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The Craggus (360 KP) rated A Simple Favor (2018) in Movies
Oct 3, 2018
There's no such thing as A Simple Favour (2018) #Review
From the opening strains of Jean Paul Keller’s “Ca S'est Arrange”, you can practically feel Paul Feig donning on a black turtleneck and slipping into auteurship with a mischievous sense of insouciance. He’s in playful mood indeed as he indulges his inner Hitchcock even as he can’t quite resist giving in to his quirky comedic instincts...
FULL REVIEW: http://bit.ly/CraggusASimpleFavour
FULL REVIEW: http://bit.ly/CraggusASimpleFavour
Movie Metropolis (309 KP) rated Bridesmaids (2011) in Movies
Jun 10, 2019
I’m not ashamed to say that I think Bridesmaids is one of the funniest films ever made. The very talented Paul Feig took an incredible ensemble cast and threw them together with such hilarity, it made my ribs hurt. After the trials and tribulations of the movie itself, Bridesmaids culminates in a ridiculously over-the-top wedding orchestrated, to the dismay of Kristen Wiig’s Annie, by arch-nemesis Helen (Rose Byrne). It even features a glorious musical number by Wilson Phillips. What could be better?
https://moviemetropolis.net/2018/05/19/the-best-movie-weddings-top-5/
https://moviemetropolis.net/2018/05/19/the-best-movie-weddings-top-5/
Erika (17788 KP) rated A Simple Favor (2018) in Movies
Sep 15, 2018 (Updated Sep 15, 2018)
Warning: This is an outright comedy
Before I read any reviews on this film, I thought it was a thriller, and the trailer sold it as a sort of Gone-Girl-Girl-on-the-Train-esque film. Then I read one review, which warned that it was comedy, and the comedic elements outweighed everything else.
Anna Kendrick's character is slightly insufferable for me in the beginning, the 'mommy vlogger', but she was a perfect contract to Blake Lively's character. Henry Golding was great, and I didn't mind looking at him for nearly 2 hours.
The end was bananas, and not in a particularly good way, because it was messy. On the bright side, this is the first Paul Feig movie I'll be able to watch again.
Anna Kendrick's character is slightly insufferable for me in the beginning, the 'mommy vlogger', but she was a perfect contract to Blake Lively's character. Henry Golding was great, and I didn't mind looking at him for nearly 2 hours.
The end was bananas, and not in a particularly good way, because it was messy. On the bright side, this is the first Paul Feig movie I'll be able to watch again.
Movie Metropolis (309 KP) rated Spy (2015) in Movies
Jun 10, 2019
Comedic Gold
From the brilliant Paul Feig, director of the ridiculously funny Bridesmaids and Sandra Bullock’s laugh-a-minute The Heat comes the latest in the secret agent comedy film, Spy. But does this film, fronted by the ever-popular Melissa McCarthy have what it takes to play with the big boys in the genre?
Spy follows the story of McCarthy’s Susan Cooper, a lonely CIA analyst suddenly thrust into the limelight as a secret agent tasked with tracking the whereabouts of a nuclear weapon after the rest of the agency’s operatives have their identities compromised.
After the success of Matthew Vaughn’s Kingsman: The Secret Service, released earlier this year, expectations of another spy comedy hit for 2015 were low to say the least, especially after the critical disaster that was Reese Witherspoon’s cop comedy Hot Pursuit.
However, Feig once again strikes gold with an exciting story, an all-star cast and some breath-taking scenery and action pieces. There’s no wonder he’s been tasked with directing the Ghostbusters reboot.
Jason Statham, Rose Byrne, Miranda Hart and Jude Law take their places in a film that not only has you on the edge of your seat more times than the majority of full-blown action movies, but also will have you laughing your head off.
The gags are relentless and on the whole, very funny with McCarthy continuing to be a dynamic presence like she has shown throughout the majority of her previous work. However, the surprising stand-out is Jason Statham as super spy Rick Ford.
