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Andrew Kennedy (199 KP) rated Alien: Covenant (2017) in Movies
Aug 31, 2020
Contains spoilers, click to show
A new Alien film is something I look forward too. They promised we would find out about xeno origins and see new strains. Plus, Ridley was directing, what could go wrong?
You could end up making a film that feels like a remake of the first film.
The set up to get us to the planet, crew interaction and things going badly wrong on the planet feels so familiar.
So the positives, Michael Fassbender is outstanding in his performance as Walter/David. He seriously acts rings round anybody else.
The score is fabulous and rich.
Danny McBride is also noteworthy for his performance.
Katherine Waterston is likeable but feels like trying to be Ripley but not.
Negatives the Xenos get very little screen time. I think were 45 mins+ in before we see one.
Billy Crudup is very unlikeable and his death barely made me care.
The origin story ending up been David created the xenos. I don't know this stuck in my craw a bit. I just feel vengeful synthetic created the ultimate organism is a bit of a let down.
After, the first film Scott said he expected other sequels to ask "where did the xeno come from?" question.
The problem is that question is difficult to give a satisfactory answer too. Like most fandom people have there own theories and in truth does it matter?
Covenant has big ideas, it just doesn't execute them all properly.
You could end up making a film that feels like a remake of the first film.
The set up to get us to the planet, crew interaction and things going badly wrong on the planet feels so familiar.
So the positives, Michael Fassbender is outstanding in his performance as Walter/David. He seriously acts rings round anybody else.
The score is fabulous and rich.
Danny McBride is also noteworthy for his performance.
Katherine Waterston is likeable but feels like trying to be Ripley but not.
Negatives the Xenos get very little screen time. I think were 45 mins+ in before we see one.
Billy Crudup is very unlikeable and his death barely made me care.
The origin story ending up been David created the xenos. I don't know this stuck in my craw a bit. I just feel vengeful synthetic created the ultimate organism is a bit of a let down.
After, the first film Scott said he expected other sequels to ask "where did the xeno come from?" question.
The problem is that question is difficult to give a satisfactory answer too. Like most fandom people have there own theories and in truth does it matter?
Covenant has big ideas, it just doesn't execute them all properly.
Kristy H (1252 KP) rated The Guest Room in Books
Feb 13, 2018
Richard Chapman reluctantly agrees to host his younger brother's bachelor party--at his own home. He suspects his brother, Philip, and Philip's good friend Spencer may be hiring some "entertainment" for the party, but isn't expecting the two women and Russian bodyguards who show up for the evening. Nor is Richard expecting what follows -- an evening of drinking, partying, sex, and suddenly - murder, when the women kill their bodyguards and disappear. Suddenly, Richard finds himself trying to explain what happened to his wife, their young daughter, his employer, and the world at large. Further he finds himself haunted by memories of his interactions with one of the girls, Alexandra.
This was an interesting book with a somewhat fascinating premise. It brings up a lot of questions about morality. What role does our society play when it comes to bachelors parties -- and what is the expectation of those attending? And the spouses and fiancees on the other side? What do we tell ourselves about the origin of the "talent" that appears at such functions? Bohjalian attempts to explore these questions through Richard's story - which unfolds from Richard's perspective, that of his wife, Kristin, and one of the hired girls, Alexandra. It becomes almost a bit of a thriller - as we piece together bits before the party, the aftermath, and also learn what led up to the girls' fateful decision.
A bit of the book lags in the beginning, but it picks up quickly and becomes quite compelling. One would think Richard would be the main character, but for me, the story revolved around Alexandra. Her tale is the most thought-provoking and insightful. At points, the novel is simply heart-breaking. Richard's sections are often irritating and frustrating, as you can only have so much sympathy for the man at points. Kristin is a good go-between - the innocent bystander blindsided by what occurred in her home when she was not there.
