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Suswatibasu (1701 KP) rated Julieta (2016) in Movies
Aug 16, 2017
Fabulous acting (2 more)
Wonderful cinematography
Complexity of human relations
Another beautiful film from the master Almodovar
Pedro Almodovar has such a wonderful eye for understanding the human condition. Unlike his more outlandish colourful films, this is about the tragic relationships of estranged families and the breakdown in communications. Written in the perspective of a mother whose daughter left or went missing 12 years previously, the film shows her writing a letter to her daughter about all the mistakes she made in that relationship including erasing her from her life. Really very moving and poignant.
Steve McQueen recommended Pain and Glory (2019) in Movies (curated)
Awix (3310 KP) rated Tie Me Up! Tie Me Down! (¡Átame!) (1989) in Movies
Jun 3, 2020
Black romantic-comedy, a rare misfire from Pedro Almodovar. A mentally-unstable young man kidnaps a troubled actress and junkie and keeps her prisoner until she falls in love with him. Yes, I know: I would say it was a Spanish thing but it's fundamentally the same plot as Passengers and a few other movies.
I suppose it's conceivable that you could make quite an interesting and provocative film based on such a premise, provided you approached it the right way (perhaps in this case doing it ironically might be justified). However, Almodovar plays it unexpectedly straight, and quite apart from how dodgy the basis of the plot is, not even actors like Banderas and Abril (who do the best they can with the material) can make the story work. Lots of interesting characters and story material gets crowded out to the edges of the film, and it's oddly graphic for what's supposed to be a romance. Watchable but not satisfying.
I suppose it's conceivable that you could make quite an interesting and provocative film based on such a premise, provided you approached it the right way (perhaps in this case doing it ironically might be justified). However, Almodovar plays it unexpectedly straight, and quite apart from how dodgy the basis of the plot is, not even actors like Banderas and Abril (who do the best they can with the material) can make the story work. Lots of interesting characters and story material gets crowded out to the edges of the film, and it's oddly graphic for what's supposed to be a romance. Watchable but not satisfying.
BankofMarquis (1832 KP) rated Parallel Mothers (2021) in Movies
Mar 21, 2022
Cruz is terrific, the "B" plot is better
I have stated before that I find that Penelope Cruz is a very good (not great) actress when working in English. But…she has been a revelation to me as a GREAT Actress when I catch her work in her native language, Spanish, and she is especially good when she is working in a piece by the man that calls her his “muse”, Writer/Director Pedro Almodovar.
Such is the case with their latest collaboration - PARALLEL MOTHERS - an interesting and engaging film with a quality performance at the center of it by Cruz, a performance that has her, rightfully, nominated for the 4th time for an Oscar (she won in 2008 for her Supporting Role in VICKY CHRISTINA BARCELONA).
In this film, Cruz stars as one of 2 “parallel mothers”, who’s character, Janis, goes into labor at the same time as Milena Smit’s character, Ana. What happens to these two is that their lives will be intertwined in such a way that these “parallel mothers” will have a connection for the rest of their lives.
But, this is just the “A” story of this film and (as has been his custom), Almodovar gives us a “B” story that focuses on Spain’s attempt to continue to heal from the Spanish Civil War - and it is this part of the film that is the part that has lingered with me.
Cruz, of course, is a beautiful, wonderful choice as Janis. She holds the screen in every scene she is in (and that is almost every one) and her and Almodovar know what kind of movie they are making and head strongly in that direction. The surprise for me was Milena Smit’s performance as Ana as she holds her own in her scenes with Cruz.
The “A” story of this film is good (but not great) and it does fall, a bit, into “Soap Opera” territory, but Almodovar, Cruz et al know how to elevate it above that with realistic dialogue and emotions that grounds this portion of the film. It is the “B” plot that Almodovar seems to be more interested in and this, in turn, makes that part of the story the more interesting one. To be fair to Cruz, it does involve her character as well, but her relationship with Ana is put in the background, thus negating that relationship to the importance of the story.
The “B” plot was better and I almost wish that this was the main part of the story, it might have made it an overall better - maybe even excellent - film, but, instead, PARALLEL MOTHERS falls to “just” VERY GOOD.
Letter Grade: A- (for Cruz’ and Smit’s performances and the “B” plot)
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with their latest collaboration - PARALLEL MOTHERS - an interesting and engaging film with a quality performance at the center of it by Cruz, a performance that has her, rightfully, nominated for the 4th time for an Oscar (she won in 2008 for her Supporting Role in VICKY CHRISTINA BARCELONA).
In this film, Cruz stars as one of 2 “parallel mothers”, who’s character, Janis, goes into labor at the same time as Milena Smit’s character, Ana. What happens to these two is that their lives will be intertwined in such a way that these “parallel mothers” will have a connection for the rest of their lives.
