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Merissa (11928 KP) rated Ripping Off the Mask in Books
Oct 16, 2018
Ripping Off The Mask by Harper Jewel
Ripping Off The Mask starts with action. Coop is with his (work) partner, Silvio, when they are called to a bank robbery. Others are on their way, or already there, chasing the suspects. Silvio goes off by himself as he is faster than Coop. That leads to them both being shot, only Silvio doesn't make it. What he does do is to open up a hornet's nest within Coop, as he tries to come to terms with everything that has happened, and what he did.
I liked Coop and Wes when they weren't talking. In fact, I liked ALL the characters when they weren't talking. The minute they opened their mouths, I lost interest. The conversations and comments made came across as very stilted and forced, with lots of repetition between what they thought and what they said.
Some of the situations in the book just didn't seem realistic - and yes, I know this is fiction, but I still like to be able to pretend it's real! There is a paranormal element to this book that you will either like or loathe. Personally, I liked it, but that's just me. The premise of this book is a good one, and has all the elements there that I normally like. However, although I still liked the book, it didn't really get to me. There are plenty of themes in this book, from the twins separated at birth, to ghosts/angels, to the big bad with a rough childhood. This is a long book, so there is plenty of time for everything to play out.
I think if you can get to grips with the pacing and style of writing, then you will probably enjoy this book.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
I liked Coop and Wes when they weren't talking. In fact, I liked ALL the characters when they weren't talking. The minute they opened their mouths, I lost interest. The conversations and comments made came across as very stilted and forced, with lots of repetition between what they thought and what they said.
Some of the situations in the book just didn't seem realistic - and yes, I know this is fiction, but I still like to be able to pretend it's real! There is a paranormal element to this book that you will either like or loathe. Personally, I liked it, but that's just me. The premise of this book is a good one, and has all the elements there that I normally like. However, although I still liked the book, it didn't really get to me. There are plenty of themes in this book, from the twins separated at birth, to ghosts/angels, to the big bad with a rough childhood. This is a long book, so there is plenty of time for everything to play out.
I think if you can get to grips with the pacing and style of writing, then you will probably enjoy this book.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Hazel (1853 KP) rated Curiosity Quills: Chronology in Books
Dec 14, 2018
<i>This eBook was provided by one of the authors in exchange for an honest review
Chronology </i>is a large anthology of stories published at the beginning of 2015 by Curiosity Quills Press. Twenty-Four of Curiosity Quill’s greatest authors feature in this lengthy book providing stacks of entertainment for a wide audience. The stories vary in length and genre, however the most common themes are steampunk and the paranormal.
Males and females alike can enjoy the stories featured in <i>Chronology</i>, although not all the tales will appeal to personal tastes. Although the majority contains scientific or supernatural elements, there are other themes combined with them, for example romance and history. On the other hand you can be sure to expect werewolves, mermaids, demons, ghosts and the undead.
It is difficult to review the whole book in general, as there were some stories I liked and others that did not hold my attention. This, I expect, will be the case for many, if not all, readers. One story, or novella – it was rather lengthy – that I particularly enjoyed was <i>Wind-Up Hearts</i> by Stan Swanson. Containing numerous themes – steampunk, romance, history and contemporary/future setting – I was captivated by the two key characters and their predicament. Due to having mechanical hearts, Henry and Emily have lived for well over 100 years, watched the world change around them, yet stayed friends regardless. Yet Henry yearns for something more.
The good thing about an anthology of different authors’ works is that, while you cannot love everything, you are bound to find something you enjoy. It is great for busy people or those that cannot commit to a lengthy novel; one can dip in and out, picking and choosing which story to read. Although the authors may not be widely known, it is worth giving the anthology a chance. You may find a new author whose writing is perfect for you.
Chronology </i>is a large anthology of stories published at the beginning of 2015 by Curiosity Quills Press. Twenty-Four of Curiosity Quill’s greatest authors feature in this lengthy book providing stacks of entertainment for a wide audience. The stories vary in length and genre, however the most common themes are steampunk and the paranormal.
Males and females alike can enjoy the stories featured in <i>Chronology</i>, although not all the tales will appeal to personal tastes. Although the majority contains scientific or supernatural elements, there are other themes combined with them, for example romance and history. On the other hand you can be sure to expect werewolves, mermaids, demons, ghosts and the undead.
It is difficult to review the whole book in general, as there were some stories I liked and others that did not hold my attention. This, I expect, will be the case for many, if not all, readers. One story, or novella – it was rather lengthy – that I particularly enjoyed was <i>Wind-Up Hearts</i> by Stan Swanson. Containing numerous themes – steampunk, romance, history and contemporary/future setting – I was captivated by the two key characters and their predicament. Due to having mechanical hearts, Henry and Emily have lived for well over 100 years, watched the world change around them, yet stayed friends regardless. Yet Henry yearns for something more.
The good thing about an anthology of different authors’ works is that, while you cannot love everything, you are bound to find something you enjoy. It is great for busy people or those that cannot commit to a lengthy novel; one can dip in and out, picking and choosing which story to read. Although the authors may not be widely known, it is worth giving the anthology a chance. You may find a new author whose writing is perfect for you.
Heather Cranmer (2721 KP) rated Snuggle with the Shadows: 8 Strange Stories (The Snuggle Series #2) in Books
Aug 5, 2021
After loving the first book in The Snuggle Series, I was really looking forward to reading Snuggle with the Shadows by Liane Carter. Just like with the first book in the series, I was not left disappointed.
