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LeftSideCut (3778 KP) rated Monster Hunter (2020) in Movies
Feb 23, 2022
Please, please, for the love of God please stop letting Paul WS Anderson adapt beloved video games into "films"
Nothing about Monster Hunter feels rewarding. The narrative is diabolically boring, the CGI is complete ass, the dialogue is dumb, and above all none of it is fun.
This 1 star is purely for a half decent final fight scene, Meowscles, and Ron Perlmans hilarouslty stupid wig.
Tony Jaa going from Ong Bak and Warrior King to shit like this and Jui Jitsu is heartbreaking
Nothing about Monster Hunter feels rewarding. The narrative is diabolically boring, the CGI is complete ass, the dialogue is dumb, and above all none of it is fun.
This 1 star is purely for a half decent final fight scene, Meowscles, and Ron Perlmans hilarouslty stupid wig.
Tony Jaa going from Ong Bak and Warrior King to shit like this and Jui Jitsu is heartbreaking
Daniel Boyd (1066 KP) rated Monster Hunter (2020) in Movies
Feb 24, 2021
Absolutely Disastrous
Monster Hunter is the 15th feature film directed by Paul WS Anderson and is based on a popular gaming franchise of the same name. This is not Anderson’s first attempt at a video game movie, as he is arguably best known for giving us the Resident Evil movie series and the 1995 version of Mortal Kombat.
As is the case with the examples above, this film is in no way faithful to the source material. I am not a huge fan of the Monster Hunter games but I have played enough of them to know that they are nothing like what we get in this generic action movie filled to the brim with clichés. Frankly, this movie runs the gamut of mid 2000’s mediocre action film clichés like it is following a formula from a textbook.
When reviewing any movie, – even one as trashy as this, – I always try to find some positives before tearing through the poor elements, but I am genuinely struggling to find anything here that didn’t annoy me or make me cringe. Even the one thing that you would think would be a positive, – the fact that the movie’s runtime is only 103 minutes long, – still isn’t a positive because the film still manages to feel so long and dragged out.
Anderson is a decent director, I know this from Event Horizon and the first Resident Evil film, but at this point in his career it genuinely seems like he isn’t even trying anymore. I’m honestly convinced at this point that the guy just looks at the box art for whatever video game series he is adapting and decides that is all of the research that he has to do.
The technical aspects of this movie are garbage. The editing is abrupt and extremely cheesy with no flow or cohesion, just a ton of hard crash zooms and awkward transitions. The score sounds like royalty free suspense stock music that a freelancer might download for background music for a low budget Youtube video.
Read the rest of my review at: https://www.bigglasgowcomicpage.com/2021/02/18/review-monster-hunter-movie/
As is the case with the examples above, this film is in no way faithful to the source material. I am not a huge fan of the Monster Hunter games but I have played enough of them to know that they are nothing like what we get in this generic action movie filled to the brim with clichés. Frankly, this movie runs the gamut of mid 2000’s mediocre action film clichés like it is following a formula from a textbook.
When reviewing any movie, – even one as trashy as this, – I always try to find some positives before tearing through the poor elements, but I am genuinely struggling to find anything here that didn’t annoy me or make me cringe. Even the one thing that you would think would be a positive, – the fact that the movie’s runtime is only 103 minutes long, – still isn’t a positive because the film still manages to feel so long and dragged out.
Anderson is a decent director, I know this from Event Horizon and the first Resident Evil film, but at this point in his career it genuinely seems like he isn’t even trying anymore. I’m honestly convinced at this point that the guy just looks at the box art for whatever video game series he is adapting and decides that is all of the research that he has to do.
The technical aspects of this movie are garbage. The editing is abrupt and extremely cheesy with no flow or cohesion, just a ton of hard crash zooms and awkward transitions. The score sounds like royalty free suspense stock music that a freelancer might download for background music for a low budget Youtube video.