But, this is just the “A” story of this film and (as has been his custom), Almodovar gives us a “B” story that focuses on Spain’s attempt to continue to heal from the Spanish Civil War - and it is this part of the film that is the part that has lingered with me.
Cruz, of course, is a beautiful, wonderful choice as Janis. She holds the screen in every scene she is in (and that is almost every one) and her and Almodovar know what kind of movie they are making and head strongly in that direction. The surprise for me was Milena Smit’s performance as Ana as she holds her own in her scenes with Cruz.
The “A” story of this film is good (but not great) and it does fall, a bit, into “Soap Opera” territory, but Almodovar, Cruz et al know how to elevate it above that with realistic dialogue and emotions that grounds this portion of the film. It is the “B” plot that Almodovar seems to be more interested in and this, in turn, makes that part of the story the more interesting one. To be fair to Cruz, it does involve her character as well, but her relationship with Ana is put in the background, thus negating that relationship to the importance of the story.
The “B” plot was better and I almost wish that this was the main part of the story, it might have made it an overall better - maybe even excellent - film, but, instead, PARALLEL MOTHERS falls to “just” VERY GOOD.
Letter Grade: A- (for Cruz’ and Smit’s performances and the “B” plot)
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Awix (3310 KP) rated Dark Habits (Entre tinieblas) (1983) in Movies
May 4, 2020
Rather uneven comedy melodrama from very early in Pedro Almodovar's career. A cabaret singer hides out in a convent; the Mother Superior has a heroin habit, the nuns have names like Sister Manure and Sister Sewer Rat, one of them writes schlocky bestsellers on the quiet and another keeps a pet tiger in the convent gardens.
Apparently intended as a critique of the anachronism of organised religion in modern Spain, and to begin with the film's various provocations are diverting and amusing, but the jokes dry up after a while and any serious points the film is making get lost in all the silliness. The fact the main character is played by a non-actress does not help. The plot is the kind of mixture of deep emotion and absurd contrivance that Almodovar has built a career on, but at this point he was yet to master making you invest in it and care about the characters. Kind of diverting and interestingly weird in places, but clearly the work of a director still paying his dues.
Apparently intended as a critique of the anachronism of organised religion in modern Spain, and to begin with the film's various provocations are diverting and amusing, but the jokes dry up after a while and any serious points the film is making get lost in all the silliness. The fact the main character is played by a non-actress does not help. The plot is the kind of mixture of deep emotion and absurd contrivance that Almodovar has built a career on, but at this point he was yet to master making you invest in it and care about the characters. Kind of diverting and interestingly weird in places, but clearly the work of a director still paying his dues.
Phillip McSween (751 KP) rated Pain and Glory (2019) in Movies
Aug 12, 2020
Not Enough Conflict For Me
A director is forced to confront his past when an old flame shows up.
Acting: 10
Beginning: 4
Characters: 10
Cinematography/Visuals: 10
From a cinematic standpoint, I dare call the movie a masterpiece, or this portion of it rather. Love the way the movie unfolds on screen. Regardless of how I feel about the movie as a whole, it is visually beautiful.
Conflict: 2
Entertainment Value: 7
Memorability: 8
This movie is full of poignant cinematic moments that remain etched in your brain. Director Pedro Almodovar has an extreme talent for capturing just the right moment in time that is perfect. It is like watching a beautiful dream unfold.
Pace: 7
Plot: 5
There is a story here, but too often it felt aimless. This was one of the biggest misses for me, the fact that I could never really get a good grasp on where this movie was going. I was hoping for more of an arrowed directive.
Resolution: 6
Decent ending, but again I felt like there was something lacking here. I was hoping for more closure for Salvador (Antonio Banderas) the main character. It didn’t feel like the proper sum to its parts.
Overall: 69
Heartfelt, Pain and Glory certainly means well. I can see what it was trying to do, but I felt like the execution could have been much better. A stronger story most certainly would have sold me.
Acting: 10
Beginning: 4
Characters: 10
Cinematography/Visuals: 10
From a cinematic standpoint, I dare call the movie a masterpiece, or this portion of it rather. Love the way the movie unfolds on screen. Regardless of how I feel about the movie as a whole, it is visually beautiful.
Conflict: 2
Entertainment Value: 7
Memorability: 8
This movie is full of poignant cinematic moments that remain etched in your brain. Director Pedro Almodovar has an extreme talent for capturing just the right moment in time that is perfect. It is like watching a beautiful dream unfold.
