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Darren (1599 KP) rated The Baylock Residence (2019) in Movies
Sep 26, 2019
Characters – Patricia Woodhouse left this house years ago, she is drawn back during the war after her sister’s death, she wants to start a new life here, because the war has taken nearly everything else from her, but the past she spent so long trying to forget has come back to haunt her, as she looks for the truth of her sister’s death. Annabel is the help around the house, she stays after Patricia requests for her to stay and help her with the transition, she does help fill in about the past, including what happened to Susanna. Susanna is the sister that has passed away, we are left to wonder what caused her death.
Performances – Kelly Goudie in the leading role isn’t the strongest leading lady, when it comes to the reaction or horror scenes, we don’t get anything bad, it’s the everyday moments which come off flatter than they should do. Sarah Wynne Kordas is the only other main cast member that does everything needed without getting the best scenes.
Story – The story here follows a woman that returns to her home after years away to deal with a family loss, only to learn that the house has a bigger secret that hasn’t been unlock just yet. This is story that plays into the idea that your past can hold answers no matter how hard you look to forget it, it does also play into the ideas that a family can have secrets which will only disturb. The pace of the story isn’t the most convincing, with large amounts of the film being stuff happening behind characters most notable Patricia, we also end up teasing an idea to what is happening, only it just gets forgotten which would have added extra dimension to an abuse victim. The war time theme doesn’t help because the same story could easily happen at any other era too.
Horror – The horror in this film comes from how Patricia is struggling with the visions that she is having, not being able to balance reality with supernatural.
Settings – The film is set within the one house, which doesn’t look time accurate from the outside, it does show how the family home can be reunited from tragedy.
Special Effects – The film does use effects sparely, when they are used they do add an element to horror in the film.
Scene of the Movie – The secret room.
That Moment That Annoyed Me – The non-horror moment conversations feel out of place.
Final Thoughts – This is a horror thriller that does have moments of strong tension, only it doesn’t keep this up for long enough to make us what to learn the truth.
Overall: Slow Burning Horror.
Performances – Kelly Goudie in the leading role isn’t the strongest leading lady, when it comes to the reaction or horror scenes, we don’t get anything bad, it’s the everyday moments which come off flatter than they should do. Sarah Wynne Kordas is the only other main cast member that does everything needed without getting the best scenes.
Story – The story here follows a woman that returns to her home after years away to deal with a family loss, only to learn that the house has a bigger secret that hasn’t been unlock just yet. This is story that plays into the idea that your past can hold answers no matter how hard you look to forget it, it does also play into the ideas that a family can have secrets which will only disturb. The pace of the story isn’t the most convincing, with large amounts of the film being stuff happening behind characters most notable Patricia, we also end up teasing an idea to what is happening, only it just gets forgotten which would have added extra dimension to an abuse victim. The war time theme doesn’t help because the same story could easily happen at any other era too.
Horror – The horror in this film comes from how Patricia is struggling with the visions that she is having, not being able to balance reality with supernatural.
Settings – The film is set within the one house, which doesn’t look time accurate from the outside, it does show how the family home can be reunited from tragedy.
Special Effects – The film does use effects sparely, when they are used they do add an element to horror in the film.
Scene of the Movie – The secret room.
That Moment That Annoyed Me – The non-horror moment conversations feel out of place.
Final Thoughts – This is a horror thriller that does have moments of strong tension, only it doesn’t keep this up for long enough to make us what to learn the truth.
Overall: Slow Burning Horror.
ClareR (5577 KP) rated The Golden Rule in Books
Jun 3, 2021
I really enjoyed The Golden Rule, and I was intrigued as to how it was going to link to Patricia Highsmith’s Strangers on a Train AND Beauty and the Beast. Well, the first of those was obvious. Hannah, whilst travelling to Cornwall to see her terminally ill mother, is convinced by a woman in First Class to sit with her and drink a bottle of wine. Whilst drinking, they swap stories of their terrible husbands (and Hannah’s husband really does come across as an abusive and thoroughly unpleasant person), and Hannah’s fellow traveller, Jinni, comes up with the idea that they should kill each other’s husbands. Two problems would be solved. Now this is the part of the book that made me pick it up in the first place. After all - how intriguing is this idea? Could Hannah trust that a complete stranger would stick to her side of the bargain? And what’s more, Hannah seems so nice - could she kill a complete stranger? Well. That was ME hooked!
This is a novel that not only looks at abusive partners and the effects their behaviours have on those around them, but also brings in such topics as Brexit, and why certain regions in the UK (i.e. Cornwall) voted for it, when it was clear that they’d get nothing out of it. It looks at poverty in London and the South West, and how the rich seem to asset strip the poor areas of the country even more, even under the pretence that they’re adding value. It’s about how a person can reinvent themselves despite the hurdles put in front of them.
I thoroughly enjoyed this book, and finished the last page feeling as though I’d just read a really good, satisfying book. I’d most definitely recommend it!
This is a novel that not only looks at abusive partners and the effects their behaviours have on those around them, but also brings in such topics as Brexit, and why certain regions in the UK (i.e. Cornwall) voted for it, when it was clear that they’d get nothing out of it. It looks at poverty in London and the South West, and how the rich seem to asset strip the poor areas of the country even more, even under the pretence that they’re adding value. It’s about how a person can reinvent themselves despite the hurdles put in front of them.
I thoroughly enjoyed this book, and finished the last page feeling as though I’d just read a really good, satisfying book. I’d most definitely recommend it!
ArecRain (8 KP) rated Haunted on Bourbon Street (Jade Calhoun, #1) in Books
Jan 18, 2018
I downloaded this novel free from Amazon because I was looking for a lighthearted paranormal romance to distract me. I assumed it was along the same vein as other paranormal romances I have made like Karen Chances Cassandra Palmer Series or Patricia Briggs Mercy Thompson series. I wasnt too far off.