Read the rest of my review at: https://www.bigglasgowcomicpage.com/2021/02/18/review-monster-hunter-movie/
William Friedkin recommended Diabolique (1955) in Movies (curated)
Gareth von Kallenbach (965 KP) rated The Rum Diary (2011) in Movies
Aug 7, 2019
For those unfamiliar with Hunter S. Thompson’s work (as I am), you may not recognize that this movie is based on his book of the same title, first published in 1998. Hunter S. Thompson is the same author who gave us the novel for which the film Fear and Loathing in Las Vegas was based on.
The Rum Diary follows Paul Kemp (played by Johnny Depp), a failed novelist turn journalist, who finds himself at a critical turning point in his life. Having written two and a half novels that were never published, he was having trouble finding his voice, in that he needed to find a way to “write like him” as Paul put it himself. So he decides to do some freelance writing for a small publication located in San Juan, Puerto Rico in 1960.
The movie opens with Kemp waking up in a hotel, and you can immediately, and clearly, see that he partakes in certain pleasures of life. After reporting to work at San Juan Star, Kemp meets Sala (played by Michael Rispoli), the photographer for the Star who quickly becomes his cohort. The editor-in-chief of the San Juan Star, Lotterman (played by Richard Jenkins) indicates to Kemp that the publication is only a few months away from being closed down, and that there really isn’t much to look forward to. He assigns Kemp to do some fluff pieces and the horoscope section of the paper.
Kemp is not content with this as he is looking at this experience as a way to put his career back on track. Over the next few days, during his adventures with Sala, he comes across a few different story ideas that are immediately shot down by Lotterman, as they emphasize the things that are wrong with San Juan, and Lotterman feels that the focus should be on the good things (like bowling alleys).
During one of his nights of boozing, he meets Chenault (played by Amber Heard). She’s aloof, mysterious, and of course… Kemp falls immediately in love with her. She just happens to be the girlfriend of Sanderson (played by Aaron Eckhart). Sanderson immediately recognizes the talents that Kemp has and begins recruiting him for a real estate scam. The idea is to get a foothold and build a new hotel on a private island that is used for United States military testing, but will soon be relinquished from that purpose. Sanderson and a group of investors want Kemp to put a brilliant positive spin on the hotel investment so that the public opinion, and that of those in a position to block the development, is a positive one.
Things begin to unravel as Kemp and Sala’s shenanigans keep getting them into trouble, culminating in a heated night where Kemp, Sala, Chenault and Sanderson end up at a bar during the St. Thomas Carnival.
The Rum Diary was highly entertaining with a great supporting cast. Giovani Ribisi provides an excellent distraction from some of the more serious events of the movie as he appears every now and then as Moburg, another reporter for the San Juan Star. The movie played like a great alcohol-induced, drug-fueled adventures of a journalist in the 1960s. Definitely some quirky moments, and you will find yourself laughing at many of Kemp and Sala’s exploits.
My only gripe with the movie is how it ended. The build up to Kemp printing the story and putting it out there leaves you wanting more. While I don’t think the film will reach the same cult-status that Fear and Loathing in Las Vegas will, it is definitely entertaining (all the way until the end). It is a good nod to Thompson and fans of his books and movie adaptations are sure to enjoy.
The Rum Diary follows Paul Kemp (played by Johnny Depp), a failed novelist turn journalist, who finds himself at a critical turning point in his life. Having written two and a half novels that were never published, he was having trouble finding his voice, in that he needed to find a way to “write like him” as Paul put it himself. So he decides to do some freelance writing for a small publication located in San Juan, Puerto Rico in 1960.
The movie opens with Kemp waking up in a hotel, and you can immediately, and clearly, see that he partakes in certain pleasures of life. After reporting to work at San Juan Star, Kemp meets Sala (played by Michael Rispoli), the photographer for the Star who quickly becomes his cohort. The editor-in-chief of the San Juan Star, Lotterman (played by Richard Jenkins) indicates to Kemp that the publication is only a few months away from being closed down, and that there really isn’t much to look forward to. He assigns Kemp to do some fluff pieces and the horoscope section of the paper.