Overall, the book weaves the story nicely around its characters. Little details give a nuanced perspective that authors less experienced than Bohjalian may lack (he's also one of the few authors that has me hitting the dictionary from time to time to look up words). There was a time when I really felt my rating for this could range from 2 - 4 stars. It received a bump for the ending, which just felt fitting, and for Alexandra, who was a lovely protagonist and written in such a quiet way that doesn't come along very often. In the end, this felt more than a "life in suburbia gone terribly wrong" story - it was cold and heartless, yet heart-breaking and compassionate. A worthwhile read, for sure.
(Note: I received an ARC from Netgalley in return for an unbiased review.)
This was an interesting book with a somewhat fascinating premise. It brings up a lot of questions about morality. What role does our society play when it comes to bachelors parties -- and what is the expectation of those attending? And the spouses and fiancees on the other side? What do we tell ourselves about the origin of the "talent" that appears at such functions? Bohjalian attempts to explore these questions through Richard's story - which unfolds from Richard's perspective, that of his wife, Kristin, and one of the hired girls, Alexandra. It becomes almost a bit of a thriller - as we piece together bits before the party, the aftermath, and also learn what led up to the girls' fateful decision.
A bit of the book lags in the beginning, but it picks up quickly and becomes quite compelling. One would think Richard would be the main character, but for me, the story revolved around Alexandra. Her tale is the most thought-provoking and insightful. At points, the novel is simply heart-breaking. Richard's sections are often irritating and frustrating, as you can only have so much sympathy for the man at points. Kristin is a good go-between - the innocent bystander blindsided by what occurred in her home when she was not there.
Overall, the book weaves the story nicely around its characters. Little details give a nuanced perspective that authors less experienced than Bohjalian may lack (he's also one of the few authors that has me hitting the dictionary from time to time to look up words). There was a time when I really felt my rating for this could range from 2 - 4 stars. It received a bump for the ending, which just felt fitting, and for Alexandra, who was a lovely protagonist and written in such a quiet way that doesn't come along very often. In the end, this felt more than a "life in suburbia gone terribly wrong" story - it was cold and heartless, yet heart-breaking and compassionate. A worthwhile read, for sure.
(Note: I received an ARC from Netgalley in return for an unbiased review.)
BookblogbyCari (345 KP) rated Origin in Books
Aug 14, 2018
Book Review by Cari Mayhew.
This is arguably the best Dan Brown book yet! I had been a big Dan Brown fan up until I read The Lost Symbol, which is his most tedious Robert Langdon book. But The Origin has made me a fan once again!
In the prologue, an accomplished computer scientist and atheist secretly meets up with 3 religious leaders, and there are 100 pages of build up before the scientist makes his announcement public – only to be assassinated a moment before his discovery is announced.
Central character Robert Langdon and his companion, the future queen of Spain, set out to unravel the mystery and make it public. But, halfway through the book, conspiracy theorists go wild - Robert is made out to be a kidnapper and becomes a wanted man.
As you might imagine, Dan Brown enabled the scientist’s message to be revealed, and this involved a science lesson for the reader. It was 2 chapters long, and to be honest I thoroughly enjoyed it.
Dan Brown’s Robert Landon books usually contain a profound, revelatory lesson, but in this book, the message didn’t feel particularly revelatory, and the nature of it could well be guessed at during the early stages of the book. (No spoilers!)
Right at the very end, however, was a disturbing twist when the identity of the individual leaking info to conspiracy.net is finally revealed. (Again no spoilers!)
I like how Dan Brown tells his tales through the minds of several of his characters in turn. It really adds depth to the story, giving insight into the bad characters as well as the good.
This time around, the best elements of the story were told in the personal sides of the events, rather than the main thread of the story, for example in the relationships between the prince and his father and the prince and his fiancé.
Sometimes Dan Brown’s scenes are done an injustice by being described in words, when the architectural pieces really belong on the big screen. Whilst I don’t find fault in the descriptions as such, I found it hard to picture the details.
Although the book has just over 100 chapters, these chapters are very brief, and you’ll likely read them in quick succession. If you decide to give the book a try, please stick it out to the end!
