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Holby City - Series 19
6.1
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TV Show
The series was created by Tony McHale and Mal Young as a spin-off from the established BBC medical...
Drama
chandler ellis (3 KP) rated Spider-Man: Homecoming (2017) in Movies
Jul 14, 2017
Michael Keaton's portrayal of his character: The Vulture. (1 more)
The idea that his Peter Parker, tried to prove himself worthy for the Avengers, and that he wouldn't let someone die just because their bad.
Spiderman swings into a 9/10 place, giving a comical take on the teenage superhero
Contains spoilers, click to show
Spiderman Homecoming swung into theatres last week, and provided a comical take on the young superhero. It gives us an opening on Peter, enjoying his time and experience through the events of Civil War. But this comes to an end, when it shows him as a normal teen. Michael Keaton, gives a hatred to play-boy millionaire Tony Stark. So he retrieves pieces of weaponry and tech, from previous Marvel films. And he sells them to make money, and give his family a good life. Through this Peter learns of the idea of trust, bravery, and of course doing the right thing no matter what. All in all, Spiderman Homecoming makes a great film for the new generation and for some in the old generation.
Black Sails
7.2
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TV Show Watch
A prequel to the classic Robert Louis Stevenson novel "Treasure Island," "Black Sails" is a pirate...
BankofMarquis (1832 KP) rated Elvis (2022) in Movies
Jun 28, 2022
Butler Shines
Director Baz Luhrmann is one of those artists that I always keep an eye out for. His artistic vision is unique and while the films he directs don’t always work - MOULIN ROUGE is on of my all-time favorites, AUSTRALIA is a mess and his take on the GREAT GATSBY works…mostly - but the one thing that can be said about him is that his projects are always interesting (especially visually). So when he decided to create a bio-pic of “The King”, Elvis Presley, I was intrigued.
And…the resulting film - appropriately called ELVIS - works very well, but not because of Luhrmann’s Direction/Style but more because of the TERRIFIC performance at the center of this picture - and, no, I’m not talking about Tom Hanks as Col. Parker.
ELVIS follows - with the usual Luhrmann quick/cut, flashy style - the rise, fall, rise and (ultimately) death of Elvis Presley. Starting with his boyhood in Tupelo, Mississippi - where he found his rhythm in the roots of African-American Gospel/Spirituals - to his ascension to superstar, this films tries to tell it all, mostly through the shadowy viewpoint of Elvis’ Manager, Col. Tom Parker (a heavily made-up Tom Hanks).
And that is part of the problem with this film - it tries to tell TOO big a story, so while some items are covered in slow, glowing detail (like Elvis’ discovery of the music that will be his trademark), while other items (his movie career) are glossed over quickly in a montage. This is out of necessity, for this film is already 2 hours and 40 minutes long, but it does make this film feel somewhat disjointed - especially when you add Luhrmann’s trademark disorienting quick/cut, stylistic directing style. At times I just wanted to yell at Lurhman to lock his camera down in one position so my eyes (and brain) can settle down and watch what’s going on.
The other issue is the viewpoint of this film - it isn’t consistent. Is this a movie about Elvis? Is this a movie about a conman manipulating Elvis? It starts out following Col. Parker as he discovers Elvis and manipulates him to be his exclusive act, but then we leave Col. Tom and follow Elvis for long periods of time before being drawn back into Col’s Parker’s web, so there is confusion as to who’s story we are telling. In the end we tell both, and each one suffers a little bit because of this.
HOWEVER - and this is an important point - these issues are pushed to the back as minor flaws as the central performance of Austin Butler (Wil Ohmsford in the terrible adaption of THE SHANNARA CHRONICLES on TV) as Elvis is AMAZING. It is a captivating, multi-layered performance both on-stage and off. He has created a character that you are drawn to watch and the off-stage Elvis sets the stage for the charismatic, on-stage Elvis that we all know. Butler did his own singing/performing in this film and it is much, much more that “just” an Elvis impersonation. He personifies “The King” and Butler’s name better be called at Awards time. It is that good of a performance, one that should catapult this young man to stardom.
