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Film and stuff (30 KP) rated Avengers: Age of Ultron (2015) in Movies
May 15, 2019 (Updated May 15, 2019)
A great second Avengers outing
Starring: Robert Downey JR, Chris Hemsworth, Mark Ruffalo, Chris Evans, Scarlett Johansson, Jeremy Rennee, James Spader, Samuel L Jackson and Paul Bettany.
Directed by: Joss Whedon.
Plot - Tony Stark creates an AI that turns psychopathic and is determined to destroy the world. The Avengers must stop the AI known as Ultron.
With spectacular visuals and an amusing villain this is on the surface of things, exactly what you would want a sequel to the excellent Avengers Assemble to be. The way in which the Avengers are reintroduced is quit simply one of the coolest things I've seen for a while.
The issue is that it treads over a great deal of previous material and doesn't feel as original and fresh as the previous.
Surprisingly something that is handled brilliantly is the volume of characters that are in this. Something that many have tried and failed. Huge kudos for this Mr Whedon.
With a great deal more humour, a romance that feels slightly forced and amazing action sequences I would rate this marginally below Avengers Assemble. That being said, I enjoyed it immensely and would definitely recommend seeing it.
Directed by: Joss Whedon.
Plot - Tony Stark creates an AI that turns psychopathic and is determined to destroy the world. The Avengers must stop the AI known as Ultron.
With spectacular visuals and an amusing villain this is on the surface of things, exactly what you would want a sequel to the excellent Avengers Assemble to be. The way in which the Avengers are reintroduced is quit simply one of the coolest things I've seen for a while.
The issue is that it treads over a great deal of previous material and doesn't feel as original and fresh as the previous.
Surprisingly something that is handled brilliantly is the volume of characters that are in this. Something that many have tried and failed. Huge kudos for this Mr Whedon.
With a great deal more humour, a romance that feels slightly forced and amazing action sequences I would rate this marginally below Avengers Assemble. That being said, I enjoyed it immensely and would definitely recommend seeing it.
Movie Metropolis (309 KP) rated Pixels (2015) in Movies
Jun 11, 2019
Where's the off switch
When was the last time you went to the cinema to see something original? It’s probably a question a lot of film fans ask themselves and in the last few years, perhaps proved rather difficult to answer.
However, with 2015 being the year of the reboot and the sequel, it’s nice to see a film like Pixels showcasing something completely different. But is it worth a go?
Directed by Chris Columbus of Mrs. Doubtfire and Harry Potter fame, Pixels stars Adam Sandler, Josh Gad, Peter Dinklage and a woefully miscast Kevin James in a film that doesn’t do enough with its fascinating premise, descending into painfully unfunny slapstick instead.
Sandler stars as Sam Brenner, a video game lover who, after a brief scene showing his history, is tasked with saving the world as aliens infiltrate Earth and begin to attack using some of our most-loved classic arcade games.
Alongside him for the ride are fellow video-game champs Josh Gad (Frozen), Peter Dinklage (X:Men – Days of Future Past) and Kevin James (Paul Blart: Mall Cop). The latter also happens to play the US President.
Unfortunately, none of the cast are particularly likeable with the usually on-point James playing one of the worst Presidential roles ever put to film. He is simply unbelievable as the leader of the United States and provides Pixels with some of its more cringe-worthy moments.
Once the film gets going, there are a few standout moments including a Pac-Man rampage through New York City but this has been so heavily marketed in the trailers that there is practically no suspense or joy in watching it unfold.
The finale is also very good, with a Donkey Kong showdown rendered in some stunning CGI and ridiculously clever set building and it’s great fun seeing so many classic arcade games being brought to life on the big screen.
Pac-Man, Q*Bert , Centipede and Donkey Kong are just a few to appear and look glorious with their 21st Century upgrades. Q*Bert in particular is a little cutie and is a major character throughout the last third of the film.
It’s unfortunate then that Chris Columbus’ usually reliable direction takes such a knock here. There’s none of the clever generation-bending humour of Mrs. Doubtfire or the laugh-out-loud slapstick of Home Alone, and the visual style he brought to Harry Potter is nowhere to be seen. In the end, Pixels just comes across as a brilliant concept that seems wasted.