I found Snuggle with the Shadows to be a little different than Snuggle with the Strange (the first book in the series). In this book, there were a couple of feel good stories unlike the first book in the series. Even though there were some supernatural/paranormal stories, those elements weren't as present in Snuggle with the Shadows. That wasn't a bad thing though! Although the pacing was slower for some stories in this book, I still found myself not wanting to put this book down. The world building was still done fantastically, and I found myself instantly transported to the setting of each story. There were even some plot twists in many of the stories. Even though there are no real cliff hangers with each story, some are open to speculation such as Raisha's Reason. I loved that The Tragedy of the Tides and I was Bought at a Garage Sale were feel good stories which changed up the tone of the series a little. My favorite stories in Snuggle with the Shadows were I was Bought at a Garage Sale and A Bump in the Night. Both of these stories really held my attention, and I was enthralled throughout trying to figure out what would happen. Just like with the first book in the series, Snuggle with the Shadows has a mixture of realistic stories as well as paranormal/supernatural stories.
Liane Carter kills it again with how great her characters are! They are all well written and feel like they could actually be real life people instead of a character in a book. I had no problems picturing each and every character in my mind. I actually found myself wanting to be friends with some of the characters in Snuggle with the Shadows.
Snuggle with the Shadows is a dark adult horror book, so there are quite a few heavy triggers. These include mentions of drug use, profanity, sexual comments, sexual situations, human (child) trafficking, implied child rape and molestation, death, murder, mentions of suicide, and gun violence.
All in all, Snuggle with the Shadows is an interesting read full of entertaining characters and plots. I really believe all horror lovers (and even non-horror lovers) will enjoy all the stories in this book. I would definitely recommend Snuggle with the Shadows by Liane Carter to those aged 16+ who like all sub-genres of horror. This book will not disappoint!
--
(A special thank you to Liane Carter and Lola's Blog Tours for providing me with a paperback of Snuggle with the Shadows: 8 Strange Stories in exchange for an honest and unbiased review.)
I found Snuggle with the Shadows to be a little different than Snuggle with the Strange (the first book in the series). In this book, there were a couple of feel good stories unlike the first book in the series. Even though there were some supernatural/paranormal stories, those elements weren't as present in Snuggle with the Shadows. That wasn't a bad thing though! Although the pacing was slower for some stories in this book, I still found myself not wanting to put this book down. The world building was still done fantastically, and I found myself instantly transported to the setting of each story. There were even some plot twists in many of the stories. Even though there are no real cliff hangers with each story, some are open to speculation such as Raisha's Reason. I loved that The Tragedy of the Tides and I was Bought at a Garage Sale were feel good stories which changed up the tone of the series a little. My favorite stories in Snuggle with the Shadows were I was Bought at a Garage Sale and A Bump in the Night. Both of these stories really held my attention, and I was enthralled throughout trying to figure out what would happen. Just like with the first book in the series, Snuggle with the Shadows has a mixture of realistic stories as well as paranormal/supernatural stories.
Liane Carter kills it again with how great her characters are! They are all well written and feel like they could actually be real life people instead of a character in a book. I had no problems picturing each and every character in my mind. I actually found myself wanting to be friends with some of the characters in Snuggle with the Shadows.
Snuggle with the Shadows is a dark adult horror book, so there are quite a few heavy triggers. These include mentions of drug use, profanity, sexual comments, sexual situations, human (child) trafficking, implied child rape and molestation, death, murder, mentions of suicide, and gun violence.
All in all, Snuggle with the Shadows is an interesting read full of entertaining characters and plots. I really believe all horror lovers (and even non-horror lovers) will enjoy all the stories in this book. I would definitely recommend Snuggle with the Shadows by Liane Carter to those aged 16+ who like all sub-genres of horror. This book will not disappoint!
--
(A special thank you to Liane Carter and Lola's Blog Tours for providing me with a paperback of Snuggle with the Shadows: 8 Strange Stories in exchange for an honest and unbiased review.)
Sarah (7798 KP) rated Truth Seekers - Season 1 in TV
Nov 8, 2020
Enjoyably British
Truth Seekers is the latest collaboration from Nick Frost and Simon Pegg, and centres around employees of a network services provider who run a YouTube channel as amateur paranormal investigators.
The series follows Gus Roberts (Nick Frost), the top installation engineer for network provider Smyle. He lives with his dad (Malcolm McDowell) and investigates paranormal activities in his spare time, running his own YouTube channel as ‘The Truth Seeker’. His boss Dave (Simon Pegg) pairs Gus with a new employee Elton John (Samson Kayo), and Truth Seekers follows the pair as they increasingly encounter paranormal and mysterious entities as they go about their daily work, including a haunted young woman called Astrid (Emma D’Arcy).
Truth Seekers starts off as a case by episode series, with a new spooky encounter every time (think Supernatural but very British) and then mid-way works into a bigger overall plot involving Julian Barratt’s Dr Peter Toynbee that seems to tie all the earlier elements together. As a supernatural horror show, this works really well. It doesn’t rely on typical jump scares, and instead uses well known horror situations to be as creepy as possible. Admittedly this is a tad cliched – think of all the known supernatural experiences you’d expect to see (psychiatric hospitals, hotels, demons and satanic books to name a few) and you’ll definitely find them here. However this doesn’t matter as they’re done well and in such a smart, creepy and very British way. Even the special effects are impressive for something that looks like it should be fairly low budget.