We’ve all seen Statham play the tough action guy and his role in Spy is certainly no different. The difference comes with his ridiculously dry sense of humour – he is genuinely funny with his serious delivery and provides the film with its best moments.
Jude Law’s charismatic agent Fine, oblivious to McCarthy’s affections for him fails to make as much of an impact as Statham’s truly brilliant characterisation.
The film’s biggest weakness is in Miranda Hart however, who channels the same character that anyone familiar with her BBC One show will know all too well. Yes, she’s funny, but only because the script allows her to be – almost masking her well-worn persona somewhat.
Elsewhere, the locations are beautiful. From Paris to Budapest, Spy takes you on a tour of Europe and is unashamed of showing these tourist hot-spots in all their glory. Feig juxtaposes sweeping shots of Paris with intimate scenes in Budapest and the film’s occasional tonal shift also utilises this filming tactic well.
Moreover, the numerous action sequences are excellently choreographed. Feig has a real love for the spy genre and it shows. From the super slow-mo used so the audience knows what is going on, to the Shirley Bassey like theme song, nowhere is untouched in creating a viable spy movie, albeit a funny one.
Overall, so far, every film Paul Feig has touched has turned to gold. The Heat wasn’t as impressive as Bridesmaids but that is simply because of how fantastic the latter is. However, with Spy there is no denying that he is back on solid ground.
Melissa McCarthy is the perfect comedy actress to front a film like this and Jason Statham’s surprising comedic turn is absolutely marvellous. Despite a less than stellar performance from Miranda Hart, Spy is fun from beginning to end with numerous twists and turns along the way.
Settle down for the ride with some popcorn and you’ll have a fantastic time.
https://moviemetropolis.net/2015/06/07/comedic-gold-spy-review/
Spy follows the story of McCarthy’s Susan Cooper, a lonely CIA analyst suddenly thrust into the limelight as a secret agent tasked with tracking the whereabouts of a nuclear weapon after the rest of the agency’s operatives have their identities compromised.
After the success of Matthew Vaughn’s Kingsman: The Secret Service, released earlier this year, expectations of another spy comedy hit for 2015 were low to say the least, especially after the critical disaster that was Reese Witherspoon’s cop comedy Hot Pursuit.
However, Feig once again strikes gold with an exciting story, an all-star cast and some breath-taking scenery and action pieces. There’s no wonder he’s been tasked with directing the Ghostbusters reboot.
Jason Statham, Rose Byrne, Miranda Hart and Jude Law take their places in a film that not only has you on the edge of your seat more times than the majority of full-blown action movies, but also will have you laughing your head off.
The gags are relentless and on the whole, very funny with McCarthy continuing to be a dynamic presence like she has shown throughout the majority of her previous work. However, the surprising stand-out is Jason Statham as super spy Rick Ford.
We’ve all seen Statham play the tough action guy and his role in Spy is certainly no different. The difference comes with his ridiculously dry sense of humour – he is genuinely funny with his serious delivery and provides the film with its best moments.
Jude Law’s charismatic agent Fine, oblivious to McCarthy’s affections for him fails to make as much of an impact as Statham’s truly brilliant characterisation.
The film’s biggest weakness is in Miranda Hart however, who channels the same character that anyone familiar with her BBC One show will know all too well. Yes, she’s funny, but only because the script allows her to be – almost masking her well-worn persona somewhat.
Elsewhere, the locations are beautiful. From Paris to Budapest, Spy takes you on a tour of Europe and is unashamed of showing these tourist hot-spots in all their glory. Feig juxtaposes sweeping shots of Paris with intimate scenes in Budapest and the film’s occasional tonal shift also utilises this filming tactic well.
Moreover, the numerous action sequences are excellently choreographed. Feig has a real love for the spy genre and it shows. From the super slow-mo used so the audience knows what is going on, to the Shirley Bassey like theme song, nowhere is untouched in creating a viable spy movie, albeit a funny one.
