1930’s, as the new audio based art form evolved just as movies had up until this point., but Joan Of Arc should help all see that film has always been able to convey anything, from humour to horror; Real of make-believe.
Many believe that this movie is one of the best ever made and I do believe that to be true. An outstanding and forgotten film to all but critics and film buffs, one which everyone should see.
VERSION
The version which I watched was The Criterion Edition of the 1985 restoration of Dreyer’s “Lost” original cut. The music to this film was never deemed to be that important so there are several compositions which have been attached to the film over the years.
The “Lo Duca” cut, which was the a 61 minute version (1951) doing the rounds for years after the original cut was lost in a fire soon after the film’s release, was cut together by Joseph-Marie Lo Duca after discovering a negative in a vault. This version, as well as the “Director’s Cut” are both available on the Blu-ray, whilst it appeared that the 1985 restoration (Director’s Cut) is more widely available on DVD.
Micky Barnard (542 KP) rated The Ones Who Got Away (The Ones Who Got Away, #1) in Books
Jan 26, 2019
Something good emerges from the wreckage
THE ONES WHO GOT AWAY has the makings of an excellent series. Book one, of the same name, builds some of the background but focuses in on Liv and Finn. The characters, both main and side are survivors of a high school trauma and remain affected into their 30s.
The book started off with an intense bang and slowly but surely lost a bit of traction, leaving a lull. I have still rated it four stars because by 40% it had grabbed by attention fully. The story built and built to an emotional and impactful ending.
Finn and Liv have a second chance story to tell and it was believable. I found their feelings for one another powerful and feverish which fit with their traumatic past. Both characters were well developed and I liked them. Finn, in particular, made for some serious hero swoon. That cover, well let’s just say that’s brought to life. The side characters of Rebecca, Kincaid and Taryn have me intrigued from their stories.
So, I guess I wanted this to blow me away following the beginning but I did really like it. I think some of the background to build the series might have impeded the flow but I’ll be reading the next in the series and generally checking out Roni Loren’s other books.
A copy of this book was provided by the publisher through netgalley in return for a honest review.
The book started off with an intense bang and slowly but surely lost a bit of traction, leaving a lull. I have still rated it four stars because by 40% it had grabbed by attention fully. The story built and built to an emotional and impactful ending.
Finn and Liv have a second chance story to tell and it was believable. I found their feelings for one another powerful and feverish which fit with their traumatic past. Both characters were well developed and I liked them. Finn, in particular, made for some serious hero swoon. That cover, well let’s just say that’s brought to life. The side characters of Rebecca, Kincaid and Taryn have me intrigued from their stories.
So, I guess I wanted this to blow me away following the beginning but I did really like it. I think some of the background to build the series might have impeded the flow but I’ll be reading the next in the series and generally checking out Roni Loren’s other books.
A copy of this book was provided by the publisher through netgalley in return for a honest review.
Nick McCabe recommended The Infamous by Mobb Deep in Music (curated)
Mark @ Carstairs Considers (2603 KP) rated Pint of No Return in Books
Jul 8, 2021 (Updated Jul 8, 2021)
Delicious Debut
After finding out that her ex-husband was a thrice-married embezzler, Trinidad Jones moved to Upper Sprocket, Oregon. The reason? Her ex left her a storefront, and she is going to open a shake shop there. One afternoon, she finds a neighboring store owner dead in the back of his popcorn shop. The police start to look at Juliette, one of Trinidad’s fellow ex-wives, as the killer. Trinidad doesn’t think that Juliette committed the crime, but can she trust her instincts?
I found myself at once drawn into the book as I struggled to fully get lost in the world. There were small details that we didn’t get right away that kept me from fully getting emmeshed in the story. On the other hand, the characters were wonderful, and those relationships kept drawing me in. The pacing was a little off a couple of times, but it held my interest as I read, and it led to a great climax. The book does a good job of balancing tone. At times, it’s light, but other times it gets serious. The combination makes for a richer book. I appreciated the slight twist on the cozy mystery set up. The ice cream scenes made my drool, and I appreciate the recipe at the end of the book. I can’t wait to revisit these characters when the second in this series comes out.
I found myself at once drawn into the book as I struggled to fully get lost in the world. There were small details that we didn’t get right away that kept me from fully getting emmeshed in the story. On the other hand, the characters were wonderful, and those relationships kept drawing me in. The pacing was a little off a couple of times, but it held my interest as I read, and it led to a great climax. The book does a good job of balancing tone. At times, it’s light, but other times it gets serious. The combination makes for a richer book. I appreciated the slight twist on the cozy mystery set up. The ice cream scenes made my drool, and I appreciate the recipe at the end of the book. I can’t wait to revisit these characters when the second in this series comes out.
After the Eclipse: A Mother's Murder, a Daughter's Search
4.0
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A fierce memoir of a mother's murder, a daughter's coming-of-age in the wake of immense loss, and...
Biography memoir true crime
Use Somebody
8.0
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For straitlaced Scarlett Rossi, college was supposed to be all about finding herself. But when a...
New Adult Contemporary Romance
Phillip McSween (751 KP) rated Toy Story (1995) in Movies
Jan 22, 2018
Classic
Toy Story's magic amazingly manages to hold decades after its 1995 release. Woody (Tom Hanks), a toy cowboy, is used to being king of the roost in owner Andy's home. When a shiny new toy shows up by the name of Buzz Lightyear (Tim Allen), Buzz and Woody have to figure out a way to coexist in Andy's room.
