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Gene Simmons recommended Mccartney by Paul McCartney in Music (curated)

 
Mccartney by Paul McCartney
Mccartney by Paul McCartney
2011 | Rock
(0 Ratings)
Album Favorite

"That first McCartney solo record was an eye-opener. I was aware that The Beatles were breaking up and I was aware that McCartney was bringing out a solo record and, song after song it was, you know, decent! The production wasn't like Beatles production, but it was decent enough. The playing wasn't as good as Beatles playing, but it was good enough. Then I found out that he wrote, engineered, produced, played all the background - except Linda would show up here and there - it was a one-man band. I mean everything! Drums, keyboards, everything, then engineered it, then produced it, did it all. Unbelievable! He only had these four machines with these RCA knobs, very primitive equipment. It's a real tour de force. He's not a great guitar player, not a bad guitar player, he plays just good enough to be able to get those parts down. It just comes down to song writing. You've got 'Junk', or ""Maybe I'm amazed by the way you love me all the time"" - that could have been a Beatles song! There's another great story in how he and Lennon would work together and McCartney would bring songs to Lennon and Lennon would pooh-pooh them and one of those songs was a song called 'Woman'. McCartney brought it and Lennon said, 'That's not great'. So then McCartney said: 'Look I'm going to prove it to you, I'll give it to Peter and Gordon and they'll have a number one record.' Lennon purportedly said, 'Yeah, but that's because your name is Paul McCartney.' And McCartney says, 'Okay I'll change the name to Bernard Webb', and, sure enough, he gives it to Peter and Gordon and... number one. He did it again with Badfinger, brought in another song that Lennon purportedly said wasn't good enough, called 'Come And Get It'. I mean, what the fuck is it? Anyway, another number one song."

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The Amazing Spider-Man 2 (2014)
The Amazing Spider-Man 2 (2014)
2014 | Action, Sci-Fi
A film that never needed to exist
Marc Webb’s first attempt at being behind the lens of a Marvel film was 2012’s The Amazing Spider-Man. Just five years after Sam Raimi concluded his trilogy with Tobey Maguire in the tight fitting suit, Andrew Garfield donned the iconic costume in a film that was good if a little unnecessary. Here, Webb returns just two years later with The Amazing Spider-Man 2, but can it prove its worth?

Thankfully yes. Amazing Spider-Man 2 is not only the best Spider-Man film to date, but one of Marvel’s greatest offerings despite some flaws in its production.

Andrew Garfield and Emma Stone return as Peter Parker and Gwen Stacey respectively as they battle a whole host of new foes in a movie that is loud, frequently violent and massively long.

Peter is still trying to piece together the fate of his parents as Aunt May, played excellently by Sally Field, continues to keep the truth from him. However, there’s no time for anguish as the villains come thick-and-fast.

Jamie Foxx, Paul Giamatti and a superb Dane DeHaan are all present to give Spider-Man, and his alter ego, a good kicking. A brilliantly unrestrained Foxx plays Max Dillon who inexplicably becomes one of the title characters best on-screen foes, Electro.

Much of the criticism of Raimi’s 2007 blockbuster Spider-Man 3 was given to the inclusion of too many plots, sub-plots and villains. Therefore many fans and critics thought the case would be similar here, especially considering Electro, Green Goblin and Rhino were all billed to appear.

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Mercifully, Webb restrains himself and leaves much of the film’s running time to Electro while Rhino (Giamatti) and Green Goblin (DeHaan) are merely given glorified cameos; setting the characters up for a larger part in the inevitable Amazing Spider-Man 3 and 4.

The special effects are on a whole new level to what we have seen previously. Apart from a few lapses towards the climatic finale, where things can begin to look like a video game, the film looks absolutely fantastic. The soaring shots of Spider-Man swinging his way across New York landmarks are exceptional and Webb’s use of slow-motion frames bring home the spider like senses Parker has been gifted with.


Acting performances are also sublime. Parker is a much better Spider-Man than Maguire was in the previous films. His geeky, timid persona is brilliantly juxtaposed with the superhero’s more arrogant attitude. Yet he never becomes irritating, a la Spider-Man 3. Emma Stone’s portrayal of love interest Gwen Stacey is wonderful and she does a cracking job of making the pair have real chemistry despite how difficult it is for this to create – though it must always help when you are partnered in real life.

The real joy here though is Dane DeHaan as Harry Osborn/Green Goblin. His performance is the complete opposite of James Franco’s take, he makes Harry a more vulnerable young man, clearly damaged by previous events in his life, as well as the ones which will no doubt occur in the future.

Unfortunately, the film’s running time is a real headache. At 142 minutes, you begin to check your watch as there are numerous points where you believe it could end – though it never does. Thankfully, this is a minor issue in a film which rarely lets up in its riveting pace.

Overall, The Amazing Spider-Man 2 is a film which never really needed to exist, certainly not for another ten years or so. It is clear in some respects that its production has been rushed to capitalise on the ever-popular Marvel series, but in others it makes perfect sense to release it when the story is still fresh in people’s minds.

Despite some clunky special effects in the finale and its gargantuan length, Amazing Spider-Man 2 boasts excellent performances and a humorous and exciting story, and as such is one of Marvel’s best offerings to date, only beaten by Avengers Assemble. The only question is, was it all necessary?

https://moviemetropolis.net/2014/04/19/the-amazing-spider-man-2-review/