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BankofMarquis (1832 KP) rated The Prestige (2006) in Movies
Mar 22, 2018
Underrated and underseen gem
Along with INSOMNIA, the 2006 film that Nolan directed, THE PRESTIGE is probably one of his least known and least viewed films and that is too bad for it is a wonderful motion picture that proves he is a strong director with a strong vision.
Dubbed "The Warring Magicians" film, THE PRESTIGE stars Christian Bale and Hugh Jackman as two 19th Century Magicians who are...well...at war with each other. Of course, they started out as partners, but soon became enemies, each trying to out do each other and to discover the other magician's secrets.
Cleverly written by Nolan and his frequent collaborator, his brother Jonathan Nolan - and based on the novel by Christopher Priest, THE PRESTIGE will keep you guessing throughout, trying to figure out "how they did it" and are constantly being surprised by double turns, back stabbing and second guessing.
Bale, by this time in his career, has established himself as a powerful actor - and he shines here. Joining Bale is Nolan regular Michael Caine as the mentor of the two magicians, a young-ish Scarlett Johannsen as a a woman who falls in love with both of them (of course) and Rebecca Hall and Piper Perabo as Bale's and Jackman's wives, respectively. But...the surprise to me in this film when I first saw it - and again when I recently re-viewed it - is the performance of Hugh Jackman. This film shows that Jackman is more than just Wolverine - that dude can act. As a magician, he is showing glimpses of being "THE GREATEST SHOWMAN" (but that is another movie for another day) and more than holds his own against a fierce Bale. Finally...special notice needs to be made to the actor who portrays inventor Nikola Tesla - perfectly cast in this role is Ziggy Stardust himself, David Bowie. It's a shame that Bowie did not act in more films for he captures the screen in the brief appearances he makes in this film.
As for Nolan - he is now coming into his own as a Director. The action is fast paced, the twists and turns are "honestly" played, the composition of the pictures on the screen are interesting and beautiful to look at and I walked away satisfied.
If you haven't seen THE PRESTIGE (or if you haven't seen it in awhile) - check this one out. You'll be glad you did.
Letter Grade: A (and...that's a surprise to me, I figured it would be a B+/A- film)
9 (out of 10) stars and you can take that to the Bank (ofMarquis)
Dubbed "The Warring Magicians" film, THE PRESTIGE stars Christian Bale and Hugh Jackman as two 19th Century Magicians who are...well...at war with each other. Of course, they started out as partners, but soon became enemies, each trying to out do each other and to discover the other magician's secrets.
Cleverly written by Nolan and his frequent collaborator, his brother Jonathan Nolan - and based on the novel by Christopher Priest, THE PRESTIGE will keep you guessing throughout, trying to figure out "how they did it" and are constantly being surprised by double turns, back stabbing and second guessing.
Bale, by this time in his career, has established himself as a powerful actor - and he shines here. Joining Bale is Nolan regular Michael Caine as the mentor of the two magicians, a young-ish Scarlett Johannsen as a a woman who falls in love with both of them (of course) and Rebecca Hall and Piper Perabo as Bale's and Jackman's wives, respectively. But...the surprise to me in this film when I first saw it - and again when I recently re-viewed it - is the performance of Hugh Jackman. This film shows that Jackman is more than just Wolverine - that dude can act. As a magician, he is showing glimpses of being "THE GREATEST SHOWMAN" (but that is another movie for another day) and more than holds his own against a fierce Bale. Finally...special notice needs to be made to the actor who portrays inventor Nikola Tesla - perfectly cast in this role is Ziggy Stardust himself, David Bowie. It's a shame that Bowie did not act in more films for he captures the screen in the brief appearances he makes in this film.
As for Nolan - he is now coming into his own as a Director. The action is fast paced, the twists and turns are "honestly" played, the composition of the pictures on the screen are interesting and beautiful to look at and I walked away satisfied.
If you haven't seen THE PRESTIGE (or if you haven't seen it in awhile) - check this one out. You'll be glad you did.
Letter Grade: A (and...that's a surprise to me, I figured it would be a B+/A- film)
9 (out of 10) stars and you can take that to the Bank (ofMarquis)
Debbiereadsbook (1110 KP) rated The Proposition (Nights Series #6) in Books
Aug 24, 2018
straight back up to 5 stars!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
We met Rhys and Wade in book 3, but I would say you don't need to read the other books before this one. You don't NEED to, but you'd get a better enjoyment of these if you did. And this is book 6, so get a-reading!
Wade and Rhys are partners in the firm that Gabe works for. They've know each other some 16 years. Rhys has lusted over and loved Wade for 12 of those years, and Wade has lusted over Rhys for just 12 months. 12 months ago, he caught Rhys pleasuring himself and calling out Wade's name when he did. So, 6 weeks. They have 6 weeks to get whatever *this* is, out their system. But will 6 weeks really be enough??