Overall, so far, every film Paul Feig has touched has turned to gold. The Heat wasn’t as impressive as Bridesmaids but that is simply because of how fantastic the latter is. However, with Spy there is no denying that he is back on solid ground.
Melissa McCarthy is the perfect comedy actress to front a film like this and Jason Statham’s surprising comedic turn is absolutely marvellous. Despite a less than stellar performance from Miranda Hart, Spy is fun from beginning to end with numerous twists and turns along the way.
Settle down for the ride with some popcorn and you’ll have a fantastic time.
https://moviemetropolis.net/2015/06/07/comedic-gold-spy-review/
David McK (3425 KP) rated Ghostbusters: Frozen Empire (2024) in Movies
Apr 1, 2024
Who ya gonna call? The Spengler family.
Sequel to 2021s 'Ghostbusters: Afterlife', which moves the action away from the small town setting of the latter and back to the New York City of the original 1980s films.
(As an aside, I'm not sure whether to count this as #5 or #4 in the series, what with the atrocious Paul Feig 2016 version!)
(Aside to my aside: and what about the 2008 videogame?).
Anyway, this follows pretty much the same core cast as in Afterlife, although - personally - I found James Acaster to be rather an off-putting presence, as they struggle to find their fight and face down a new supernatural foe.
Lacks the magic of the original, I felt, maybe on par with Afterlife bit no better or worse.
(As an aside, I'm not sure whether to count this as #5 or #4 in the series, what with the atrocious Paul Feig 2016 version!)
(Aside to my aside: and what about the 2008 videogame?).
Anyway, this follows pretty much the same core cast as in Afterlife, although - personally - I found James Acaster to be rather an off-putting presence, as they struggle to find their fight and face down a new supernatural foe.
Lacks the magic of the original, I felt, maybe on par with Afterlife bit no better or worse.
Awix (3310 KP) rated A Simple Favor (2018) in Movies
Oct 11, 2018
Competently made and very well-cast suspense drama (kind of). 'Ordinary person' single mother and vlogger Stephanie (Kendrick) ends up becoming besties with dangerously glamorous and enigmatic fellow parent (Lively); when her new pal vanishes, Stephanie decides that something suspicious may have taken place...
Very very much in the same vein as Gone Girl, to the extent that people would probably have been screaming knock-off had this film not also functioned as a rather effective black comedy - you may be wondering what a light comedian like Kendrick is doing fronting a thriller directed by a comedy specialist like Paul Feig; well, this is the reason why. This may also be the reason why the film is cheerily up-front about how far-fetched its own plot is. Not the kind of movie that really lingers in the memory, but nicely put-together and fun while you're watching it.
Very very much in the same vein as Gone Girl, to the extent that people would probably have been screaming knock-off had this film not also functioned as a rather effective black comedy - you may be wondering what a light comedian like Kendrick is doing fronting a thriller directed by a comedy specialist like Paul Feig; well, this is the reason why. This may also be the reason why the film is cheerily up-front about how far-fetched its own plot is. Not the kind of movie that really lingers in the memory, but nicely put-together and fun while you're watching it.
Movie Metropolis (309 KP) rated Ghostbusters (2016) in Movies
Jun 11, 2019
I ain't afraid of no reboot
So it’s here. One of the most reviled films of the decade before it was even released; the Ghostbusters reboot has a tough job persuading fans of the original films and newcomers alike that it’s worth their time.
With director Paul Feig, stars like Melissa McCarthy and Chris Hemsworth and the backing of the series’ previous stars, it’s certainly got a lot going for it, but does the finished product soar or deserve all those dislikes on YouTube? The most disliked film trailer in YouTube history.
Paranormal researcher Abby Yates (Melissa McCarthy) and physicist Erin Gilbert (Kristen Wiig) are trying to prove that ghosts exist in modern society. When strange apparitions appear in Manhattan, Gilbert and Yates turn to engineer Jillian Holtzmann (Kate McKinnon) for help. Also joining the team is Patty Tolan (Leslie Jones), a lifelong New Yorker who knows the city inside and out. Armed with proton packs and plenty of attitude, the four women prepare for an epic battle as thousands of ghosts descend on Times Square.