Perhaps this can be blamed somewhat on poor casting choices. Adam Sandler hasn’t been hot property for a while after numerous box-office bombs and Peter Dinklage is still establishing himself as a major movie star. With Kevin James also proving a disappointment, it’s only Josh Gad who comes out on top – just.
Ultimately, Pixels is fun while it lasts and has some absolutely brilliant set pieces but once the credits roll, it’s apparent that it won’t be memorable like the wonderful arcade games it parodies.
https://moviemetropolis.net/2015/08/16/wheres-the-start-button-pixels-review/
However, with 2015 being the year of the reboot and the sequel, it’s nice to see a film like Pixels showcasing something completely different. But is it worth a go?
Directed by Chris Columbus of Mrs. Doubtfire and Harry Potter fame, Pixels stars Adam Sandler, Josh Gad, Peter Dinklage and a woefully miscast Kevin James in a film that doesn’t do enough with its fascinating premise, descending into painfully unfunny slapstick instead.
Sandler stars as Sam Brenner, a video game lover who, after a brief scene showing his history, is tasked with saving the world as aliens infiltrate Earth and begin to attack using some of our most-loved classic arcade games.
Alongside him for the ride are fellow video-game champs Josh Gad (Frozen), Peter Dinklage (X:Men – Days of Future Past) and Kevin James (Paul Blart: Mall Cop). The latter also happens to play the US President.
Unfortunately, none of the cast are particularly likeable with the usually on-point James playing one of the worst Presidential roles ever put to film. He is simply unbelievable as the leader of the United States and provides Pixels with some of its more cringe-worthy moments.
Once the film gets going, there are a few standout moments including a Pac-Man rampage through New York City but this has been so heavily marketed in the trailers that there is practically no suspense or joy in watching it unfold.
The finale is also very good, with a Donkey Kong showdown rendered in some stunning CGI and ridiculously clever set building and it’s great fun seeing so many classic arcade games being brought to life on the big screen.
Pac-Man, Q*Bert , Centipede and Donkey Kong are just a few to appear and look glorious with their 21st Century upgrades. Q*Bert in particular is a little cutie and is a major character throughout the last third of the film.
It’s unfortunate then that Chris Columbus’ usually reliable direction takes such a knock here. There’s none of the clever generation-bending humour of Mrs. Doubtfire or the laugh-out-loud slapstick of Home Alone, and the visual style he brought to Harry Potter is nowhere to be seen. In the end, Pixels just comes across as a brilliant concept that seems wasted.
Perhaps this can be blamed somewhat on poor casting choices. Adam Sandler hasn’t been hot property for a while after numerous box-office bombs and Peter Dinklage is still establishing himself as a major movie star. With Kevin James also proving a disappointment, it’s only Josh Gad who comes out on top – just.
Ultimately, Pixels is fun while it lasts and has some absolutely brilliant set pieces but once the credits roll, it’s apparent that it won’t be memorable like the wonderful arcade games it parodies.
https://moviemetropolis.net/2015/08/16/wheres-the-start-button-pixels-review/
Gareth von Kallenbach (971 KP) rated How Do You Know (2010) in Movies
Aug 8, 2019
How Do You Know? is a heartfelt comedy about a woman who thought she had her whole life planned out and had answers to all the questions except for the most important, what she really wants in life.
Reese Witherspoon plays Lisa a former athlete who recently was cut from her team and is left to wonder what she will do with her life. Lisa has always been a confident woman who dated only athletes like herself. Matty (Owen Wilson), is her current love interest and also an athlete who does not really understand women, their feelings and the importance of monogamy.
Knowing this, Lisa still decides to stay with Matty and try and make things work as a couple.
At the same time, George (Paul Rudd), is being investigated by the FBI for wrong doings within the company that his father Charles (Jack Nicholson), owns. In the same day, George learns he is not only being investigated by the FBI, but his girlfriend breaks up with him because of his problems.