Fairing less well is Tom Hanks as Col. Parker. While he is game under all that make-up, the character is just not written with any nuance and comes off as a one-dimensional villain, constantly lurking in the background. This character just wasn’t interesting enough to hold the screen - especially against Butler.
But see this film to rekindle the spirit of Elvis through the interpretation of Butler, you’ll be glad you did.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
And…the resulting film - appropriately called ELVIS - works very well, but not because of Luhrmann’s Direction/Style but more because of the TERRIFIC performance at the center of this picture - and, no, I’m not talking about Tom Hanks as Col. Parker.
ELVIS follows - with the usual Luhrmann quick/cut, flashy style - the rise, fall, rise and (ultimately) death of Elvis Presley. Starting with his boyhood in Tupelo, Mississippi - where he found his rhythm in the roots of African-American Gospel/Spirituals - to his ascension to superstar, this films tries to tell it all, mostly through the shadowy viewpoint of Elvis’ Manager, Col. Tom Parker (a heavily made-up Tom Hanks).
And that is part of the problem with this film - it tries to tell TOO big a story, so while some items are covered in slow, glowing detail (like Elvis’ discovery of the music that will be his trademark), while other items (his movie career) are glossed over quickly in a montage. This is out of necessity, for this film is already 2 hours and 40 minutes long, but it does make this film feel somewhat disjointed - especially when you add Luhrmann’s trademark disorienting quick/cut, stylistic directing style. At times I just wanted to yell at Lurhman to lock his camera down in one position so my eyes (and brain) can settle down and watch what’s going on.
The other issue is the viewpoint of this film - it isn’t consistent. Is this a movie about Elvis? Is this a movie about a conman manipulating Elvis? It starts out following Col. Parker as he discovers Elvis and manipulates him to be his exclusive act, but then we leave Col. Tom and follow Elvis for long periods of time before being drawn back into Col’s Parker’s web, so there is confusion as to who’s story we are telling. In the end we tell both, and each one suffers a little bit because of this.
HOWEVER - and this is an important point - these issues are pushed to the back as minor flaws as the central performance of Austin Butler (Wil Ohmsford in the terrible adaption of THE SHANNARA CHRONICLES on TV) as Elvis is AMAZING. It is a captivating, multi-layered performance both on-stage and off. He has created a character that you are drawn to watch and the off-stage Elvis sets the stage for the charismatic, on-stage Elvis that we all know. Butler did his own singing/performing in this film and it is much, much more that “just” an Elvis impersonation. He personifies “The King” and Butler’s name better be called at Awards time. It is that good of a performance, one that should catapult this young man to stardom.
Fairing less well is Tom Hanks as Col. Parker. While he is game under all that make-up, the character is just not written with any nuance and comes off as a one-dimensional villain, constantly lurking in the background. This character just wasn’t interesting enough to hold the screen - especially against Butler.
But see this film to rekindle the spirit of Elvis through the interpretation of Butler, you’ll be glad you did.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Hopdance
Stewart Parker and Marylinn Richtark
Book
In a great Irish tradition of autobiographical fiction that includes James Joyce's A Portrait of the...
Pete Wareham recommended Miles Smiles by Miles Davis in Music (curated)
She Who Became The Sun
8.5
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Book
Mulan meets The Song of Achilles in Shelley Parker-Chan's She Who Became the Sun, a bold, queer, and...
Merissa (12911 KP) rated Not If I See You First in Books
May 23, 2023
This is a young adult book with clout! Told in a contemporary setting, our female lead isn't very likeable, although she does have some redeeming features. With a good set of friends around her, she sets out on a normal school year, trying to cope with her blindness and a new influx of students.