For more of my reviews, check out www.bookblogbycari.com
This is arguably the best Dan Brown book yet! I had been a big Dan Brown fan up until I read The Lost Symbol, which is his most tedious Robert Langdon book. But The Origin has made me a fan once again!
In the prologue, an accomplished computer scientist and atheist secretly meets up with 3 religious leaders, and there are 100 pages of build up before the scientist makes his announcement public – only to be assassinated a moment before his discovery is announced.
Central character Robert Langdon and his companion, the future queen of Spain, set out to unravel the mystery and make it public. But, halfway through the book, conspiracy theorists go wild - Robert is made out to be a kidnapper and becomes a wanted man.
As you might imagine, Dan Brown enabled the scientist’s message to be revealed, and this involved a science lesson for the reader. It was 2 chapters long, and to be honest I thoroughly enjoyed it.
Dan Brown’s Robert Landon books usually contain a profound, revelatory lesson, but in this book, the message didn’t feel particularly revelatory, and the nature of it could well be guessed at during the early stages of the book. (No spoilers!)
Right at the very end, however, was a disturbing twist when the identity of the individual leaking info to conspiracy.net is finally revealed. (Again no spoilers!)
I like how Dan Brown tells his tales through the minds of several of his characters in turn. It really adds depth to the story, giving insight into the bad characters as well as the good.
This time around, the best elements of the story were told in the personal sides of the events, rather than the main thread of the story, for example in the relationships between the prince and his father and the prince and his fiancé.
Sometimes Dan Brown’s scenes are done an injustice by being described in words, when the architectural pieces really belong on the big screen. Whilst I don’t find fault in the descriptions as such, I found it hard to picture the details.
Although the book has just over 100 chapters, these chapters are very brief, and you’ll likely read them in quick succession. If you decide to give the book a try, please stick it out to the end!
For more of my reviews, check out www.bookblogbycari.com
PopcornPaul (3 KP) rated Guardians of the Galaxy Vol. 2 (2017) in Movies
Jul 15, 2017
Returning cast, soundtrack is great, special effects and action, cameos (1 more)
Baby Groot
Guardians of the Galaxy Vol. 2
Writer/director James Gunn takes us back to Knowhere to join Star-Lord, Drax, Gamora, Rocket and Baby Groot in the follow-up to the unexpected smash Guardians of the Galaxy.
Taking up where we left off from the last movie, albeit a few years later, the Guardians are in the groove now and start the movie with a spectacular set piece with the super popular Baby Groot showing off some dance moves while the rest of them fight a gigantic intergalactic beast.
All the original cast return and have settled into the characters so the movie cracks straight on with the story. As rumours had it, this film is all about family and charts the discovery of Star-Lord’s father’s origin and how this relates to Star-Lord. Without giving too much away, Star-Lord meets his father (Kurt Russell) and has to choose between his dysfunctional family or his birth father. Another character arc of interest is in a returning character Yondu who also faces another dilemma over family.
Family pervades the movie in Gamora’s case too as Nebula (Karen Gillen) returns to provide a reluctant support to the Guardians while trying to fight them. Some impressive cameos including Sylvester Stallone and, get this, David Hasselhoff!!!
Guardian’s 2 is a fantastic (if not even better) than the first instalment and Gunn has already said he is on board for film 3. The quirkiness, the humour and the action from the first is ramped up in this one and doesn’t let you down.
There’s a shock and no less than 5 after credits scenes, so be sure to stay until the end of the movie to get your money’s worth.
A recommended movie if you like sci-fi, action or just a good exciting adventure story. It’s out now at all good cinemas.
(From @paulandpopcorn - https://popcornpaul.blogspot.co.uk/)
Taking up where we left off from the last movie, albeit a few years later, the Guardians are in the groove now and start the movie with a spectacular set piece with the super popular Baby Groot showing off some dance moves while the rest of them fight a gigantic intergalactic beast.