My favorite part of this book had to be the diversity of characters. Each character had their own personality, that it felt like you were reading about real people instead of caricatures. It seemed to come naturally too. There were no page long paragraphs tediously describing each character. You picked up bits and pieces along the way.
The world and story that Chase created were also pretty interesting. I am partial to ghost stories, which is what drew me to the book in the first place, so that whole aspect and how they dealt with the ghost was fantastic. The rest of the Chases mythology, however, is what was really interesting. After looking at future novels in the series, however, I feel that the series will become way to complicated and in depth for me. I also dont enjoy reading about angels v. demons.
The novel has a couple twists. The one concerning the ghost didnt feel like a twist to me. I figured it out much earlier in the novel so when it was confirmed I really didnt even notice. The secret surrounding Kane, however, was pretty surprising. I wasnt expecting it even though I knew he had a secret.
All in all, Haunted on Bourbon Street is a well-rounded novel with engaging characters, an interesting world, and plot that keeps you reading til the very end. I cannot think of a single thing I didnt like about the novel. I am not sure I will read the rest of the series, however, after reading the synopsizes and seeing where the story is headed.
If you are looking for an enjoyable quick read, I highly recommend downloading it, especially since its currently free!
My favorite part of this book had to be the diversity of characters. Each character had their own personality, that it felt like you were reading about real people instead of caricatures. It seemed to come naturally too. There were no page long paragraphs tediously describing each character. You picked up bits and pieces along the way.
The world and story that Chase created were also pretty interesting. I am partial to ghost stories, which is what drew me to the book in the first place, so that whole aspect and how they dealt with the ghost was fantastic. The rest of the Chases mythology, however, is what was really interesting. After looking at future novels in the series, however, I feel that the series will become way to complicated and in depth for me. I also dont enjoy reading about angels v. demons.
The novel has a couple twists. The one concerning the ghost didnt feel like a twist to me. I figured it out much earlier in the novel so when it was confirmed I really didnt even notice. The secret surrounding Kane, however, was pretty surprising. I wasnt expecting it even though I knew he had a secret.
All in all, Haunted on Bourbon Street is a well-rounded novel with engaging characters, an interesting world, and plot that keeps you reading til the very end. I cannot think of a single thing I didnt like about the novel. I am not sure I will read the rest of the series, however, after reading the synopsizes and seeing where the story is headed.
If you are looking for an enjoyable quick read, I highly recommend downloading it, especially since its currently free!
Mike Wilder (20 KP) rated True Romance (1993) in Movies
May 30, 2018
I know people that hate this film, but I know far more that love it.
Contains spoilers, click to show
The film was written by Quentin Tarantino, and it really shows with the sharp dialogue and crazy plot. The film centres around Clarence (Christian Slater) who meets and marries Alabama (Patricia Arquette). After Clarence goes to get Alabama's belongings, through a series of mishaps, he ends up with suitcase of coke and they decide to sell it. This leads to a wild adventure involving drug dealers, police and movie executives.
The casting in this film is amazing with Hollywood greats turning up and each one adds something special to the film. But by far the best performance is by Brad Pitt as the roommate of Clarence's friend Dick. He is on screen for a total of about 5 minutes but steals every scene he is in. However every one of the characters in the film brings something special. The performances by Hollywood greats, including Dennis Hopper, Christopher Walken and Gary Oldman all come so close to being over the top, but the incredible script and brilliant directing manage to hold back just enough to stop it going too far.
This film is a true masterpiece where everything just falls in to place. The film is not for the faint of heart though. There are very graphic scenes of violence. One particular scene involving a woman getting severely beaten. The perpetrator definitely gets his comeuppance though. While the violence is very graphic, as with most of Tarantino's films, it is very bloody but also portrayed in a realistic manor. This adds to the shock and also to bring you closer to the victims.
I cannot praise this film enough. It is one of the greats that has been overlooked by many including Hollywood. Almost all of the performances are worthy of Oscar nomination, as with the script. But this film was overlooked by all the major awards.
If you are a fan of Tarantino films, or films with a good cast and great story give this film a try. I know people that hate this film, but I know far more that love it.
The casting in this film is amazing with Hollywood greats turning up and each one adds something special to the film. But by far the best performance is by Brad Pitt as the roommate of Clarence's friend Dick. He is on screen for a total of about 5 minutes but steals every scene he is in. However every one of the characters in the film brings something special. The performances by Hollywood greats, including Dennis Hopper, Christopher Walken and Gary Oldman all come so close to being over the top, but the incredible script and brilliant directing manage to hold back just enough to stop it going too far.
This film is a true masterpiece where everything just falls in to place. The film is not for the faint of heart though. There are very graphic scenes of violence. One particular scene involving a woman getting severely beaten. The perpetrator definitely gets his comeuppance though. While the violence is very graphic, as with most of Tarantino's films, it is very bloody but also portrayed in a realistic manor. This adds to the shock and also to bring you closer to the victims.
I cannot praise this film enough. It is one of the greats that has been overlooked by many including Hollywood. Almost all of the performances are worthy of Oscar nomination, as with the script. But this film was overlooked by all the major awards.
If you are a fan of Tarantino films, or films with a good cast and great story give this film a try. I know people that hate this film, but I know far more that love it.
Rachel King (13 KP) rated On the Prowl (Alpha & Omega, #0.5) in Books
Feb 11, 2019
The first story, Alpha and Omega by Patricia Briggs, is an off-shoot of her Mercy Thompson series. This story focuses on a much-abused female werewolf in Chicago, Anna. The Merrick's son, Charles, comes to end the abuse and inadvertedly rescues her when he discovers that she is a rare Omega werewolf. Despite the short length of the story, Briggs still writes an exceptional story with unique characters and an intriguing plot. I look forward to reading the next full-length book in this new series, Cry Wolf (Alpha and Omega, Book 1).
