Search
Search results
Lyndsey Gollogly (2893 KP) rated The Vine Witch in Books
Mar 6, 2023
27 of 235
Kindle
The Vine Witch ( book 1)
By Luanne G.Smith
⭐️⭐️⭐️⭐️
A young witch emerges from a curse to find her world upended in this gripping fantasy set in turn-of-the-century France.
For centuries, the vineyards at Château Renard have depended on the talent of their vine witches, whose spells help create the world-renowned wine of the Chanceaux Valley. Then the skill of divining harvests fell into ruin when sorcière Elena Boureanu was blindsided by a curse. Now, after breaking the spell that confined her to the shallows of a marshland and weakened her magic, Elena is struggling to return to her former life. And the vineyard she was destined to inherit is now in the possession of a handsome stranger.
Vigneron Jean-Paul Martel naively favors science over superstition, and he certainly doesn’t endorse the locals’ belief in witches. But Elena knows a hex when she sees one, and the vineyard is covered in them. To stay on and help the vines recover, she’ll have to hide her true identity, along with her plans for revenge against whoever stole seven winters of her life. And she won’t rest until she can defy the evil powers that are still a threat to herself, Jean-Paul, and the ancient vine-witch legacy in the rolling hills of the Chanceaux Valley.
I really liked it! The style was a little different compared to what I normally read and I love that she starts off as a frog. It moved quickly and was a really good story.
The characters were fun to get to know and it had a lovely romance blooming.
Kindle
The Vine Witch ( book 1)
By Luanne G.Smith
⭐️⭐️⭐️⭐️
A young witch emerges from a curse to find her world upended in this gripping fantasy set in turn-of-the-century France.
For centuries, the vineyards at Château Renard have depended on the talent of their vine witches, whose spells help create the world-renowned wine of the Chanceaux Valley. Then the skill of divining harvests fell into ruin when sorcière Elena Boureanu was blindsided by a curse. Now, after breaking the spell that confined her to the shallows of a marshland and weakened her magic, Elena is struggling to return to her former life. And the vineyard she was destined to inherit is now in the possession of a handsome stranger.
Vigneron Jean-Paul Martel naively favors science over superstition, and he certainly doesn’t endorse the locals’ belief in witches. But Elena knows a hex when she sees one, and the vineyard is covered in them. To stay on and help the vines recover, she’ll have to hide her true identity, along with her plans for revenge against whoever stole seven winters of her life. And she won’t rest until she can defy the evil powers that are still a threat to herself, Jean-Paul, and the ancient vine-witch legacy in the rolling hills of the Chanceaux Valley.
I really liked it! The style was a little different compared to what I normally read and I love that she starts off as a frog. It moved quickly and was a really good story.
The characters were fun to get to know and it had a lovely romance blooming.
Chris Sawin (602 KP) rated Cop Out (2010) in Movies
Jun 22, 2019 (Updated Jun 23, 2019)
Jimmy Monroe (Bruce Willis) and Paul Hodges (Tracy Morgan) have been working as partners at the NYPD for the past nine years. They have a reputation at the precinct for doing things their own sporadic and wreckful way that isn't normal procedure and usually winds up getting them into hot water with the captain. A suspect is brought in for interrogation and when he finally spills the beans on a drug deal happening that afternoon, Jimmy and Paul think it's best to act on it right then and there. After their plan fails, their suspect is killed and months of work is flushed down the drain. Jimmy and Paul are suspended for 30 days without pay, which isn't good news for Jimmy since his daughter is getting married and has the typical expensive wedding of her dreams in mind. Jimmy plans on selling a collectible baseball card that could pay for his daughter's wedding and then some, but the card is stolen by some crackheads before he can get the chance. Now Jimmy's just trying to get the card back to pay for his daughter's wedding, but him and Paul, who's too distracted with his wife's possible infidelity to really concentrate on the task at hand, are thrown into something much deeper.
