"We start this list off with Surprise Vacation as they seem to be a logical stepping stone out of that period of 1950s blues favourites, and there's a similar lo-fi quality. In terms of today's contemporary recording processes, how do you undo modern equipment, backwards? Well, you start by avoiding getting too complex. At the same time you avoid purposely creating noise for effect. However there is some appeal to be found in this lo-fi bottom line. 

Let's include Ramones in this – who would have thought that after 40 years there would be attention bestowed upon the punk scene? That scene erupted with the exact opposite: they didn't want attention. They abhorred that as a goal. And ironically this celebration four decades later is being reflected in window-dressing for highbrow stores for menswear and womenswear. We've almost seen it turn upside down – but that's okay."

"I saw this film in college when I was first studying screenwriting and starting out as a comic. It has forever been imprinted in my DNA. It’s funny, it’s emotional, and it’s unafraid. I was so struck when I saw it that it found the beauty in a breakup as opposed to wallowing in it. It also traffics in an area so specific — a neurotic, Jewish comedian — but yet it feels so universal. Woody Allen does this in all of his films of that period: Hannah and Her Sisters, Manhattan, Crimes and Misdemeanors. But this one truly makes me laugh the most and get choked up in the same moment. It also has the line that my wife repeats to me all the time, which is the mother’s line to the child Alvy when he asks what they’ll do about the universe expanding: “WHAT, IS THAT YOUR BUSINESS?!”"