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Goddess in the Stacks (553 KP) rated An American Family in Books
Jan 11, 2018
Amazing memoir
Like many people, I was inspired by the Khizr Khan's speech at the Democratic Convention last year, and appalled by Trump's reaction. As a Marine wife, the family members left behind when a service member dies get my utmost sympathy and compassion. That was my biggest fear while my husband was in the Marines, and it's still a very emotional memory to look back on. So when I heard that Khan was writing a book, I knew I HAD to read it. I put a hold request in at the library before the book was published, and I'm glad I did. The book is definitely one of my favorites of 2017. (One of my next posts will be a round up of my favorites from this year.)
An American Family follows the Khans' journey from Pakistan, to Dubai, to Texas, Maryland, and finally Virginia. And it's fascinating. He says in the beginning of the book that he wrote it to answer the question he's constantly asked: why do you love America? Why are you a Patriot? He couldn't answer it in a few short sentences. This book is his answer, and what an answer it is. It's impossible to summarize this book - it must be read.
It's a very easy read - it flows beautifully, and Khan tells a story well. It's easy, at least, until you get to the point where their son dies in action. Perhaps it wouldn't have such an emotional effect on someone else, but that, and its aftermath, was pretty hard for me to read about. The event is important, however. Its repercussions ripple out through the Khans' lives and affect everything they touch.
I can't recommend this book highly enough. Especially if you're American, and no matter where on the political spectrum you fall, this book is important. It might give you a different view on immigrants.
You can find all of my reviews at http://goddessinthestacks.wordpress.com
An American Family follows the Khans' journey from Pakistan, to Dubai, to Texas, Maryland, and finally Virginia. And it's fascinating. He says in the beginning of the book that he wrote it to answer the question he's constantly asked: why do you love America? Why are you a Patriot? He couldn't answer it in a few short sentences. This book is his answer, and what an answer it is. It's impossible to summarize this book - it must be read.
It's a very easy read - it flows beautifully, and Khan tells a story well. It's easy, at least, until you get to the point where their son dies in action. Perhaps it wouldn't have such an emotional effect on someone else, but that, and its aftermath, was pretty hard for me to read about. The event is important, however. Its repercussions ripple out through the Khans' lives and affect everything they touch.
I can't recommend this book highly enough. Especially if you're American, and no matter where on the political spectrum you fall, this book is important. It might give you a different view on immigrants.
You can find all of my reviews at http://goddessinthestacks.wordpress.com
Louise (64 KP) rated The Djinn Falls in Love & Other Stories in Books
Jul 2, 2018
*I received a copy of this book from Netgalley and the publisher in exchange for an honest review*
I have not read anything with Genies, nothing NADA! So when I saw this I jumped on the chance to read it. I love reading short story collections, you get to read from authors that you have never read from before and to see if you like their writing style. This collection of short stories is from authors all over the world and it is their take on the djinn and some of the myths,tales that they have heard whilst growing up or heard. The only author that I had heard and read beforehand was Neil Gaiman, I read ‘The Ocean at the end of the Lane’ years ago and enjoyed it so I knew there would be one possible story that I would like.
So going into this I knew nothing about Genie’s/Djinn other than Aladdin! The book has an introduction written by the editors Mahvesh Murad and Jared Shurin explaining how this book came together and the different authors involved. We also had the The Djinn Falls In Love by Hermes which is poem about a djinn which I really enjoyed.
There are 20 stories in this collection in total and are all very different, however I found the majority of them to be a little dull and wasn’t holding my attention or the story line/plot got confusing. There were however some really great ones that I loved such as ‘Spite House’ and ‘Reap’. I must admit that there will be something for everyone as there several different genres within.
‘Reap’ by Sami Shah – This was a 5 star from me. This is a story about a small team who use a drone for surveillance on a small village in Pakistan. They have to watch the residents of this village and one family has 11 children, but one day Miriam, the youngest, doesn’t return with the clan. This has supernatural elements and is pretty scary but truly wonderful and had me gripped all the way through.
This is not one of my favourite short story collection as there were just too many that didn’t hold my interest or was a little confusing. The cover though is beautiful and recommend if you want to read some different interpretations about Djinn.