All the original cast return and have settled into the characters so the movie cracks straight on with the story. As rumours had it, this film is all about family and charts the discovery of Star-Lord’s father’s origin and how this relates to Star-Lord. Without giving too much away, Star-Lord meets his father (Kurt Russell) and has to choose between his dysfunctional family or his birth father. Another character arc of interest is in a returning character Yondu who also faces another dilemma over family.
Family pervades the movie in Gamora’s case too as Nebula (Karen Gillen) returns to provide a reluctant support to the Guardians while trying to fight them. Some impressive cameos including Sylvester Stallone and, get this, David Hasselhoff!!!
Guardian’s 2 is a fantastic (if not even better) than the first instalment and Gunn has already said he is on board for film 3. The quirkiness, the humour and the action from the first is ramped up in this one and doesn’t let you down.
There’s a shock and no less than 5 after credits scenes, so be sure to stay until the end of the movie to get your money’s worth.
A recommended movie if you like sci-fi, action or just a good exciting adventure story. It’s out now at all good cinemas.
(From @paulandpopcorn - https://popcornpaul.blogspot.co.uk/)
ClareR (5674 KP) rated Unsheltered in Books
Nov 21, 2018
I think that this is another ‘marmite book’ - you either love it or hate it. There is no in between. Well, I loved it. I like a meandering tale. Some people look at a really thick book and think “Oh no!” - I think “Let me at it!”. What’s more, I like a book that takes its time and is thoughtful. There’s a lot to think about here.
This book is set in two different eras: modern day Vineland, just before and after Trumps election, and 1870s Vineland, just after Darwin’s groundbreaking novel “Origin of the Species” was published.
Both families live in the same house, and both families are experiencing a house that is crumbling around them. The house seems to represent the political and environmental issues in the modern era, in my opinion, and in the past, a community that is failing.
I really enjoyed all of the family dynamics: an elderly Greek father-in-law who rails against the immigrants and blacks (not for one moment seeing the irony); a daughter who is an eco-warrior/ realist, a son whose wife dies, whilst he is left with their newborn; a wife and mother who becomes the primary caregiver to a tiny baby and her infirm father-in-law; and a father who struggled to retain a post as a university lecturer.
In the past, a modern thinking science teacher battles against a headteacher/ principle (principal?) who will not hear of evolution (angel bridges are mentioned - who knew they were a thing?!), and meets Mary Treat, a biologist who really existed and became well known. She exchanges letters and shares information with Darwin and other famous scientists of the time.
This story had so many layers - I loved it. I could feel the frustration of the characters in their respective times, as they had obstacles which seemed insurmountable to them. However, they weren’t, there were ways around their problems. The ‘getting there’ though, was quite a story!
This book is set in two different eras: modern day Vineland, just before and after Trumps election, and 1870s Vineland, just after Darwin’s groundbreaking novel “Origin of the Species” was published.
Both families live in the same house, and both families are experiencing a house that is crumbling around them. The house seems to represent the political and environmental issues in the modern era, in my opinion, and in the past, a community that is failing.
I really enjoyed all of the family dynamics: an elderly Greek father-in-law who rails against the immigrants and blacks (not for one moment seeing the irony); a daughter who is an eco-warrior/ realist, a son whose wife dies, whilst he is left with their newborn; a wife and mother who becomes the primary caregiver to a tiny baby and her infirm father-in-law; and a father who struggled to retain a post as a university lecturer.
In the past, a modern thinking science teacher battles against a headteacher/ principle (principal?) who will not hear of evolution (angel bridges are mentioned - who knew they were a thing?!), and meets Mary Treat, a biologist who really existed and became well known. She exchanges letters and shares information with Darwin and other famous scientists of the time.
This story had so many layers - I loved it. I could feel the frustration of the characters in their respective times, as they had obstacles which seemed insurmountable to them. However, they weren’t, there were ways around their problems. The ‘getting there’ though, was quite a story!
