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Mark @ Carstairs Considers (2165 KP) rated Death at a Country Mansion in Books
Dec 24, 2020
Dead Diva
Dame Serena Levante was a world-renowned opera singer. She’s also the mother of Daisy Thorne’s best friend, Floria, so when news comes that Serena is dead, Daisy rushes to Serena’s mansion outside of the English village of Edgemead. The police quickly see that it was murder, and they believe that robbery was involved since an expensive painting is also missing from the mansion. Daisy owns the local hair salon, and it is a hub of gossip. As a result, she begins to hear things that might help the police in their quest to find out what happened. Can she get the gruff inspector to listen to her?
I wasn’t planning to read this book until I started hearing great things about it, and I’m glad I picked it up. The mystery starts out right away, and we have plenty of twists and turns. The climax wraps everything up neatly for us. Serena was the kind of woman who left behind many suspects, something I always enjoy. We don’t get to know all the suspects super well, but because we like Daisy and Floria, we care about the outcome. We meet some other regulars, and I’m looking forward to spending more time with all of the cast. There are a few things that could have been smoothed out better, including a timeline issue, but they are minor overall. The book is shorter than many today, but there wasn’t a wasted scene. Overall, this is an enjoyable debut, and I’m looking forward to visiting Daisy again soon.
I wasn’t planning to read this book until I started hearing great things about it, and I’m glad I picked it up. The mystery starts out right away, and we have plenty of twists and turns. The climax wraps everything up neatly for us. Serena was the kind of woman who left behind many suspects, something I always enjoy. We don’t get to know all the suspects super well, but because we like Daisy and Floria, we care about the outcome. We meet some other regulars, and I’m looking forward to spending more time with all of the cast. There are a few things that could have been smoothed out better, including a timeline issue, but they are minor overall. The book is shorter than many today, but there wasn’t a wasted scene. Overall, this is an enjoyable debut, and I’m looking forward to visiting Daisy again soon.
Andy K (10821 KP) rated Waxwork (1988) in Movies
Oct 13, 2019
Several teenagers encounter an ominous looking building housing a curious wax museum in their neighborhood one fine day. The proprietor is an evil Willy Wonka of sorts who invites them in for a look see. Once inside they discover the curious life-like looking exhibits which peak their individual curiosities. They soon discover the chilling truth. Once the velvet rope guarding each individual chamber pulls itself aside, an unsuspecting young person is transported to the specific realm depicted from the outside. These could include the mummy, the Phantom of the Opera and even the Marquis de Sade.Not only must they try and escape and not get caught by the evil creatures within, but they have to discover the overall diabolical plan for their destruction.
I had forgotten about this 80s cheesy horror flick until a recent stroll though Amazon Prime. The main reason for watching is the practical effects, They were cool by 80s standards; albeit a bit cheesy now. Having said so, I would still much rather have practical effects rather than bad CGI which completely takes you out of the scene. At least with practical effects, they are being executed on set so the actors can interact with them rather than staring at a blank wall.
There was some decent gore and semi funny moments as well. Parts of it reminded me of a Evil Dead type camp where they were not trying t take themselves too seriously, but I do not know if that as their intention.
I had forgotten about this 80s cheesy horror flick until a recent stroll though Amazon Prime. The main reason for watching is the practical effects, They were cool by 80s standards; albeit a bit cheesy now. Having said so, I would still much rather have practical effects rather than bad CGI which completely takes you out of the scene. At least with practical effects, they are being executed on set so the actors can interact with them rather than staring at a blank wall.
There was some decent gore and semi funny moments as well. Parts of it reminded me of a Evil Dead type camp where they were not trying t take themselves too seriously, but I do not know if that as their intention.
Mark @ Carstairs Considers (2165 KP) rated Broken Heart Attack in Books
Oct 24, 2022
Deadly Theater
When Kellan Ayrwick attends a dress rehearsal of King Lear with Nana D. and her friends, he expects the deaths to stay on stage. But not too long into the second act, he realizes that Gwendolyn Paddington isn’t asleep on his shoulder, but she’s passed away. Gwendolyn had been saying someone in her family was trying to kill her. Is that true? If so, can Kellan figure out who did it?
When you have a book with characters as dysfunctional as the Paddington family, it always makes me appreciate my own family. But it also makes for a great mystery plot, and that’s the case again here. There are plenty of twists along the way to catching the killer at the end. While some of the characters can be over the top, we care about enough of them, including Kellan, to keep us invested in the book. I did feel like the humor was hit and miss for me here. Sometimes, the character’s teasing worked, and other times it felt like they were picking on Kellan more than actually teasing him. Unfortunately, there were some timeline issues and a red herring that felt like it jumped quite a bit. Both could have been resolved with a good editor. There are several sub-plots involving Kellan and his family. While they veered a little more into soap opera territory than is typical for the books I read, they have me hooked and I can’t wait to make time for the next book to find out what happens.