Unfortunately for her, one of those students is her old best friend, who also broke her heart when she was thirteen. Now, Parker can hold a grudge and hold it well. However, she also has to grow up herself, as she deals with situations beyond her current comprehension and also has that painful lesson to learn that she is not the most important person of all, even if she is blind, and the world does not revolve around her.
With a smidge of romance thrown in for good measure, this is a well-told story about a girl maturing into herself, and the strength of friendships.
There is a bit of braille at the end which, according to Virginia on Goodreads, are simply two more rules:
Rule #11:
Don't worry that I won't give you any second chances. I will. I might even need some from you.
Rule #12:
Don't jump to conclusions. You and me both, but mostly me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Feb 22, 2016
Unfortunately for her, one of those students is her old best friend, who also broke her heart when she was thirteen. Now, Parker can hold a grudge and hold it well. However, she also has to grow up herself, as she deals with situations beyond her current comprehension and also has that painful lesson to learn that she is not the most important person of all, even if she is blind, and the world does not revolve around her.
With a smidge of romance thrown in for good measure, this is a well-told story about a girl maturing into herself, and the strength of friendships.
There is a bit of braille at the end which, according to Virginia on Goodreads, are simply two more rules:
Rule #11:
Don't worry that I won't give you any second chances. I will. I might even need some from you.
Rule #12:
Don't jump to conclusions. You and me both, but mostly me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Feb 22, 2016
Bong Mines Entertainment (15 KP) rated I See Red by Geowulf in Music
Jun 18, 2019
Geowulf (Star Kendrick & Toma Banjanin) is an Australian duo based in London, England. Not too long ago, they released an introspective alternative tune, entitled, “I See Red”.
“‘I See Red’ was written after an argument with my sister. The song was a realization that you are only ever your most raw, horrible self when you’re with the people you love to death and who love you.” – Star Kendrick
‘I See Red’ tells an interesting tale of a young woman who attends therapy to learn how to control her anger and mental health issues.
Apparently, she makes the same emotional mistakes and realizes it’s going to take some time to change her raging behavior.
Later, she admits that she’s only human and wants to be a better person, lover, and friend. But sometimes, she gets lost, and before she knows it, she’s seeing red again.
“I have been very proactive over many years in going to therapy. Talking openly about mental health and have constantly taken steps to control emotions, moods, and even my temper. Having a family history of mental illness, this is something my siblings and I have had a lot of awareness about. This song is about that process and what I’ve learned. The ebbs and flows of trying to be the best version of yourself.” – Star Kendrick
‘I See Red’ can be utilized as the trigger to your spirited response to any of the stresses which weigh you down.
The likable tune doubles as the first collaboration with Geowulf’s new writing partner, Justin Parker (Lana Del Rey, Bat For Lashes, Cloves).
https://www.bongminesentertainment.com/geowulf-i-see-red/
“‘I See Red’ was written after an argument with my sister. The song was a realization that you are only ever your most raw, horrible self when you’re with the people you love to death and who love you.” – Star Kendrick
‘I See Red’ tells an interesting tale of a young woman who attends therapy to learn how to control her anger and mental health issues.
Apparently, she makes the same emotional mistakes and realizes it’s going to take some time to change her raging behavior.
Later, she admits that she’s only human and wants to be a better person, lover, and friend. But sometimes, she gets lost, and before she knows it, she’s seeing red again.
“I have been very proactive over many years in going to therapy. Talking openly about mental health and have constantly taken steps to control emotions, moods, and even my temper. Having a family history of mental illness, this is something my siblings and I have had a lot of awareness about. This song is about that process and what I’ve learned. The ebbs and flows of trying to be the best version of yourself.” – Star Kendrick
‘I See Red’ can be utilized as the trigger to your spirited response to any of the stresses which weigh you down.
The likable tune doubles as the first collaboration with Geowulf’s new writing partner, Justin Parker (Lana Del Rey, Bat For Lashes, Cloves).
https://www.bongminesentertainment.com/geowulf-i-see-red/