Did I mention that I made a new shelf for these books? No?? Oh, well I did, and I called it "fan yourself, it's a hot one!" Books one, two and three are sitting there, and now they are joined by book 6!
Because Rhys and Wade have blow your socks off chemistry! That much was obvious when we met them before but here? Once these guys admit they are doing this, this proposition, they are all in and I think they could probably give Cam and Gabe run for their money!
I loved that both men, separately of each other, came to the conclusion, very quickly, that 6 weeks would NEVER ever be enough. That it took a silly misunderstanding on Rhys' part for them to openly admit their feelings.
Loved that Gabe and Cam (books one and three) and Ethan and Joe (book two) take part here. Luke and Ash (books for and five) are mentioned, but don't appear.
These guys do say those three little words, but they also have another book planned, which is book 9, so I'd say they have their Happy For Now, rather than a Happy Ever After.
Who is book 7 and 8?? No idea, don't care, wanna read them regardless! A certain someone is a little hard done by here, and I'd love for him to have his own book.
After books one through three were five stars, we slipped a little with four and five, but whoosh! Just like that, we're back up to..
5 super sexy stars!!
**same worded review will appear elsewhere**
We met Rhys and Wade in book 3, but I would say you don't need to read the other books before this one. You don't NEED to, but you'd get a better enjoyment of these if you did. And this is book 6, so get a-reading!
Wade and Rhys are partners in the firm that Gabe works for. They've know each other some 16 years. Rhys has lusted over and loved Wade for 12 of those years, and Wade has lusted over Rhys for just 12 months. 12 months ago, he caught Rhys pleasuring himself and calling out Wade's name when he did. So, 6 weeks. They have 6 weeks to get whatever *this* is, out their system. But will 6 weeks really be enough??
Did I mention that I made a new shelf for these books? No?? Oh, well I did, and I called it "fan yourself, it's a hot one!" Books one, two and three are sitting there, and now they are joined by book 6!
Because Rhys and Wade have blow your socks off chemistry! That much was obvious when we met them before but here? Once these guys admit they are doing this, this proposition, they are all in and I think they could probably give Cam and Gabe run for their money!
I loved that both men, separately of each other, came to the conclusion, very quickly, that 6 weeks would NEVER ever be enough. That it took a silly misunderstanding on Rhys' part for them to openly admit their feelings.
Loved that Gabe and Cam (books one and three) and Ethan and Joe (book two) take part here. Luke and Ash (books for and five) are mentioned, but don't appear.
These guys do say those three little words, but they also have another book planned, which is book 9, so I'd say they have their Happy For Now, rather than a Happy Ever After.
Who is book 7 and 8?? No idea, don't care, wanna read them regardless! A certain someone is a little hard done by here, and I'd love for him to have his own book.
After books one through three were five stars, we slipped a little with four and five, but whoosh! Just like that, we're back up to..
5 super sexy stars!!
**same worded review will appear elsewhere**
Gareth von Kallenbach (971 KP) rated Bad Boys for Life (2020) in Movies
Jan 18, 2020
Bad Boys, Bad Boys, Whatchu gonna do? Whatchu gonna do when they come for you? Bad Boys premiered in 1995, the sequel way back in 2003. Bad Boys for Life, the third movie in the franchise takes us back to Miami, where Mike Lowrey (Will Smith) and Marcus Burnett (Martin Lawrence) have been partners in the force for over 25 years.
Marcus certainly is feeling his age, having been married with grown kids, and Mike is still ready to go and take down criminals with his own style. Marcus is eyeing retirement and his partner Lowrey, does not want any part of it. They are going by the motto of “Bad Boys for Life”. Captain Howard (Joe Pantoliano) is still running the precinct and a new tactical team has been established to carry out quick responses. This small team is led by Rita (Paola Nunez) who has had some history with Mike Lowrey.
Rita’s team is comprised by Kelly (Vanessa Hudgens) the team badass. Rafe (Charles Melton) the resident smart ass who immediately chafes Mike’s hide and Dorn (Alexander Ludwig), the IT specialist and gentle giant. It is as if the recruiter got Rafe and Dorn from an Abercrombie catalogue. They are AMMO, the rapid response team assigned to take on immediate issues that affect Miami.
The current problem is an assassin taking out members of Miami’s law enforcement community. We learn that there is a Mexican drug cartel looking for retribution and it is led by Isabel Aretas, the widow of the Kingpin (Kate de Castillo, playing the character with such seething hatred) and her son Armando (Jacob Scipio)
Bad Boys 3 is co-directed by the team of Adil and Bilall, who have worked together on film for the past ten years. Taking over the franchise from Michael Bay. There are plenty of chases and gunfights in the movie. The action is fantastic, the rapport between Marcus and Lowrey is just plain hilarious. The chemistry of their partnership is still there, and their timing is on point. I did not expect to laugh so hard or so much.