I rated this 2.5 out of 5 stars
I have not read anything with Genies, nothing NADA! So when I saw this I jumped on the chance to read it. I love reading short story collections, you get to read from authors that you have never read from before and to see if you like their writing style. This collection of short stories is from authors all over the world and it is their take on the djinn and some of the myths,tales that they have heard whilst growing up or heard. The only author that I had heard and read beforehand was Neil Gaiman, I read ‘The Ocean at the end of the Lane’ years ago and enjoyed it so I knew there would be one possible story that I would like.
So going into this I knew nothing about Genie’s/Djinn other than Aladdin! The book has an introduction written by the editors Mahvesh Murad and Jared Shurin explaining how this book came together and the different authors involved. We also had the The Djinn Falls In Love by Hermes which is poem about a djinn which I really enjoyed.
There are 20 stories in this collection in total and are all very different, however I found the majority of them to be a little dull and wasn’t holding my attention or the story line/plot got confusing. There were however some really great ones that I loved such as ‘Spite House’ and ‘Reap’. I must admit that there will be something for everyone as there several different genres within.
‘Reap’ by Sami Shah – This was a 5 star from me. This is a story about a small team who use a drone for surveillance on a small village in Pakistan. They have to watch the residents of this village and one family has 11 children, but one day Miriam, the youngest, doesn’t return with the clan. This has supernatural elements and is pretty scary but truly wonderful and had me gripped all the way through.
This is not one of my favourite short story collection as there were just too many that didn’t hold my interest or was a little confusing. The cover though is beautiful and recommend if you want to read some different interpretations about Djinn.
I rated this 2.5 out of 5 stars
Rachel King (13 KP) rated The Sandalwood Tree in Books
Feb 11, 2019
he book is like a story within a story. The book begins with the framing story of a woman, Evie, in 1947, who accompanies her husband and young son to India with the dual purpose of seeking adventure and hoping to mend her failing marriage with a man just returned from World War II, broken. When she discovers a bundle of 90-year-old letters hidden in the wall during a cleaning frenzy, the second story of the friendship between Felicity and Adela is revealed. From there, Evie's story diverges from that of Felicity and Adela's as Evie struggles to find more evidence of the two other women's existence and uses her fascination as a distraction from the political turmoil occurring around her.
The British are pulling out of India and separating the religious factions of Muslims and Hindus into the two countries of India and Pakistan, causing chaos and mayhem all over the country of India. The imagery and descriptions that Newmark fills the pages with are mesmerizing in their intensity and splendor. The colors, smells, and sounds have me half-falling in love with India to the point that I search for images online to match what I am reading to get a clearer picture of what the characters experience. Even though I struggled to stay interested in the plot for the first third of the book, the descriptions kept me reading and reading.
Felicity and Adela's story begins from childhood, describing how Felicity was born in India, but fostered with Adela's family. The infamous husband hunt brought them both back to India through different means, though neither had any interest in a husband, for different scandalous reasons. Residing in the same home that Evie now occupies, Felicity and Adela shun the conventional life of an Englishwoman in India, instead adopting an independent lifestyle and embracing India in all its diverse beauty.
Evie herself also seeks to shun what is expected of her, desiring to fully experience the culture of India all around her and use it to heal the problems in her own life. Eventually, she reconnects with the story of the two other women, even as major obstacles present themselves in both her private life and in the immediate villages. Letters take over the narration of Felicity and Adela's tale as Evie finds more to continue the story, instead of the author simply narrating what Evie can't find.
On the whole, the novel was beautifully written and contained a worthwhile plot, though I struggled to stay interested at the beginning. I would recommend this book to anyone who enjoys a mystery and craves the beauty of India.
The British are pulling out of India and separating the religious factions of Muslims and Hindus into the two countries of India and Pakistan, causing chaos and mayhem all over the country of India. The imagery and descriptions that Newmark fills the pages with are mesmerizing in their intensity and splendor. The colors, smells, and sounds have me half-falling in love with India to the point that I search for images online to match what I am reading to get a clearer picture of what the characters experience. Even though I struggled to stay interested in the plot for the first third of the book, the descriptions kept me reading and reading.