Kemp is not content with this as he is looking at this experience as a way to put his career back on track. Over the next few days, during his adventures with Sala, he comes across a few different story ideas that are immediately shot down by Lotterman, as they emphasize the things that are wrong with San Juan, and Lotterman feels that the focus should be on the good things (like bowling alleys).
During one of his nights of boozing, he meets Chenault (played by Amber Heard). She’s aloof, mysterious, and of course… Kemp falls immediately in love with her. She just happens to be the girlfriend of Sanderson (played by Aaron Eckhart). Sanderson immediately recognizes the talents that Kemp has and begins recruiting him for a real estate scam. The idea is to get a foothold and build a new hotel on a private island that is used for United States military testing, but will soon be relinquished from that purpose. Sanderson and a group of investors want Kemp to put a brilliant positive spin on the hotel investment so that the public opinion, and that of those in a position to block the development, is a positive one.
Things begin to unravel as Kemp and Sala’s shenanigans keep getting them into trouble, culminating in a heated night where Kemp, Sala, Chenault and Sanderson end up at a bar during the St. Thomas Carnival.
The Rum Diary was highly entertaining with a great supporting cast. Giovani Ribisi provides an excellent distraction from some of the more serious events of the movie as he appears every now and then as Moburg, another reporter for the San Juan Star. The movie played like a great alcohol-induced, drug-fueled adventures of a journalist in the 1960s. Definitely some quirky moments, and you will find yourself laughing at many of Kemp and Sala’s exploits.
My only gripe with the movie is how it ended. The build up to Kemp printing the story and putting it out there leaves you wanting more. While I don’t think the film will reach the same cult-status that Fear and Loathing in Las Vegas will, it is definitely entertaining (all the way until the end). It is a good nod to Thompson and fans of his books and movie adaptations are sure to enjoy.
Sassy Brit (97 KP) rated The Key to Death's Door in Books
Jun 6, 2019
The Key To Death’s Door by Mark Tilbury is a tense, mystery, thriller novel interwoven with supernatural and horror aspects, which reminded me of Stephen King style reads.
When Teenager Lee Hunter and his best friend Charlie Finch go on a fishing trip, Lee drowns only to discover that when he awakes he has travelled back in time about 30 years and is now living the life of another lad called Paul Collins. To his horror, he, his family and his best friend are at the mercy of the evil and sadistic Daryl Finch, Charlie Finch’s father and they are all about to be killed.
After being successfully resuscitated by Charlie, Lee comes back as himself – to the current time period – knowing the horrific truth about Charlie’s father, Daryl, and what he is capable of. With his newfound knowledge Lee sets out to avenge the death’s of the Collins’ family. But where to start? Who is going to believe Lee knows what happened all those years ago, when he wasn’t even born then?
The Key to Death’s Door is a clever story, and raises serious issues of child abuse, wife beating, animal cruelty and murder in such vivid detail, I totally wanted justice for what had happened, and for Daryl Finch to get his comeuppance for his past and present atrocities. There’s no way he could be allowed to get away with what he’s done, surely?
I loved the relationship of best friends Lee and Charlie, they were portrayed realistically for their ages, and their characters were fun to read. They might not always have been able to say what they really meant to each other, but they had each other’s back, and at times their conversations were even quite funny and endearing. Contrast this with the scenes in the Collins’ house, which were utterly brutal and horrifying and you’re in for a thrilling ride with a supernatural twist. I certainly enjoyed The Key to Death’s Door and will look for more of Mark Tilbury’s work from now on.
When Teenager Lee Hunter and his best friend Charlie Finch go on a fishing trip, Lee drowns only to discover that when he awakes he has travelled back in time about 30 years and is now living the life of another lad called Paul Collins. To his horror, he, his family and his best friend are at the mercy of the evil and sadistic Daryl Finch, Charlie Finch’s father and they are all about to be killed.