To look at, Ghostbusters is absolutely stunning with breath-taking CGI coupled with sweeping shots of New York’s famous skyline. With the exception of The Jungle Book, there simply hasn’t been a film so far this year that has looked this good. The ghouls are rendered with brilliant special effects that culminate at the finale for a cracking female-led battle and Slimer even makes an appearance – what more could you ask for?
This is also a witty, occasionally hilarious and on the whole reasonably funny film that utilises Paul Feig’s knack at scriptwriting and the talents of its exceptional cast very well. Melissa McCarthy’s presence proves just what a team she and Feig are, with Chris Hemsworth providing some of the film’s best one-liners.
But the true surprise is in Kate McKinnon. Her wacky, over-the-top character has been tremendously well written and is a joy to watch on screen, especially in the film’s final act. Leslie Jones and Kristen Wiig each make an impact with the former in particular being very funny indeed. The cameos are all present and correct too, with the majority of the previous film’s main cast returning in some small way.
There are a couple of flaws. When you think of Paul Feig then Bridesmaids will probably spring to mind. Then perhaps The Heat or Spy? All these films were given a 15 certification by the BBFC and they used that certificate to its full potential. Ghostbusters is given the much-maligned 12A rating meaning it’s not as immediately hilarious as those films.
That’s not to say it isn’t funny, in fact, part of the humour is derived from spotting references to its much-loved predecessors, but it doesn’t have you rolling about the aisles like Feig’s earlier works.
The story does occasionally suffer from the pressures of influence, with the original film’s footprint well and truly stamped throughout. Nevertheless, this isn’t a real drag and the taut 116 minute running time keeps things moving along nicely with the highlights being the group’s inception and interactions.
Ghostbusters fans; you can rest easy. This isn’t meant to step on the toes of its wonderful predecessors at all. What it has achieved however is to provide its audience, new generation or old, with cracking special effects, a decent, well-written script and some dry, subtle humour. It’s one of the best films of the year so far and no publicity is bad publicity.
https://moviemetropolis.net/2016/07/12/i-aint-afraid-of-no-reboot-ghostbusters-review/
With director Paul Feig, stars like Melissa McCarthy and Chris Hemsworth and the backing of the series’ previous stars, it’s certainly got a lot going for it, but does the finished product soar or deserve all those dislikes on YouTube? The most disliked film trailer in YouTube history.
Paranormal researcher Abby Yates (Melissa McCarthy) and physicist Erin Gilbert (Kristen Wiig) are trying to prove that ghosts exist in modern society. When strange apparitions appear in Manhattan, Gilbert and Yates turn to engineer Jillian Holtzmann (Kate McKinnon) for help. Also joining the team is Patty Tolan (Leslie Jones), a lifelong New Yorker who knows the city inside and out. Armed with proton packs and plenty of attitude, the four women prepare for an epic battle as thousands of ghosts descend on Times Square.
To look at, Ghostbusters is absolutely stunning with breath-taking CGI coupled with sweeping shots of New York’s famous skyline. With the exception of The Jungle Book, there simply hasn’t been a film so far this year that has looked this good. The ghouls are rendered with brilliant special effects that culminate at the finale for a cracking female-led battle and Slimer even makes an appearance – what more could you ask for?
This is also a witty, occasionally hilarious and on the whole reasonably funny film that utilises Paul Feig’s knack at scriptwriting and the talents of its exceptional cast very well. Melissa McCarthy’s presence proves just what a team she and Feig are, with Chris Hemsworth providing some of the film’s best one-liners.
But the true surprise is in Kate McKinnon. Her wacky, over-the-top character has been tremendously well written and is a joy to watch on screen, especially in the film’s final act. Leslie Jones and Kristen Wiig each make an impact with the former in particular being very funny indeed. The cameos are all present and correct too, with the majority of the previous film’s main cast returning in some small way.