Whilst this is made out to be a horror comedy, it’s the comedy side that appears to be a little lacking. Don’t get me wrong, this has its’s funny and witty moments and seems to relish all of the pop culture references it throws in at every opportunity, however it doesn’t seem quite as edgy and quick witted as Frost and Pegg’s previous collaborations. Frost delivers his usual deadpan style well and is ably supported by Samson Kayo’s Elton as his rather adorable and unwitting partner. The standout though is unsurprisingly Malcolm McDowell as Gus’ dad Richard. Right from the first episode McDowell shines and is an absolute riot. Every scene he’s in gives rise to so many laughs and in particular there’s one scene featuring him going upstairs on a stair lift so slowly that nearly had me crying with laughter. But despite this the humour is maybe a little lacking from what we’d expect. I also felt like some of the pop culture references were a little forced and unnatural, which is a shame as there were also a lot that worked quite well – nods to Aliens and The Shawshank Redemption were particularly appreciated.
Truth Seekers may be lacking a little in humour, but what is there is adeptly delivered by a rather stellar cast. Pegg takes a backseat as boss Dave with an atrocious hairpiece and there are some small roles for Kelly MacDonald, Susie Wokoma and Julian Barratt, but everyone puts in a great performance no matter the screen time. McDowell undoubtedly steals the show, but the main trio of Frost, Kayo and D’Arcy carry the show well between them.
What surprised me the most about Truth Seekers is how short it was. A mere eight episodes running at 30 minutes each doesn’t seem like enough – by the end of the eighth episode I was shocked to see there wasn’t any more, although the final scenes do at least set this up for a second series that will hopefully come to fruition. I was a little concerned about the main plot involving Toynbee as it did get a little convoluted towards the end, and the final scenes do nothing but add to this and hint at a much bigger story going on. This could end up being rather good, but it could also turn what is by and large a very enjoyable British supernatural series into something rather crazy and confused. Only series two will tell.
The series follows Gus Roberts (Nick Frost), the top installation engineer for network provider Smyle. He lives with his dad (Malcolm McDowell) and investigates paranormal activities in his spare time, running his own YouTube channel as ‘The Truth Seeker’. His boss Dave (Simon Pegg) pairs Gus with a new employee Elton John (Samson Kayo), and Truth Seekers follows the pair as they increasingly encounter paranormal and mysterious entities as they go about their daily work, including a haunted young woman called Astrid (Emma D’Arcy).
Truth Seekers starts off as a case by episode series, with a new spooky encounter every time (think Supernatural but very British) and then mid-way works into a bigger overall plot involving Julian Barratt’s Dr Peter Toynbee that seems to tie all the earlier elements together. As a supernatural horror show, this works really well. It doesn’t rely on typical jump scares, and instead uses well known horror situations to be as creepy as possible. Admittedly this is a tad cliched – think of all the known supernatural experiences you’d expect to see (psychiatric hospitals, hotels, demons and satanic books to name a few) and you’ll definitely find them here. However this doesn’t matter as they’re done well and in such a smart, creepy and very British way. Even the special effects are impressive for something that looks like it should be fairly low budget.
Whilst this is made out to be a horror comedy, it’s the comedy side that appears to be a little lacking. Don’t get me wrong, this has its’s funny and witty moments and seems to relish all of the pop culture references it throws in at every opportunity, however it doesn’t seem quite as edgy and quick witted as Frost and Pegg’s previous collaborations. Frost delivers his usual deadpan style well and is ably supported by Samson Kayo’s Elton as his rather adorable and unwitting partner. The standout though is unsurprisingly Malcolm McDowell as Gus’ dad Richard. Right from the first episode McDowell shines and is an absolute riot. Every scene he’s in gives rise to so many laughs and in particular there’s one scene featuring him going upstairs on a stair lift so slowly that nearly had me crying with laughter. But despite this the humour is maybe a little lacking from what we’d expect. I also felt like some of the pop culture references were a little forced and unnatural, which is a shame as there were also a lot that worked quite well – nods to Aliens and The Shawshank Redemption were particularly appreciated.
Truth Seekers may be lacking a little in humour, but what is there is adeptly delivered by a rather stellar cast. Pegg takes a backseat as boss Dave with an atrocious hairpiece and there are some small roles for Kelly MacDonald, Susie Wokoma and Julian Barratt, but everyone puts in a great performance no matter the screen time. McDowell undoubtedly steals the show, but the main trio of Frost, Kayo and D’Arcy carry the show well between them.
What surprised me the most about Truth Seekers is how short it was. A mere eight episodes running at 30 minutes each doesn’t seem like enough – by the end of the eighth episode I was shocked to see there wasn’t any more, although the final scenes do at least set this up for a second series that will hopefully come to fruition. I was a little concerned about the main plot involving Toynbee as it did get a little convoluted towards the end, and the final scenes do nothing but add to this and hint at a much bigger story going on. This could end up being rather good, but it could also turn what is by and large a very enjoyable British supernatural series into something rather crazy and confused. Only series two will tell.
Rachel King (13 KP) rated At Grave's End (Night Huntress, #3) in Books
Feb 11, 2019
I find it funny that with all of the vampire books I have read over the years, I still have not tired of the theme. In this third book in the Night Huntress series, Jeaniene Frost continues to make life interesting for Cat and Bones and friends by adding a little magic to the mix, specifically from the legendary Cleopatra's daughter-turned-vampire, Patra, who also happens to be Bones's grandsire-turned-partner, Mancheres's wife. Life as a vampire only becomes more convoluted for Cat as Bones gains a few new abilities, and Cat learns why vamps are not allowed to practice magic. When they learn that Patra has sent "the grave" after Bones, I had visions of horror movies dancing in my head - and I was not that far off in my guesses. Since I am not a fan of this particular fad in fantasy fiction, I was glad that Frost depicted these paranormal creatures so horrifically.