The movie took a minute to find it’s pacing at the beginning. Once the story was set, the timing was quick, but steady and the humor came on one after another. I thoroughly enjoyed the movie, it had all the elements that I would have expected from a Bad Boys sequel: a logical story line, action, humor, eye candy and car chases. I would recommend this movie for anyone who wants to lose themselves in an action film with a large side order of humor.
Marcus certainly is feeling his age, having been married with grown kids, and Mike is still ready to go and take down criminals with his own style. Marcus is eyeing retirement and his partner Lowrey, does not want any part of it. They are going by the motto of “Bad Boys for Life”. Captain Howard (Joe Pantoliano) is still running the precinct and a new tactical team has been established to carry out quick responses. This small team is led by Rita (Paola Nunez) who has had some history with Mike Lowrey.
Rita’s team is comprised by Kelly (Vanessa Hudgens) the team badass. Rafe (Charles Melton) the resident smart ass who immediately chafes Mike’s hide and Dorn (Alexander Ludwig), the IT specialist and gentle giant. It is as if the recruiter got Rafe and Dorn from an Abercrombie catalogue. They are AMMO, the rapid response team assigned to take on immediate issues that affect Miami.
The current problem is an assassin taking out members of Miami’s law enforcement community. We learn that there is a Mexican drug cartel looking for retribution and it is led by Isabel Aretas, the widow of the Kingpin (Kate de Castillo, playing the character with such seething hatred) and her son Armando (Jacob Scipio)
Bad Boys 3 is co-directed by the team of Adil and Bilall, who have worked together on film for the past ten years. Taking over the franchise from Michael Bay. There are plenty of chases and gunfights in the movie. The action is fantastic, the rapport between Marcus and Lowrey is just plain hilarious. The chemistry of their partnership is still there, and their timing is on point. I did not expect to laugh so hard or so much.
The movie took a minute to find it’s pacing at the beginning. Once the story was set, the timing was quick, but steady and the humor came on one after another. I thoroughly enjoyed the movie, it had all the elements that I would have expected from a Bad Boys sequel: a logical story line, action, humor, eye candy and car chases. I would recommend this movie for anyone who wants to lose themselves in an action film with a large side order of humor.
Charlie Cobra Reviews (1840 KP) rated The Rising of the Shield Hero in TV
Jul 7, 2020
Shield Hero
The Rising of The Shield Hero is an anime series produced by Kinema Citrus and directed by Takao Abo with the light novel written by Aneko Yusagi. The series is licensed by Crunchroll and Funimation in North America. The series composition was by Keigo Koyanagi with music composed by Kevin Penkin and Masahiro Suwa designing characters.
College student, Naofumi Iwatani finds a fantasy book about "Four Heroes", while in the library, and is summoned to another universe, along with three others to save mankind. Each of the heroes are respectively equipped with their own "legendary" weapon. Naofumi, though, received the Legendary Shield, the only sole defensive equipment. They are expected to fight "The Waves", a series of demonic invasions that are set to occur soon. Nobody joins Shield Hero Naofumi when partners are assigned, believing him to be the weakest of the four. However, a beautiful woman named Myne, from the Spear Hero's party joins him to help him train. To his disbelief, Myne steals his belongings while he sleeps and accuses him of rape. He becomes an outcast when his denials are ignored and he is shunned by everyone from King to peasants. Enraged and embittered, he struggles to learn how to upgrade his shield, but realizes he can't upgrade without experience or strength. Desperate and alone, he finds himself at a slave market, contemplating whether he should buy a slave to gain XP (experience points) and fight for him.
This anime is great. I really like it a lot. It is also an "Isekai" genre anime, but right away it's very different from others. Beginning with the first episode, this anime had me. I've always said that actors who can get you to hate them in movies are really good actors. And man the character, Myne, really made me hate her. I didn't expect that twist, and it is very "adult" to bring up rape like that in an anime that didn't look to me like it would have something like that in it. But it plays a big part in how the character proceeds after. I also really like the character designs and art style, but the story is what gets me wanting to see the next episode every time. That and how he is a pretty smart character too, which really helps him, since his shield holds him back from being able to use any weapons. But it's not completely useless and he learns new abilities for it constantly. This anime definitely gets my "Must See Seal Of Approval" and I give it an 8.
College student, Naofumi Iwatani finds a fantasy book about "Four Heroes", while in the library, and is summoned to another universe, along with three others to save mankind. Each of the heroes are respectively equipped with their own "legendary" weapon. Naofumi, though, received the Legendary Shield, the only sole defensive equipment. They are expected to fight "The Waves", a series of demonic invasions that are set to occur soon. Nobody joins Shield Hero Naofumi when partners are assigned, believing him to be the weakest of the four. However, a beautiful woman named Myne, from the Spear Hero's party joins him to help him train. To his disbelief, Myne steals his belongings while he sleeps and accuses him of rape. He becomes an outcast when his denials are ignored and he is shunned by everyone from King to peasants. Enraged and embittered, he struggles to learn how to upgrade his shield, but realizes he can't upgrade without experience or strength. Desperate and alone, he finds himself at a slave market, contemplating whether he should buy a slave to gain XP (experience points) and fight for him.
