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Awix (3310 KP) rated The Prisoner in TV
Mar 5, 2018
Famously cryptic cult TV show still has things to offer anyone willing to enter its peculiar world. Title character (McGoohan) is whisked off to a very strange prison; subsequent episodes revolve around either his attempts to escape, or the Village masters' schemes to force him to reveal his secrets (things get progressively more outlandishly weird as the series progresses).
Visually striking; the plots represent a weird mashing together of typical ITC action-adventure tropes and something altogether more avant-garde and cerebral: typical episode contains both existential pondering of the nature of society and/or the individual self and at least one punch-up. No-one seems entirely sure what it's all supposed to mean - is it about the conflict between the individual and the collective? The divided self? Patrick McGoohan's frustration at the state of his career? Nevertheless, the show's reputation is deserved - the weaker episodes are simply peculiar, the best ones absolutely mesmerising.
Visually striking; the plots represent a weird mashing together of typical ITC action-adventure tropes and something altogether more avant-garde and cerebral: typical episode contains both existential pondering of the nature of society and/or the individual self and at least one punch-up. No-one seems entirely sure what it's all supposed to mean - is it about the conflict between the individual and the collective? The divided self? Patrick McGoohan's frustration at the state of his career? Nevertheless, the show's reputation is deserved - the weaker episodes are simply peculiar, the best ones absolutely mesmerising.
Awix (3310 KP) rated Scanners (1981) in Movies
Oct 12, 2020
Horror-SF from David Cronenberg. A man with psychic powers is sent to infiltrate a dangerous network of others with similar abilities: they have many subtle telepathic and telekinetic powers, such as being able to make people's heads explode.
Actually rather less graphic and icky than the film's reputation (and advertising) might suggest; the really spectacularly gory bits bookend the movie, and much of the rest of it looks like a relatively conventional thriller. The film is arguably ahead of its time in its suspicion of the military-industrial complex and big pharma; there is perhaps a subtext about the souring of 60s idealism as free-thinkers are persecuted or exploited by vested interests. Pretty good performances from the hero and the villain, but (not really surprisingly) Patrick McGoohan steals the film as the protagonist's father-figure. A thoughtful and intelligent film that isn't afraid to really go for the splatter now and then.
Actually rather less graphic and icky than the film's reputation (and advertising) might suggest; the really spectacularly gory bits bookend the movie, and much of the rest of it looks like a relatively conventional thriller. The film is arguably ahead of its time in its suspicion of the military-industrial complex and big pharma; there is perhaps a subtext about the souring of 60s idealism as free-thinkers are persecuted or exploited by vested interests. Pretty good performances from the hero and the villain, but (not really surprisingly) Patrick McGoohan steals the film as the protagonist's father-figure. A thoughtful and intelligent film that isn't afraid to really go for the splatter now and then.
BankofMarquis (1832 KP) rated Silver Streak (1976) in Movies
Jun 7, 2020
The start of a wonderful comedic partnership
Most people remember Gene Wilder as the frazzled haired wild man in such Mel Brooks classic films as THE PRODUCERS, BLAZING SADDLES and YOUNG FRANKENSTEIN. Others will recall him as the mad genius that held our attention in WILLY WONKA AND THE CHOCOLATE FACTORY, but there was a 3rd phase to Wilder's career - his unlikely partnership with Richard Pryor - that started with 1976's SILVER STREAK.
Set aboard the titular passenger train, SILVER STREAK is part Alfred Hitchcock "wrong man" suspense thriller, part comedy and part action flick with strong performances at the center anchoring the action.
Surprisingly, Wilder brings a sincere quality to his "everyman" hero of this tale. His book editor, George Caldwell, just wants a quiet 2 1/2 day trip on the train from Los Angeles to Chicago. You root for George from the start. Wilder's performance is deftly tailored to this movie, keeping a lid on his more frenetic energy that helps keep his character grounded. He pairs nicely with Jill Clayburgh (remember her from the '70's?) as a women he meets (and falls in love with) along the way. Clayburgh burst into the spotlight with this performance - and the 2 have tremendous chemistry together.
They are joined by a bevy of wonderful character actors - Ray Walston, Richard "Jaws" Kiel, Ned Beatty, Clifton James, Valerie Curtin, Fred Willard and the great Scatman Crothers. All bring life and energy to this film. Patrick McGoohan is perfectly cast as the villain of the piece. His "buttoned-up" bad guy is the perfect balance to the Wilder's character.
But, of course, the person who steals this film is the great Richard Pryor as Grover T. Muldoon, a petty thief, con-man and "street-wise" hood who aids George in defeating the bad guys. Pryor doesn't show up in this movie until about 1/2 way through, but when he does, the energy (and pace) of this film picks up considerably and the roller coaster ride begins. The comedic partnership between Wilder and Pryor is magnificent, they play off each other very well and they will end up pairing together in 3 other films after this.
Director Arthur Hiller (THE AMERICANIZATION OF EMILY) does a strong, professional job of keeping the movie moving, keeping events grounded until a thrilling conclusion that is satisfying, indeed.
A fun action-thriller that is perfect summer fodder.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Set aboard the titular passenger train, SILVER STREAK is part Alfred Hitchcock "wrong man" suspense thriller, part comedy and part action flick with strong performances at the center anchoring the action.
Surprisingly, Wilder brings a sincere quality to his "everyman" hero of this tale. His book editor, George Caldwell, just wants a quiet 2 1/2 day trip on the train from Los Angeles to Chicago. You root for George from the start. Wilder's performance is deftly tailored to this movie, keeping a lid on his more frenetic energy that helps keep his character grounded. He pairs nicely with Jill Clayburgh (remember her from the '70's?) as a women he meets (and falls in love with) along the way. Clayburgh burst into the spotlight with this performance - and the 2 have tremendous chemistry together.
They are joined by a bevy of wonderful character actors - Ray Walston, Richard "Jaws" Kiel, Ned Beatty, Clifton James, Valerie Curtin, Fred Willard and the great Scatman Crothers. All bring life and energy to this film. Patrick McGoohan is perfectly cast as the villain of the piece. His "buttoned-up" bad guy is the perfect balance to the Wilder's character.
But, of course, the person who steals this film is the great Richard Pryor as Grover T. Muldoon, a petty thief, con-man and "street-wise" hood who aids George in defeating the bad guys. Pryor doesn't show up in this movie until about 1/2 way through, but when he does, the energy (and pace) of this film picks up considerably and the roller coaster ride begins. The comedic partnership between Wilder and Pryor is magnificent, they play off each other very well and they will end up pairing together in 3 other films after this.
Director Arthur Hiller (THE AMERICANIZATION OF EMILY) does a strong, professional job of keeping the movie moving, keeping events grounded until a thrilling conclusion that is satisfying, indeed.
A fun action-thriller that is perfect summer fodder.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)