Lisa and George’s paths crossed earlier when a friend decides that it would be a great idea for Lisa to go on a date with a corporate type of guy rather than continue with her current athlete fixaton.
Lisa decides to meet George for dinner, but this sadly does not go well for either of them. Matty decides to be spontaneous and asks Lisa to move in but only ends up pushing her away. As a result, Lisa ends up getting to know George more and they become great friends during the on and off again relationship she has with Matty which leads to Lisa trying to find what she wants in life.
Director James L. Brooks did not allow the film to flow very well due to a slow beginning and middle and Jack Nicholson seemed out of place with such a small part for an actor of his status.
I was not a fan of the cinematography in some scenes and I wish the story would have flowed a little better and while this was not my favorite Reese Witherspoon role, Paul Rudd stole the show with his funny dialogue and silly antics.
Reese Witherspoon plays Lisa a former athlete who recently was cut from her team and is left to wonder what she will do with her life. Lisa has always been a confident woman who dated only athletes like herself. Matty (Owen Wilson), is her current love interest and also an athlete who does not really understand women, their feelings and the importance of monogamy.
Knowing this, Lisa still decides to stay with Matty and try and make things work as a couple.
At the same time, George (Paul Rudd), is being investigated by the FBI for wrong doings within the company that his father Charles (Jack Nicholson), owns. In the same day, George learns he is not only being investigated by the FBI, but his girlfriend breaks up with him because of his problems.
Lisa and George’s paths crossed earlier when a friend decides that it would be a great idea for Lisa to go on a date with a corporate type of guy rather than continue with her current athlete fixaton.
Lisa decides to meet George for dinner, but this sadly does not go well for either of them. Matty decides to be spontaneous and asks Lisa to move in but only ends up pushing her away. As a result, Lisa ends up getting to know George more and they become great friends during the on and off again relationship she has with Matty which leads to Lisa trying to find what she wants in life.
Director James L. Brooks did not allow the film to flow very well due to a slow beginning and middle and Jack Nicholson seemed out of place with such a small part for an actor of his status.
I was not a fan of the cinematography in some scenes and I wish the story would have flowed a little better and while this was not my favorite Reese Witherspoon role, Paul Rudd stole the show with his funny dialogue and silly antics.
Movie Metropolis (309 KP) rated Furious 7 (2015) in Movies
Jun 11, 2019
A Guilty Pleasure
Everyone needs a guilty pleasure and since 2001, audiences from across the globe have flocked to see The Fast & Furious franchise in all its over-the-top glory.
However, filming on the latest instalment, Fast & Furious 7, was delayed after the tragic death of lead actor Paul Walker, so does his untimely passing hurt the resulting movie?
Fast 7 continues after the events of Tokyo Drift and features the usual loveable rogues returning in their respective roles, including a beefed up part for Jason Statham who made a cameo in the sixth film.
Vin Diesel, Dwayne Johnson, Michelle Rodriguez, Jordana Brewster, Tyrese Gibson, Lucas Black and Ludacris all reprise their characters as they do battle against Statham’s villain, Deckard Shaw, who fans will remember is the brother of Owen Shaw from Fast 6.
The premise remains as simple as in previous instalments but continues the series’ trend for over-the-top action pieces that border on the ridiculous. Despite this, Fast 7 is the most watchable of the entire franchise with stunning locations, brilliant practical effects and surprising emotional heft.
James Wan directs what looks like a tourist information film for LA, Abu Dhabi and Tokyo but manages to keep the story flowing throughout the slightly overlong 137 minute running time. The fast cars and beautiful women are thrown at the audience thick and fast and the brakes aren’t applied until ten minutes before the end credits roll.
Thankfully, this is exactly what the series has become known for and the gorgeous settings are brilliantly juxtaposed with action-packed sequences including the much marketed mountain plane drop in Azerbaijan that is an absolute wonder to behold despite its use in the film’s trailers.