This anime is great. I really like it a lot. It is also an "Isekai" genre anime, but right away it's very different from others. Beginning with the first episode, this anime had me. I've always said that actors who can get you to hate them in movies are really good actors. And man the character, Myne, really made me hate her. I didn't expect that twist, and it is very "adult" to bring up rape like that in an anime that didn't look to me like it would have something like that in it. But it plays a big part in how the character proceeds after. I also really like the character designs and art style, but the story is what gets me wanting to see the next episode every time. That and how he is a pretty smart character too, which really helps him, since his shield holds him back from being able to use any weapons. But it's not completely useless and he learns new abilities for it constantly. This anime definitely gets my "Must See Seal Of Approval" and I give it an 8.
BookInspector (124 KP) rated Playing Nice in Books
Nov 9, 2020
The protagonists in this story were Pete and Maddie, and the story is told from their perspectives. Pete is unemployed/freelance journalist, who loves being the main carer of his son – Theo. Pete is very sweet and a true people pleaser. Maddie is working in advertising and has difficulty finding her motherly instinct when it comes to Theo. We also have Miles and Lucy, the real Theo’s parents, that are truly strange. The only character I really liked was Pete, he is just so sweet and innocent man. I did not like Maddie, I think she is an absolute hypocrite. However, I have to admit, her input in this book was intriguing. The author is an absolute expert when it comes to creating psychopaths in his novels. Every single book has one, and they are really well developed and delivered. In this book it was Miles. I really have nothing good to say about him at all, except that he is a master of deceit and nastiness.
The plot of this novel started pretty slow. It was a pity to see Pete struggling so much, but when the cruel twists came through, my blood just boiled for all the injustice happening in this book. It was like an avalanche of bad news hitting Pete and Maddie, and all that made me sad, angry and kind of annoyed. The topics discussed in this book were premature babies, mental health issues, infidelity, controlling and psychopathic partners and their behaviour, the legal system in the UK, family courts, challenging of “stay at home dad” stigma, and many more. I really liked how the author released the important information in this novel, some of it was thrown in like a bomb, but other important details were shared slowly throughout the book.
I really like the writing style, it is very well researched, truly personal and a challenging read. The book is set in London, and I really enjoy learning about different boroughs. The chapters are pretty short, and the book is so riveting and emotionally absorbing, that the pages just flew by to me. I really liked the ending of this book, it is very surprising but extremely satisfying, to say the least. 🙂
So, to conclude, I strongly recommend this novel to everyone who loves a good psychological thriller. I would love to see this book made into a film. The characters are all so different, unique and intriguing, and the plot is exceptionally well crafted, filled with so many emotions, that it is really hard to read this book without feeling something (in my case it was anger and pity).
The plot of this novel started pretty slow. It was a pity to see Pete struggling so much, but when the cruel twists came through, my blood just boiled for all the injustice happening in this book. It was like an avalanche of bad news hitting Pete and Maddie, and all that made me sad, angry and kind of annoyed. The topics discussed in this book were premature babies, mental health issues, infidelity, controlling and psychopathic partners and their behaviour, the legal system in the UK, family courts, challenging of “stay at home dad” stigma, and many more. I really liked how the author released the important information in this novel, some of it was thrown in like a bomb, but other important details were shared slowly throughout the book.
I really like the writing style, it is very well researched, truly personal and a challenging read. The book is set in London, and I really enjoy learning about different boroughs. The chapters are pretty short, and the book is so riveting and emotionally absorbing, that the pages just flew by to me. I really liked the ending of this book, it is very surprising but extremely satisfying, to say the least. 🙂
So, to conclude, I strongly recommend this novel to everyone who loves a good psychological thriller. I would love to see this book made into a film. The characters are all so different, unique and intriguing, and the plot is exceptionally well crafted, filled with so many emotions, that it is really hard to read this book without feeling something (in my case it was anger and pity).
Kristy H (1252 KP) rated Just One Look in Books
Aug 12, 2021
A slightly bland thriller
After an incident at the law firm where she works, Cassie Woodson finds herself temping. She's reviewing correspondence for a fraud case--several tiers removed from her life as a lawyer. While going through the tedious emails, she discovers a series of exchanges between one of the firm partners, Forest Watts, and his wife Annabelle. Cassie can't help but read them, fixating on the way Forest seems to love and adore his wife. But when she finds a way to "accidentally" meet Forest, her fixation with the Watts turns into a full blown obsession.
"He has no idea that I have access to every corner of his life. Even the dusty ones."