To tell the truth, I wasn't looking forward to this film at all. I'm a pretty big fan of most of Kevin Smith's work, but he didn't write the film. It could be argued that he did write Jersey Girl and that could be considered a bomb, but his films usually average about $25-$30 million anyway. A Kevin Smith film isn't really about bringing in a large amount of money at the box office. His charm is in his writing, especially the dialogue and interaction between characters. There's a very specific audience his films will appeal to and none of them have really branched away from that. But him not writing this one made me think, "Eh. Not sure what that'll be like since he didn't write it." When it comes to Bruce Willis, I've never talked to anyone who dislikes him entirely. There always seems to be at least one of his films everybody enjoys. Die Hard, The Fifth Element, and Sin City are just a few off the top of my head. The real buzz-killer for me though was Tracy Morgan. He's just never been funny to me. He was beyond lame on Saturday Night Live and 30 Rock has never been able to hold my attention for very long. Not to mention all the trailers for Cop Out didn't make me laugh. Thankfully though, first impressions can be so very wrong.
One of Cop Out's biggest charms is that it feels like a buddy cop comedy you've seen before, but have forgotten how much you enjoy it. The film feels similar to a 48 Hrs or Beverly Hills Cop film. Bulletproof is also a good example. Cop Out is pretty much what you expect when it comes to roles Bruce Willis chooses as it's pretty much no different than his role as John McClane on the surface, but he's a lot funnier this time around. As far as Tracy Morgan goes, the funniest thing I could remember him saying was his one line in Jay and Silent Bob Strike Back ("Man... I don't know what the f--- you just said, Little Kid, but you're special man, you reached out, and you touched a brother's heart.") until this film. He was downright hilarious at times. The only person who was funnier than Morgan was Seann William Scott who stole every scene he was in. Even though Kevin Smith didn't pen the script this time around, it still feels like a Kevin Smith film. It could be due to the fact that Jason Lee has a small role in the film, but I like to think it's because Cop Out offers the same kind of comedy you'd find in a Kevin Smith film with a bit more action. It also took me forever to place Scarface from Half Baked as Poh Boy.
Cop Out is surprisingly funny and incredibly entertaining. Give this film a chance even if the trailers may not be doing anything for you. I felt the same way and wound up thoroughly enjoying the film. After a long, stressful day at work, an R-rated comedy with a lot of laughs is one of the best ways to relax and this film offers just that. It's a great film to go into with no expectations other than to just have a good time.
To tell the truth, I wasn't looking forward to this film at all. I'm a pretty big fan of most of Kevin Smith's work, but he didn't write the film. It could be argued that he did write Jersey Girl and that could be considered a bomb, but his films usually average about $25-$30 million anyway. A Kevin Smith film isn't really about bringing in a large amount of money at the box office. His charm is in his writing, especially the dialogue and interaction between characters. There's a very specific audience his films will appeal to and none of them have really branched away from that. But him not writing this one made me think, "Eh. Not sure what that'll be like since he didn't write it." When it comes to Bruce Willis, I've never talked to anyone who dislikes him entirely. There always seems to be at least one of his films everybody enjoys. Die Hard, The Fifth Element, and Sin City are just a few off the top of my head. The real buzz-killer for me though was Tracy Morgan. He's just never been funny to me. He was beyond lame on Saturday Night Live and 30 Rock has never been able to hold my attention for very long. Not to mention all the trailers for Cop Out didn't make me laugh. Thankfully though, first impressions can be so very wrong.
One of Cop Out's biggest charms is that it feels like a buddy cop comedy you've seen before, but have forgotten how much you enjoy it. The film feels similar to a 48 Hrs or Beverly Hills Cop film. Bulletproof is also a good example. Cop Out is pretty much what you expect when it comes to roles Bruce Willis chooses as it's pretty much no different than his role as John McClane on the surface, but he's a lot funnier this time around. As far as Tracy Morgan goes, the funniest thing I could remember him saying was his one line in Jay and Silent Bob Strike Back ("Man... I don't know what the f--- you just said, Little Kid, but you're special man, you reached out, and you touched a brother's heart.") until this film. He was downright hilarious at times. The only person who was funnier than Morgan was Seann William Scott who stole every scene he was in. Even though Kevin Smith didn't pen the script this time around, it still feels like a Kevin Smith film. It could be due to the fact that Jason Lee has a small role in the film, but I like to think it's because Cop Out offers the same kind of comedy you'd find in a Kevin Smith film with a bit more action. It also took me forever to place Scarface from Half Baked as Poh Boy.