One of the elements that I also like about this series is the humor - which Frost delivers in the form of Cat's mother, who embraces the circumstances of Cat and friends' protection with surprising relish. Without spoiling this juicy tidbit, I will say I laughed out loud when I read about the change in Cat's mother.
On the flip side, when anguish hits Cat hard, I felt her pain more than I expected to, even though I harbored doubts about what had really occurred. The emotion that Frost conveys in this section of the plot feels as real as if I felt the same loss as Cat.
There are many other interesting tidbits in the book, such as what almost occurs with Tate - and the result, Juan's decision, as well as the truce that develops between Annette and Cat. This is why I love series - side characters get more plot time, subplots can continue to mature, and I don't have to leave the imagined world behind just because I closed the book! I can't wait for the next book, Destined for an Early Grave (Night Huntress, Book 4).
One of the elements that I also like about this series is the humor - which Frost delivers in the form of Cat's mother, who embraces the circumstances of Cat and friends' protection with surprising relish. Without spoiling this juicy tidbit, I will say I laughed out loud when I read about the change in Cat's mother.
On the flip side, when anguish hits Cat hard, I felt her pain more than I expected to, even though I harbored doubts about what had really occurred. The emotion that Frost conveys in this section of the plot feels as real as if I felt the same loss as Cat.
There are many other interesting tidbits in the book, such as what almost occurs with Tate - and the result, Juan's decision, as well as the truce that develops between Annette and Cat. This is why I love series - side characters get more plot time, subplots can continue to mature, and I don't have to leave the imagined world behind just because I closed the book! I can't wait for the next book, Destined for an Early Grave (Night Huntress, Book 4).
Hazel (1853 KP) rated Fanya in the Underworld in Books
Dec 6, 2018
I was sent a copy of this book by the author in exchange for an honest review.
Author Jordan Elizabeth has written many stories for young adults of all sorts of genres. With Fanya in the Underworld, Jordan tackles steampunk fiction with elements of fantasy and the paranormal. Set in Alaska during the 19th century when the state was still owned by Tsarist Russia, humans rely on steamtech and spirit magic to fuel their industrious cities.
The story begins shortly after the death of Fanya's father, leaving her as heir to his estate. Unfortunately, her step-mother has overruled her right to her inheritance. By making a fuss to the council, Fanya inadvertently puts both her life and the life of her younger sister in danger. Desperate to protect her sister from the clutches of a mysterious Englishman, Fanya finds herself in the wilderness where the indigenous, magical folk live. Despite having lived in a city her entire life, Fanya soon discovers she has far more in common with the people in the untamed wild.
Whilst a work of imaginative fiction, Fanya in the Underworld works with the historical truth about settlers moving to Alaska, Canada and the United States. Those from Europe who travelled to North America drove out the indigenous folk, destroyed their land and culture and deemed them to be lesser beings. The same has occurred in this novel in which the natives are banned from the cities, treated like animals and even murdered just for being who they are.
By caring so much about her sister, Fanya discovers the truth about the way the cities developed and is shocked by the revelation. Although her sister is at the forefront of her mind, her actions cause huge changes in Alaska resulting in a favourable, although unpredictable, conclusion.
Jordan Elizabeth draws the reader into the steampunk world of Tsarist Alaska. With the aid of illustrations by Aaron Siddal, Fanya in the Underworld is an exciting story unlike any written before. Unique characters, unique scenarios, and a fantastic ending, what more could anyone want?
Author Jordan Elizabeth has written many stories for young adults of all sorts of genres. With Fanya in the Underworld, Jordan tackles steampunk fiction with elements of fantasy and the paranormal. Set in Alaska during the 19th century when the state was still owned by Tsarist Russia, humans rely on steamtech and spirit magic to fuel their industrious cities.
The story begins shortly after the death of Fanya's father, leaving her as heir to his estate. Unfortunately, her step-mother has overruled her right to her inheritance. By making a fuss to the council, Fanya inadvertently puts both her life and the life of her younger sister in danger. Desperate to protect her sister from the clutches of a mysterious Englishman, Fanya finds herself in the wilderness where the indigenous, magical folk live. Despite having lived in a city her entire life, Fanya soon discovers she has far more in common with the people in the untamed wild.
Whilst a work of imaginative fiction, Fanya in the Underworld works with the historical truth about settlers moving to Alaska, Canada and the United States. Those from Europe who travelled to North America drove out the indigenous folk, destroyed their land and culture and deemed them to be lesser beings. The same has occurred in this novel in which the natives are banned from the cities, treated like animals and even murdered just for being who they are.
By caring so much about her sister, Fanya discovers the truth about the way the cities developed and is shocked by the revelation. Although her sister is at the forefront of her mind, her actions cause huge changes in Alaska resulting in a favourable, although unpredictable, conclusion.
Jordan Elizabeth draws the reader into the steampunk world of Tsarist Alaska. With the aid of illustrations by Aaron Siddal, Fanya in the Underworld is an exciting story unlike any written before. Unique characters, unique scenarios, and a fantastic ending, what more could anyone want?