This was a perfectly fine thriller, though I found it a little bland. I think it's because I'm so over unreliable alcoholic narrators. For me, that trope is just done. I lose sympathy for the protagonist at that point and just stop caring. Cassie is just an insane train wreck of a character. The whole book felt like watching one, honestly. The premise here is that she's abandoned by her mother at a young age, hence making her unstable and leading to a series of incidents (including the one where she came unglued at her law firm). But I could never quite buy why she became so obsessed with Forest Watts and his wife.
"Eyes aren't the windows to the soul. Emails are."
Most of the book focuses on Cassie's preoccupation with Forest--starting with the emails and then branching out into real life. The girl is committed, I will give you that. She creates a binder on the Watts and everything. If only she was that dedicated to something more productive. There's also a subplot with her temp co-worker, Dalton. Then with about 10 to 15% of the book left, the plot takes a complete turn and things get more exciting. However, nothing that happened previously really seemed to gel with that plot twist, so I found it all a little odd. It was a strange, out of left field turn.
Overall, I found this book interesting enough that I kept reading, so I'm still giving it 3 stars. But it was a strange ride, to say the least. Others liked it more than me, so take my review with a grain of salt.
I received a copy of this book from Random House - Ballantine and Netgalley in return for an unbiased review.
"He has no idea that I have access to every corner of his life. Even the dusty ones."
This was a perfectly fine thriller, though I found it a little bland. I think it's because I'm so over unreliable alcoholic narrators. For me, that trope is just done. I lose sympathy for the protagonist at that point and just stop caring. Cassie is just an insane train wreck of a character. The whole book felt like watching one, honestly. The premise here is that she's abandoned by her mother at a young age, hence making her unstable and leading to a series of incidents (including the one where she came unglued at her law firm). But I could never quite buy why she became so obsessed with Forest Watts and his wife.
"Eyes aren't the windows to the soul. Emails are."
Most of the book focuses on Cassie's preoccupation with Forest--starting with the emails and then branching out into real life. The girl is committed, I will give you that. She creates a binder on the Watts and everything. If only she was that dedicated to something more productive. There's also a subplot with her temp co-worker, Dalton. Then with about 10 to 15% of the book left, the plot takes a complete turn and things get more exciting. However, nothing that happened previously really seemed to gel with that plot twist, so I found it all a little odd. It was a strange, out of left field turn.
Overall, I found this book interesting enough that I kept reading, so I'm still giving it 3 stars. But it was a strange ride, to say the least. Others liked it more than me, so take my review with a grain of salt.
I received a copy of this book from Random House - Ballantine and Netgalley in return for an unbiased review.
Sassy Brit (97 KP) rated The Widows in Books
Jun 5, 2019
The Widows by Jess Montgomery is inspired by the true story of Ohio’s first female sheriff. The plot delves into how two women fought greed and violence while overcoming the loss of a loved one.
The author noted, “This is a darker and deeper style of writing, much more than my other stories. For example, I examine the Pinkerton men and the violence they used. I read multiple books that talked about how these men would shoot up the striking camps. I put in this book quote by one of the Pinkerton men, ‘A real war, and then, rule of law won’t matter. Those miners who resist, why, we’ll put ‘em down like rabid dogs.’”
The protagonists Lily and Marvena are based on the real-life historical figures of Maude Collins, the first female sheriff in Ohio, and Mother Jones, the famous activist and labor organizer. Sheriff Daniel Ross, the husband of Lily is murdered and no one knows by whom. Those powerful in the town want to pin it on a coal miner, Marvena’s brother. She has something in common with Lily since she also lost her husband, but to a coal mining accident. Because the mine owners think she will be easy to control, Lily is appointed sheriff pending the next election. But having a mind of her own and a sense of justice she partners with Marvena to find the elusive murderer and Marvena’s missing daughter.
“I wrote both Lily and Marvena as tough. Lily is sensitive but is also a protector who wants to support her community. She keeps her emotions close to her heart. Marvena is fierce and persistent, but also has a tender streak. Although both women were wary of each other at first, they have a common goal to find out what happened. They end up with a strong friendship and recognize that each is balancing their own demons.”
Readers might be curious as to what is real and what is fiction. Montgomery commented, “In real life Collins had five children, and the person who killed her husband was known. I decided it would be interesting to have Lily take the sheriff position to find out who killed her husband. The similarity is that both women lost their husbands in the line of duty, both were appointed sheriff, and both were elected. The differences: Lily is eight years younger than Maude during that time period and she had only had two children.”
Historical facts are intertwined in this novel that also has strong female characters and an intriguing mystery. Readers get a glimpse into the 1920s-coal mining town in Appalachian Ohio as the author examines women’s rights, prohibition, and the life of a coal miner.
The author noted, “This is a darker and deeper style of writing, much more than my other stories. For example, I examine the Pinkerton men and the violence they used. I read multiple books that talked about how these men would shoot up the striking camps. I put in this book quote by one of the Pinkerton men, ‘A real war, and then, rule of law won’t matter. Those miners who resist, why, we’ll put ‘em down like rabid dogs.’”