When you have a book with characters as dysfunctional as the Paddington family, it always makes me appreciate my own family. But it also makes for a great mystery plot, and that’s the case again here. There are plenty of twists along the way to catching the killer at the end. While some of the characters can be over the top, we care about enough of them, including Kellan, to keep us invested in the book. I did feel like the humor was hit and miss for me here. Sometimes, the character’s teasing worked, and other times it felt like they were picking on Kellan more than actually teasing him. Unfortunately, there were some timeline issues and a red herring that felt like it jumped quite a bit. Both could have been resolved with a good editor. There are several sub-plots involving Kellan and his family. While they veered a little more into soap opera territory than is typical for the books I read, they have me hooked and I can’t wait to make time for the next book to find out what happens.
Rachel King (13 KP) rated Savage Nature (Leopard People #4) in Books
Feb 11, 2019
I have only read the short story that fits into the Leopard People series, so I am sure there is much that I am missing about this series. I wanted to read this book mostly because of the Louisiana bayou setting, my home state. Even though I spent most of my life in Louisiana, I did not spend much time at all in the bayou, so this was as much a nostalgic experience as an education for me. I found Christine Feehan's descriptions and uses of the setting to be very well written and quite engrossing, as this actually kept me involved enough in the book to keep reading, over the actual plot.
Much like when I read the short story in Fantasy by Christine Feehan, I found the plot to be overly dramatic and forced. Every scene, every interaction was told with such extreme emotion that I had to wonder if these characters ever had a chance to relax. The melodrama felt like something out of a t.v. soap opera with no natural flow to the time line.
I did like a few of the characters, such as Saria and the woman who ran the inn. Many of the characterizations matched the typical stereotypes of the Cajun people who reside in the backwaters of Louisiana. The dialogue hinted at the Cajun accent without muddling the vocabulary so much that I would have difficulty reading it.
While I loved Christine Feehan's use of Louisiana culture in Savage Nature (Leopard), I do not think I will be continuing to read any more of the Leopard People series.
Much like when I read the short story in Fantasy by Christine Feehan, I found the plot to be overly dramatic and forced. Every scene, every interaction was told with such extreme emotion that I had to wonder if these characters ever had a chance to relax. The melodrama felt like something out of a t.v. soap opera with no natural flow to the time line.
I did like a few of the characters, such as Saria and the woman who ran the inn. Many of the characterizations matched the typical stereotypes of the Cajun people who reside in the backwaters of Louisiana. The dialogue hinted at the Cajun accent without muddling the vocabulary so much that I would have difficulty reading it.
While I loved Christine Feehan's use of Louisiana culture in Savage Nature (Leopard), I do not think I will be continuing to read any more of the Leopard People series.
Charlie Cobra Reviews (1840 KP) rated Manifest in TV
Jul 7, 2020
Intriguingly Good
Manifest is a supernatural/drama tv series created by Jeff Rake and executive producer Robert Zemeckis. It is produced by Compari Entertainment, Jeff Rake Productions, Universal Television and Warner Bros. Television and distributed by NBC Universal Television Distributions and Warner Bros. Television Distributions. It stars Melissa Roxburgh, Josh Dallas, Athena Karkanis, J.R. Ramirez and Luna Blaise.
The passengers and crew aboard Montego Air Flight 828 from Jamaica to New York City are shocked to learn that when they experienced a brief period of severe turbulence over five and a half years have passed. The National Security Agency informs them that during the time they were presumed dead. As the passengers realize their lives and loved ones are not the same as they were before, they also begin experiencing strange visions and hearing voices guiding them about events yet to occur.
This show was very intriguing and got me hooked from the first episode. The cast is great and they are all very good actors even the children. It's a decent mix of supernatural mystery with drama, and it kept that way through the first season. It has a very compelling premise and kept me along for the ride but I didn't really like the whole drama part of it too much. Seemed to much like a soap opera to me. Also sometimes it feels like it doesn't do enough to push itself further plot wise and stagnated in certain episodes or through characters actions. Still pretty interesting and worth a watch if it peeked your interest. I give it a 6/10.
The passengers and crew aboard Montego Air Flight 828 from Jamaica to New York City are shocked to learn that when they experienced a brief period of severe turbulence over five and a half years have passed. The National Security Agency informs them that during the time they were presumed dead. As the passengers realize their lives and loved ones are not the same as they were before, they also begin experiencing strange visions and hearing voices guiding them about events yet to occur.
This show was very intriguing and got me hooked from the first episode. The cast is great and they are all very good actors even the children. It's a decent mix of supernatural mystery with drama, and it kept that way through the first season. It has a very compelling premise and kept me along for the ride but I didn't really like the whole drama part of it too much. Seemed to much like a soap opera to me. Also sometimes it feels like it doesn't do enough to push itself further plot wise and stagnated in certain episodes or through characters actions. Still pretty interesting and worth a watch if it peeked your interest. I give it a 6/10.