Pace: 7
Plot: 5
There is a story here, but too often it felt aimless. This was one of the biggest misses for me, the fact that I could never really get a good grasp on where this movie was going. I was hoping for more of an arrowed directive.
Resolution: 6
Decent ending, but again I felt like there was something lacking here. I was hoping for more closure for Salvador (Antonio Banderas) the main character. It didn’t feel like the proper sum to its parts.
Overall: 69
Heartfelt, Pain and Glory certainly means well. I can see what it was trying to do, but I felt like the execution could have been much better. A stronger story most certainly would have sold me.
BankofMarquis (1832 KP) rated Pain and Glory (2019) in Movies
Feb 3, 2020
Well acted by Banderas and Cruz
One of the reasons that I go on the trek this time every year to catch all the Oscar nominees in the all of the "Major" categories is that it forces me to catch films and have movie going experiences that I most likely would have elected to skip. This is especially true with Foreign Language films, like Spanish Director Pedro Almodovar's semi-biographical musing, PAIN AND GLORY.
Antonio Banderas, rightfully, has earned his (surpisingly) first Oscar Nomination for portraying a somewhat fictionalized version of the Spanish auteur - a once prolific film Director at the tail end of his career coming to terms with who he is, the physical pain he is currently feeling as his body ages and the reverent feelings and fond memories he has for his mother.
It is a strong, subtle and nuanced performance by Banderas - one that is in stark contrast to the bravura and panache that he has shown previously in such films as ZORRO, ONCE UPON A TIME IN MEXICO and as the voice of Puss 'N Boots in the SHREK films. Banderas' acting his been getting better with age and while I do not think he'll win the Oscar, I do think that this is not going to be the only Oscar nomination he will receive in his lifetime.
I was happy to see Banderas work in his native Spanish language - the same goes for Penelope Cruz who plays Banderas' character mother in flashbacks. I recently saw Cruz working in Spanish in 2018's EVERYBODY KNOWS and was just as transfixed by her performance in this film - worthy of a nomination. She is very good in English Language films, but she elevates to a different level when she works in Spanish. I would have loved to see a whole film about her character - and not just get a few scenes in flashback form.
Watching these 2 performances was well worth the time of watching this film, and that is good for I did not connect with the themes, struggles and plot set forth by Almodovar.
PAIN AND GLORY is Almodovar's semi-biographical meditation on life - and as such is a little to "navel gazing" for my tastes. When I watch these types of films either I get sucked into the narrative and characters (like I did with Alfonso Cuaron's ROMA last year) or...I do not.
And...unfortunately for PAIN AND GLORY...I did not. It is a good picture with 2 really good performances but one I was kept at a distance from and one that I never really connected with.
Come for the meditation, stay for the performances. And...PLEASE...if you watch this, DO NOT watch the dubbed version. Listen to the performances of Banderas and Cruz in their native Spanish and read the subtitles.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Antonio Banderas, rightfully, has earned his (surpisingly) first Oscar Nomination for portraying a somewhat fictionalized version of the Spanish auteur - a once prolific film Director at the tail end of his career coming to terms with who he is, the physical pain he is currently feeling as his body ages and the reverent feelings and fond memories he has for his mother.
It is a strong, subtle and nuanced performance by Banderas - one that is in stark contrast to the bravura and panache that he has shown previously in such films as ZORRO, ONCE UPON A TIME IN MEXICO and as the voice of Puss 'N Boots in the SHREK films. Banderas' acting his been getting better with age and while I do not think he'll win the Oscar, I do think that this is not going to be the only Oscar nomination he will receive in his lifetime.
I was happy to see Banderas work in his native Spanish language - the same goes for Penelope Cruz who plays Banderas' character mother in flashbacks. I recently saw Cruz working in Spanish in 2018's EVERYBODY KNOWS and was just as transfixed by her performance in this film - worthy of a nomination. She is very good in English Language films, but she elevates to a different level when she works in Spanish. I would have loved to see a whole film about her character - and not just get a few scenes in flashback form.
Watching these 2 performances was well worth the time of watching this film, and that is good for I did not connect with the themes, struggles and plot set forth by Almodovar.
PAIN AND GLORY is Almodovar's semi-biographical meditation on life - and as such is a little to "navel gazing" for my tastes. When I watch these types of films either I get sucked into the narrative and characters (like I did with Alfonso Cuaron's ROMA last year) or...I do not.
And...unfortunately for PAIN AND GLORY...I did not. It is a good picture with 2 really good performances but one I was kept at a distance from and one that I never really connected with.
Come for the meditation, stay for the performances. And...PLEASE...if you watch this, DO NOT watch the dubbed version. Listen to the performances of Banderas and Cruz in their native Spanish and read the subtitles.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)