After being successfully resuscitated by Charlie, Lee comes back as himself – to the current time period – knowing the horrific truth about Charlie’s father, Daryl, and what he is capable of. With his newfound knowledge Lee sets out to avenge the death’s of the Collins’ family. But where to start? Who is going to believe Lee knows what happened all those years ago, when he wasn’t even born then?
The Key to Death’s Door is a clever story, and raises serious issues of child abuse, wife beating, animal cruelty and murder in such vivid detail, I totally wanted justice for what had happened, and for Daryl Finch to get his comeuppance for his past and present atrocities. There’s no way he could be allowed to get away with what he’s done, surely?
I loved the relationship of best friends Lee and Charlie, they were portrayed realistically for their ages, and their characters were fun to read. They might not always have been able to say what they really meant to each other, but they had each other’s back, and at times their conversations were even quite funny and endearing. Contrast this with the scenes in the Collins’ house, which were utterly brutal and horrifying and you’re in for a thrilling ride with a supernatural twist. I certainly enjoyed The Key to Death’s Door and will look for more of Mark Tilbury’s work from now on.
Gareth von Kallenbach (965 KP) rated Fast Five (2011) in Movies
Aug 7, 2019
The 2011 summer movie season kicks off in high gear with the release of Fast Five the latest installment in the phenomenally popular Fast and Furious series. The movie picks up exactly where the previous film ended with Brian O’ Conner (Paul Walker), orchestrating a daring escape for Dominic Toretto (Vin Diesel).
The film quickly moves forward in time where Brian and Dominic’s sister Mia (Jordana Brewster), overall fugitives from the law, have taken refuge in Rio. Unsure of exactly where Dominic is, an old family friend offers Brian and Mia roles in a job which will surely score them some very easy and much-needed money. Although reluctant, Brian agrees to the job which involves the theft of three high-value cars from a train. Things go horribly wrong when they’re doublecrossed, the aftermath of which leads to the death of three federal agents. Only Dominic’s arrival, quick thinking, and a daring escape allows Brian and Mia to survive.
Although it is not their fault, the deaths of the agents is blamed solely on the trio, and an elite fugitive hunter named Hobbs (Dwayne Johnson) arrives with his team with the sole mission of stopping Brian, Mia and Dominic, no matter the cost.
As if this wasn’t enough trouble for the fugities, it is learned that they have also fallen on the radar of the local drug kingpin named Reyes (Joaquim de Almeida), who will stop at nothing to retrieve an item now in the trio’s possession. Caught in the crossfire between Hobbs and Reyes, Dominic plots an epic caper that will allow them not only the money to flee Hobbs and disappear into a life of luxury, but allow them to settle the score with Reyes.
What follows is a nonstop action thrill ride that sprinkles in a nice mix of comedy and romance to keep things interesting. The film downplays the racing aspect of the series and instead saves the spectacular driving for key action sequences. While street racing scenes are alluded to they are not shown as director Justin Chin focuses squarely on his cast and allows them ample time to develop their characters. In doing so it strengthens the bond between them and allows the climactic sequence to have an even greater impact than your standard over-the-top summer film action scenes.
.
There are some really funny moments in the film as Dominic assembles his team to pull off the ultimate job. The new characters work very well with the established cast from the previous films and introduce characters which I hope will be a part of any future films in the series. Johnson was a very pleasant surprise, as his character could easily have been one-dimensional. He was given a few wrinkles which allowed him to walk the fine line between good guy and bad guy, which is an essential quality to many of the film’s characters. Johnson’s action sequences were solid and highly effective and once again underscores that he needs to be focusing more on action films and less on the family-friendly genre that
has dominated the bulk of his recent work.
Walker and Diesel complement each other perfectly and appear to be having a great time working with one another again. They have a very easy-going and natural chemistry with one another that works even when they’re not behind the wheel of a car or caught up in a frantic action scene.
While the plot of the film is fairly straightforward it provides ample framework for the characters to grow and propel the story forward. While the audience is asked to take some great leaps in logic it doesn’t derail from the finished product. The stuntwork in the film was absolutely amazing and the spectacular finale of the movie alone must be seen to be believed.