Patricia Heaton recommended Romeo and Juliet (1968) in Movies (curated)
LoganCrews (2861 KP) rated Jarhead (2005) in Movies
Sep 20, 2020
𝘉𝘰𝘯𝘦𝘩𝘦𝘢𝘥. At least 90% surface-level and even more largely reductive - of course it is - but it's also totally incompetent. A 2+ hour torture session slog through a barren wasteland visually (Deakins of course shoots the living hell out of it, so there's some damn fine imagery every now and again but Jesus Christ could we do more than two fucking [mawkish and over-obviously symbolized] colors for this whole thing?) but moreso narratively, where this has absolutely nothing to say. You'd think this intentionally dances right around any sort of gift-wrapped commentary about the Gulf War, toxic masculinity, the late 1980s, the American military for young men, or literally anything at all with how dead and non-thematic this awkward crawl is. It can't even be bothered in exploring its own characters lives, I kept forgetting who these people even were - the movie clearly didn't care about them so why should I? Also has the same problem most of these one-dimensional, pandering, tedious war flicks have where it rushes right through the supposed pivotal moment all of this arduous buildup was clearly meant for when they all return home and it's only like 5 minutes of soap opera-level crap and a cheesy 'mic drop' finisher. At its best when it gets weird and Sam Mendes-y, and I can't say it's without solid moments of haunt - plus Gyllenhaal, Sarsgaard, and Foxx keep it marginally more tolerable - but even if it *could* handle its tone (spoiler alert, it can't) this still plays like it was made by complete idiots who only cared about this being would-be Oscar bait.
I have to admit, I’m not a huge fan of opera, but Diva held me in its thrall from the off. Maria Callas’ life was fascinating: she was dramatic, striking, dedicated and vulnerable. Her mother had exploited her voice in Nazi-occupied Greece, which Maria never forgave her for, and she cuts her off when she makes it big. But even though Callas makes out that she can’t be used again for other’s financial gain, it does happen.
Then she meets Aristotle Onassis - the love of her life. This relationship must have looked so romantic at the time, and it seems that Maria thought so. She believed that Onassis saw her for who she really was. I thought this was where her vulnerability was really brought to the fore - and as she lets her guard down, he does the inevitable and lets her down.
I really liked the way this was set out: Callas’ career was interspersed with flashbacks of her early life, and as I was listening to the audiobook there were excerpts from songs (arias?)in between chapters. I actually headed to Spotify to listen to more after listening to a couple of these (there’s a playlist linked to the book: Diva by Daisy Goodwin). The narrator, Lorelei King made for an excellent Maria Callas as well as ‘just’ a narrator. She was very convincing.
I was completely sucked in to Maria Callas’ life whilst I was listening to this. She was quite some woman, and she was brought to life whilst I listened. My only complaint is that it ended too soon!
Then she meets Aristotle Onassis - the love of her life. This relationship must have looked so romantic at the time, and it seems that Maria thought so. She believed that Onassis saw her for who she really was. I thought this was where her vulnerability was really brought to the fore - and as she lets her guard down, he does the inevitable and lets her down.
I really liked the way this was set out: Callas’ career was interspersed with flashbacks of her early life, and as I was listening to the audiobook there were excerpts from songs (arias?)in between chapters. I actually headed to Spotify to listen to more after listening to a couple of these (there’s a playlist linked to the book: Diva by Daisy Goodwin). The narrator, Lorelei King made for an excellent Maria Callas as well as ‘just’ a narrator. She was very convincing.
I was completely sucked in to Maria Callas’ life whilst I was listening to this. She was quite some woman, and she was brought to life whilst I listened. My only complaint is that it ended too soon!
Rachel King (13 KP) rated Never Let You Go in Books
Feb 11, 2019
I was originally drawn to this book because it was about a mother fighting for her daughter. As a mother of two young daughters who has already been through quite a bit of fighting for them, I can relate. Once I got into the book, I was a bit put off partly because I was introduced to too many characters so soon into the plot and a lack of unique characterization made it difficult for me to keep up with the plot (and this is coming from someone who has read Sara Douglass). A second reason was that it somewhat reminded me of another book I read recently with the meth theme. Drugs are just not something that I purposely want to read about in my fiction. The only thing that really kept me reading was Lexi's relationship with her daughter, Molly. Along the way, I discovered that there actually is a fantasy-like aspect to the book that is difficult to see for at least half the book. This is probably as close as you can get to the fantasy genre without actually qualifying for the classification. I so badly wanted the book to come "out with it" over the supernatural aspect that I flew through the rest of the book. The ending was mostly satisfying in that the bad guy gets his just desserts and all the lose ends are tied up appropriately, but my fantasy-loving side wanted a more fantastical intervention than what actually occurred. At times, the plot felt like a soap-opera, with Lexi's affair and two other characters being convicts, as well as Ward's constant harrassments and almost reality-defying omnipresence. I would describe the book as high-intensity suspense combined with overdramatic reality and a dash of supernatural.