Goddess in the Stacks (553 KP) rated Superman: Dawnbreaker (DC Icons #4) in Books
Jul 23, 2019
This is the fourth in the DC Icons series, all of which I have now reviewed. It started with Wonder Woman, then moved through Batman and Catwoman before culminating in Superman. All four books have been written by popular young adult authors, from Leigh Bardugo to Marie Lu to Sarah J. Maas. Superman went to Matt De La Peña, who I had not actually heard of before. He apparently wrote a book called Ball Don't Lie that was made into a movie in 2011, and another book titled Mexican Whiteboy. What I'm trying to say is that De La Peña's Hispanic background makes him a perfect choice for this book. Because whatever else can be said about Superman, his is the ultimate immigrant story.
And this book not only tells Superman's immigrant story, but deals heavily with immigrant issues around him as well. Smallville is deliberating a new law that is basically stop-and-frisk; Hispanic people are going missing; undocumented immigrants are getting beaten in the streets. Clark is rightly horrified, and vows to get to the bottom of the disappearances.
The book is very timely, and I love what it says about one of our country's greatest fictional heroes. It reminds me of Justice League: Gods and Monsters, in which Superman is the son of General Zod, and was raised by illegal Mexican immigrants instead of the all-American Kents. (It's a fantastic animated movie, and well worth watching.)
Lex Luthor makes an appearance, and for a while I thought Clark's best friend, Lana, was a stand-in for Lois, but Lois is mentioned ever-so-briefly late in the book.
This is the fourth and final book in the DC Icons series, and taken as a whole, they're quite good. I wish they were a little more entwined with one another, but I understand that would be difficult with four different authors. But they are a very neat re-work of the four characters' origin stories.
You can find all my reviews and more at http://goddessinthestacks.com
And this book not only tells Superman's immigrant story, but deals heavily with immigrant issues around him as well. Smallville is deliberating a new law that is basically stop-and-frisk; Hispanic people are going missing; undocumented immigrants are getting beaten in the streets. Clark is rightly horrified, and vows to get to the bottom of the disappearances.
The book is very timely, and I love what it says about one of our country's greatest fictional heroes. It reminds me of Justice League: Gods and Monsters, in which Superman is the son of General Zod, and was raised by illegal Mexican immigrants instead of the all-American Kents. (It's a fantastic animated movie, and well worth watching.)
Lex Luthor makes an appearance, and for a while I thought Clark's best friend, Lana, was a stand-in for Lois, but Lois is mentioned ever-so-briefly late in the book.
This is the fourth and final book in the DC Icons series, and taken as a whole, they're quite good. I wish they were a little more entwined with one another, but I understand that would be difficult with four different authors. But they are a very neat re-work of the four characters' origin stories.
You can find all my reviews and more at http://goddessinthestacks.com
Charlie Cobra Reviews (1840 KP) rated Day of the Dead: Bloodline (2018) in Movies
Jul 7, 2020 (Updated Oct 26, 2020)
This Re-Imagining A Romero Classic Fails To Rise Above Average
Contains spoilers, click to show
Even copying or borrowing from George A. Romero's unique concept couldn't make this film better than an average zombie film. I was excited to see their interpretation of the smarter or more capable than average zombie in this movie and their origin story for him was quite unique and interesting. He was an obsessive stalker and attempted rapist whose body has a high amounts of antibodies. Five years after the main character Zoe escapes Whittendale University she gets the military to go back for medical supplies and Max is still there except a zombie but more. He finds her and sneaks back to their base "Cape Fear" style and then sneaks into the base. I found that a little unbelievable that he was able to sneak onto and into the base so easily but also kind of believable since it's been 5 years without any incidents as far as the audience knows. I also think that the movie was kind of inconsistent with what he's able to do or how much he can reason. He's smart enough to sneak into the base, and through vents but gets caught when he attacks Zoe and is captured. They order her to come up with a vaccine in 48 hours or Max will be killed regardless but then don't put an armed guard to watch over him. That was also a little to convenient to me. He manages to steal the handcuff keys form a soldier during a scuffle too which I thought was rather brilliant. Some good stuff in this movie but some stuff I thought could have been better done or different. As I mentioned some of the actors could have done a better job or the dialogue, story wasn't that original but overall a decent average zombie movie. Worth watching if your looking for a zombie movie to watch but nothing to wow you out of your seat. I give this movie a 5/10.