Felicity and Adela's story begins from childhood, describing how Felicity was born in India, but fostered with Adela's family. The infamous husband hunt brought them both back to India through different means, though neither had any interest in a husband, for different scandalous reasons. Residing in the same home that Evie now occupies, Felicity and Adela shun the conventional life of an Englishwoman in India, instead adopting an independent lifestyle and embracing India in all its diverse beauty.
Evie herself also seeks to shun what is expected of her, desiring to fully experience the culture of India all around her and use it to heal the problems in her own life. Eventually, she reconnects with the story of the two other women, even as major obstacles present themselves in both her private life and in the immediate villages. Letters take over the narration of Felicity and Adela's tale as Evie finds more to continue the story, instead of the author simply narrating what Evie can't find.
On the whole, the novel was beautifully written and contained a worthwhile plot, though I struggled to stay interested at the beginning. I would recommend this book to anyone who enjoys a mystery and craves the beauty of India.
RəX Regent (349 KP) rated Four Lions (2010) in Movies
Mar 7, 2019
The fine between comedy and tragedy...
Contains spoilers, click to show
I can remember first hearing about this early in 2010, and was unsure as what to expect. On one hand this could have been a nasty hate film, mocking the wave of Muslim extremism which is taking a firm hold in this country, merely for the entertainment value, or this could be one of the important satires on the subject to date.
It was by far, without a shadow of doubt, the latter. Four Lions follows five amateur, lackluster Muslims from Sheffield who all believe that they are a primed terror cell on the frontline of the war against the infidels. Unfortunately for them, they are bunglers, whilst achieving the ability to create explosives, they have failed to control how and when it explodes! The plot culminates with an attempt to attack the London Marathon but it is a long road, taking our protagonists to the terror camps of Pakistan, and the town halls of Sheffield. This film is written and directed so expertly, it is literally frightening.
Morris and his pitch perfect cast deliver a film which so perfectly walks the razor wire tightrope between comedy and tragedy that every laugh is tinged with sadness or pity and every dark moment, seemingly comedic.
Is this a comedy? Decidedly not, but is this funny, and intentionally so? Yes. It's almost as if the laughs are out of sheer relief, as moments which should shock are delivered or followed up by some of the most profoundly realistic and yet ridiculous conversions.
The Lion King explanation for the war against the west; The almost horrifically callous 'Honey Monster' exchange as a police sniper may well have just shot an innocent civilian will stick in your mind. Let alone more simple humour, such as the eating of the sim cards to prevent tracking, which resembled the Catholic method of taking of the bread at mass.
But this was also about grooming: Grooming the audience to sympathise with a terror cell plotting in our midst was genius, whist having to watch the various methods employed within the group itself, leading to some of the films most poignant and tragic moments.
The disenfranchised Muslim population of this country have been captured so well, though portrayed on one hand as been dimwitted 'wanna-be terrorists', but on the other as real people, miss led with some of the most ridiculous concepts designed to reduce their lives to that of mediocrity in order to convince them to take so many others. This is a sympathetic peace movie in a time of great confusion and conflict.
Until now, United 93 was the film which had most summed up the dark times in which we live, following 9/11, but this is at least on par with it and is a great addition to a long and significant catalogue of topical anti-establishment films, such as M.A.S.H. and Dr. Strangelove.
Not just highly recommended, but a MUST SEE!
It was by far, without a shadow of doubt, the latter. Four Lions follows five amateur, lackluster Muslims from Sheffield who all believe that they are a primed terror cell on the frontline of the war against the infidels. Unfortunately for them, they are bunglers, whilst achieving the ability to create explosives, they have failed to control how and when it explodes! The plot culminates with an attempt to attack the London Marathon but it is a long road, taking our protagonists to the terror camps of Pakistan, and the town halls of Sheffield. This film is written and directed so expertly, it is literally frightening.
Morris and his pitch perfect cast deliver a film which so perfectly walks the razor wire tightrope between comedy and tragedy that every laugh is tinged with sadness or pity and every dark moment, seemingly comedic.