Merissa (11928 KP) rated Insight (The Community #1) in Books
Jul 24, 2017
Insight (The Community #1) by Santino Hassell
Insight is the first book in The Community series, and we start off with Nate. He lives in a dead-end town, works a dead-end job, comes from a dead-beat family, and is going nowhere fast. However, his life changes when his twin dies. Now, don't get me wrong, there is no big lovefest with these twins - far from it. Theo is a drama queen of the nth degree and isn't above 'playing' for what he wants, no matter the cost to anyone, not even his brother. However, when Theo's death is ruled a suicide, Nate knows something is wrong. How does he know? Because he keeps getting visions in which he IS Theo and even shares his death. That's how he knows. With family drama nipping at his heels, he packs up and heads out to New York. Trent has already spoken with Nate, although Nate can't remember. When he drives past Nate hitchhiking, he can't just leave him, so he doesn't. This leads on to the romance part of the story, although it doesn't over run it. Once they get to NYC, it's full on and fast paced as the story progresses and Nate finds himself in the same danger as Theo.
This is the first book by Santino Hassell that I have read and I was thoroughly engrossed from the very beginning. I really felt for Nate and everything he was, and had been, going through. Trent is the perfect foil for him, and provides back up and sanity as and when Nate needs it. This isn't a romance book, although it has elements of romance within it. Primarily I would say this is a Paranormal Suspense. Either way, the story is gripping, the characters are well rounded (even those you don't particularly like), and you will keep turning those pages. I loved the epilogue that we got, right up until the major cliffhanger that you are left with. For something that is definitely different, I would have no hesitation in recommending this.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
This is the first book by Santino Hassell that I have read and I was thoroughly engrossed from the very beginning. I really felt for Nate and everything he was, and had been, going through. Trent is the perfect foil for him, and provides back up and sanity as and when Nate needs it. This isn't a romance book, although it has elements of romance within it. Primarily I would say this is a Paranormal Suspense. Either way, the story is gripping, the characters are well rounded (even those you don't particularly like), and you will keep turning those pages. I loved the epilogue that we got, right up until the major cliffhanger that you are left with. For something that is definitely different, I would have no hesitation in recommending this.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Hadley (567 KP) rated The Haunting of Hill House in Books
Apr 19, 2019
Strong writing (1 more)
Good characters
Run-on sentences (1 more)
No explanations for paranormal activity
Contains spoilers, click to show
If you're looking for a scary story, 'The Haunting of Hill House' just doesn't add up.
The story is still worth reading because Jackson's story telling is something that is missing in literature today. The reader is introduced to characters that are different enough to be interesting; their development is just right that it leaves the reader satisfied. The story moves along well enough that the pace keeps us from getting bored. And each turn of the page keeps the reader guessing what is going to happen next- a must for any ghost story.
In 'The Haunting of Hill House,' Jackson mostly focuses on the character Eleanor - a woman who recently lost the sickly mother she had taken care of for years, to receiving an invitation for a paranormal experiment at the infamous Hill House. Eleanor also seems to be the main character affected by the house, not only having her name written on a wall, but also having her named called out by spirits during an automatic writing session with them.
Our first introduction to the Hill House happens as Eleanor arrives: "No Human eye can isolate the unhappy coincidence of line and place which suggests evil in the face of a house, and yet somehow a maniac juxtaposition, a badly turned angle, some chance meeting of roof and sky, turned Hill House into a place of despair, more frightening because the face of Hill House seemed awake, with a watchfulness from the blank windows and a touch of glee in the eyebrow of a cornice. Almost any house, caught unexpectedly or at an odd angle, can turn a deeply humorous look on a watching person; even a mischievous little chimney, or a dormer like a dimple, can catch up a beholder with a sense of fellowship; but a house arrogant and hating, never off guard, can only be evil. This house, which seemed somehow to have formed itself, flying together into its own powerful pattern under the hands of its builders, fitting itself into its own construction of lines and angles, reared its great head back against the sky without concession to humanity. It was a house without kindness, never meant to be lived in , not a fit place for people or for love or for hope. Exorcism cannot alter the countenance of a house; Hill House would stay as it was until it was destroyed."
We never see Hill House through any other character's eyes, and the viewpoints mostly come from Eleanor (a missed opportunity,I think). Everyone who arrives at the house feels uneasy about it: doors and curtains close on their own, unexplained banging noises down the hallways(only at night), the chattering and laughter of children, and with an oddly placed cold spot. Yet,to the reader's dismay, nothing is fully explained by the end of the story - no apparitions show up, no one seems harmed by anything unseen (although, the character, Luke, suddenly shows up with a bruised face that is never discussed), and the reader ends up wondering if this really is a product of mass psychosis. It almost seems like Jackson ended the story abruptly just to finish it(the book is only a little under 200 pages). She set up wonderful scenarios, but without explanations, we're left with a very empty feeling.
Nearing the end of the book, the doctor, John Montague, who has ran the entire experiment, has his wife,Mrs. Montague,arrive a few days later, who seems to know more about contacting spirits than he does: "The library? I think it might do; books are frequently very good carriers, you know. Materializations are often best produced in rooms where there are books. I cannot think of any time when materialization was in any way hampered by the presence of books." And with the arrival of Dr. Montague's wife, we get one of the major experiences in the entire book. Although her character is quite annoying- even seen through the eyes of other characters- she brings some of the most ghost story elements, one of which is her automatic writing sessions: "Planchette felt very strongly about a nun, John. Perhaps something of the sort- a dark, vague figure, even- has been seen in the neighborhood? Villagers terrified when staggering home late at night?" None of the characters, besides Mrs. Montague's companion, Arthur, believe her automatic writing sessions are real, even after Eleanor's name is brought up during one. As I stated before, without any explanations, the reader is even led to believe that nothing was meant to come of these sessions whatsoever.