https://youtu.be/KTtNIIL3NXw
https://youtu.be/KTtNIIL3NXw
Andy K (10821 KP) rated Captain Marvel (2019) in Movies
Jul 13, 2019
More female Superhero movies please!
I had read a lot of criticism of Brie Larson since I am so late seeing this film; however, I thought she held her own against Samuel L. Jackson and Jude Law in this first major female led Marvel Cinematic Universe film. Maybe my expectations were a tad lower since I had heard of lot of opinions beforehand.
The origin story of Carol Danvers was unknown prior to seeing this film so I cannot comment on whether filmmakers got that correct or not (I would imagine they did).
The Stan Lee opening made my tear up.
I did think the movie dragged some in the middle after Carol gets thrown back to 1995 USA. The Blockbusters scene was classic and her introduction to Nick Fury and SHIELD was good. Things picked up a little for the car/subway chase, but then slowed down again as events unfolded and were explained.
I was happy there was not the humongous CGI supervillain at the end and that fight was very good.
You cannot ever complain about the look of a MCU as that is one thing they never disappoint on for sure. The humor I thought was a good balance: not too serious and not too wacky either.
The cat definitely stole every scene they were in for sure.
Overall, very entertaining film and a great start to other female Marvel heroines coming us us hopefully not too far away in the future!
Thank you Stan!
The origin story of Carol Danvers was unknown prior to seeing this film so I cannot comment on whether filmmakers got that correct or not (I would imagine they did).
The Stan Lee opening made my tear up.
I did think the movie dragged some in the middle after Carol gets thrown back to 1995 USA. The Blockbusters scene was classic and her introduction to Nick Fury and SHIELD was good. Things picked up a little for the car/subway chase, but then slowed down again as events unfolded and were explained.
I was happy there was not the humongous CGI supervillain at the end and that fight was very good.
You cannot ever complain about the look of a MCU as that is one thing they never disappoint on for sure. The humor I thought was a good balance: not too serious and not too wacky either.
The cat definitely stole every scene they were in for sure.
Overall, very entertaining film and a great start to other female Marvel heroines coming us us hopefully not too far away in the future!
Thank you Stan!
Gareth von Kallenbach (977 KP) rated Dracula Untold (2014) in Movies
Aug 6, 2019
The latest Dracula movie attempts to honor an ancient story while adding some new spice and bringing the usual graphics flair we’ve come to expect from Hollywood, but falls short.
Dracula Untold, as the name implies, is an origin story for the pop culture father-of-all-vampires. Luke Evans bears the mantle of Prince Vlad Tepes of the Dracula Clan. (Not Count, but Prince.) What about the King, you ask? Well, they didn’t cover this, but there is no King.
Luke Evans is one of my favorite actors in Hollywood right now, and he does this role justice. The rest of the cast contributed solid performances as well, as best they could with sub par script, and poor direction. Charles Dance was a particular pleasure to witness.
This film is Gary Shore’s directorial debut, and it’s easy to see the marks of a neophyte director. Had it been in the hands of someone more experienced, it would have been a juggernaut of a Fall film. Even so, he did pretty well enough, all things considered. According to his work history, Shore was an electrician until 1998, then disappeared until 2014. This is his second film so far this year.
Dracula Untold opens with the story of Vlad the Impaler, as told by his son. Vlad was shipped off to the Turks to become a trained and conditioned weapon. He earned his title by impaling an entire village for the Turkish army. Vlad was a deadly force on the battlefield, but they eventually allowed him to go home, where he could start a family and rule Transylvania. It is painfully obvious that the usual blood-thirsty character was meant to become a hero for this new tale.