Cop Out is surprisingly funny and incredibly entertaining. Give this film a chance even if the trailers may not be doing anything for you. I felt the same way and wound up thoroughly enjoying the film. After a long, stressful day at work, an R-rated comedy with a lot of laughs is one of the best ways to relax and this film offers just that. It's a great film to go into with no expectations other than to just have a good time.
Gareth von Kallenbach (965 KP) rated Chernobyl Diaries (2012) in Movies
Aug 7, 2019
What do you get when you pair the director of “Paranormal Activity” with a handful of unknown actors, a one-hit wonder soap-star-turned-singer, and a plot based upon the Chernobyl meltdown? You guessed it: a sub-par suspense film with a poorly executed ending.
Meet Chris, Amanda, and Natalie – a trio of pretty Americans touring Europe and en route to Russia to meet Chris’ older brother, Paul, in Minsk. Unbeknownst to Amanda, Chris confides in his older brother his plan to propose to her upon their arrival in Moscow, their next destination. However, Paul decides to intervene and proposes a new plan: an extreme tourism excursion in the abandoned city of Pripyat, just outside of the Chernobyl nuclear plant. Despite Chris’ pleas, the group decides to take up Paul’s offer and embark the next day to Chernobyl/Pripyat under the guide of Uri, an ex-Soviet Special Forces agent.
Piling into an assault-van of sorts and accompanied by a pair of last minute travelers – an Aussie named Mike and his blonde Norse girlfriend, Zoe – they set off on the 2-hour drive to Pripyat. However, it is upon arrival at their destination that they find the area restricted to tourists by the Soviet guard. Undaunted, Uri drives the van to another remote access point, stealing them into the abandoned city of Pripyat for their excursion. It is there, as one can imagine, that some unknown element intercedes and prevents them from leaving the city. Somehow wires to the van’s starter are cut and they are forced to stay overnight. It’s at this point, as you can imagine, the horror movie element sets in and the typical suspense-film-plot takes over.
Of course, people leave the van to investigate “strange noises” and, of course, they are picked off one by one. As the movie progresses and the horror-film starts to settle in, the plot unravels and you’re ultimately left with one of the lamest endings conceived. Basically, you’ve had almost two hour’s worth of build-up and suspense for absolutely nothing.
Suspense-wise, you’re definitely going to jump here and there; my poor date had to suffer through my grabbing his hand and leg on more than one occasion. Acting wise, there’s nothing substantial. Jesse McCartney draws upon his experience as a soap actor for the more emotional role and Devin Kelley who plays Amanda seems more adept at sticking out her chest than acting her way out of a bag. But I digress, horror movies aren’t exactly based on strong acting skills, right?
If you’re looking for a good suspense film, something that gives you an excuse to grab your date’s hand or squeal like a girl, then this is a good film for that. If you’re looking for something twisted, something akin to “The Hills Have Eyes” or “Silent Hill,” then this falls rather short in comparison. The director had so many opportunities to delve further into the Chernobyl mystery and play up the radiation/mutation stab, but failed to provide any substance behind his direction. For my taste, there were too many unanswered questions and vague allusions for me to be wholly impressed with the movie. The premise had a lot of potential and promise but honestly failed to deliver.
Meet Chris, Amanda, and Natalie – a trio of pretty Americans touring Europe and en route to Russia to meet Chris’ older brother, Paul, in Minsk. Unbeknownst to Amanda, Chris confides in his older brother his plan to propose to her upon their arrival in Moscow, their next destination. However, Paul decides to intervene and proposes a new plan: an extreme tourism excursion in the abandoned city of Pripyat, just outside of the Chernobyl nuclear plant. Despite Chris’ pleas, the group decides to take up Paul’s offer and embark the next day to Chernobyl/Pripyat under the guide of Uri, an ex-Soviet Special Forces agent.