Is this a comedy? Decidedly not, but is this funny, and intentionally so? Yes. It's almost as if the laughs are out of sheer relief, as moments which should shock are delivered or followed up by some of the most profoundly realistic and yet ridiculous conversions.
The Lion King explanation for the war against the west; The almost horrifically callous 'Honey Monster' exchange as a police sniper may well have just shot an innocent civilian will stick in your mind. Let alone more simple humour, such as the eating of the sim cards to prevent tracking, which resembled the Catholic method of taking of the bread at mass.
But this was also about grooming: Grooming the audience to sympathise with a terror cell plotting in our midst was genius, whist having to watch the various methods employed within the group itself, leading to some of the films most poignant and tragic moments.
The disenfranchised Muslim population of this country have been captured so well, though portrayed on one hand as been dimwitted 'wanna-be terrorists', but on the other as real people, miss led with some of the most ridiculous concepts designed to reduce their lives to that of mediocrity in order to convince them to take so many others. This is a sympathetic peace movie in a time of great confusion and conflict.
Until now, United 93 was the film which had most summed up the dark times in which we live, following 9/11, but this is at least on par with it and is a great addition to a long and significant catalogue of topical anti-establishment films, such as M.A.S.H. and Dr. Strangelove.
Not just highly recommended, but a MUST SEE!
Bob Mann (459 KP) rated Viceroy's House (2017) in Movies
Sep 29, 2021
The 80:20 Rule.
India, 1947. Churchill’s government has sent Lord Grantham – – sorry — Lord Louis Mountbatten of Burma (Hugh Bonneville, “The Monuments Men“) as the new Viceroy. His mission is to make sure he is the last ever Viceroy, for India is to be returned to independence. But racial tensions between the Hindu and minority Muslim populations are brittle and deteriorating fast. Can India survive as a single country, or will Mountbatten be forced to partition the country along religious lines to avoid civil-war and countless deaths?
Of course, there is little tension in this plot line since we know Pakistan was indeed founded by Muhammad Ali Jinnah (played by Denzil Smith) on August 14th 1947. (In reality, Jinnah’s victory was short lived as he died of TB the following year). The rest of India went on to be ruled by Jawaharlal Nehru (played by Tanveer Ghani). What the film does remind this generation of is the extreme cost of that partition, with riots, mass abductions and rapes, over a million estimated deaths and one of the biggest migrations of populations ever seen. (All of this is largely shown through original newsreel footage, which is effectively inter-weaved with the film).
So as an educational documentary it is useful. However, as an entertaining movie night out? Not so much. After coming out of the film we needed to buy some milk at Tesco and I was put on the spot by the checkout lady to sum-up the film: “Worthy but dull” was what I came up with, which with further time to reflect still seems a good summary.
This shouldn’t have been the case, since the film is directed by the well-respected Gurinder Chadha (“Bend it like Beckham) and boasts a stellar cast, with Bonneville supported by Gillian Anderson (“The X Files”) as Lady Mountbatten; Michael Gambon (“Harry Potter”) as General Ismay (Mountbatten’s chief of staff); Simon Callow (“Four Weddings and a Funeral”) as Radcliffe (the drawer of ‘the new map’); and Om Puri (“The Hundred Foot Journey“) as former political prisoner Ali Rahim Noor. Playing Mountbatten’s daughter is Lily Travers (“Kingsman: The Secret Service“): Virginia McKenna’s granddaughter.
But unfortunately, for me at least, the film lumbers from scene to scene, seldom engaging with me. Bonneville’s Mountbatten, whilst perfectly sound, was just a re-tread of Downton with added humidity and curry; Anderson’s (probably extremely accurate) crystal-glass English accent quickly becomes tiresome; and elsewhere a lot of the acting of the broader Indian cast is, I’m sorry to comment, rather sub-par. For me, only Om Puri, who sadly died in January, delivers an effective and moving performance as the blind father (literally) unable to see that the arranged marriage for his daughter Aalia (Huma Qureshi) is heading for trouble thanks to Mountbatten’s man-servant. And no, that isn’t a euphemism…. I’m talking about his real manservant, Jeet Kumar (Manish Dayal)!!