The Turks return to take more boys, like they did him, but he refuses. This draws the Turks’ ire, and they demand retribution for the insult and insubordination. Desperate, he seeks out a monster in the mountains who was the REAL first vampire — a man who made a deal with a demon.
Vlad is granted temporary powers, paying a heavy price in the process. After this, the story really ramps up.
This film left me feeling as if something was missing. I attribute this to missing explanations, plot holes (like the lack of King), and several other missteps. Normally, I can look past plot holes. A strong enough movie will keep me from noticing them until I’m rethinking it later. In this case, they were too distracting. The music was unimpressive and not at all memorable. The one liners were forced and distracting, instead of powerful and emotional.
This movie is worth seeing if you’re a fan of vampires in general or Dracula in particular. That said, I wouldn’t advise high expectations. Great aspects were abundant, but there were just as many failings. If you feel compelled to see it, wait until you can see it at home, and save the money.
Dracula Untold, as the name implies, is an origin story for the pop culture father-of-all-vampires. Luke Evans bears the mantle of Prince Vlad Tepes of the Dracula Clan. (Not Count, but Prince.) What about the King, you ask? Well, they didn’t cover this, but there is no King.
Luke Evans is one of my favorite actors in Hollywood right now, and he does this role justice. The rest of the cast contributed solid performances as well, as best they could with sub par script, and poor direction. Charles Dance was a particular pleasure to witness.
This film is Gary Shore’s directorial debut, and it’s easy to see the marks of a neophyte director. Had it been in the hands of someone more experienced, it would have been a juggernaut of a Fall film. Even so, he did pretty well enough, all things considered. According to his work history, Shore was an electrician until 1998, then disappeared until 2014. This is his second film so far this year.
Dracula Untold opens with the story of Vlad the Impaler, as told by his son. Vlad was shipped off to the Turks to become a trained and conditioned weapon. He earned his title by impaling an entire village for the Turkish army. Vlad was a deadly force on the battlefield, but they eventually allowed him to go home, where he could start a family and rule Transylvania. It is painfully obvious that the usual blood-thirsty character was meant to become a hero for this new tale.
The Turks return to take more boys, like they did him, but he refuses. This draws the Turks’ ire, and they demand retribution for the insult and insubordination. Desperate, he seeks out a monster in the mountains who was the REAL first vampire — a man who made a deal with a demon.
Vlad is granted temporary powers, paying a heavy price in the process. After this, the story really ramps up.
This film left me feeling as if something was missing. I attribute this to missing explanations, plot holes (like the lack of King), and several other missteps. Normally, I can look past plot holes. A strong enough movie will keep me from noticing them until I’m rethinking it later. In this case, they were too distracting. The music was unimpressive and not at all memorable. The one liners were forced and distracting, instead of powerful and emotional.
This movie is worth seeing if you’re a fan of vampires in general or Dracula in particular. That said, I wouldn’t advise high expectations. Great aspects were abundant, but there were just as many failings. If you feel compelled to see it, wait until you can see it at home, and save the money.
LeftSideCut (3778 KP) rated Hawkeye in TV
Dec 23, 2021
Contains spoilers, click to show
Marvel Studios continue their streak of enjoyable mini-series with Hawkeye, a series that was met with a fair amount of indifference upon its announcement, which is understandable. On the surface , Clint Barton isn't the most exciting Avenger to build a series around, but Hawkeye surprises with a team of decent writers, and a story adapted from Matt Fraction and David Aja's acclaimed comic book run.
Most of Barton's specific plot beats revolve around his family, and his loss of hearing. The human elements ensure that he remains a relatable, street level character. The "Hawkeye" that this series is really about of course is MCU newcomer Kate Bishop, a fan favourite comic character who is portrayed wonderfully by Hailee Steinfeld. The series is essentially her origin story, and I for one can't wait to see her in future projects. The chemistry between Steinfeld and Jeremy Renner is great, and provides a huge amount of heart to the overall story.