Vin Diesel’s Dom is what has grounded the series over the last 14 years but here it is Paul Walker’s Brian O’Conner that we find the most intriguing and it’s really no surprise. Ever since his death, fans were worried how tasteful the film would be, but there is no need to worry.
Despite the action, the fights and the sunshine, Fast 7 manages to provide a rollercoaster of emotion as the cameras linger on Walker’s face or put him at the forefront of each scene. As the final 10 minutes approach it’s clear that the movie is going to end on a deeply gut-wrenching tribute to him and there were a few tears in the cinema.
Nevertheless, it’s obvious a film that focuses on supercars isn’t going to have much of a plot but director James Wan, who comes to the franchise for the first time, should be commended for fashioning a half-coherent story despite going into the production with numerous delays and seven films in.
Overall, Fast 7 is a great slice of popcorn entertainment and should definitely rank high up as one of the better films in the series. However, the tragic circumstances surrounding its production make it so much more.
Yes it won’t be winning any awards for originality or acting prowess, but its emotional resonance means it’s worth a watch for fans of the series and newcomers alike.
https://moviemetropolis.net/2015/04/05/a-guilty-pleasure-fast-furious-7-review/
However, filming on the latest instalment, Fast & Furious 7, was delayed after the tragic death of lead actor Paul Walker, so does his untimely passing hurt the resulting movie?
Fast 7 continues after the events of Tokyo Drift and features the usual loveable rogues returning in their respective roles, including a beefed up part for Jason Statham who made a cameo in the sixth film.
Vin Diesel, Dwayne Johnson, Michelle Rodriguez, Jordana Brewster, Tyrese Gibson, Lucas Black and Ludacris all reprise their characters as they do battle against Statham’s villain, Deckard Shaw, who fans will remember is the brother of Owen Shaw from Fast 6.
The premise remains as simple as in previous instalments but continues the series’ trend for over-the-top action pieces that border on the ridiculous. Despite this, Fast 7 is the most watchable of the entire franchise with stunning locations, brilliant practical effects and surprising emotional heft.
James Wan directs what looks like a tourist information film for LA, Abu Dhabi and Tokyo but manages to keep the story flowing throughout the slightly overlong 137 minute running time. The fast cars and beautiful women are thrown at the audience thick and fast and the brakes aren’t applied until ten minutes before the end credits roll.
Thankfully, this is exactly what the series has become known for and the gorgeous settings are brilliantly juxtaposed with action-packed sequences including the much marketed mountain plane drop in Azerbaijan that is an absolute wonder to behold despite its use in the film’s trailers.
Vin Diesel’s Dom is what has grounded the series over the last 14 years but here it is Paul Walker’s Brian O’Conner that we find the most intriguing and it’s really no surprise. Ever since his death, fans were worried how tasteful the film would be, but there is no need to worry.
Despite the action, the fights and the sunshine, Fast 7 manages to provide a rollercoaster of emotion as the cameras linger on Walker’s face or put him at the forefront of each scene. As the final 10 minutes approach it’s clear that the movie is going to end on a deeply gut-wrenching tribute to him and there were a few tears in the cinema.
Nevertheless, it’s obvious a film that focuses on supercars isn’t going to have much of a plot but director James Wan, who comes to the franchise for the first time, should be commended for fashioning a half-coherent story despite going into the production with numerous delays and seven films in.
Overall, Fast 7 is a great slice of popcorn entertainment and should definitely rank high up as one of the better films in the series. However, the tragic circumstances surrounding its production make it so much more.
Yes it won’t be winning any awards for originality or acting prowess, but its emotional resonance means it’s worth a watch for fans of the series and newcomers alike.
https://moviemetropolis.net/2015/04/05/a-guilty-pleasure-fast-furious-7-review/
LeftSideCut (3778 KP) rated Avengers: Age of Ultron (2015) in Movies
Nov 27, 2020
This second outing for the full Avengers ensemble is a bit messier than the confident and tight first film, but still manages to be fun and exciting in spite of its flaws.
Once again, the huge positive is the great cast, and the chemistry they all share. The core six Avengers return, and provide the films humour (rightfully scaled back from the all out comedy tone of Guardians) and generally remind everyone why they're the solid backbone of this mammoth franchise.