The ghost story elements may not have been strong in the story, but the characters make up for them. They constantly question what they are experiencing and/or seeing, they question their surroundings, and they question each other -Jackson does an amazing job weaving paranoia into the story line.
One of the more shocking and unbelievable scenes is when Eleanor is suddenly not fearful of the house anymore: "And here I am, she thought. Here I am inside. It was not cold at all, but deliciously, fondly warm. It was light enough for her to see the iron stairway curving around and around up to the tower, and the little door at the top. Under her feet the stone floor moved caressingly, rubbing itself against the soles of her feet, and all around the soft air touched her, stirring her hair, drifting against her fingers, coming in a light breath across her mouth, and she danced in circles. No stone lions for me, she thought, no oleanders; I have broken the spell of Hill House and somehow come inside. I am home, she thought, and stopped in wonder at the thought. I am home, I am home, she thought; now to climb." It was as if Eleanor was a completely different person in just a few pages.
I do have a couple of problems with 'The Haunting of Hill House,' mostly centering around the use of run-on sentences and extra long paragraphs. The run-on sentences are a waste of time because Jackson seems to merely elaborate on something that could be easily explained or experienced with fewer words. The paragraphs, however, need to be broken up for scene transitioning purposes -when she transitions from one scene to the next, she can confuse the reader with them: one paragraph will have all the characters in the dining area, but in that same paragraph, just a few sentences down, Jackson has the characters suddenly in the parlor,drinking Brandy. Maybe the intention was to make the reader feel paranoid and uneasy like the characters in the book, but it was certainly not needed with the way of Jackson's style of writing.
With all that said, it's easy to see why this book is a popular classic. The writing is strong, using enough descriptions to put the reader in Hill House with all of its paranormal beings. And no matter who you are, you are able to find at least one of the lead characters as a favorite. I feel the book is a must-read for anyone interested in the paranormal, because Jackson brings out the occult interest that was going on around 1959 - when she published 'The Haunting of Hill House;' everything from cold spots to the use of a planchette for automatic writing.
I recommend this book, but if you're looking for scares, you must look elsewhere.
The story is still worth reading because Jackson's story telling is something that is missing in literature today. The reader is introduced to characters that are different enough to be interesting; their development is just right that it leaves the reader satisfied. The story moves along well enough that the pace keeps us from getting bored. And each turn of the page keeps the reader guessing what is going to happen next- a must for any ghost story.
In 'The Haunting of Hill House,' Jackson mostly focuses on the character Eleanor - a woman who recently lost the sickly mother she had taken care of for years, to receiving an invitation for a paranormal experiment at the infamous Hill House. Eleanor also seems to be the main character affected by the house, not only having her name written on a wall, but also having her named called out by spirits during an automatic writing session with them.
Our first introduction to the Hill House happens as Eleanor arrives: "No Human eye can isolate the unhappy coincidence of line and place which suggests evil in the face of a house, and yet somehow a maniac juxtaposition, a badly turned angle, some chance meeting of roof and sky, turned Hill House into a place of despair, more frightening because the face of Hill House seemed awake, with a watchfulness from the blank windows and a touch of glee in the eyebrow of a cornice. Almost any house, caught unexpectedly or at an odd angle, can turn a deeply humorous look on a watching person; even a mischievous little chimney, or a dormer like a dimple, can catch up a beholder with a sense of fellowship; but a house arrogant and hating, never off guard, can only be evil. This house, which seemed somehow to have formed itself, flying together into its own powerful pattern under the hands of its builders, fitting itself into its own construction of lines and angles, reared its great head back against the sky without concession to humanity. It was a house without kindness, never meant to be lived in , not a fit place for people or for love or for hope. Exorcism cannot alter the countenance of a house; Hill House would stay as it was until it was destroyed."
We never see Hill House through any other character's eyes, and the viewpoints mostly come from Eleanor (a missed opportunity,I think). Everyone who arrives at the house feels uneasy about it: doors and curtains close on their own, unexplained banging noises down the hallways(only at night), the chattering and laughter of children, and with an oddly placed cold spot. Yet,to the reader's dismay, nothing is fully explained by the end of the story - no apparitions show up, no one seems harmed by anything unseen (although, the character, Luke, suddenly shows up with a bruised face that is never discussed), and the reader ends up wondering if this really is a product of mass psychosis. It almost seems like Jackson ended the story abruptly just to finish it(the book is only a little under 200 pages). She set up wonderful scenarios, but without explanations, we're left with a very empty feeling.
Nearing the end of the book, the doctor, John Montague, who has ran the entire experiment, has his wife,Mrs. Montague,arrive a few days later, who seems to know more about contacting spirits than he does: "The library? I think it might do; books are frequently very good carriers, you know. Materializations are often best produced in rooms where there are books. I cannot think of any time when materialization was in any way hampered by the presence of books." And with the arrival of Dr. Montague's wife, we get one of the major experiences in the entire book. Although her character is quite annoying- even seen through the eyes of other characters- she brings some of the most ghost story elements, one of which is her automatic writing sessions: "Planchette felt very strongly about a nun, John. Perhaps something of the sort- a dark, vague figure, even- has been seen in the neighborhood? Villagers terrified when staggering home late at night?" None of the characters, besides Mrs. Montague's companion, Arthur, believe her automatic writing sessions are real, even after Eleanor's name is brought up during one. As I stated before, without any explanations, the reader is even led to believe that nothing was meant to come of these sessions whatsoever.
