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Mike Allred recommended Gimme Shelter (1970) in Movies (curated)
Gareth von Kallenbach (980 KP) rated Operation Avalanche (2016) in Movies
Jul 15, 2019
You’ve heard me say it before. I’ll say it again. Before this year is out, I’ll say it in perhaps another article. The ‘found footage genre’ of movies was played out in perhaps its most notable appearance as well as its debut in the original ‘Blair Witch Project’. Now they’re gearing-up for another round of ‘beating a dead horse’ with a remake would you believe? However, I’m not here writing this article to go on and on and plague your eyes with an entire article complaining about the issue. No. Why you ask? For the unique reason which is since I’ve been writing reviews for movies, ‘Skewed & Reviewed’ has given me the good fortune to screen movies incorporating said genre that present ORIGINAL ideas. Today’s film for your consideration does so in the form of a unique period piece incorporating one of the most notorious conspiracy theories in the world with a pivotal moment in history. Not just in American history but global history.
July 20th, 1969. Less than 10 years after the Cuban Missile Crisis in the midst of the Cold War the great ‘space race’ between the two world superpowers, the Soviet Union and the United States, is on. NASA astronauts Michael Collins, Buzz Aldrin, and Neil Armstrong journey to the moon aboard the Apollo 11 spacecraft where Neil Armstrong becomes the first human being in history to set foot on the moon. That’s what the history books say. However, almost immediately after the crew of Apollo 11 returned to Earth there were many individuals on both sides who claimed not only was it not possible to land human beings safely on the moon and return them to Earth, but that NASA had faked the entire event in conjunction with other organizations and agencies within the American intelligence and military communities. This is where the basis for today’s film originates.
‘Operation Avalanche’ is an American-Canadian found footage/conspiracy thriller film directed by Matt Johnson who also starred in and co-wrote the film with Josh Boles. The film also stars Owen Williams, Jared Raab, Andrew Appelle, Madeleine Sims-Fewer, Krista Madison, Tom Bolton, and Sharon Belle. The film begins in 1967. The Central Intelligence Agency suspects that a Soviet mole has infiltrated NASA and is providing the Russians with information on American rocket technology. Four employees of the CIA are sent in undercover as a documentary film crew to determine if the agency’s suspicions are true and to determine the mole’s identity. Instead, what the discover sends shockwaves through the agency’s upper echelons and could potentially lead to a Soviet victory in the space race and bring to light one of the biggest conspiracies imaginable.
This movie is a brilliantly conceived and executed piece of film making. It not only includes historical news footage from the event, but combines it with a bit of guerrilla film-making. The film was shot in Toronto, Washington DC, and Houston, Texas. They were able to shoot on site at NASA by claiming they were shooting a documentary which was not entirely untrue. Essential they sort of broke the ‘fourth wall’ three times. The characters in the film were documentary film makers going undercover to shoot a documentary under the guise of a documentary film crew. The attention to detail from the locations, to the music, to the people themselves (how they looked, talked, and dressed) was something that one would imagine would’ve taken a larger budget. These folks pulled it off brilliantly essentially creating a period piece within the film. You get a genuine sense that the characters are who they act like they are in the particular time and place. Four CIA operatives looking to move up in the agency by moving themselves into place to be assigned to an undercover operation with low risk to themselves with the slight possibility of danger but then get caught up in a secret far bigger than anything they originally anticipated. The senses are heightened, the pace increases, and the conspiracy begins to unfold. The film is most definitely worth checking out. It kinda slows down a bit too much at certain points but all in all an excellent film. I’m going to give it 3 1/2 out of 5 stars. It’s certainly what I’d like to call a ‘thinking persons movie’. If you’re a fan of history, conspiracy theory, or both this film is certainly worth watching.