There are plenty of new faces joining them, most notably Scarlet Witch (Elisabeth Olsen), Vision (Paul Bettany) and Quicksilver (Aaron Taylor-Johnson), and all integrate smoothly.
The villain is the titular Ultron (voiced by James Spader), a classic Marvel Comics villain that unfortunately ends up being another one-and-done MCU antagonist. This films main focus is the relationships between the Avengers, and sewing seeds for Civil War, and sadly, Ultron sort of gets pushed aside for this. It's a shame because Spader does a great job of making Ultron a sinister presence, but he ends up being little more than a CGI commander, of a CGI robot army.
Some of the set pieces are great though, particularly the Hulk vs Hulkbuster scene, and the climactic finale, and the child me who grew up reading these comics was nothing short of thrilled to see Vision in action.
Age of Ultron is somewhat underwhelming for a full blown Avengers entry, but still manages to be entertaining. Hopefully, we will see Ultron return in a future installment that has some more depth to it.
Once again, the huge positive is the great cast, and the chemistry they all share. The core six Avengers return, and provide the films humour (rightfully scaled back from the all out comedy tone of Guardians) and generally remind everyone why they're the solid backbone of this mammoth franchise.
There are plenty of new faces joining them, most notably Scarlet Witch (Elisabeth Olsen), Vision (Paul Bettany) and Quicksilver (Aaron Taylor-Johnson), and all integrate smoothly.
The villain is the titular Ultron (voiced by James Spader), a classic Marvel Comics villain that unfortunately ends up being another one-and-done MCU antagonist. This films main focus is the relationships between the Avengers, and sewing seeds for Civil War, and sadly, Ultron sort of gets pushed aside for this. It's a shame because Spader does a great job of making Ultron a sinister presence, but he ends up being little more than a CGI commander, of a CGI robot army.
Some of the set pieces are great though, particularly the Hulk vs Hulkbuster scene, and the climactic finale, and the child me who grew up reading these comics was nothing short of thrilled to see Vision in action.
Age of Ultron is somewhat underwhelming for a full blown Avengers entry, but still manages to be entertaining. Hopefully, we will see Ultron return in a future installment that has some more depth to it.
Jesters_folly (230 KP) rated Furious 7 (2015) in Movies
Jun 21, 2021
5 years after Fast and Furious 6 and following on from Fast and Furious: Tokyo Drift (F&F 3), Hobbs, Dom and his family find themselves under attack from a new enemy. Deckard Shaw, brother of Owen Shaw (from Fast and Furious 6) is out for revenge and Dom and co need to find him before he finds them, unfortunately the only way to do this is to is to rescue the inventor of a of top spy device.
Fast and Furious 7 takes the team into the realms of James Bond as they team up with a shadow ops team and, to match the ramped up story line the action is bigger with more guns, missiles and fist fights but less street racing.
Unlike most of the other films there is no set up for a sequel, due to the fact that Paul Walker, the actor who plays Brian O'Conner died during the making of it so the film end on a high note , giving Brian a good, Happy ending.
Even though we are now on the 7th film about car racing I can say that the franchise is still entertaining. Even though the same characters are in most of the films they manage to keep entertaining and don't feel like the same thing being done over and over, part of this is due to the increasingly over the top action and storylines and the fact that, at least some of the characters have growth through out the franchise.
Furious 7 is bigger and louder than the previous films, not only with the fights and chases but also with the stunts and still delivers what you would expect so if you liked the others then you can't go wrong with this.
Fast and Furious 7 takes the team into the realms of James Bond as they team up with a shadow ops team and, to match the ramped up story line the action is bigger with more guns, missiles and fist fights but less street racing.
Unlike most of the other films there is no set up for a sequel, due to the fact that Paul Walker, the actor who plays Brian O'Conner died during the making of it so the film end on a high note , giving Brian a good, Happy ending.