Piling into an assault-van of sorts and accompanied by a pair of last minute travelers – an Aussie named Mike and his blonde Norse girlfriend, Zoe – they set off on the 2-hour drive to Pripyat. However, it is upon arrival at their destination that they find the area restricted to tourists by the Soviet guard. Undaunted, Uri drives the van to another remote access point, stealing them into the abandoned city of Pripyat for their excursion. It is there, as one can imagine, that some unknown element intercedes and prevents them from leaving the city. Somehow wires to the van’s starter are cut and they are forced to stay overnight. It’s at this point, as you can imagine, the horror movie element sets in and the typical suspense-film-plot takes over.
Of course, people leave the van to investigate “strange noises” and, of course, they are picked off one by one. As the movie progresses and the horror-film starts to settle in, the plot unravels and you’re ultimately left with one of the lamest endings conceived. Basically, you’ve had almost two hour’s worth of build-up and suspense for absolutely nothing.
Suspense-wise, you’re definitely going to jump here and there; my poor date had to suffer through my grabbing his hand and leg on more than one occasion. Acting wise, there’s nothing substantial. Jesse McCartney draws upon his experience as a soap actor for the more emotional role and Devin Kelley who plays Amanda seems more adept at sticking out her chest than acting her way out of a bag. But I digress, horror movies aren’t exactly based on strong acting skills, right?
If you’re looking for a good suspense film, something that gives you an excuse to grab your date’s hand or squeal like a girl, then this is a good film for that. If you’re looking for something twisted, something akin to “The Hills Have Eyes” or “Silent Hill,” then this falls rather short in comparison. The director had so many opportunities to delve further into the Chernobyl mystery and play up the radiation/mutation stab, but failed to provide any substance behind his direction. For my taste, there were too many unanswered questions and vague allusions for me to be wholly impressed with the movie. The premise had a lot of potential and promise but honestly failed to deliver.
Midge (525 KP) rated Death In Provence in Books
Feb 2, 2019
Many twists and turns of the plot (1 more)
Great pacing
A Light And Relaxing Read
DEATH IN PROVENCE is a wonderful, light, and relaxed read with all of the matching vibes you get when on holiday. That’s exactly how I felt - this novel is almost as good being on a long vacation.
It is a refreshing, mystery fiction novel set in wonderfully scenic St Merlot, a sleepy, quiet village that has infrequent visitors at the unfashionable end of the Luberon Valley, France. St Merlot is unspoilt, with dry stone walls and wildflowers.
What’s really likeable about it straight-away are the opening chapters that draw you into the main character, Penelope Kite. Recently retired and divorced, she is an optimistic, happy, fifty-year-old with plenty of joie-de-vivre. Penelope, or Penny to her friends, has put her unfaithful ex-husband and her ungrateful stepchildren first, for a long time. Since she left her job in forensics at the Home Office in England, she’s been an unpaid babysitter and chauffeur for her grandchildren. Now, she’s going to start living for herself so she buys her dream house, Le Chant d’Eau, or The Song of Water. The stone farmhouse tucked high in the hills is in need of major restoration but is complete with a garden, swimming pool, and sweeping mountain vistas.
But not long after her arrival at Le Chant d’Eau, a corpse is found floating in her swimming pool. The local detective doesn’t seem particularly interested in finding out either the truth or the murderer, but Penny knows a thing or two about murder investigations herself so she starts an investigation of her own.
Enter Clemence Valencourt, the chic but supercilious estate agent, the disdainful chief of police, Inspector Paul Gamelin brought in from the headquarters of the Police Municipale in Cavaillon to investigate. He is 40-ish, has a tanned narrow face, greying hair and a grave demeanour. He also speaks excellent English. The devilishly handsome local mayor is called in to formally identify the corpse. He is the maire de St Merlot, and is gorgeous, with floppy sun-streaked hair, a caramel tan and chiselled cheekbones He also has stunning dark blue eyes...
All this and being tempted by the delightful food and drink delicacies that Provence has to offer. Luckily her kind and high-spirited, old friend, Frankie who is conveniently fluid in French is just a flight away.