The second story, Inhuman by Eileen Wilks, takes place in the middle of her Lupi series, but focuses on a woman, Kai, who can see thoughts. She has a secret relationship with her neighbor Nathan, who is not human, and this developments into some interesting events when he strives to protect her from a killer. Though this story ended with a "to be continued," I am intrigued enough that I want the next book, Night Season (The World of the Lupi, Book 4).
The third story, Buying Trouble by Karen Chance, features a minor character in the Dorina Basarab series, Claire. Claire believes she is a "null," a person that nullifies magic within a certain radius. When she discovers that she is to be sold like a slave, a very sexy Lord of the Fey decides to rescue her. The chemistry between Claire and him is far beyond magnetic and has some very interesting consequences for Claire. I was a bit disappointed that Claire does not get any full-length novels, as her story has great potential.
The final story, Mona Lisa Betwining by Sunny, is heavy in erotic material and light on plot. The story takes someplace in the middle of the Monere series and resembles Anne Bishop's Black Jewels series in many ways. Though Bishop's writing is superior, there is some uniqueness to this series, such as the use of moon imagery. I may check out the first novel, Mona Lisa Awakening (Monere: Children of the Moon, Book 1).
I like reading anthologies not only to get some extra morsels from my favorite authors, but also to be introduced to new authors without having to commit to an entire full-length novel. While Briggs story was certainly the best of the bunch, the other stories were good reads, and I was glad to be introduced to their styles and stories.
The second story, Inhuman by Eileen Wilks, takes place in the middle of her Lupi series, but focuses on a woman, Kai, who can see thoughts. She has a secret relationship with her neighbor Nathan, who is not human, and this developments into some interesting events when he strives to protect her from a killer. Though this story ended with a "to be continued," I am intrigued enough that I want the next book, Night Season (The World of the Lupi, Book 4).
The third story, Buying Trouble by Karen Chance, features a minor character in the Dorina Basarab series, Claire. Claire believes she is a "null," a person that nullifies magic within a certain radius. When she discovers that she is to be sold like a slave, a very sexy Lord of the Fey decides to rescue her. The chemistry between Claire and him is far beyond magnetic and has some very interesting consequences for Claire. I was a bit disappointed that Claire does not get any full-length novels, as her story has great potential.
The final story, Mona Lisa Betwining by Sunny, is heavy in erotic material and light on plot. The story takes someplace in the middle of the Monere series and resembles Anne Bishop's Black Jewels series in many ways. Though Bishop's writing is superior, there is some uniqueness to this series, such as the use of moon imagery. I may check out the first novel, Mona Lisa Awakening (Monere: Children of the Moon, Book 1).
I like reading anthologies not only to get some extra morsels from my favorite authors, but also to be introduced to new authors without having to commit to an entire full-length novel. While Briggs story was certainly the best of the bunch, the other stories were good reads, and I was glad to be introduced to their styles and stories.
MaryAnn (14 KP) rated Seeing Angels: How to Recognize and Interact with Your Heavenly Messengers in Books
Nov 4, 2019
A recent study found that 57 percent of Catholics, 66 percent of Evangelical Protestants, and 10 percent of Jews have reported having a personal experience with a guardian angel. And 20 percent of those who identified themselves as having no religion also claimed having encountered an angel.
Seeing Angels is one of the most in depth examinations of angelic ministry by one of the cutting-edge charismatic leaders in the church today. Joshua Mills goes beyond the usual takes on angels regarding spiritual warfare and explores who they are, how to recognize them, and what they do.
Part I, Understanding Your Angels, is all about understanding who angels are, exploring why they are necessary and how different angels minister comfort, healing, love, prosperity. It reveals who they carry out specific geographic assignments for cities and nations, as well as the more unique and extraordinary assignments they receive.
Part II, Discerning Your Angels, explains how to become more aware of the unseen heavenly realm, as well as how to recognize divine intervention when it does reveal itself to human sight. Such manifestations include random strangers, visions, or signs and messengers that believers receive. Joshua also explains the way he has interacted with visions of radiant light, swirling colors, and what he describes as atmospheric shifts. All of this is intended to make believers become more aware of both invisible and revealed spiritual realities.
Part III, Working with Your Angels, deals specifically with how to minister alongside these heavenly messengers as they stand watch, provide protection, and administer strength and comfort. This includes recognizing their movements and how to effectively pray for angelic encounters to take place.
With a foreword by Patricia King, Seeing Angels is among the most comprehensive teachings on recognizing angelic beings and understanding how to partner with them in ministry.
My Thoughts: This is an engaging book that will be of certain value to those who are interested in angels. We must remember that there are angels all around us fighting a spiritual battle for us. In his book, Joshua Mills not only identifies and explains angels to us but also assists us to see angels for ourselves.
This is an engaging book, and very insightful. We must remember in Hebrews 13:2 "y some have entertained angels unawares." I am certain that we all have and will someday entertain angels in one form or another.
An exciting book for those who are interested in angels.
Seeing Angels is one of the most in depth examinations of angelic ministry by one of the cutting-edge charismatic leaders in the church today. Joshua Mills goes beyond the usual takes on angels regarding spiritual warfare and explores who they are, how to recognize them, and what they do.
Part I, Understanding Your Angels, is all about understanding who angels are, exploring why they are necessary and how different angels minister comfort, healing, love, prosperity. It reveals who they carry out specific geographic assignments for cities and nations, as well as the more unique and extraordinary assignments they receive.
Part II, Discerning Your Angels, explains how to become more aware of the unseen heavenly realm, as well as how to recognize divine intervention when it does reveal itself to human sight. Such manifestations include random strangers, visions, or signs and messengers that believers receive. Joshua also explains the way he has interacted with visions of radiant light, swirling colors, and what he describes as atmospheric shifts. All of this is intended to make believers become more aware of both invisible and revealed spiritual realities.