As an aside, the late Puri (probably most famous in western cinema for “East is East”) has made over 270 feature films in his prolific career, over and above his many appearances on Indian TV. And he still has another 6 films to be released! May he rest in peace.
Probably realising that the historical plot is not enough to sustain the film, the screenwriters Paul Mayeda Berges (“Bend it like Beckham”), Moira Buffini (“Tamara Drewe”) and Gurinder Chadha try to add more substance with the illicit romance between the Hindu Jeet and the Muslim Aalia. Unfortunately this is clunky at best, with an incessant 30 minutes-worth of longing looks before anything of substance happens. Even the “Lion“-style denouement (also with a railway train connection) is unconvincing.
After that, the film just tends to peter out, with a ‘real-life photograph’ segue delivering a rather tenuous connection between a character not even featured in the film and the director!
Mrs. Chadha has clearly corralled an army of extras to deliver some of the scenes in the film, in the hope of delivering a historical epic of the scale of Attenborough’s “Gandhi”. For me, she misses by a considerable margin. But that’s just my view….. if you like historical dramas, its a film you might enjoy: as the great man himself said “Honest disagreement is often a good sign of progress”.
Of course, there is little tension in this plot line since we know Pakistan was indeed founded by Muhammad Ali Jinnah (played by Denzil Smith) on August 14th 1947. (In reality, Jinnah’s victory was short lived as he died of TB the following year). The rest of India went on to be ruled by Jawaharlal Nehru (played by Tanveer Ghani). What the film does remind this generation of is the extreme cost of that partition, with riots, mass abductions and rapes, over a million estimated deaths and one of the biggest migrations of populations ever seen. (All of this is largely shown through original newsreel footage, which is effectively inter-weaved with the film).
So as an educational documentary it is useful. However, as an entertaining movie night out? Not so much. After coming out of the film we needed to buy some milk at Tesco and I was put on the spot by the checkout lady to sum-up the film: “Worthy but dull” was what I came up with, which with further time to reflect still seems a good summary.
This shouldn’t have been the case, since the film is directed by the well-respected Gurinder Chadha (“Bend it like Beckham) and boasts a stellar cast, with Bonneville supported by Gillian Anderson (“The X Files”) as Lady Mountbatten; Michael Gambon (“Harry Potter”) as General Ismay (Mountbatten’s chief of staff); Simon Callow (“Four Weddings and a Funeral”) as Radcliffe (the drawer of ‘the new map’); and Om Puri (“The Hundred Foot Journey“) as former political prisoner Ali Rahim Noor. Playing Mountbatten’s daughter is Lily Travers (“Kingsman: The Secret Service“): Virginia McKenna’s granddaughter.
But unfortunately, for me at least, the film lumbers from scene to scene, seldom engaging with me. Bonneville’s Mountbatten, whilst perfectly sound, was just a re-tread of Downton with added humidity and curry; Anderson’s (probably extremely accurate) crystal-glass English accent quickly becomes tiresome; and elsewhere a lot of the acting of the broader Indian cast is, I’m sorry to comment, rather sub-par. For me, only Om Puri, who sadly died in January, delivers an effective and moving performance as the blind father (literally) unable to see that the arranged marriage for his daughter Aalia (Huma Qureshi) is heading for trouble thanks to Mountbatten’s man-servant. And no, that isn’t a euphemism…. I’m talking about his real manservant, Jeet Kumar (Manish Dayal)!!
As an aside, the late Puri (probably most famous in western cinema for “East is East”) has made over 270 feature films in his prolific career, over and above his many appearances on Indian TV. And he still has another 6 films to be released! May he rest in peace.
Probably realising that the historical plot is not enough to sustain the film, the screenwriters Paul Mayeda Berges (“Bend it like Beckham”), Moira Buffini (“Tamara Drewe”) and Gurinder Chadha try to add more substance with the illicit romance between the Hindu Jeet and the Muslim Aalia. Unfortunately this is clunky at best, with an incessant 30 minutes-worth of longing looks before anything of substance happens. Even the “Lion“-style denouement (also with a railway train connection) is unconvincing.
After that, the film just tends to peter out, with a ‘real-life photograph’ segue delivering a rather tenuous connection between a character not even featured in the film and the director!