One of the highlights of the book is following the many twists and turns of the plot. I liked the fact that Penny is a smart 50-year-old woman who has lots of life experience and is trying to come to terms with ageing and that she is not quite as naive as her new neighbours in St. Merlot seem to believe. Both the plot and the character development are excellent, and the story is captivating and engaging. It held my interest from start to finish.
DEATH IN PROVENCE was an interesting novel particularly for the interplay of the different secondary characters as well as the primary ones - a reticent and monosyllabic neighbour, an eccentric but honourable gardener, a jaunty and smiling electrician, and a close-knit village community, to name but a few. Plenty of ups and downs along the way and plenty of surprises. I loved Serena Kent’s writing style which I found to be so vivid and very easy to read. The descriptions of the places, people and food were very real and it was easy to imagine that you were actually there. She has reflected the spirit of the French villagers, their individuality brilliantly.
Although I did not figure out who was behind the murders, even though all the clues were there, I had a great time guessing and I loved it! I was very satisfied with the ending. I have been inspired to read more from Serena Kent and I highly recommend this book. I suggest wholeheartedly that you add it to your reading list.
Thank you to Edelweiss and the publisher for a free ARC of this book in exchange for an honest review.
It is a refreshing, mystery fiction novel set in wonderfully scenic St Merlot, a sleepy, quiet village that has infrequent visitors at the unfashionable end of the Luberon Valley, France. St Merlot is unspoilt, with dry stone walls and wildflowers.
What’s really likeable about it straight-away are the opening chapters that draw you into the main character, Penelope Kite. Recently retired and divorced, she is an optimistic, happy, fifty-year-old with plenty of joie-de-vivre. Penelope, or Penny to her friends, has put her unfaithful ex-husband and her ungrateful stepchildren first, for a long time. Since she left her job in forensics at the Home Office in England, she’s been an unpaid babysitter and chauffeur for her grandchildren. Now, she’s going to start living for herself so she buys her dream house, Le Chant d’Eau, or The Song of Water. The stone farmhouse tucked high in the hills is in need of major restoration but is complete with a garden, swimming pool, and sweeping mountain vistas.
But not long after her arrival at Le Chant d’Eau, a corpse is found floating in her swimming pool. The local detective doesn’t seem particularly interested in finding out either the truth or the murderer, but Penny knows a thing or two about murder investigations herself so she starts an investigation of her own.
Enter Clemence Valencourt, the chic but supercilious estate agent, the disdainful chief of police, Inspector Paul Gamelin brought in from the headquarters of the Police Municipale in Cavaillon to investigate. He is 40-ish, has a tanned narrow face, greying hair and a grave demeanour. He also speaks excellent English. The devilishly handsome local mayor is called in to formally identify the corpse. He is the maire de St Merlot, and is gorgeous, with floppy sun-streaked hair, a caramel tan and chiselled cheekbones He also has stunning dark blue eyes...
All this and being tempted by the delightful food and drink delicacies that Provence has to offer. Luckily her kind and high-spirited, old friend, Frankie who is conveniently fluid in French is just a flight away.
One of the highlights of the book is following the many twists and turns of the plot. I liked the fact that Penny is a smart 50-year-old woman who has lots of life experience and is trying to come to terms with ageing and that she is not quite as naive as her new neighbours in St. Merlot seem to believe. Both the plot and the character development are excellent, and the story is captivating and engaging. It held my interest from start to finish.
DEATH IN PROVENCE was an interesting novel particularly for the interplay of the different secondary characters as well as the primary ones - a reticent and monosyllabic neighbour, an eccentric but honourable gardener, a jaunty and smiling electrician, and a close-knit village community, to name but a few. Plenty of ups and downs along the way and plenty of surprises. I loved Serena Kent’s writing style which I found to be so vivid and very easy to read. The descriptions of the places, people and food were very real and it was easy to imagine that you were actually there. She has reflected the spirit of the French villagers, their individuality brilliantly.
Although I did not figure out who was behind the murders, even though all the clues were there, I had a great time guessing and I loved it! I was very satisfied with the ending. I have been inspired to read more from Serena Kent and I highly recommend this book. I suggest wholeheartedly that you add it to your reading list.
Thank you to Edelweiss and the publisher for a free ARC of this book in exchange for an honest review.