Even though we are now on the 7th film about car racing I can say that the franchise is still entertaining. Even though the same characters are in most of the films they manage to keep entertaining and don't feel like the same thing being done over and over, part of this is due to the increasingly over the top action and storylines and the fact that, at least some of the characters have growth through out the franchise.
Furious 7 is bigger and louder than the previous films, not only with the fights and chases but also with the stunts and still delivers what you would expect so if you liked the others then you can't go wrong with this.
Phil Leader (619 KP) rated Zero Hour (Numa Files #11) in Books
Nov 29, 2019
Zero Hour is an 'Adventure from the NUMA Files' which means following the team of Kurt Austin, Joe Zavala and Paul and Gamay Trout on their adventures.
In truth the main players in this are Kurt and Joe with the Trouts taking a back seat. In fact Dirk Pitt has more of a role in this novel than they do. I'm not sure that is a bad thing, having find roles for four leading characters started to get a little stretched for me in the more recent books.
Back to the story, which could come straight out of a James Bond plot. Genius develops a weapon which taps into zero point energy and causes massive earthquakes. Feeling that the nations of the world have shunned him and killed is daughter he decides to turn the weapon upon them in revenge. It is up to Kurt, Joe and an Australian scientist (female, providing the love interest for Kurt) to stop him, against the clock and against all the odds.
This is a real old fashioned adventure story, a few twists here and there to keep the interest but nothing too demanding. It moves at a fantastic pace, has some brilliant set pieces and a typically over the top villain. There are multiple threads to the story which join up for a satisfying conclusion.
The narrative moves on at a good pace and never gets bogged down in too much exposition. There is the expected need to suspend belief in parts, but really not as much as other stories. This was an easy book to read and had that 'unputdownable' factor that should be expected. Probably one of the better NUMA files novels (which have in my mind always been the poor relation to the other Cussler series).
Overall I would rate this as a good, entertaining book, well worth a read if you like advemture stories.
In truth the main players in this are Kurt and Joe with the Trouts taking a back seat. In fact Dirk Pitt has more of a role in this novel than they do. I'm not sure that is a bad thing, having find roles for four leading characters started to get a little stretched for me in the more recent books.
Back to the story, which could come straight out of a James Bond plot. Genius develops a weapon which taps into zero point energy and causes massive earthquakes. Feeling that the nations of the world have shunned him and killed is daughter he decides to turn the weapon upon them in revenge. It is up to Kurt, Joe and an Australian scientist (female, providing the love interest for Kurt) to stop him, against the clock and against all the odds.
This is a real old fashioned adventure story, a few twists here and there to keep the interest but nothing too demanding. It moves at a fantastic pace, has some brilliant set pieces and a typically over the top villain. There are multiple threads to the story which join up for a satisfying conclusion.
The narrative moves on at a good pace and never gets bogged down in too much exposition. There is the expected need to suspend belief in parts, but really not as much as other stories. This was an easy book to read and had that 'unputdownable' factor that should be expected. Probably one of the better NUMA files novels (which have in my mind always been the poor relation to the other Cussler series).
Overall I would rate this as a good, entertaining book, well worth a read if you like advemture stories.
BankofMarquis (1832 KP) rated All Quiet on the Western Front (2022) in Movies
Feb 2, 2023
Shows The Futility and Bleakness of War
War is hell. And if you don’t think it is check out the 2022 German film version of the classic novel ALL QUIET ON THE WESTERN FRONT about a young German’s experience towards the end of World War I. It is a bleak, grim view of war told unflinchingly and drives home the point of the pointlessness of war (especially the trench warfare of WWI). It is bravura filmmaking that deserves to be mentioned with the great war films of all time.
And the book is even bleaker.
Directed by Edward Berger, ALL QUIET follows young Felix Kammerer (Paul Baumer) as he joyfully joins the German army to fight the French. Quickly, Felix learns of the cost of war and the grim reality of trench warfare.
Berger has a strong view of all of this and his Direction and Camerawork are squarely focused on young Felix and his continued attempts to stay alive amidst the fighting. Berger handles the action - and the acting - strongly and the Cinematography of this film by James Friend aides in the bleakness and futility of the conflict, showering the combatants in muted blues and grays and covering them all in mud. Berger does not hold back on the horrors of war (without going to “gorey”) and delivers a moody, bleak and important film.