Mrs. Chadha has clearly corralled an army of extras to deliver some of the scenes in the film, in the hope of delivering a historical epic of the scale of Attenborough’s “Gandhi”. For me, she misses by a considerable margin. But that’s just my view….. if you like historical dramas, its a film you might enjoy: as the great man himself said “Honest disagreement is often a good sign of progress”.
Bob Mann (459 KP) rated The Big Sick (2017) in Movies
Sep 29, 2021
Just what the doctor ordered: a charming and thoughtful summer comedy.
Romance and comedy work together beautifully on film: love is innately ridiculous after all! But mix in a dramatic element – particularly a serious medical emergency – to a Rom Com and you walk a dangerous line between on the one hand letting the drama overwhelm the comedy ( “Well! I don’t feel like laughing now!”) and on the other hand diverging into shockingly mawkish finger-down-the-throat sentimentality. Fortunately the new comedy – “The Big Sick” – walks that line to perfection.
Kumail Nanjiani plays (who’d have thought it?) Kumail, a Pakistani-born comic-cum-Uber-driver struggling to get recognised on the Chicago comedy circuit. His performances mix traditional stand-up at a club with a rather po-faced one-man show where he explains at length the culture of Pakistan (Naan-splaining?), including intricate detail on the fielding positions and strategies of cricket. Kumail is heckled during a show by the young and perky Emily (Zoe Kazan, the middle daughter from “It’s Complicated”). Lust blossoms (mental note: stand up comedy seems a fabulous strategy for picking up women) and lust turns to romance as the pair grow closer to each other.
A surging romance. Uber gets love from A to B.
Unfortunately Kumail is aware of something Emily isn’t: his strictly Muslim parents Sharmeen and Azmat (Anupam Kher and Zenobia Schroff) believe in arranged marriages to ‘nice Pakistani girls’ and a relationship with – let alone a marriage to – Emily risks disgrace and familial exile. A medical crisis brings Kumail further into dispute, this time with Emily’s parents Beth and Terry (Holly Hunter and Ray Romano).
Stand-up is, I assert, a very nationalistic thing. It is a medium hugely dependant on context and while I’m sure great British comics like Peter Kay and Eddie Izzard might rate as only a 4 or a 5 out of 10 for most Americans, so most American stand-up comics tend to leave me cold. And perhaps it’s also a movie-thing, that stand-up on the big screen just doesn’t work well? Either way, the initial comedy-club scenes rather left me cold. (And I don’t think most of them were SUPPOSED to be particularly bad – since they seemed to fill the seats each night). As a result I thought this was a “comedy” that wasn’t going to be for me.
Stand up and be counted. Kumail Nanjiani doing the circuit.
But once Nanjiani and Kazan got together the chemistry was immediate and palpable and the duo completely won me round. Kazan in particular is a vibrant and joyous actress who I would love to see a lot more of: this should be a breakout movie for her.
Broader, but none less welcome, comedy is to be found in Kumail’s family home as his mother introduces serial Pakistani girls to the dinner table.
Holly Hunter (“Broadcast News” – one of my favourite films) and Ray Romano are also superb, delivering really thoughtful and nuanced performances that slowly unpeel the stresses inherent in many long-term marriages. The relationship that develops between Kumail and Beth is both poignant and truly touching.
Where the script succeeds is in never quite making the viewer comfortable about where the movie is going and whether the film will end with joy or heartbreak. And you will find no spoilers here!
So is it a comedy classic? Well, no, not quite. What’s a bit disappointing is that for a film as culturally topical as this, the whole question of Islamophobia in Trump’s America is juggled like a hot potato. Aside from one memorable scene in the club, with a redneck heckler, and an excruciating exchange about 9/11 between Kumail and Terry, the subject is completely ignored. This is a shame. The script (by Nanjiani and Emily Gordon) would have benefited enormously from some rather braver “Thick of It” style input from the likes of Armando Iannucci.
I also have to despair at the movie’s marketing executives who came up with this title. FFS! I know “East is East” has already gone, but could you have possibly come up with a less appealing title? I guess the title does serve one useful purpose in flagging up potential upset for those with bad historical experiences of intensive care. (Like “The Descendants” this is what we would term in our family #notaShawFamilyfilm).
