
Jesters_folly (230 KP) rated Tron Legacy (2010) in Movies
Nov 20, 2020
I'll start by saying that Tron: Legacy is not as original or forward thinking as it's predecessor but that is to be expected. The original had Ideas that were slightly before it's time which i talk about in my review of that film. Tron: Legacy can't re do that originality, partly because its a sequel and so is constrained by the world built in the original but also because a lot of the ideas have been used since, we've had the likes of 'The Matrix' and 'Wreck-it Ralph' and so Tron: Legacy seems to concentrate on being a Tron film and nothing more.
The film keeps close to the original by bringing back quite a few things, we have Jeff Bridges and Bruce Boxleitner reprising their roles of Kevin Flynn And Alan Bradley, with Kevin now trapped in the computer world known as the Grid. The light cycles are back as well as few other craft. The effects have been updated but the grid and it's games are still very recognisable and there are a few through back lines and scenes.
Tron: Legacy does feel a bit Matrixy at times, neither of the flynns are Neo but it does draw on the familiar God/Devil tropes that you often see. The costumes are more cyber punk than the original, still using the red/blue lighting but also being more PVC and trench coat in its aesthetic with many characters supporting visors or crash helmets, to the point that Daft Punk actually look like they belong there.
Like a lot of Cyberpunk films there is a night club and this has one of the films stand out characters, Castor, played by Michael Sheen who is doing his best 'Ziggy Stardust' impression.
The strange thing is, this is a good film, with good franchise potential and Disney don't seem to have marketed it well, it's 10 years old (at the time of writing) and isn't mentioned much and it's only due to watching this on Disney+ that I now know about the spin off animated series, Tron: Uprising, which I'm going to have to watch.

BankofMarquis (1832 KP) rated Ghostbusters: Afterlife (2021) in Movies
Nov 24, 2021
GHOSTBUSTERS:AFTERLIFE does and is, in my opinion, the true successor to this all-time great film. This is because Afterlife is nothing more than what it pretends to be - a 2 hour homage to the first film and, most importantly, a wonderful tribute and send off to the late Harold Ramis while creating a whole new “Ghostbusters” Universe and characters along the way.
The plot is fairly simple, the daughter and 2 grandchildren of Original Ghostbuster Egon Spengler (Ramis) arrive at his remote farm after his passing, They start discovering old Ghostbusters equipment (including the Ecto-1) and strange Supernatural events begin to occur.
So…who ya’ gonna call?
This film is lovingly created and produced by Writer/Director Jason Reitman (son of original Ghostbuster Director Ivan Reitman) and it succeeds not because it reveres the first film, but because it loves and respects it and leans into whenever it needs to while also becoming its’ own animal.
Nothing shows this more than the performances in this film. Previous attempts at revising this series tried to hard to regenerate the unique chemistry of the original Ghostbusters. This film realizes that was a mistake and lets these characters do their own things in their own way.
Paul Rudd and Carrie Coon are very good - if somewhat restrained - as the “adults” in this film, but it is the kids - that shine. Finn Wolfhard (STRANGER THINGS, IT) is rock solid as Trevor - one of Spengler’s Grandkids while Logan Kim as “Podcast” one of their friends is also fun and interesting.
But, it is the performance of McKenna Grace (THE HANDMAID’S TALE) as Phoebe, the Granddaughter most like the Grandfather, that really catches your attention and holds this film together in a way that is remarkable for one so young. She really is the secret weapon in this film.
And, of course, there are some fun cameos - cameos that would be spoilery if mentioned, but you can probably guess.
Reitman keeps the action moving along at a fine clip - though the first hour does drag out a bit - and the CGI is much improved since 1984, so that helps things out here as well.
More than a nostalgia play, GHOSTBUSTERS:AFTERLIFE is a fun romp that will be enjoyed by those who know (and love) the original as well as those who are coming to it for the first time.
Oh…and make sure you stay for the 2 End Credits scene - one comes about 2 minutes in and the other is right at the end, they are both worth staying for.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)

Dean (6927 KP) rated Flatliners (2017) in Movies
Oct 10, 2017

ClareR (5885 KP) rated The Scandal in Books
Nov 15, 2017
I noticed that this was called Beartown in the US. I think I possibly prefer that as a title, however, I believe that The Scandal is closer to the original translated title.

Entertainment Editor (1988 KP) shared own list
Dec 12, 2017

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and 4 other items

Sheridan (209 KP) rated Spectral (2016) in Movies
Jul 11, 2017

Suswatibasu (1703 KP) rated Men Without Women: Stories in Books
Jul 24, 2017
It is a series of portraits of men who have chosen the path of loneliness away from women and the void that it creates when running away from intimacy. Beautiful, simplistic with a wonderful flow, Murakami has a spectacular way of building characters and their anecdotal narratives.

Dean (6927 KP) rated The Cabin in the Woods (2012) in Movies
Aug 18, 2017 (Updated Jun 5, 2020)

Rightlywriting (10 KP) rated The Wizard of Oz (1939) in Movies
Aug 19, 2017

MusicCritics (472 KP) rated Culture by Migos in Music
Jul 6, 2017
Original Score: 83 out of 100
Read Review: Culture is 58 minutes of straight flow. Migos lose themselves in the music they’ve always loved to make. It’s triplets and trap, guns and coke, and some of the finest production Atlanta has to offer.