Part III, Working with Your Angels, deals specifically with how to minister alongside these heavenly messengers as they stand watch, provide protection, and administer strength and comfort. This includes recognizing their movements and how to effectively pray for angelic encounters to take place.
With a foreword by Patricia King, Seeing Angels is among the most comprehensive teachings on recognizing angelic beings and understanding how to partner with them in ministry.
My Thoughts: This is an engaging book that will be of certain value to those who are interested in angels. We must remember that there are angels all around us fighting a spiritual battle for us. In his book, Joshua Mills not only identifies and explains angels to us but also assists us to see angels for ourselves.
This is an engaging book, and very insightful. We must remember in Hebrews 13:2 "y some have entertained angels unawares." I am certain that we all have and will someday entertain angels in one form or another.
An exciting book for those who are interested in angels.
Jamie (131 KP) rated Born a Crime: Stories from a South African Childhood in Books
Jul 22, 2017
Noah’s wit and charm (1 more)
Frank discussions of racism, poverty, and family
A stellar memoir
For those that don’t already know who Trevor Noah is, he is a comedian from South Africa that is now the current host of The Daily Show, taking the place of Jon Stewart when he retired. Trevor is an accomplished polyglot, speaking 9 languages fluently and has some fluency in several more. In much of his comedy he talks about his difficulties with racial identity having been born during apartheid to an African mother and a Swiss father. Apartheid was a system of institutionalized segregation in South Africa that lasted from the 1940’s to the 1990’s.
The book is bursting at the seams with humorous anecdotes about growing up as the wild child in his family. Getting in trouble, trying to outrun and outsmart his mom, committing petty crimes with friends, striking out with girls; Trevor’s life was colorful in no small part because of his mother. In interviews Trevor has stated that his memoir became sort of an open love letter to his mother, Patricia Noah–a fiercely independent woman that refused to be held down by her race or gender and sought to show her son the world outside of apartheid South Africa, who tried to save her son from the cruelty of the world.
“The world doesn’t love you. If the police get you, the police don’t love you. When I beat you, I’m trying to save you. When they beat you, they’re trying to kill you.”
The last chapters had me sobbing which was something that I hadn’t anticipated. Trevor mentions his step-father in the early chapters in passing, like a dark cloud that hung over his family’s life. I wasn’t prepared for the deeply troubling and heartbreaking portrait of a loving family ripped apart by abuse and the failures of law enforcement to prevent tragedy despite numerous attempts to get help.
I was already a fan of Trevor Noah, having watched some of his stand-up comedy and was overjoyed when he took over The Daily Show. From this memoir I have a newfound respect for Trevor not only for the horrendous abuse and racism he has endured, but how he allowed these things to shape who he is. He approaches issues of race, identity, poverty, and abuse with honesty and was able to articulate his feelings on topics that I have been struggling with for years. This memoir was surprisingly cathartic to me as someone that has struggled both with a mixed racial background and as a survivor of domestic abuse.
This was a wonderful memoir that really showcased that even in the darkest of places one can still find hope and strength in love. It was both insightful and laugh out loud funny, even if some of the humor could be viewed as highly offensive. I really enjoyed this memoir and am happy that I read it, it’s definitely going down on my shelf as a favorite.
The book is bursting at the seams with humorous anecdotes about growing up as the wild child in his family. Getting in trouble, trying to outrun and outsmart his mom, committing petty crimes with friends, striking out with girls; Trevor’s life was colorful in no small part because of his mother. In interviews Trevor has stated that his memoir became sort of an open love letter to his mother, Patricia Noah–a fiercely independent woman that refused to be held down by her race or gender and sought to show her son the world outside of apartheid South Africa, who tried to save her son from the cruelty of the world.
“The world doesn’t love you. If the police get you, the police don’t love you. When I beat you, I’m trying to save you. When they beat you, they’re trying to kill you.”
The last chapters had me sobbing which was something that I hadn’t anticipated. Trevor mentions his step-father in the early chapters in passing, like a dark cloud that hung over his family’s life. I wasn’t prepared for the deeply troubling and heartbreaking portrait of a loving family ripped apart by abuse and the failures of law enforcement to prevent tragedy despite numerous attempts to get help.
I was already a fan of Trevor Noah, having watched some of his stand-up comedy and was overjoyed when he took over The Daily Show. From this memoir I have a newfound respect for Trevor not only for the horrendous abuse and racism he has endured, but how he allowed these things to shape who he is. He approaches issues of race, identity, poverty, and abuse with honesty and was able to articulate his feelings on topics that I have been struggling with for years. This memoir was surprisingly cathartic to me as someone that has struggled both with a mixed racial background and as a survivor of domestic abuse.
This was a wonderful memoir that really showcased that even in the darkest of places one can still find hope and strength in love. It was both insightful and laugh out loud funny, even if some of the humor could be viewed as highly offensive. I really enjoyed this memoir and am happy that I read it, it’s definitely going down on my shelf as a favorite.
Gareth von Kallenbach (968 KP) rated Electric Slide (2015) in Movies
Aug 6, 2019
Today’s choice for your consideration is the 2014 film ‘Electric Slide’. A biographical crime film based on the life of antique/furniture salesman turned bank robber Eddie Dodson.