The ghost story elements may not have been strong in the story, but the characters make up for them. They constantly question what they are experiencing and/or seeing, they question their surroundings, and they question each other -Jackson does an amazing job weaving paranoia into the story line.
One of the more shocking and unbelievable scenes is when Eleanor is suddenly not fearful of the house anymore: "And here I am, she thought. Here I am inside. It was not cold at all, but deliciously, fondly warm. It was light enough for her to see the iron stairway curving around and around up to the tower, and the little door at the top. Under her feet the stone floor moved caressingly, rubbing itself against the soles of her feet, and all around the soft air touched her, stirring her hair, drifting against her fingers, coming in a light breath across her mouth, and she danced in circles. No stone lions for me, she thought, no oleanders; I have broken the spell of Hill House and somehow come inside. I am home, she thought, and stopped in wonder at the thought. I am home, I am home, she thought; now to climb." It was as if Eleanor was a completely different person in just a few pages.
I do have a couple of problems with 'The Haunting of Hill House,' mostly centering around the use of run-on sentences and extra long paragraphs. The run-on sentences are a waste of time because Jackson seems to merely elaborate on something that could be easily explained or experienced with fewer words. The paragraphs, however, need to be broken up for scene transitioning purposes -when she transitions from one scene to the next, she can confuse the reader with them: one paragraph will have all the characters in the dining area, but in that same paragraph, just a few sentences down, Jackson has the characters suddenly in the parlor,drinking Brandy. Maybe the intention was to make the reader feel paranoid and uneasy like the characters in the book, but it was certainly not needed with the way of Jackson's style of writing.
With all that said, it's easy to see why this book is a popular classic. The writing is strong, using enough descriptions to put the reader in Hill House with all of its paranormal beings. And no matter who you are, you are able to find at least one of the lead characters as a favorite. I feel the book is a must-read for anyone interested in the paranormal, because Jackson brings out the occult interest that was going on around 1959 - when she published 'The Haunting of Hill House;' everything from cold spots to the use of a planchette for automatic writing.
I recommend this book, but if you're looking for scares, you must look elsewhere.
Acanthea Grimscythe (300 KP) rated Highwayman in Books
May 16, 2018
It's a bit hard for me to really talk about how I felt while reading Highwayman by Craig Saunders. To some extent, I feel that I may not know as much about old lore and mythology as I thought I did - and that's definitely a possibility. The concept behind the book is intriguing, but there are many elements of Saunders story that failed to satisfy me.
In the wake of a plane crash, Karl Goodman finds himself in-between life and death - a sort of limbo that I felt was reminiscent of an episode of Supernatural where Castiel and Dean are fighting vampires in purgatory. I say this largely because of the whole Fog-World/forest atmosphere. In this surreal world, a murderer from centuries past is able to cross the lines between the worlds of the living and dead to continue visiting his reign of horror upon unsuspecting individuals. Guided by the Deans, who appear to be a set of reapers, for lack of a better term (or maybe ferrymen), and a young, comatose girl named Imke, Karl finds himself seeking out this murderous highwayman so that he can exact revenge for his daughter's death.
While I have a strong love for the supernatural and paranormal, I couldn't help but find myself confused more often than not by several aspects of the story. I am, admittedly, ignorant of the White Hart and the Green Man, but I like to think I'm a bit more versed in the many varieties of spooks. In fact, Saunders portrayal of a barrow-wight did not stray unreasonably far from its native draugr. What does baffle me though is how Saunders introduces these supernatural elements into his book. When I received Highwayman, I was expecting something dark and macabre that dealt with... well, with highwaymen. The main villain of the tale is precisely that, but the book itself is largely a ghost story. That isn't necessarily a problem, but it simply did not sit very well with me.
To further complicate the telling of the story, there are far too many differing points of view - five or six, total. (I can't remember if there was a part told from Mr. Dean's perspective.) This makes it hard to keep track of the passage of time, and whether or not that is intentional, I found it bothersome. For instance, at one point Bethany, Karl's wife, does something. Then, for several chapters, the story does not return to her. In fact, the disparity between returning to her point of view was so great that I actually thought that Saunders had forgotten about her.
One of the other issues that bothered me was the circumstances of Karl and Bethany's daughter's death. At first it is explained as a drowning, but then later we learn it was not. Apparently her murder was so horrid that Karl conveniently blocked the tragedy from his mind with a far more "rational" explanation, and to me this felt more like slapping a bandaid on a forgotten plot element than something that was done naturally.
At no point during my reading of this book did I feel any sort of emotion or attachment to any of the characters, and I found that to be extremely disappointing. The cast of Highwayman are not, in any way, extraordinary (well, not depth wise), and that made it harder for me to get into the book.
Overall, I didn't care much for Highwayman; however I will not let that discourage me from reading more of Saunders' work in the future. As part of the DarkFuse Reader's Group, I received an advance copy of this book in exchange for an honest review. I would like to thank DarkFuse, Craig Saunders, and NetGalley for this opportunity.
In the wake of a plane crash, Karl Goodman finds himself in-between life and death - a sort of limbo that I felt was reminiscent of an episode of Supernatural where Castiel and Dean are fighting vampires in purgatory. I say this largely because of the whole Fog-World/forest atmosphere. In this surreal world, a murderer from centuries past is able to cross the lines between the worlds of the living and dead to continue visiting his reign of horror upon unsuspecting individuals. Guided by the Deans, who appear to be a set of reapers, for lack of a better term (or maybe ferrymen), and a young, comatose girl named Imke, Karl finds himself seeking out this murderous highwayman so that he can exact revenge for his daughter's death.