Many times during my press screening the audience was completely silent for a brief second following an action sequence before erupting into thunderous applause and cheers after they’ve fully processed what just unfolded on the screen. Larger-than-life characters combined with larger-than-life action, plus some very sexy cars and very sexy people make an extremely winning formula. If the rumors are true, Chin may be handed the reins to the Terminator franchise as well as the next film in the Fast and Furious series, then audiences are in for one hell of a ride.
I think my wife summed it up best when she said that movie was “Ridiculous…ridiculously good.” Reality is thrown out the window for pure adrenaline and testosterone fueled action.
The film quickly moves forward in time where Brian and Dominic’s sister Mia (Jordana Brewster), overall fugitives from the law, have taken refuge in Rio. Unsure of exactly where Dominic is, an old family friend offers Brian and Mia roles in a job which will surely score them some very easy and much-needed money. Although reluctant, Brian agrees to the job which involves the theft of three high-value cars from a train. Things go horribly wrong when they’re doublecrossed, the aftermath of which leads to the death of three federal agents. Only Dominic’s arrival, quick thinking, and a daring escape allows Brian and Mia to survive.
Although it is not their fault, the deaths of the agents is blamed solely on the trio, and an elite fugitive hunter named Hobbs (Dwayne Johnson) arrives with his team with the sole mission of stopping Brian, Mia and Dominic, no matter the cost.
As if this wasn’t enough trouble for the fugities, it is learned that they have also fallen on the radar of the local drug kingpin named Reyes (Joaquim de Almeida), who will stop at nothing to retrieve an item now in the trio’s possession. Caught in the crossfire between Hobbs and Reyes, Dominic plots an epic caper that will allow them not only the money to flee Hobbs and disappear into a life of luxury, but allow them to settle the score with Reyes.
What follows is a nonstop action thrill ride that sprinkles in a nice mix of comedy and romance to keep things interesting. The film downplays the racing aspect of the series and instead saves the spectacular driving for key action sequences. While street racing scenes are alluded to they are not shown as director Justin Chin focuses squarely on his cast and allows them ample time to develop their characters. In doing so it strengthens the bond between them and allows the climactic sequence to have an even greater impact than your standard over-the-top summer film action scenes.
.
There are some really funny moments in the film as Dominic assembles his team to pull off the ultimate job. The new characters work very well with the established cast from the previous films and introduce characters which I hope will be a part of any future films in the series. Johnson was a very pleasant surprise, as his character could easily have been one-dimensional. He was given a few wrinkles which allowed him to walk the fine line between good guy and bad guy, which is an essential quality to many of the film’s characters. Johnson’s action sequences were solid and highly effective and once again underscores that he needs to be focusing more on action films and less on the family-friendly genre that
has dominated the bulk of his recent work.
Walker and Diesel complement each other perfectly and appear to be having a great time working with one another again. They have a very easy-going and natural chemistry with one another that works even when they’re not behind the wheel of a car or caught up in a frantic action scene.
While the plot of the film is fairly straightforward it provides ample framework for the characters to grow and propel the story forward. While the audience is asked to take some great leaps in logic it doesn’t derail from the finished product. The stuntwork in the film was absolutely amazing and the spectacular finale of the movie alone must be seen to be believed.
Many times during my press screening the audience was completely silent for a brief second following an action sequence before erupting into thunderous applause and cheers after they’ve fully processed what just unfolded on the screen. Larger-than-life characters combined with larger-than-life action, plus some very sexy cars and very sexy people make an extremely winning formula. If the rumors are true, Chin may be handed the reins to the Terminator franchise as well as the next film in the Fast and Furious series, then audiences are in for one hell of a ride.
I think my wife summed it up best when she said that movie was “Ridiculous…ridiculously good.” Reality is thrown out the window for pure adrenaline and testosterone fueled action.
Lee KM Pallatina (951 KP) Feb 26, 2022
LeftSideCut (3778 KP) Feb 26, 2022