There are a couple of flaws. When you think of Paul Feig then Bridesmaids will probably spring to mind. Then perhaps The Heat or Spy? All these films were given a 15 certification by the BBFC and they used that certificate to its full potential. Ghostbusters is given the much-maligned 12A rating meaning it’s not as immediately hilarious as those films.
That’s not to say it isn’t funny, in fact, part of the humour is derived from spotting references to its much-loved predecessors, but it doesn’t have you rolling about the aisles like Feig’s earlier works.
The story does occasionally suffer from the pressures of influence, with the original film’s footprint well and truly stamped throughout. Nevertheless, this isn’t a real drag and the taut 116 minute running time keeps things moving along nicely with the highlights being the group’s inception and interactions.
Ghostbusters fans; you can rest easy. This isn’t meant to step on the toes of its wonderful predecessors at all. What it has achieved however is to provide its audience, new generation or old, with cracking special effects, a decent, well-written script and some dry, subtle humour. It’s one of the best films of the year so far and no publicity is bad publicity.
https://moviemetropolis.net/2016/07/12/i-aint-afraid-of-no-reboot-ghostbusters-review/
Gareth von Kallenbach (980 KP) rated A Simple Favor (2018) in Movies
Jul 2, 2019
When you look at the directorial line up from Paul Feig, with hilariously funny movies such as Ghostbusters, Bridesmaids, and The Heat under his belt, it’s a bit of a surprise to see him take on a suspense thriller. Don’t worry Feig fans, there’s plenty of outlandish, laugh out loud moments.
A Simple Favor centers around the perky Stephanie Smothers (Anna Kendrick), a widowed stay at home mommy vlogger whose life revolves around her son. She struggles with making friends due to her overly ambitious attempts at being the best at everything she does—think Stepford wife without the husband. Enter Emily (Blake Lively)—a brash, confident, mysterious woman whose son just happens to be best friend’s with Stephanie’s little boy. To both mom’s dismay, they are forced to hang out afterschool because their boys want to have a playdate. Stephanie thinks Emily has everything—the perfect marriage, the amazing career, and the gorgeous designer house. To the surprise of all the parents at school, the two moms spark an unlikely friendship. Until one day, Emily calls Stephanie and asks her for a simple favor. Little did Stephanie know this simple favor ends up uncovering a slew of secrets of deceit and lies.
Feig’s propensity for comedy still lingers even in the blackest of moments throughout the movie. He knew exactly which moments to take it up a notch and add in some witty humor to let his leading ladies shine. Lively exudes a callous charisma that makes her perfect to take on the role of Emily. I’d like to think Anna Kendrick’s acting chops are just that good, because she does such a great job at playing an insufferable perfectionist.
It’s hard to pick sides in this film. Everyone is so twisted, you find yourself rooting for one person in part of the movie, and then their skeleton’s come out, and you want to root for the other. This is a true testament to the screenwriters—they make you want to be both women. Doesn’t apologize for its sick and twisted manic storyline. It’s upscale garbage at its finest! Can’t help but love seeing the downfall of perfection.
A Simple Favor centers around the perky Stephanie Smothers (Anna Kendrick), a widowed stay at home mommy vlogger whose life revolves around her son. She struggles with making friends due to her overly ambitious attempts at being the best at everything she does—think Stepford wife without the husband. Enter Emily (Blake Lively)—a brash, confident, mysterious woman whose son just happens to be best friend’s with Stephanie’s little boy. To both mom’s dismay, they are forced to hang out afterschool because their boys want to have a playdate. Stephanie thinks Emily has everything—the perfect marriage, the amazing career, and the gorgeous designer house. To the surprise of all the parents at school, the two moms spark an unlikely friendship. Until one day, Emily calls Stephanie and asks her for a simple favor. Little did Stephanie know this simple favor ends up uncovering a slew of secrets of deceit and lies.
