Search

Search only in certain items:

Dakota and the American Dream
Dakota and the American Dream
Sameer Garach | 2019 | Fiction & Poetry
7
7.0 (1 Ratings)
Book Rating
"Dakota was tired of playing catch with his mother at the park," so he rested on a bench but was soon distracted by a peculiar talking squirrel. Chasing after the strange creature, Dakota finds himself in a fantasy world full of anthropomorphic animals. Before he knows what is happening, Dakota finds himself working for Corporate America with its odd rules and unhappy employees.

The fantasy world of Sameer Garach's Dakota and the American Dream is a satire of modern-day America. From a ten year old's perspective, the short story covers the corporate ladder, hierarchy, racism, discrimination, career success and an extreme love of coffee. Whilst all this is humorous to the adult mind, there is an alarming amount of truth that paints the "American Dream" as a corrupt society.

From the very start, Dakota's experience feels remarkably like Lewis Carroll's Alice's Adventures in Wonderland and could almost be said to be a 21st-century version of the classic children's book. Most of Dakota's story will go over the heads of young readers, however, adults will enjoy the humour and childhood innocence as well as appreciate the connection with their favourite books as a child.

As a parody of both real life and fiction, Dakota and the American Dream is a clever story that entertains and makes you think. Although sometimes extreme, it is amusing to read about everyday life being acted out by squirrels, mice, rats, a cowardly lion, an 800-pound Gorilla and many more bizarre creatures. If the humour and satire was stripped away, we would be left with a child's confusion about the way America works with many things appearing stupid or unfair.
  
40x40

Louise (64 KP) rated Horrorstör in Books

Jul 2, 2018  
Horrorstör
Horrorstör
Grady Hendrix | 2014 | Horror
6
7.6 (13 Ratings)
Book Rating
I was super excited about reading this book, when I first read the synopsis of a haunted Ikea style superstore I was instantly intrigued and couldn’t wait to pick it up. I showed my friend the book and she too wanted to read this book on the synopsis alone. There is something quite thrilling about a superstore being haunted especially as I have an Ikea around the corner from where I live.

Lets talk about the design of this book first of all, when I picked it up it looked and felt just like a shopping catalogue,the book also had french flaps and on the inside of the cover there was a layout of the store and list of areas, such as kitchens, bedrooms, wardrobes etc etc. Every chapter had a product advertisement that become more and more sinister throughout the book.

This book was definitely intense and got very creepy and definitely scary in parts but I didn’t feel any connection with the characters, This could be that it was told from a third person perspective or that none of them had personalities.All of the characters were just boring. The reason why it was haunted was quite interesting and I really liked that aspect of the story. The ending, I think is a bit 50/50 you are either going to love it or hate it and I didn’t like it.When I finished this book there was one question on my mind WHY? This book is described as a parody/humor which I found wasn’t the case at all and I perhaps sniggered once.

Overall I enjoyed the book and loved the aesthetic side of it but it just didn’t blow me away. I recommend this for people who want a quick read with elements of horror.

I rated this 2.5 out of 5 stars
  
Brexit: The Uncivil War (2019)
Brexit: The Uncivil War (2019)
2019 | Drama, History
A painful watch
I have to admit, I’m a little undecided about this. On one hand I found it informative and amusing, but on the other I found it such a difficult and painful thing to watch.

The performances in this were great, especially Benedict Cumberbatch and Rory Kinnear. There were some hilarious takes on some of the politicians, it didn’t shy away from allowing them to come across as conceited a-holes, and the impression of Boris Johnson wasmost notable. Yes it was probably verging on parody, but it brought some much needed humour to the film. It’s well shot and scripted, and it is undoubtedly very smart and has obviously picked up a few pointers from the likes of House of Cards. It was interesting to see the story of someone I’ve never even heard of (politics isn’t my strong point I’ll admit) and to see what happened in the background of Brexit - or at least this film’s version of events... I am concerned that this has tried to summarise Brexit in the space over 2 hours and doesn’t seem to include as much detail as it should.

My main issue with this though is that as a Remainer, this is a painful thing to watch. Considering Brexit is still very much ongoing and fresh for anyone in the UK, it raises the question of whether we really needed to see this film right now. It’s not exactly putting our minds at ease, and instead seems to be raising more questions and causing more ructions. But then conversely, I can see the reasons why it would be the perfect time to release this, because we haven’t even left yet. It’s very divisive, and I honestly can’t quite decide exactly how I feel about this. It’s definitely informative and well made, just very difficult to swallow.
  
Show all 4 comments.
40x40

Andy K (10823 KP) Jan 12, 2019

Is it on Netflix? I'll give it a shot.

40x40

Sarah (7799 KP) Jan 12, 2019

It was just on a normal tv channel over here. It may be on Netflix in the US though?

40x40

Ariel Pink recommended Faith by The Cure in Music (curated)

 
Faith by The Cure
Faith by The Cure
1981 | Rock
8.0 (1 Ratings)
Album Favorite

"The Cure were just coolest band. They somehow completely hit the nail on the head, and they’re still relevant. They still manage to not put a bad taste in your mouth. They were never pandering to their fans too much. The greyness, the starkness, the boringness of Faith, the minimal-ness, the pathetic emptiness, the bleakness is perfect. They’re perfectly smudged images Robert Smith creates and you can’t make anything out. This record came before they were properly The Cure; at this point they were still a pop band. They were like a pop group; a three-piece that were seen as not really having an image. They were a bit too dapper, and not really punk enough. And then the next record and the record after that were bad. He was basically in the process of killing off his band. Those were very unpopular decisions he was making when he slowed it down and made it very minimal for the second record, which seemed pointless to the critical mass. It was seen as a mistake. And his hair wasn't even grown out at this point. This is a time in Robert Smith’s life before he had decided to come out as a parody of his former self. He was a serious guy but he decided to come out as a mockery. It’s all a caricature of the serious brooding twenty-year-old that was making bad decisions and sinking his band into the ground. After this came ‘The Lovecats’, and that was the worst thing he could possibly do. So my point is what you’re seeing is the evolution of a person. When you look back at that early stuff there is nothing funny about it, it’s completely sincere."

Source
  
    Shakes and Fidget

    Shakes and Fidget

    Games and Entertainment

    (0 Ratings) Rate It

    App

    Shakes and Fidget is a fun fantasy RPG satire and an award-winning role-playing game at the same...