The protagonists Lily and Marvena are based on the real-life historical figures of Maude Collins, the first female sheriff in Ohio, and Mother Jones, the famous activist and labor organizer. Sheriff Daniel Ross, the husband of Lily is murdered and no one knows by whom. Those powerful in the town want to pin it on a coal miner, Marvena’s brother. She has something in common with Lily since she also lost her husband, but to a coal mining accident. Because the mine owners think she will be easy to control, Lily is appointed sheriff pending the next election. But having a mind of her own and a sense of justice she partners with Marvena to find the elusive murderer and Marvena’s missing daughter.
“I wrote both Lily and Marvena as tough. Lily is sensitive but is also a protector who wants to support her community. She keeps her emotions close to her heart. Marvena is fierce and persistent, but also has a tender streak. Although both women were wary of each other at first, they have a common goal to find out what happened. They end up with a strong friendship and recognize that each is balancing their own demons.”
Readers might be curious as to what is real and what is fiction. Montgomery commented, “In real life Collins had five children, and the person who killed her husband was known. I decided it would be interesting to have Lily take the sheriff position to find out who killed her husband. The similarity is that both women lost their husbands in the line of duty, both were appointed sheriff, and both were elected. The differences: Lily is eight years younger than Maude during that time period and she had only had two children.”
Historical facts are intertwined in this novel that also has strong female characters and an intriguing mystery. Readers get a glimpse into the 1920s-coal mining town in Appalachian Ohio as the author examines women’s rights, prohibition, and the life of a coal miner.
Kyera (8 KP) rated A Crown of Wishes (The Star-Touched Queen, #2) in Books
Feb 1, 2018
A Crown of Wishes is a companion novel to Roshani Chokshis A Star-Touched Queen, but neither needs to be read to enjoy the other. They can either be read in conjunction or be read as a stand-alone without the story being affected significantly in either case. That being said, A Crown of Wishes takes place later in time than A Star-Touched Queen and if you plan to read both perhaps reading them in chronological order would be best. I personally enjoyed A Crown of Wishes more than A Star-Touched Queen. The writing was equally lyrical and beautiful, but I found it to be more engaging than its predecessor.
I found Gauri and Vikram to be more likable main characters than Maya and Raja, from the other book. Gauri is tough, she had to be to grow up with the cruel Skanda as her brother and King of Bharata. She trained with warriors and keeps her emotions tucked away. Vikram is the adopted son of the King of Ujijian, but despite his mind, his lack of blood relation to the monarch will force him to be a puppet king. He wishes more than anything to be taken seriously and rule his people fairly, not via a corrupt cabinet.
Vikram was definitely my favourite character in this book, he was witty and cheerfully went out of his way to get under Gauris skin. The relationship and interactions between the two of them went from mutual disdain to begrudging respect authentically. It was nice to see them support one another, even if they didnt have any reason to beyond being partners for the Tournament of Wishes.
The story was more engaging than its predecessor, continuing to build the magical Otherworld but including scenes with faster pacing and action. The Tournament of Wishes was intriguing, as each contestants role and journey were different. No two people experienced the same trials or puzzled through the same clues. It was interesting to attempt to discern what each clue referred to before Vikram inevitably worked it out.
The beautiful prose and flowery writing definitely lent itself to the story. It helped to build a magical and unusual world for readers to slip into. Each vibrant fruit, eerie tree, and terrifying creature come to life in vivid detail. As long as you dont mind words that you really must pay attention to in order to absorb, I believe you will enjoy this book. It might not be your style if you tend to skim and breeze through stories, as this does require a degree of concentration to appreciate. Overall, I would recommend this book to fans of Renee Ahdiehs or Laini Taylors style of writing.
I found Gauri and Vikram to be more likable main characters than Maya and Raja, from the other book. Gauri is tough, she had to be to grow up with the cruel Skanda as her brother and King of Bharata. She trained with warriors and keeps her emotions tucked away. Vikram is the adopted son of the King of Ujijian, but despite his mind, his lack of blood relation to the monarch will force him to be a puppet king. He wishes more than anything to be taken seriously and rule his people fairly, not via a corrupt cabinet.
Vikram was definitely my favourite character in this book, he was witty and cheerfully went out of his way to get under Gauris skin. The relationship and interactions between the two of them went from mutual disdain to begrudging respect authentically. It was nice to see them support one another, even if they didnt have any reason to beyond being partners for the Tournament of Wishes.
The story was more engaging than its predecessor, continuing to build the magical Otherworld but including scenes with faster pacing and action. The Tournament of Wishes was intriguing, as each contestants role and journey were different. No two people experienced the same trials or puzzled through the same clues. It was interesting to attempt to discern what each clue referred to before Vikram inevitably worked it out.