Feig’s propensity for comedy still lingers even in the blackest of moments throughout the movie. He knew exactly which moments to take it up a notch and add in some witty humor to let his leading ladies shine. Lively exudes a callous charisma that makes her perfect to take on the role of Emily. I’d like to think Anna Kendrick’s acting chops are just that good, because she does such a great job at playing an insufferable perfectionist.
It’s hard to pick sides in this film. Everyone is so twisted, you find yourself rooting for one person in part of the movie, and then their skeleton’s come out, and you want to root for the other. This is a true testament to the screenwriters—they make you want to be both women. Doesn’t apologize for its sick and twisted manic storyline. It’s upscale garbage at its finest! Can’t help but love seeing the downfall of perfection.
Movie Metropolis (309 KP) rated Daddy's Home (2015) in Movies
Jun 10, 2019
A Lesson in beige comedy
We did it! After managing to get through the record-breaking year that was 2015, things in the film world shifted down a gear for 2016, well, for a month or so.
As we begin another promising year in the world of the silver screen, one of the first movies to garner the public’s attention is Daddy’s Home, but can this comedy with Mark Wahlberg and Will Ferrell hold its own with the heavyweights in the genre?
Daddy’s Home has a simple premise, stepfather Brad (Ferrell) who lives and breathes for the adoration of his stepchildren feels threatened when their hunky, off-the-wall dad Dusty (Wahlberg) comes into town. That’s literally the plot, and this becomes the film’s major stumbling block.
Decent comedy films are ten-a-penny these days and over the last few years, director Paul Feig has charmed audiences across the globe with Bridesmaids, The Heat and the rib-achingly funny Spy. He is simply the guy everyone wants for comedy as every script that has his name attached turns to gold.
Daddy’s Home unfortunately lacks a cohesive and witty plot, instead opting for clichéd laughs that work the first few times, but fall flat afterwards. That’s not to say there isn’t anything clever here, in fact there is, but it’s in short supply.
The two lead actors are, as usual, dependable with Wahlberg being particularly memorable, not least because he spends the majority of the 96 minute running time with his shirt off, and Ferrell is a veteran in this genre, but the characters lack any real depth, and the obligatory moments were director Sean Anders wants us to feel something for the pair simply evaporate into thin air.
Elsewhere, Linda Cardellini provides a surprisingly phoned-in performance as Dusty’s ex-wife, Sara, with her two children, Megan and Dylan, played by Scarlett Estevez and Owen Vaccaro faring much better. Estevez in particular is a promising young actress.
Despite these glaring omissions, a brilliant sequence shot in a fertility clinic garners laughs from start to finish and Thomas Haden Church’s turn as Ferrell’s boss is a real joy to watch with some of the film’s best lines.
It just all lacks a little touch of Feig. There’s none of the satirical humour mixed with belly laughs that audiences come to expect in 21st Century comedy and it’s a real shame the two lead stars, heavily marketed as facing off against each other, don’t get to do more and go that bit further.
Overall, Daddy’s Home is a perfectly pleasant start to 2016. It’s no-where near the standards set by Bridesmaids or Spy, but does just about enough to warrant a watch. It’s just not as funny as its credentials would have you believe.
https://moviemetropolis.net/2016/01/10/a-lesson-in-beige-comedy-daddys-home-review/
As we begin another promising year in the world of the silver screen, one of the first movies to garner the public’s attention is Daddy’s Home, but can this comedy with Mark Wahlberg and Will Ferrell hold its own with the heavyweights in the genre?
Daddy’s Home has a simple premise, stepfather Brad (Ferrell) who lives and breathes for the adoration of his stepchildren feels threatened when their hunky, off-the-wall dad Dusty (Wahlberg) comes into town. That’s literally the plot, and this becomes the film’s major stumbling block.
Decent comedy films are ten-a-penny these days and over the last few years, director Paul Feig has charmed audiences across the globe with Bridesmaids, The Heat and the rib-achingly funny Spy. He is simply the guy everyone wants for comedy as every script that has his name attached turns to gold.