Starring Jim Sturgess, Isabel Lucas, Chloe Sevigny, Patricia Arquette, and Christopher Lambert, ‘Electric Slide’ opens in 1983 Los Angeles. Disco is nearly dead and Rock-n-Roll is putting the final nails in its coffin. By day, Eddie Dodson (Jim Sturgess) is a hip antique furniture salesman (there’s a contradiction in terms) catering to the rich and famous while in engaging in some petty thievering from his customers on the side. By night, he moves with the drug-fueled parties from one mansion to the next. A chance encounter at one of these parties introduces him to the beautiful and aloof Pauline (Isabel Lucas). Eddie and Pauline are immediately smitten with one another as though destined by fate. At about the same time, Eddie’s carefree lifestyle is coming back to haunt him as loan sharks finally catch up to him and his former benefactor Roy Fortune (Christopher Lambert) comes calling demanding the return of his money. With no other way to repay his debt, Eddie resorts to robbing banks. With Pauline in tow, Eddie uses his charm to talk the tellers at over 60 banks in the L.A. Area into handing over their cash. However, instead of paying off his debts Eddie and Pauline simply continue their life of excess with the police and the loan sharks in hot pursuit.
This film did an excellent job of depicting the ‘L.A. Lifestyle’ of the early 1980s that didn’t involve celebrities, but the folks who you would imagine would be latching on to those said celebrities.
The groupies if you will. The main character Eddie Dodson seems like he was a born con artist … a greasy slime ball who will take you for every thing you have if you let him. He is a bizarrely likable character though and his devotion to Pauline makes the viewer all the more want him to get away with just about any scheme he tries to pull. This is the first time I’ve seen Isabel Lucas in film since ‘Transformers:Revenge Of The Fallen’ or the ‘Red Dawn’ remake and I must say her performance as Pauline was brilliant. To quote another reviewer who screened this film I found myself asking ‘Who is that girl?’ From her first appearance on screen, it’s like you’re immediately drawn to her quiet/mysterious presence. It was also awesome to see Christopher Lambert in a movie once again. Although he’s portrayed a villain previously, I had personally never seen anything where he was the villain. His appearance in this film although brief had me convinced. In my opinion he should pursue more roles as the villain if they present themselves.
One of the movie’s aspects that bugged me though was the soundtrack. The only way I could describe it would be ‘hipsters trying to sound retro’ and they didn’t succeed. The music didn’t sound like it belonged in the timeframe which the movie took place in. There were also far too many clips and scenes where they kicked in the slow motion or decided to have the camera pan or zoom out in some attempt to capture more of the surroundings. They could’ve used this wasted time to include more dialogue and interaction between the main characters in my opinion. Besides the A-List actors they managed to enlist for this film the only thing that saved it in the end was the knowledge that the film was based on a true story. It kinda of fizzled about halfway though and then kicked back in 3/4s of the way through. The film is worth watching visually but the thing that killed it was that it could’ve used more dialogue. I’d give it 2.5 out of 5 stars. It’s worth watching once or twice. Nothing to write home about though.
Starring Jim Sturgess, Isabel Lucas, Chloe Sevigny, Patricia Arquette, and Christopher Lambert, ‘Electric Slide’ opens in 1983 Los Angeles. Disco is nearly dead and Rock-n-Roll is putting the final nails in its coffin. By day, Eddie Dodson (Jim Sturgess) is a hip antique furniture salesman (there’s a contradiction in terms) catering to the rich and famous while in engaging in some petty thievering from his customers on the side. By night, he moves with the drug-fueled parties from one mansion to the next. A chance encounter at one of these parties introduces him to the beautiful and aloof Pauline (Isabel Lucas). Eddie and Pauline are immediately smitten with one another as though destined by fate. At about the same time, Eddie’s carefree lifestyle is coming back to haunt him as loan sharks finally catch up to him and his former benefactor Roy Fortune (Christopher Lambert) comes calling demanding the return of his money. With no other way to repay his debt, Eddie resorts to robbing banks. With Pauline in tow, Eddie uses his charm to talk the tellers at over 60 banks in the L.A. Area into handing over their cash. However, instead of paying off his debts Eddie and Pauline simply continue their life of excess with the police and the loan sharks in hot pursuit.
This film did an excellent job of depicting the ‘L.A. Lifestyle’ of the early 1980s that didn’t involve celebrities, but the folks who you would imagine would be latching on to those said celebrities.
The groupies if you will. The main character Eddie Dodson seems like he was a born con artist … a greasy slime ball who will take you for every thing you have if you let him. He is a bizarrely likable character though and his devotion to Pauline makes the viewer all the more want him to get away with just about any scheme he tries to pull. This is the first time I’ve seen Isabel Lucas in film since ‘Transformers:Revenge Of The Fallen’ or the ‘Red Dawn’ remake and I must say her performance as Pauline was brilliant. To quote another reviewer who screened this film I found myself asking ‘Who is that girl?’ From her first appearance on screen, it’s like you’re immediately drawn to her quiet/mysterious presence. It was also awesome to see Christopher Lambert in a movie once again. Although he’s portrayed a villain previously, I had personally never seen anything where he was the villain. His appearance in this film although brief had me convinced. In my opinion he should pursue more roles as the villain if they present themselves.
One of the movie’s aspects that bugged me though was the soundtrack. The only way I could describe it would be ‘hipsters trying to sound retro’ and they didn’t succeed. The music didn’t sound like it belonged in the timeframe which the movie took place in. There were also far too many clips and scenes where they kicked in the slow motion or decided to have the camera pan or zoom out in some attempt to capture more of the surroundings. They could’ve used this wasted time to include more dialogue and interaction between the main characters in my opinion. Besides the A-List actors they managed to enlist for this film the only thing that saved it in the end was the knowledge that the film was based on a true story. It kinda of fizzled about halfway though and then kicked back in 3/4s of the way through. The film is worth watching visually but the thing that killed it was that it could’ve used more dialogue. I’d give it 2.5 out of 5 stars. It’s worth watching once or twice. Nothing to write home about though.