The beautiful prose and flowery writing definitely lent itself to the story. It helped to build a magical and unusual world for readers to slip into. Each vibrant fruit, eerie tree, and terrifying creature come to life in vivid detail. As long as you dont mind words that you really must pay attention to in order to absorb, I believe you will enjoy this book. It might not be your style if you tend to skim and breeze through stories, as this does require a degree of concentration to appreciate. Overall, I would recommend this book to fans of Renee Ahdiehs or Laini Taylors style of writing.
BankofMarquis (1832 KP) rated Shaft (2019) in Movies
Jun 18, 2019
Bland, boring and uninteresting
Were you the one clamoring for a sequel to the year 2000 Samuel L. Jackson SHAFT (the sequel to the original 1971 Richard Roundtree SHAFT)? Did you remember there WAS a 2000 version of SHAFT? Do you remember the 1971 SHAFT?
Doesn't matter.
The makers of this film certainly don't remember those films for - besides casting Jackson and Roundtree - there is no similarity to either of these films.
The first SHAFT was a Blacksploitation film starring Roundtree with mucho gunfire and bloodshed and SHAFT 2000 (as I'll call it) is a full on action flick with Jackson as Roundtree's nephew fighting crime. SHAFT 2019 is none of these - the Samuel L. Jackson Shaft is now the SON of Richard Roundtree and partners with his son JJ ,John Shaft, Jr. (played by Jessie T. Usher) to investigate the death of his friend.
Okay...fine. I can forgive the change in tone and the "tweak" (I'm being generous) to the timeline. What I can't forgive is the weak script (why write any good, or interesting, dialogue when we can have all of the characters say Samuel L. Jackson's signature motherf*^#er over and over) by 3 different writers (never a good sign) that were all, clearly, just in it for the paycheck.
Jessie T. Usher (he played Will Smith's son in the also ill-advised sequel to INDEPENDENCE DAY) is a bland lead with no gravitas and no swagger that starts out young and naive and is supposed to develop (under the tutelage of his father) street smarts but, really, just becomes annoying.
Regina Hall (GIRLS TRIP), Titus Welliver (BOSCH), Method Man (!) and Luna Lauren Velez (DEXTER) are all sleepwalking through underwritten roles just counting the minutes until they can take their paychecks to the bank.
At the heart of all of this "missed opportunities" is Director Tim Story (RIDE ALONG) he directs this film like he has someplace else to be, never missing an opportunity to be obvious (for example, JJ's friend - Karim - who's death sparks what passes for a plot in this film - might as well be walking around with a "Dead Man Walking" sign on him). Story's direction is lazy (and that's doing injustice to the word lazy) and obvious with no spark of ingenuity or imagination to be found.
And then there's Samuel L. Jackson as SHAFT. He defines the term "sleepwalking through the picture" looking bored and uninterested throughout and HE'S THE BEST THING IN THE FILM! Thank goodness his charisma and charm ooze out of him without really trying - for he didn't really try here.
Save 2 hours of your life - skip SHAFT - you'll be glad you did.
Letter Grade: C
4 Stars (out of 10) and you can take this to the Bank(ofMarquis)
Doesn't matter.
The makers of this film certainly don't remember those films for - besides casting Jackson and Roundtree - there is no similarity to either of these films.
The first SHAFT was a Blacksploitation film starring Roundtree with mucho gunfire and bloodshed and SHAFT 2000 (as I'll call it) is a full on action flick with Jackson as Roundtree's nephew fighting crime. SHAFT 2019 is none of these - the Samuel L. Jackson Shaft is now the SON of Richard Roundtree and partners with his son JJ ,John Shaft, Jr. (played by Jessie T. Usher) to investigate the death of his friend.
Okay...fine. I can forgive the change in tone and the "tweak" (I'm being generous) to the timeline. What I can't forgive is the weak script (why write any good, or interesting, dialogue when we can have all of the characters say Samuel L. Jackson's signature motherf*^#er over and over) by 3 different writers (never a good sign) that were all, clearly, just in it for the paycheck.
Jessie T. Usher (he played Will Smith's son in the also ill-advised sequel to INDEPENDENCE DAY) is a bland lead with no gravitas and no swagger that starts out young and naive and is supposed to develop (under the tutelage of his father) street smarts but, really, just becomes annoying.
Regina Hall (GIRLS TRIP), Titus Welliver (BOSCH), Method Man (!) and Luna Lauren Velez (DEXTER) are all sleepwalking through underwritten roles just counting the minutes until they can take their paychecks to the bank.
At the heart of all of this "missed opportunities" is Director Tim Story (RIDE ALONG) he directs this film like he has someplace else to be, never missing an opportunity to be obvious (for example, JJ's friend - Karim - who's death sparks what passes for a plot in this film - might as well be walking around with a "Dead Man Walking" sign on him). Story's direction is lazy (and that's doing injustice to the word lazy) and obvious with no spark of ingenuity or imagination to be found.