While the movie largely revolves around the big characters of Buzz and Woody, Toy Story would be nothing without the rest of its fun and lovable crew. My personal favorite was Rex (Wallace Shawn) a T-Rex scared of disappointing any and everyone. His numerous moments of distress keep the comedy level ramped up. He is the antithesis of a film that stresses living in the now as he is always worried about what's going to happen next.
It's an adventure that takes you all over the place while breaking animation barriers in the process. You'll explore an exciting world through the eyes of tiny toys where everything is much bigger. From racing through Pizza Planet and escaping "The Claw" (Ohhhhhhh) to harrowing escapes from attack dogs and evil neighbor kids, you're never bored from one moment to the next. Seriously, what's not to like?
There are so many classic scenes, it's hard to keep track. One scene in particular saw Woody trying to communicate with the other toys from neighbor Sid's window. He's trying to prove that Buzz is still alive but only has Buzz's arm. All hell breaks loose when the other toys realize the truth. The scene is less than two minutes, but easily one of the most memorable.
I saw this film for the first time when I was eleven and the message was lost on me then. Years later, it's staring me dead in the face: It's about not trying to be something you aren't but rather focusing on being the best YOU you can be. It's a magical film that takes us back to a time before video games were everything. The first of one of the best trilogies ever done, I give it a solid 98.
While the movie largely revolves around the big characters of Buzz and Woody, Toy Story would be nothing without the rest of its fun and lovable crew. My personal favorite was Rex (Wallace Shawn) a T-Rex scared of disappointing any and everyone. His numerous moments of distress keep the comedy level ramped up. He is the antithesis of a film that stresses living in the now as he is always worried about what's going to happen next.
It's an adventure that takes you all over the place while breaking animation barriers in the process. You'll explore an exciting world through the eyes of tiny toys where everything is much bigger. From racing through Pizza Planet and escaping "The Claw" (Ohhhhhhh) to harrowing escapes from attack dogs and evil neighbor kids, you're never bored from one moment to the next. Seriously, what's not to like?
There are so many classic scenes, it's hard to keep track. One scene in particular saw Woody trying to communicate with the other toys from neighbor Sid's window. He's trying to prove that Buzz is still alive but only has Buzz's arm. All hell breaks loose when the other toys realize the truth. The scene is less than two minutes, but easily one of the most memorable.
I saw this film for the first time when I was eleven and the message was lost on me then. Years later, it's staring me dead in the face: It's about not trying to be something you aren't but rather focusing on being the best YOU you can be. It's a magical film that takes us back to a time before video games were everything. The first of one of the best trilogies ever done, I give it a solid 98.
Carma (21 KP) rated Saving Samantha: A Single Dad Romance (The Redwood Billionaires Series Book 1) in Books
Jun 17, 2019
Samantha is looking forward to her wedding day, the day all her dreams will come true. The morning of dawns with a missing groom and a Dear Jane letter explaining how the groom fell in love
with the best man. Samantha decides to go on her honeymoon to the mountains of Colorado by herself to get away and regroup. A hike in the woods one day to clear her head, quickly turns into a nightmare.
Weston hasnt yet come to terms with the loss of his wife 4 years ago. He was a horrible husband and father, fueled by the need for making more money and growing his family business into something bigger and bigger. He realized too late just how much he was giving up each and every day. After his loss, he moved with his son to the mountains of Colorado. Cheryl had always talked about moving there to just get away and back to their family roots. He felt as if he owed that too her for the very least. One day while exercising his horses in a rainstorm he comes across and unconscious woman in the woods. He brings her home and they nurse her back to health.
Samantha wakes up in a house in the woods after getting lost in the woods. A man, his son and housekeeper wait on her hand and foot and she is starting to feel a little more normal. They invite her to spend the night and she happily accepts hoping to come out on the other side of this nightmare.
Weston and Samantha find themselves interested in each other but not really knowing where the other one stands. Weston knows she was just left on her wedding day and she sees he is still wearing his wedding ring. Can they have and honest talk with one another and lay all their cards on the table?
I enjoyed this novel, as I have from the other novels Ive read by the author. There are some parts I felt are a little lacking of content but words to just have words to count. Aside from that the story moves well and the flow is satisfying, 4 stars.
Weston hasnt yet come to terms with the loss of his wife 4 years ago. He was a horrible husband and father, fueled by the need for making more money and growing his family business into something bigger and bigger. He realized too late just how much he was giving up each and every day. After his loss, he moved with his son to the mountains of Colorado. Cheryl had always talked about moving there to just get away and back to their family roots. He felt as if he owed that too her for the very least. One day while exercising his horses in a rainstorm he comes across and unconscious woman in the woods. He brings her home and they nurse her back to health.
Samantha wakes up in a house in the woods after getting lost in the woods. A man, his son and housekeeper wait on her hand and foot and she is starting to feel a little more normal. They invite her to spend the night and she happily accepts hoping to come out on the other side of this nightmare.
Weston and Samantha find themselves interested in each other but not really knowing where the other one stands. Weston knows she was just left on her wedding day and she sees he is still wearing his wedding ring. Can they have and honest talk with one another and lay all their cards on the table?
I enjoyed this novel, as I have from the other novels Ive read by the author. There are some parts I felt are a little lacking of content but words to just have words to count. Aside from that the story moves well and the flow is satisfying, 4 stars.