Matthew Krueger (10051 KP) rated A Nightmare on Elm Street 3: Dream Warriors (1987) in Movies
Jul 3, 2020 (Updated Jul 3, 2020)
The introduction of funny Freddy (2 more)
Welcome to primetime, bitch!
Death Scene's
Welcome to primetime, bitch!
Contains spoilers, click to show
A Nightmare on Elm Street 3: Dream Warriors- is a excellent movie, coming off the disappointed Freedy's Revenge, Dream Warriors goes back to the oringal formula, Scary, twisted, dramatic and excellent deaths. Dream Warriors adds more like taking place psychiatric ward, a excellent line that was on the spot, "Welcome to primetime, bitch!". Also Heather Langenkamp and John Saxton return. Also you new charcters that will return in later sequels like Kristen, Kincaid and Joey. A great cast of charcters, a great story and also introduces Freddy's mom and her back story and adds more to Freddy's back story.
Lets talk more: production and deaths.
Production:
Craven's very first concept for the film was to have Freddy Krueger invade the real world: Krueger would haunt the actors filming a new Nightmare on Elm Street sequel. New Line Cinema rejected the metacinematic idea, but years later, Craven's concept was brought to the screen in Wes Craven's New Nightmare.
Before it was decided what script would be used for the film's story, both John Saxon and Robert Englund wrote their own scripts for a third Nightmare film; in Saxon's script called How the Nightmare on Elm Street All Began, which would have been a prequel story, Freddy would ultimately turn out to have been innocent, or at least set up for the murders by Charles Manson, who along with his followers would have been the main culprit of the murders; Freddy would be forced by the mob of angry parents to make a confession of the crimes, which would enrage them further. After they lynch Freddy, he comes back to avenge his wrongful death by targeting the parent's children.
In Englund's treatment called Freddy's Funhouse, the protagonist would have been Tina Gray's older sister, who would have been in college by the time Tina was murdered, and ends up coming back to Springwood to investigate how she died. In the script, Freddy had claimed the 1428 Elm Street house for his own in the dreamworld, setting up booby traps like Nancy did against him.
The death scenes: I love the death scene's in this film. Their are both memorable and excellent and probley my favorite out of all the franchise. You have Phillip's death: Veins pulled out/manipulated into falling off high ledge by Krueger, Jennifer's death: Head smashed into TV screen, Taryn death: Leg slashed with bladed glove, massive amounts of heroin injected into veins and Freddy saying "let's get high", William's death: Lifted, chest impaled with bladed glove and Freddy saying " Sorry kid, but I don't believe in fairy tales", Donald's death: Thrown/impaled through back on car's tail fin by a skeleton verison of krueger and Nancy's death: Stomach impaled twice/gutted with bladed glove/bled out, in dream world cause she sees her dad but its krueger. Also you have the Freddy worm that attacks Kristen.
The plot: During a hallucinatory incident, young Kristen Parker (Patricia Arquette) has her wrists slashed by dream-stalking monster Freddy Krueger (Robert Englund). Her mother, mistaking the wounds for a suicide attempt, sends Kristen to a psychiatric ward, where she joins a group of similarly troubled teens. One of the doctors there is Nancy Thompson (Heather Langenkamp), who had battled Freddy some years before. Nancy senses a potential in Kristen to rid the world of Freddy once and for all.
Dream Warriors: is a return to the oringal formula, and adds more. Adds memorable lines, better deaths, intoduction of comedy side of Freddy and above all a excellent movie.
The ending is sad cause Nancy and John doe die by freedy but it ends their story for now and starts a new story with Kristen, Kincaid and Joey. Its a percent, but sad ending. Ending the oringal maim charcters arc/story, while senting up a new trio of charcters.
Also you can't forget about that excellent theme song, "Dream Warrors" by Dokken.
Lets talk more: production and deaths.
Production:
Craven's very first concept for the film was to have Freddy Krueger invade the real world: Krueger would haunt the actors filming a new Nightmare on Elm Street sequel. New Line Cinema rejected the metacinematic idea, but years later, Craven's concept was brought to the screen in Wes Craven's New Nightmare.
Before it was decided what script would be used for the film's story, both John Saxon and Robert Englund wrote their own scripts for a third Nightmare film; in Saxon's script called How the Nightmare on Elm Street All Began, which would have been a prequel story, Freddy would ultimately turn out to have been innocent, or at least set up for the murders by Charles Manson, who along with his followers would have been the main culprit of the murders; Freddy would be forced by the mob of angry parents to make a confession of the crimes, which would enrage them further. After they lynch Freddy, he comes back to avenge his wrongful death by targeting the parent's children.
In Englund's treatment called Freddy's Funhouse, the protagonist would have been Tina Gray's older sister, who would have been in college by the time Tina was murdered, and ends up coming back to Springwood to investigate how she died. In the script, Freddy had claimed the 1428 Elm Street house for his own in the dreamworld, setting up booby traps like Nancy did against him.
The death scenes: I love the death scene's in this film. Their are both memorable and excellent and probley my favorite out of all the franchise. You have Phillip's death: Veins pulled out/manipulated into falling off high ledge by Krueger, Jennifer's death: Head smashed into TV screen, Taryn death: Leg slashed with bladed glove, massive amounts of heroin injected into veins and Freddy saying "let's get high", William's death: Lifted, chest impaled with bladed glove and Freddy saying " Sorry kid, but I don't believe in fairy tales", Donald's death: Thrown/impaled through back on car's tail fin by a skeleton verison of krueger and Nancy's death: Stomach impaled twice/gutted with bladed glove/bled out, in dream world cause she sees her dad but its krueger. Also you have the Freddy worm that attacks Kristen.
The plot: During a hallucinatory incident, young Kristen Parker (Patricia Arquette) has her wrists slashed by dream-stalking monster Freddy Krueger (Robert Englund). Her mother, mistaking the wounds for a suicide attempt, sends Kristen to a psychiatric ward, where she joins a group of similarly troubled teens. One of the doctors there is Nancy Thompson (Heather Langenkamp), who had battled Freddy some years before. Nancy senses a potential in Kristen to rid the world of Freddy once and for all.