Baumer plays Felix with an innocent sincerity that gives way to resolute abandonment of hope as the bleakness of the affair drags on. His futility is, then, juxtaposed against German envoy Matthias Erzberger (Daniel Bruhl) who is trying to negotiate a surrender with the French. The building frustration of both men are clearly shown growing as the film elapses.
And that is another strong suit about this film - it shows the situations, the hopelessness and negativity of war without having to “tell” or comment about it. The pictures are all one needs to know.
An anti-war film of the highest order, ALL QUIET ON THE WESTERN FRONT is a must see - the best adaptation of this classic novel ever.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
And the book is even bleaker.
Directed by Edward Berger, ALL QUIET follows young Felix Kammerer (Paul Baumer) as he joyfully joins the German army to fight the French. Quickly, Felix learns of the cost of war and the grim reality of trench warfare.
Berger has a strong view of all of this and his Direction and Camerawork are squarely focused on young Felix and his continued attempts to stay alive amidst the fighting. Berger handles the action - and the acting - strongly and the Cinematography of this film by James Friend aides in the bleakness and futility of the conflict, showering the combatants in muted blues and grays and covering them all in mud. Berger does not hold back on the horrors of war (without going to “gorey”) and delivers a moody, bleak and important film.
Baumer plays Felix with an innocent sincerity that gives way to resolute abandonment of hope as the bleakness of the affair drags on. His futility is, then, juxtaposed against German envoy Matthias Erzberger (Daniel Bruhl) who is trying to negotiate a surrender with the French. The building frustration of both men are clearly shown growing as the film elapses.
And that is another strong suit about this film - it shows the situations, the hopelessness and negativity of war without having to “tell” or comment about it. The pictures are all one needs to know.
An anti-war film of the highest order, ALL QUIET ON THE WESTERN FRONT is a must see - the best adaptation of this classic novel ever.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Phillip McSween (751 KP) rated Cinderella Man (2005) in Movies
Jan 15, 2018
Classic
Cinderella Man is one of those films where I ask myself, "Why in the world has it taken me thirteen years to watch this?" It could be the fact that I've never had a strong love for films based on true stories or that I'm all binged out on boxing movies. Whatever the case may be, I'm glad Movies 365 has brought this film into my life and now into my heart.
There's so much to like about the movie, I'm not even sure where to start. Maybe Paul Giamati giving the performance of his life as trainer Joe Gould? Talk about playing a fabulous role. He's brash and straightforward, yet full of heart. He's not a fighter, but will go toe-to-toe with anyone to protect the people he cares about. Outshining him, however, is a stellar lead performance by legend Russell Crowe playing man of the hour James Braddock. Crowe makes you feel this guy, makes you love him. In one of the early scenes where Braddock gives his entire breakfast to his starving daughter before leaving for a strenuous day of work, you quickly realize that this is a guy you want to get behind and root for.
In the same vein, kudos to Ron Howard for using the source material to flesh out the stakes. The story could have just as easily been about a man trying to get back into boxing, but he made it about a man trying to feed his family and survive. It's painful to watch at times, but necessary. If you're not the least bit inspired after viewing this film, I don't know what will do it for you.
Howard also succeeds with excellent pace management. Seamless cuts between fights keep the action fresh and the viewer engaged. You don't get a whole lot of time to catch your breath. The cinematics are shot in a way that's gritty and real, beyond fitting for the Great Depression era when the film takes place.
Other than me almost going hoarse from screaming at the screen so much, I can't find many flaws with the film (hiccups, nothing major). I challenge you not to love this film about an aging boxer that just wants to keep his family alive. I give Cinderella Man a 95.