July 20th, 1969. Less than 10 years after the Cuban Missile Crisis in the midst of the Cold War the great ‘space race’ between the two world superpowers, the Soviet Union and the United States, is on. NASA astronauts Michael Collins, Buzz Aldrin, and Neil Armstrong journey to the moon aboard the Apollo 11 spacecraft where Neil Armstrong becomes the first human being in history to set foot on the moon. That’s what the history books say. However, almost immediately after the crew of Apollo 11 returned to Earth there were many individuals on both sides who claimed not only was it not possible to land human beings safely on the moon and return them to Earth, but that NASA had faked the entire event in conjunction with other organizations and agencies within the American intelligence and military communities. This is where the basis for today’s film originates.
‘Operation Avalanche’ is an American-Canadian found footage/conspiracy thriller film directed by Matt Johnson who also starred in and co-wrote the film with Josh Boles. The film also stars Owen Williams, Jared Raab, Andrew Appelle, Madeleine Sims-Fewer, Krista Madison, Tom Bolton, and Sharon Belle. The film begins in 1967. The Central Intelligence Agency suspects that a Soviet mole has infiltrated NASA and is providing the Russians with information on American rocket technology. Four employees of the CIA are sent in undercover as a documentary film crew to determine if the agency’s suspicions are true and to determine the mole’s identity. Instead, what the discover sends shockwaves through the agency’s upper echelons and could potentially lead to a Soviet victory in the space race and bring to light one of the biggest conspiracies imaginable.
This movie is a brilliantly conceived and executed piece of film making. It not only includes historical news footage from the event, but combines it with a bit of guerrilla film-making. The film was shot in Toronto, Washington DC, and Houston, Texas. They were able to shoot on site at NASA by claiming they were shooting a documentary which was not entirely untrue. Essential they sort of broke the ‘fourth wall’ three times. The characters in the film were documentary film makers going undercover to shoot a documentary under the guise of a documentary film crew. The attention to detail from the locations, to the music, to the people themselves (how they looked, talked, and dressed) was something that one would imagine would’ve taken a larger budget. These folks pulled it off brilliantly essentially creating a period piece within the film. You get a genuine sense that the characters are who they act like they are in the particular time and place. Four CIA operatives looking to move up in the agency by moving themselves into place to be assigned to an undercover operation with low risk to themselves with the slight possibility of danger but then get caught up in a secret far bigger than anything they originally anticipated. The senses are heightened, the pace increases, and the conspiracy begins to unfold. The film is most definitely worth checking out. It kinda slows down a bit too much at certain points but all in all an excellent film. I’m going to give it 3 1/2 out of 5 stars. It’s certainly what I’d like to call a ‘thinking persons movie’. If you’re a fan of history, conspiracy theory, or both this film is certainly worth watching.
Andy K (10823 KP) rated Once Upon a Time in Hollywood (2019) in Movies
Aug 14, 2019
I didn't think my face could smile for 2 hours and 41 minutes straight!
Guess what? I ventured out on my day off and went to the theatre for the first time in 2019! (I'm such a loser!)
There are so many QT fans out there and probably just as many who think his films are trashy and pointless. As a true film fan, I can't not love not only his unique approach to film-making, but also his appreciation for the art of film and the constant homages he pays to film of year's past.
The first thing to talk about is the film's perfect tone and look of 1969. The costumes, hairstyles and music of the period was right on, but even more than that was the art direction and cinematography. Almost every scene has a vintage movie poster, retro theatre marquee or period television pram playing in the background. This helps you immerse yourself in this cinematic landscape almost immediately.
Can I also say the movie had opening credits! (Bring them back please !?!)
Basically, a Hollywood television/B movie actor and his personal stuntman navigate their Hollywood lifestyles in 1969 amidst the Playboy Mansion and the Charles Manson cult. The roller coaster goes from movie sets to retro Hollywood and everywhere in between. We also meet Sharon Tate. She loves her world of budding stardom and basks in the opportunity to be famous.
QT takes his usual liberties with historical facts, but can't say too much more than that here. If you are used to this in his other films like Inglorious Basterds, it won't bother you here either. He always seems to manage to make every actor look great and brings the best out of them and this film is no exception. Even actors with smaller roles like Al Pacino, Dakota Fanning and Luke Perry shine in their limited screen time.