Dream Warriors: is a return to the oringal formula, and adds more. Adds memorable lines, better deaths, intoduction of comedy side of Freddy and above all a excellent movie.
The ending is sad cause Nancy and John doe die by freedy but it ends their story for now and starts a new story with Kristen, Kincaid and Joey. Its a percent, but sad ending. Ending the oringal maim charcters arc/story, while senting up a new trio of charcters.
Also you can't forget about that excellent theme song, "Dream Warrors" by Dokken.
Ivana A. | Diary of Difference (1171 KP) rated Wonder Woman: Her Greatest Battles in Books
Aug 21, 2018
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<img src="https://gipostcards.files.wordpress.com/2018/08/book-review-1.png"/>;
This is my first graphic novel, and I did enjoy the art in it! This book contains the greatest battles of Wonder Woman. It is a compilation of seven comic book scenes, all sharing a different battle of Wonder Woman, and a different kind of art.. But even though I enjoyed the art, as a first one, this didn’t make me happy.
The stories are put in this compilation chronologically by when they were made, starting from a scene that was made in 1987, until the last one, which was made in 2013. I will give a brief comment on all of them - in order:
<b>‘’Power Play’’ from Wonder Woman #6 (1987)
<i>Plot & Pencils: George Perez, Script: Len Wein, Inks: Bruce Patterson, Colors: Tatjana Wood, Letters: John Costanza, Cover: George Perez</i></b>
The first story is a scene where Diana is fighting the god of war - Ares. As a first one, it is not the best descriptive piece of information - so for a person that haven’t heard about Wonder Woman before, this one won’t be of any use. I also didn’t quite enjoy the art in this one.
<b><i>‘’And for the first time in his immortal existence, the war-god weeps… for, without those alive to worship him, Ares’ power swiftly wanes…’’</i></b>
<b>‘’In The Forest Of The Night’’ from Wonder Woman #119 (1997)
<i>Story & Art: John Byrne; Colors: Patricia Mulvihill; Cover: Jose Luis Garcia-Lopez</i></b>
In this scene, Diana is on a mission to save officer Michael P. Schorr of the G.C.P.D. from the cheetah that used to be Barbara Minerva. Diana manages to convince Barbara to win the battle with herself and become human again. Even though I didn’t quite enjoy the art - I did enjoy the story itself. It was a great lesson of fighting for who you are within, and winning battles with yourself and not surrendering to anything that might be in your way. We also get to have a little sneak-peak of how Wonder Woman started existing in the first place.
<b><i>‘’Yes, Mike, it is not widely known, but I was not born as mortals are, my mother sculpted a baby from the clay of Themyscira and the Gods themselves breathed life into that clay. ‘’</i></b>
<img src="https://gipostcards.files.wordpress.com/2018/08/book-cover-4.png"/>;
<b>‘’Stoned: Conclusion’’ from Wonder Woman #210 (2005)
<i>Script: Greg Rucka; Pencils: Drew Johnson; Inks: Ray Snyder; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
This one is a gladiator battle between Wonder Woman and Medusa. I really enjoyed this one, the art was amazing and we even get a few scenes with Circe-witch on it. I love how Wonder Woman is presented to be smart and the sacrifice that she made was very brave. Such a powerful story! Amazing!
<b>‘’Sacrifice: Part four’’ from Wonder Woman #219 (2005)
<i>Scripts: Greg Rucka; Pencils:Rags Morales, David Lopez, Tom Derenick, Georges Jeanty & Karl Kerschl; Inks: Mark Propst, BIT, Dexter Vines, Bob Petrecca & Nelson; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
Superman has been brainwashed and wants to kill Diana. Not much happens apart from Wonder Woman and Superman fighting. I didn’t like this one, only because of one quote that says:
<b><i>‘’You’ll forgive me for saying it, princess, but you look good on your knees…’’</i></b>
<b>‘’A Murder Of Crows: Part Two - Throwdown’’ from Wonder Woman #41 (2010)
<i>Script: Gail Simone; Pencils: Chris Batista & Fernando Dagnino; Inks: Doug Hazlewood & Raul Fernandez; Colors: Brad Anderson; Letters: Travis Lanham; Cover: Aaron Lopresti</i></b>
Even though the beginning features Achilles and Patroclus, after a page or two we don’t see them anymore, and I am standing like… what’s the point in mentioning them in the first place then? This piece of art contains a battle between Power Girl and Wonder Woman, and how Power Girl can never be like Wonder Woman, unless, of course, she has no other choice.
I liked this one, maybe the most, even though the art was just average.
<b>‘’Justice League: Part Three’’ from Justice League #3 (2011)
<i>Script: Geoff Johns; Pencils: Jim Lee; Inks: Scott Williams; Colors: Alex Sinclair, HI-FI & Gabe Ettaeb; Letters: Pat Brosseau; Cover: Jim Lee, Scott Williams & Alex Sinclair</i></b>
This piece of art was different than anything else in this book. We see a lot of famous heroes fight, like Superman, Batman, Green Lantern, Aquaman, and of course, Wonder Woman. The art is really colourful, which I enjoyed, but the story was confusing. See, it started from the middle of a comic book, and then ended unfinished. It only covered the part where Wonder Woman appears, but it confused me and I didn’t enjoy the story as much. Again, I didn’t like the way how they express themselves to a woman. They see Wonder Woman and they call dibs on her. Really?