There's so much to like about the movie, I'm not even sure where to start. Maybe Paul Giamati giving the performance of his life as trainer Joe Gould? Talk about playing a fabulous role. He's brash and straightforward, yet full of heart. He's not a fighter, but will go toe-to-toe with anyone to protect the people he cares about. Outshining him, however, is a stellar lead performance by legend Russell Crowe playing man of the hour James Braddock. Crowe makes you feel this guy, makes you love him. In one of the early scenes where Braddock gives his entire breakfast to his starving daughter before leaving for a strenuous day of work, you quickly realize that this is a guy you want to get behind and root for.
In the same vein, kudos to Ron Howard for using the source material to flesh out the stakes. The story could have just as easily been about a man trying to get back into boxing, but he made it about a man trying to feed his family and survive. It's painful to watch at times, but necessary. If you're not the least bit inspired after viewing this film, I don't know what will do it for you.
Howard also succeeds with excellent pace management. Seamless cuts between fights keep the action fresh and the viewer engaged. You don't get a whole lot of time to catch your breath. The cinematics are shot in a way that's gritty and real, beyond fitting for the Great Depression era when the film takes place.
Other than me almost going hoarse from screaming at the screen so much, I can't find many flaws with the film (hiccups, nothing major). I challenge you not to love this film about an aging boxer that just wants to keep his family alive. I give Cinderella Man a 95.
Gareth von Kallenbach (971 KP) rated Ratchet & Clank (2016) in Movies
Jun 19, 2019
Based on the popular video game series for the Playstation systems, “Ratchet and Clank” has arrived looking to take the duo’s success to the big screen in a new animated adventure. The film follows the diabolical Chairman Drek (Paul Giamatti), who has a nefarious scheme that leaves planets destroyed in his wake. The government decides to hire an additional Ranger for protection which leads lowly mechanic Ratchet (James Arnold Taylor), to see his chance for greatness. Sadly the head of the Rangers; an ego-maniac named Captain Qwark (Jim Ward), dismisses the physically unimpressive Ratchet and thus crushes his dreams.
Fate steps in when a defective robot named Clank (David Kaye) arrives with news that will shake the very fabric of the galaxy. Ratchet and Clank team up to help the Rangers and must overcome all obstacles on all sides to save the day. The animation of the film is solid and it was a bit of a surprise that the film was not presented to us in 3D which has become the norm for animated film. The solid voice cast does a good job and there are more than a few nice celebrity voices along the way. The biggest issue I had with the film was that it was a bit dull and dragged in places. Our screener was loaded with children and families and I saw some leave the cinema during the film and did not return.
The movies takes a while to get going and there are more than a few nods to the game and other Playstation characters along the way. The biggest issue is that it seems as if the film is dedicated to hardcore fans of the series. I have played the last three games in the series and I found myself lost at times as it was clear that this was for those who have been there from the start. This is not to say that new fans will not be gained by the film, but one has to wonder how many children who are not familiar with the characters will have the patience to wait for things to get rolling in the film.
As it stands the film is a good first effort but may or may not be enough to successfully launch a long term franchise.
http://sknr.net/2016/04/28/ratchet-and-clank/
Fate steps in when a defective robot named Clank (David Kaye) arrives with news that will shake the very fabric of the galaxy. Ratchet and Clank team up to help the Rangers and must overcome all obstacles on all sides to save the day. The animation of the film is solid and it was a bit of a surprise that the film was not presented to us in 3D which has become the norm for animated film. The solid voice cast does a good job and there are more than a few nice celebrity voices along the way. The biggest issue I had with the film was that it was a bit dull and dragged in places. Our screener was loaded with children and families and I saw some leave the cinema during the film and did not return.
The movies takes a while to get going and there are more than a few nods to the game and other Playstation characters along the way. The biggest issue is that it seems as if the film is dedicated to hardcore fans of the series. I have played the last three games in the series and I found myself lost at times as it was clear that this was for those who have been there from the start. This is not to say that new fans will not be gained by the film, but one has to wonder how many children who are not familiar with the characters will have the patience to wait for things to get rolling in the film.
As it stands the film is a good first effort but may or may not be enough to successfully launch a long term franchise.
http://sknr.net/2016/04/28/ratchet-and-clank/