And then there's Samuel L. Jackson as SHAFT. He defines the term "sleepwalking through the picture" looking bored and uninterested throughout and HE'S THE BEST THING IN THE FILM! Thank goodness his charisma and charm ooze out of him without really trying - for he didn't really try here.
Save 2 hours of your life - skip SHAFT - you'll be glad you did.
Letter Grade: C
4 Stars (out of 10) and you can take this to the Bank(ofMarquis)
Hazel (1853 KP) rated Videodrome: Days of O'Blivion in Books
Dec 17, 2018
<i>I received this book from the author in exchange for an honest review</i>
Written as a prequel to David Cronenberg’s horror film, Lee McGeorge explores the potential scenario that led up to the surrealist events in <i>Videodrome</i>. This short story is more science fiction than horror in nature as it only builds up the background and setting to the point in which the film begins.
<i>Days of O’Blivion</i>, as well as the original film, is set during the cold war between the US and USSR. It is a period of time threatened with atomic weapons of mass destruction, and the competition to create the most superior technology. In this particular scenario, two men: Professor Brian Olivier and his friend Barry have been experimenting with special television technology resulting in interesting outcomes. Their product, which they name <i>Veraceo</i> –a compound of Veracity and Video –, has the ability to make everyone believe what they are seeing on screen to be true. This could be a big boon to advertising establishments, however cause dire consequences if found in the wrong hands, i.e. communists.
Readers, including those unfamiliar with the film, should be able to ascertain several problems this technological advancement could pose, making it all the more foreboding when an unknown but powerful company pays out thousands of dollars to become partners with Brian and Barry. What makes it all the more ominous is Brian’s hesitancy in accepting the offer in contrast with Barry’s excitement. As the technology is adapted further it becomes clear that they are dealing with very dangerous concepts and people – hallucinations being only the smallest of side affects.
Although Lee McGeorge is using an already existing story, he makes this prequel his own by exploring the hows and whys <i>Veraceo</i> came to be developed. His narrative is accurate in terms of the way it builds up to coincide with the film script without damaging or giving new meaning to Cronenberg’s original storyline.
Although not horror as in scary, <i>Days of O’Blivion</i> contains many horrific scenes. Most of these are pornographic in nature and rather disturbing, particularly more so as the story progresses – something that lessened the general enjoyment of the book. The overall nature of the book (and film, probably) may appeal more towards a male market, particularly those with a less delicate temperament.
As with his previous books, which also incorporate pre-existing ideas, Lee McGeorge writes well in a way that engages the reader and even interests those without prior knowledge of the subject. There is also additional digital content alongside this book. Those lucky enough to own a paper back copy will be able to access these using an NFC enabled device.
Written as a prequel to David Cronenberg’s horror film, Lee McGeorge explores the potential scenario that led up to the surrealist events in <i>Videodrome</i>. This short story is more science fiction than horror in nature as it only builds up the background and setting to the point in which the film begins.
<i>Days of O’Blivion</i>, as well as the original film, is set during the cold war between the US and USSR. It is a period of time threatened with atomic weapons of mass destruction, and the competition to create the most superior technology. In this particular scenario, two men: Professor Brian Olivier and his friend Barry have been experimenting with special television technology resulting in interesting outcomes. Their product, which they name <i>Veraceo</i> –a compound of Veracity and Video –, has the ability to make everyone believe what they are seeing on screen to be true. This could be a big boon to advertising establishments, however cause dire consequences if found in the wrong hands, i.e. communists.
Readers, including those unfamiliar with the film, should be able to ascertain several problems this technological advancement could pose, making it all the more foreboding when an unknown but powerful company pays out thousands of dollars to become partners with Brian and Barry. What makes it all the more ominous is Brian’s hesitancy in accepting the offer in contrast with Barry’s excitement. As the technology is adapted further it becomes clear that they are dealing with very dangerous concepts and people – hallucinations being only the smallest of side affects.
Although Lee McGeorge is using an already existing story, he makes this prequel his own by exploring the hows and whys <i>Veraceo</i> came to be developed. His narrative is accurate in terms of the way it builds up to coincide with the film script without damaging or giving new meaning to Cronenberg’s original storyline.
Although not horror as in scary, <i>Days of O’Blivion</i> contains many horrific scenes. Most of these are pornographic in nature and rather disturbing, particularly more so as the story progresses – something that lessened the general enjoyment of the book. The overall nature of the book (and film, probably) may appeal more towards a male market, particularly those with a less delicate temperament.
As with his previous books, which also incorporate pre-existing ideas, Lee McGeorge writes well in a way that engages the reader and even interests those without prior knowledge of the subject. There is also additional digital content alongside this book. Those lucky enough to own a paper back copy will be able to access these using an NFC enabled device.