As usual, his score was playing constantly throughout the film and complemented the situations remarkably well. I am sure I will be downloading some of them for myself later on.
QT has talked about retiring which would be a shame. I have pretty much loved everything he has ever done so losing a truly one of a kind cinematic voice such as his at such a young age would be truly heartbreaking.
There are so many QT fans out there and probably just as many who think his films are trashy and pointless. As a true film fan, I can't not love not only his unique approach to film-making, but also his appreciation for the art of film and the constant homages he pays to film of year's past.
The first thing to talk about is the film's perfect tone and look of 1969. The costumes, hairstyles and music of the period was right on, but even more than that was the art direction and cinematography. Almost every scene has a vintage movie poster, retro theatre marquee or period television pram playing in the background. This helps you immerse yourself in this cinematic landscape almost immediately.
Can I also say the movie had opening credits! (Bring them back please !?!)
Basically, a Hollywood television/B movie actor and his personal stuntman navigate their Hollywood lifestyles in 1969 amidst the Playboy Mansion and the Charles Manson cult. The roller coaster goes from movie sets to retro Hollywood and everywhere in between. We also meet Sharon Tate. She loves her world of budding stardom and basks in the opportunity to be famous.
QT takes his usual liberties with historical facts, but can't say too much more than that here. If you are used to this in his other films like Inglorious Basterds, it won't bother you here either. He always seems to manage to make every actor look great and brings the best out of them and this film is no exception. Even actors with smaller roles like Al Pacino, Dakota Fanning and Luke Perry shine in their limited screen time.
As usual, his score was playing constantly throughout the film and complemented the situations remarkably well. I am sure I will be downloading some of them for myself later on.
QT has talked about retiring which would be a shame. I have pretty much loved everything he has ever done so losing a truly one of a kind cinematic voice such as his at such a young age would be truly heartbreaking.
Neon's Nerd Nexus (360 KP) rated Spider-Man: Into the Spider-Verse (2018) in Movies
May 13, 2019
Out of this world
#spidermanintothespiderverse isn't just an incredible film its also hands down THE best #Spiderman film period & a film fans of the #webhead simply must see. Wow what an intense, #nostalgic & visually breath taking movie, its downright #gorgeous with a dazzling & explosive colour pallet, great dimensional pop, slick smooth unique #animation & some of the most absolutely insane/creative camera angles ive seen all year. This film had my eyes constantly opening wider, searching around the screen trying to take in the immense/painstaking detail literally crammed into every scene. So much attention to detail & #love for years of spiderman material has gone into the making of this film that its honestly just a complete joy to behold. Story wise its a complete breath of fresh air too with constantly shocking plot twists a new spin on origins & extremely informative catch up scenes. Characters are all extremely likable & really well fleshed out & human that have to deal with some really tuff adult problems that i was not expecting to delve into in an #animated #film. Themes are vast here & my favourite explored how none of our #hero's really want the burden or responsibility of doing this as a job but understanding its their purpose/#destiny keeps them dedicated to it. There's also alot on commitment, loss, #courage, inner #demons, fate & #fear which again was awesome to see. Score & soundtrack wise it also shines with all the music intensifying & complimenting not only the tension but the obscure telltale visual style too. Speaking of tension its top notch too, there were scenes that had me sweating & sat on the edge of my seat in suspense & action so energetic, fluid & busy i felt goosebumps on my arms. While also absolutely #laugh out loud #hillarious the film can also be emotionally heavy at times too & i was surprised at just how often the film quickly got dark with either a surprising character death or deep philosophical dialog. Do yourself a favour see this in cinemas & in 3d we need #sony to realise this is the high quality spiderman we want more of. Simply stunning. #marvel #spidergwen #stanlee #mcu #comic #spiderpig #milesmorales #odeon #filmbuff #superhero
Awix (3310 KP) rated On Chesil Beach (2018) in Movies
Jun 1, 2018
Bleak British Repressed Sexuality a Go Go!