While I have a strong love for the supernatural and paranormal, I couldn't help but find myself confused more often than not by several aspects of the story. I am, admittedly, ignorant of the White Hart and the Green Man, but I like to think I'm a bit more versed in the many varieties of spooks. In fact, Saunders portrayal of a barrow-wight did not stray unreasonably far from its native draugr. What does baffle me though is how Saunders introduces these supernatural elements into his book. When I received Highwayman, I was expecting something dark and macabre that dealt with... well, with highwaymen. The main villain of the tale is precisely that, but the book itself is largely a ghost story. That isn't necessarily a problem, but it simply did not sit very well with me.
To further complicate the telling of the story, there are far too many differing points of view - five or six, total. (I can't remember if there was a part told from Mr. Dean's perspective.) This makes it hard to keep track of the passage of time, and whether or not that is intentional, I found it bothersome. For instance, at one point Bethany, Karl's wife, does something. Then, for several chapters, the story does not return to her. In fact, the disparity between returning to her point of view was so great that I actually thought that Saunders had forgotten about her.
One of the other issues that bothered me was the circumstances of Karl and Bethany's daughter's death. At first it is explained as a drowning, but then later we learn it was not. Apparently her murder was so horrid that Karl conveniently blocked the tragedy from his mind with a far more "rational" explanation, and to me this felt more like slapping a bandaid on a forgotten plot element than something that was done naturally.
At no point during my reading of this book did I feel any sort of emotion or attachment to any of the characters, and I found that to be extremely disappointing. The cast of Highwayman are not, in any way, extraordinary (well, not depth wise), and that made it harder for me to get into the book.
Overall, I didn't care much for Highwayman; however I will not let that discourage me from reading more of Saunders' work in the future. As part of the DarkFuse Reader's Group, I received an advance copy of this book in exchange for an honest review. I would like to thank DarkFuse, Craig Saunders, and NetGalley for this opportunity.
Zuky the BookBum (15 KP) rated Mary Rose in Books
Mar 15, 2018
3.5 stars
I wasnt sure what to think about this book when I first saw the synopsis, I couldnt tell whether it was going to be a horror or something else. It turned out to be something else.
Going into this book I was impressed with the writing and the building of characters. Both elements really helped set the mysterious, brooding tone that this book portrays.
I began the book enjoying Simons character but eventually, like a lot of over-bearing husband characters, he got on my nerves. I understand the books whole thing was about protecting Mary Rose but the way he crawled around on all fours for her got really irritating. I understand this was done to add a layer to the story, however, I didnt enjoy that aspect of it. I much prefer books that arent all loved up and mushy. I think my annoyance with the characters in this ruined a certain aspect of the book and made it less enjoyable for me overall.
I really liked the story for this one, however. A twenty year old mystery of how a young girl when missing on a mysterious and creepy Scottish island is definitely the sort of book I like. The tension and paranoia built throughout the story is superb and youre really stuck wondering is Mary Rose dead? Is Mary Rose a portal to some sort of dark magic? Is the island really filled with paranormal things? Its a great book that keeps you guessing all the way through.
This book does give all it secrets up at once, which normally isnt my kind of mystery book, but it worked in this one. I know many people are disappointed by the ending but I thought it was equally shocking as it was poignant. Reading the afterthought bit about the original story of Mary Rose and Hitchcocks ideas for a movie of it really helped me understand and appreciate how the novel ended.
I would recommend this novel for readers who have a slightly different taste in mysteries than me. If you like themes such as love and loss, then you will really get on with this one. I personally thought it was going to be more spooky and less emotional, but I still enjoyed the bulk of it.
<i>Thanks to Netgalley, Adaptive Books and Sunshine Sachs for giving me the opportunity to read this in exchange for an honest review.</i>
I wasnt sure what to think about this book when I first saw the synopsis, I couldnt tell whether it was going to be a horror or something else. It turned out to be something else.
Going into this book I was impressed with the writing and the building of characters. Both elements really helped set the mysterious, brooding tone that this book portrays.
I began the book enjoying Simons character but eventually, like a lot of over-bearing husband characters, he got on my nerves. I understand the books whole thing was about protecting Mary Rose but the way he crawled around on all fours for her got really irritating. I understand this was done to add a layer to the story, however, I didnt enjoy that aspect of it. I much prefer books that arent all loved up and mushy. I think my annoyance with the characters in this ruined a certain aspect of the book and made it less enjoyable for me overall.
I really liked the story for this one, however. A twenty year old mystery of how a young girl when missing on a mysterious and creepy Scottish island is definitely the sort of book I like. The tension and paranoia built throughout the story is superb and youre really stuck wondering is Mary Rose dead? Is Mary Rose a portal to some sort of dark magic? Is the island really filled with paranormal things? Its a great book that keeps you guessing all the way through.
This book does give all it secrets up at once, which normally isnt my kind of mystery book, but it worked in this one. I know many people are disappointed by the ending but I thought it was equally shocking as it was poignant. Reading the afterthought bit about the original story of Mary Rose and Hitchcocks ideas for a movie of it really helped me understand and appreciate how the novel ended.
I would recommend this novel for readers who have a slightly different taste in mysteries than me. If you like themes such as love and loss, then you will really get on with this one. I personally thought it was going to be more spooky and less emotional, but I still enjoyed the bulk of it.
<i>Thanks to Netgalley, Adaptive Books and Sunshine Sachs for giving me the opportunity to read this in exchange for an honest review.</i>