Overall though this film, directed by Michael Showalter (no, me neither!) and produced by Judd Apatow (whose name gets the biggest billing), is a fun and engaging movie experience that comes highly recommended. A delightful antidote to the summer blockbuster season. The end titles also bring a delightful surprise (that I’ve seen spoiled since by some reviews) that was moving and brought added depth to the drama that had gone before.
More Hollywood please, more.
Kumail Nanjiani plays (who’d have thought it?) Kumail, a Pakistani-born comic-cum-Uber-driver struggling to get recognised on the Chicago comedy circuit. His performances mix traditional stand-up at a club with a rather po-faced one-man show where he explains at length the culture of Pakistan (Naan-splaining?), including intricate detail on the fielding positions and strategies of cricket. Kumail is heckled during a show by the young and perky Emily (Zoe Kazan, the middle daughter from “It’s Complicated”). Lust blossoms (mental note: stand up comedy seems a fabulous strategy for picking up women) and lust turns to romance as the pair grow closer to each other.
A surging romance. Uber gets love from A to B.
Unfortunately Kumail is aware of something Emily isn’t: his strictly Muslim parents Sharmeen and Azmat (Anupam Kher and Zenobia Schroff) believe in arranged marriages to ‘nice Pakistani girls’ and a relationship with – let alone a marriage to – Emily risks disgrace and familial exile. A medical crisis brings Kumail further into dispute, this time with Emily’s parents Beth and Terry (Holly Hunter and Ray Romano).
Stand-up is, I assert, a very nationalistic thing. It is a medium hugely dependant on context and while I’m sure great British comics like Peter Kay and Eddie Izzard might rate as only a 4 or a 5 out of 10 for most Americans, so most American stand-up comics tend to leave me cold. And perhaps it’s also a movie-thing, that stand-up on the big screen just doesn’t work well? Either way, the initial comedy-club scenes rather left me cold. (And I don’t think most of them were SUPPOSED to be particularly bad – since they seemed to fill the seats each night). As a result I thought this was a “comedy” that wasn’t going to be for me.
Stand up and be counted. Kumail Nanjiani doing the circuit.
But once Nanjiani and Kazan got together the chemistry was immediate and palpable and the duo completely won me round. Kazan in particular is a vibrant and joyous actress who I would love to see a lot more of: this should be a breakout movie for her.
Broader, but none less welcome, comedy is to be found in Kumail’s family home as his mother introduces serial Pakistani girls to the dinner table.
Holly Hunter (“Broadcast News” – one of my favourite films) and Ray Romano are also superb, delivering really thoughtful and nuanced performances that slowly unpeel the stresses inherent in many long-term marriages. The relationship that develops between Kumail and Beth is both poignant and truly touching.
Where the script succeeds is in never quite making the viewer comfortable about where the movie is going and whether the film will end with joy or heartbreak. And you will find no spoilers here!
So is it a comedy classic? Well, no, not quite. What’s a bit disappointing is that for a film as culturally topical as this, the whole question of Islamophobia in Trump’s America is juggled like a hot potato. Aside from one memorable scene in the club, with a redneck heckler, and an excruciating exchange about 9/11 between Kumail and Terry, the subject is completely ignored. This is a shame. The script (by Nanjiani and Emily Gordon) would have benefited enormously from some rather braver “Thick of It” style input from the likes of Armando Iannucci.
I also have to despair at the movie’s marketing executives who came up with this title. FFS! I know “East is East” has already gone, but could you have possibly come up with a less appealing title? I guess the title does serve one useful purpose in flagging up potential upset for those with bad historical experiences of intensive care. (Like “The Descendants” this is what we would term in our family #notaShawFamilyfilm).
Overall though this film, directed by Michael Showalter (no, me neither!) and produced by Judd Apatow (whose name gets the biggest billing), is a fun and engaging movie experience that comes highly recommended. A delightful antidote to the summer blockbuster season. The end titles also bring a delightful surprise (that I’ve seen spoiled since by some reviews) that was moving and brought added depth to the drama that had gone before.
More Hollywood please, more.