Handsomely mounted BBC film starts off looking like many another period-set literary adaptation, then turns into something rather different. Newlyweds Edward and Florence are on the brink of their wedding night; both are nervous, and struggling with the expectations society and their upbringing has placed upon them. (The fact that society hasn't bothered to educate them in the slightest about what can, or should, go on in the bedroom really doesn't help on this voyage into, or possibly out of, virgin territory.) Not all goes to plan; a small but genuine tragedy unfolds.
Not the kind of film you walk home from whistling, unless you're some kind of militant celibacy advocate, but an undeniably fine one (or so it seems to me): very good performances from the young stars, and well-judged direction. Initially the film seems like a slightly dark comedy-drama of manners (the excruciating scenes of people failing to have sex are very awkward to watch), but it develops into something profoundly moving and deeply sad before the end. Thank God for the permissive society.
Not the kind of film you walk home from whistling, unless you're some kind of militant celibacy advocate, but an undeniably fine one (or so it seems to me): very good performances from the young stars, and well-judged direction. Initially the film seems like a slightly dark comedy-drama of manners (the excruciating scenes of people failing to have sex are very awkward to watch), but it develops into something profoundly moving and deeply sad before the end. Thank God for the permissive society.
Kate Mara recommended Lady Jane (1986) in Movies (curated)
KerrChung (46 KP) rated Fido (2007) in Movies
Jun 14, 2018
Acting (2 more)
Casting
Story
A boy and hit Zombie
Contains spoilers, click to show
In full on 1950s fashion but with an end of the world flare this 2007 film will steal your heart. The misogyny portayed is typical of the time period, but i found myself cheering Carrie Ann Moss on as she decided to stand up for herself. And young Timmy when he gets in trouble Fido either saves the day, or when it was too hard for him he runs home to get mom. And just like in Lassie there is the whole "What is it boy? Is Timmy in trouble?" Dialogue throughout contains a treasure trove of quotable lines.
James Koppert (2698 KP) rated This Is England (2007) in Movies
Dec 3, 2019 (Updated Dec 3, 2019)
British classic
Unless it's a comedy, British films often don't get the recognition they deserve. This did. Friends in the State's were messeging me saying they have seen it.
The unscripted acting was warm when it needed to be and tense when it needed to be. It shine a light on Thatcher's Britain, divided and angry, a but like today. It's not always easy to watch but at the same time there is recognition of anyone who lived through this period.
So good it spawned a TV series, This Is England is one of Britain's best.
The unscripted acting was warm when it needed to be and tense when it needed to be. It shine a light on Thatcher's Britain, divided and angry, a but like today. It's not always easy to watch but at the same time there is recognition of anyone who lived through this period.
So good it spawned a TV series, This Is England is one of Britain's best.
Kasi Lemmons recommended All About Eve (1950) in Movies (curated)
Awix (3310 KP) rated The Trollenberg Terror (1958) in Movies
Jun 22, 2019 (Updated Jun 22, 2019)
Independent sci-fi movie has the inevitable hokeyness of films of its period but shows flashes of intelligence, until the climax at least. Vaguely Lovecraftian alien creatures take up residence atop a Swiss mountain, rip the heads off passing mountaineers, turn other people into zombies to eliminate nosey psychics, and so on. Fearing the world supply of cuckoo clocks, cheese with holes in it, and multi-purpose knives may be in peril, a group of assorted boffins attempt to sort things out.
Well, at least it's original, if not always in the best of ways. Things proceed in a relatively effective way until the aliens decide to come down the mountain and attack in person, at which point they are revealed to be tentacled monocular blobs entirely beyond the budget of the film to convincingly realise. The same could be said of many alien invasion and monster movies of the 50s and 60s and this is neither the best nor the worst example of the genre from that period.
Well, at least it's original, if not always in the best of ways. Things proceed in a relatively effective way until the aliens decide to come down the mountain and attack in person, at which point they are revealed to be tentacled monocular blobs entirely beyond the budget of the film to convincingly realise. The same could be said of many alien invasion and monster movies of the 50s and 60s and this is neither the best nor the worst example of the genre from that period.