<b>‘’Goddown’’ from Wonder Woman #23 (2013)
<i>Script: Brian Azzarello; Art: Cliff Chiang; Colors: Matthew Wilson; Letters: Jared K. Fletcher; Cover: Cliff Chiang </i></b>
A very confusing chapter, and I didn’t enjoy it at all. It was about Hera and her children, and Wonder Woman protecting them. Even though this is the newest made, it didn’t seem like it, and the art seemed old-style.
Overall, I didn’t enjoy it as much, and it wouldn’t be something I’d choose in the future. I’d rather go with a proper beginning-to-end story rather than a compilation next time.
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<img src="https://gipostcards.files.wordpress.com/2018/08/book-review-1.png"/>;
This is my first graphic novel, and I did enjoy the art in it! This book contains the greatest battles of Wonder Woman. It is a compilation of seven comic book scenes, all sharing a different battle of Wonder Woman, and a different kind of art.. But even though I enjoyed the art, as a first one, this didn’t make me happy.
The stories are put in this compilation chronologically by when they were made, starting from a scene that was made in 1987, until the last one, which was made in 2013. I will give a brief comment on all of them - in order:
<b>‘’Power Play’’ from Wonder Woman #6 (1987)
<i>Plot & Pencils: George Perez, Script: Len Wein, Inks: Bruce Patterson, Colors: Tatjana Wood, Letters: John Costanza, Cover: George Perez</i></b>
The first story is a scene where Diana is fighting the god of war - Ares. As a first one, it is not the best descriptive piece of information - so for a person that haven’t heard about Wonder Woman before, this one won’t be of any use. I also didn’t quite enjoy the art in this one.
<b><i>‘’And for the first time in his immortal existence, the war-god weeps… for, without those alive to worship him, Ares’ power swiftly wanes…’’</i></b>
<b>‘’In The Forest Of The Night’’ from Wonder Woman #119 (1997)
<i>Story & Art: John Byrne; Colors: Patricia Mulvihill; Cover: Jose Luis Garcia-Lopez</i></b>
In this scene, Diana is on a mission to save officer Michael P. Schorr of the G.C.P.D. from the cheetah that used to be Barbara Minerva. Diana manages to convince Barbara to win the battle with herself and become human again. Even though I didn’t quite enjoy the art - I did enjoy the story itself. It was a great lesson of fighting for who you are within, and winning battles with yourself and not surrendering to anything that might be in your way. We also get to have a little sneak-peak of how Wonder Woman started existing in the first place.
<b><i>‘’Yes, Mike, it is not widely known, but I was not born as mortals are, my mother sculpted a baby from the clay of Themyscira and the Gods themselves breathed life into that clay. ‘’</i></b>
<img src="https://gipostcards.files.wordpress.com/2018/08/book-cover-4.png"/>;
<b>‘’Stoned: Conclusion’’ from Wonder Woman #210 (2005)
<i>Script: Greg Rucka; Pencils: Drew Johnson; Inks: Ray Snyder; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
This one is a gladiator battle between Wonder Woman and Medusa. I really enjoyed this one, the art was amazing and we even get a few scenes with Circe-witch on it. I love how Wonder Woman is presented to be smart and the sacrifice that she made was very brave. Such a powerful story! Amazing!
<b>‘’Sacrifice: Part four’’ from Wonder Woman #219 (2005)
<i>Scripts: Greg Rucka; Pencils:Rags Morales, David Lopez, Tom Derenick, Georges Jeanty & Karl Kerschl; Inks: Mark Propst, BIT, Dexter Vines, Bob Petrecca & Nelson; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
Superman has been brainwashed and wants to kill Diana. Not much happens apart from Wonder Woman and Superman fighting. I didn’t like this one, only because of one quote that says:
<b><i>‘’You’ll forgive me for saying it, princess, but you look good on your knees…’’</i></b>
<b>‘’A Murder Of Crows: Part Two - Throwdown’’ from Wonder Woman #41 (2010)
<i>Script: Gail Simone; Pencils: Chris Batista & Fernando Dagnino; Inks: Doug Hazlewood & Raul Fernandez; Colors: Brad Anderson; Letters: Travis Lanham; Cover: Aaron Lopresti</i></b>
Even though the beginning features Achilles and Patroclus, after a page or two we don’t see them anymore, and I am standing like… what’s the point in mentioning them in the first place then? This piece of art contains a battle between Power Girl and Wonder Woman, and how Power Girl can never be like Wonder Woman, unless, of course, she has no other choice.
I liked this one, maybe the most, even though the art was just average.
<b>‘’Justice League: Part Three’’ from Justice League #3 (2011)
<i>Script: Geoff Johns; Pencils: Jim Lee; Inks: Scott Williams; Colors: Alex Sinclair, HI-FI & Gabe Ettaeb; Letters: Pat Brosseau; Cover: Jim Lee, Scott Williams & Alex Sinclair</i></b>
This piece of art was different than anything else in this book. We see a lot of famous heroes fight, like Superman, Batman, Green Lantern, Aquaman, and of course, Wonder Woman. The art is really colourful, which I enjoyed, but the story was confusing. See, it started from the middle of a comic book, and then ended unfinished. It only covered the part where Wonder Woman appears, but it confused me and I didn’t enjoy the story as much. Again, I didn’t like the way how they express themselves to a woman. They see Wonder Woman and they call dibs on her. Really?
<b>‘’Goddown’’ from Wonder Woman #23 (2013)
<i>Script: Brian Azzarello; Art: Cliff Chiang; Colors: Matthew Wilson; Letters: Jared K. Fletcher; Cover: Cliff Chiang </i></b>
A very confusing chapter, and I didn’t enjoy it at all. It was about Hera and her children, and Wonder Woman protecting them. Even though this is the newest made, it didn’t seem like it, and the art seemed old-style.
Overall, I didn’t enjoy it as much, and it wouldn’t be something I’d choose in the future. I’d rather go with a proper beginning-to-end story rather than a compilation next time.
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