Daddy’s Home unfortunately lacks a cohesive and witty plot, instead opting for clichéd laughs that work the first few times, but fall flat afterwards. That’s not to say there isn’t anything clever here, in fact there is, but it’s in short supply.
The two lead actors are, as usual, dependable with Wahlberg being particularly memorable, not least because he spends the majority of the 96 minute running time with his shirt off, and Ferrell is a veteran in this genre, but the characters lack any real depth, and the obligatory moments were director Sean Anders wants us to feel something for the pair simply evaporate into thin air.
Elsewhere, Linda Cardellini provides a surprisingly phoned-in performance as Dusty’s ex-wife, Sara, with her two children, Megan and Dylan, played by Scarlett Estevez and Owen Vaccaro faring much better. Estevez in particular is a promising young actress.
Despite these glaring omissions, a brilliant sequence shot in a fertility clinic garners laughs from start to finish and Thomas Haden Church’s turn as Ferrell’s boss is a real joy to watch with some of the film’s best lines.
It just all lacks a little touch of Feig. There’s none of the satirical humour mixed with belly laughs that audiences come to expect in 21st Century comedy and it’s a real shame the two lead stars, heavily marketed as facing off against each other, don’t get to do more and go that bit further.
Overall, Daddy’s Home is a perfectly pleasant start to 2016. It’s no-where near the standards set by Bridesmaids or Spy, but does just about enough to warrant a watch. It’s just not as funny as its credentials would have you believe.
https://moviemetropolis.net/2016/01/10/a-lesson-in-beige-comedy-daddys-home-review/
Daniel Boyd (1066 KP) rated A Simple Favor (2018) in Movies
Sep 25, 2018 (Updated Sep 25, 2018)
Simply Messy
So I went to see A Simple Favor at the weekend, which was my girlfriend's choice and I actually ended up enjoying some parts of it. I hate everything else that Paul Feig has done, so I was going into this expecting to hate every aspect and I surprisingly didn't. Anna Kendrick plays the same character that she does in everything else, but she is good at it and it works well for this film too. Blake Lively's character is funny in a cruel way at certain points, but at other points the mean spirited nature of the character feels forced and tacky. The rest of the cast are forgettable and Rupert Friend isn't given nearly enough to do in his role.
There are certain points that this movie made me legitimately laugh, granted the majority of the time it was because Blake Lively's character would say something vulgar and Kendrick's character would respond with something innocent and cringey and this joke would be rinsed and repeated a lot throughout the movie, but still I laughed way more during this than I thought I would.
The absolute worst thing about the movie is it's tone. It's not just inconsistent, it is absolutely all over the place. For the first two thirds of the film it is a weird mix of serious suspense and absurd comedy and then in the last third it absolutely cannot decide what it wants to be. From the point that Anna Kendrick's character leaves to go and dig around in Lively's character's past to the end credits, this movie is an utter mess.
Overall, I was surprised I didn't hate the movie and actually enjoyed parts of it. Anna Kendrick is great in everything she does, even if she does do the same thing in everything. Unfortunately this doesn't make the film a great comedy, nor is it a great suspense movie either, but hey, at least it's better than the Ghostbusters reboot.
There are certain points that this movie made me legitimately laugh, granted the majority of the time it was because Blake Lively's character would say something vulgar and Kendrick's character would respond with something innocent and cringey and this joke would be rinsed and repeated a lot throughout the movie, but still I laughed way more during this than I thought I would.
The absolute worst thing about the movie is it's tone. It's not just inconsistent, it is absolutely all over the place. For the first two thirds of the film it is a weird mix of serious suspense and absurd comedy and then in the last third it absolutely cannot decide what it wants to be. From the point that Anna Kendrick's character leaves to go and dig around in Lively's character's past to the end credits, this movie is an utter mess.
Overall, I was surprised I didn't hate the movie and actually enjoyed parts of it. Anna Kendrick is great in everything she does, even if she does do the same thing in everything. Unfortunately this doesn't make the film a great comedy, nor is it a great suspense movie either, but hey, at least it's better than the Ghostbusters reboot.