Florence Pugh has a welcome return as Yelena, and her involvement ensures that Hawkeye is as much of a tribute to Black Widow as anything else, and serves some much needed closure for her concluded story arc that has been frustratingly absent since the events of Avengers: Endgame.
Elsewhere, the likes of Vera Farmiga, Tony Dalton, and Alaqua Cox make up a strong supporting cast, and sets up an upcoming series for Echo, a deeper cut from the Marvel vaults, but one that I'm intrigued to see develop.
And then of course, there's motherfucking Kingpin. Arguably the most popular character from the Netflix shows, the decision to bring Vincent Donofrio back as Wilson Fisk is a smart one. His presence in the MCU is incredibly exciting to me, and Donofrio does and excellent job once again, at filling the boots of one of Marvel's most intimidating villains. Welcome back sir.
There are plenty of exciting action set pieces sprinkled throughout (a car chase involving various trick arrows is a particular highlight) and the decision to keep Hawkeye firmly street level in its execution is a wise one. It allows New York City to feel like a character in it's own right, and the Christmas setting adds to that. It does feel like a proper holiday watch at times, and this is probably why the show feels so goofy on more than one occasion. I know that the MCU likes to keep the mood light for the most part, and is often found guilty of undercutting serious or epic moments with jokes. Hawkeye occasionally goes overboard with these moments, especially in the finale. It's not enough to derail what is an incredibly entertaining series, but it's a little frustrating.
Overall though, Hawkeye is another decent and fleshed out mini series in this sprawling franchise. The extra runtime of a season has ensured that all of the MCU shows this year have been high quality and worth watching. I just hope it's not too long until we get a Kate Bishop/Yelena reunion!
Most of Barton's specific plot beats revolve around his family, and his loss of hearing. The human elements ensure that he remains a relatable, street level character. The "Hawkeye" that this series is really about of course is MCU newcomer Kate Bishop, a fan favourite comic character who is portrayed wonderfully by Hailee Steinfeld. The series is essentially her origin story, and I for one can't wait to see her in future projects. The chemistry between Steinfeld and Jeremy Renner is great, and provides a huge amount of heart to the overall story.
Florence Pugh has a welcome return as Yelena, and her involvement ensures that Hawkeye is as much of a tribute to Black Widow as anything else, and serves some much needed closure for her concluded story arc that has been frustratingly absent since the events of Avengers: Endgame.
Elsewhere, the likes of Vera Farmiga, Tony Dalton, and Alaqua Cox make up a strong supporting cast, and sets up an upcoming series for Echo, a deeper cut from the Marvel vaults, but one that I'm intrigued to see develop.
And then of course, there's motherfucking Kingpin. Arguably the most popular character from the Netflix shows, the decision to bring Vincent Donofrio back as Wilson Fisk is a smart one. His presence in the MCU is incredibly exciting to me, and Donofrio does and excellent job once again, at filling the boots of one of Marvel's most intimidating villains. Welcome back sir.
There are plenty of exciting action set pieces sprinkled throughout (a car chase involving various trick arrows is a particular highlight) and the decision to keep Hawkeye firmly street level in its execution is a wise one. It allows New York City to feel like a character in it's own right, and the Christmas setting adds to that. It does feel like a proper holiday watch at times, and this is probably why the show feels so goofy on more than one occasion. I know that the MCU likes to keep the mood light for the most part, and is often found guilty of undercutting serious or epic moments with jokes. Hawkeye occasionally goes overboard with these moments, especially in the finale. It's not enough to derail what is an incredibly entertaining series, but it's a little frustrating.
Overall though, Hawkeye is another decent and fleshed out mini series in this sprawling franchise. The extra runtime of a season has ensured that all of the MCU shows this year have been high quality and worth watching. I just hope it's not too long until we get a Kate Bishop/Yelena reunion!