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Suswatibasu (1703 KP) rated The Sinner - Season 1 in TV
Nov 24, 2017 (Updated Nov 25, 2017)
Not as good as expected
I finished watching this series a couple of weeks ago and to be honest I have mixed feelings about it. It surrounds the story of an average housewife, played by Jessica Biel, who one day mysteriously snaps while on the beach with her husband and young son, and ends up stabbing a man to death. While investigating the case, Detective Harry Ambrose (Bill Pullman) becomes increasingly obsessed with finding out why exactly she carried out such an unprovoked attack, probing further into her psyche and revealing very dark and tormented secrets.
The premise is engaging, and the first few episodes quickly begin uncovering bits of her past. But by the fourth episode, there seems to be a lull, as if the director may have exposed too much in the first three chapters, and it begins to dip in terms of interesting content.
By the end, it is explosive, with very little build-up - and to be fair it may have gone slightly too far, appearing hyperbolic to the extreme. The problem was that when it became unappealing in the middle of the series, it was difficult to stay completely captivated until the end. Pullman's character was quite lecherous, as if the only reason he cared was because he found Biel's docile persona attractive.
Would I watch it again? Probably not - there are far better psychological crime shows such @True Detective - Season 1, that seem more carefully and thoughtfully produced.
The premise is engaging, and the first few episodes quickly begin uncovering bits of her past. But by the fourth episode, there seems to be a lull, as if the director may have exposed too much in the first three chapters, and it begins to dip in terms of interesting content.
By the end, it is explosive, with very little build-up - and to be fair it may have gone slightly too far, appearing hyperbolic to the extreme. The problem was that when it became unappealing in the middle of the series, it was difficult to stay completely captivated until the end. Pullman's character was quite lecherous, as if the only reason he cared was because he found Biel's docile persona attractive.
Would I watch it again? Probably not - there are far better psychological crime shows such @True Detective - Season 1, that seem more carefully and thoughtfully produced.
Bong Mines Entertainment (15 KP) rated Cult Classic by Fiona Grey in Music
Jun 21, 2019
Fiona Grey is an LA-based singer-songwriter from Chicago, Illinois. Not too long ago, she released a music video for her “Saviour” single featuring Emma Cole.
The Sean Berger-music video was choreographed by Kevin Stea (Madonna, Michael Jackson).
The visuals are an ode to Felini, Marie Antoinette, and the dark and dreamy black and white films of the ‘60s.
‘Saviour’ contains a relatable storyline, pleasing vocals, and charismatic instrumentation flavored with an indie-alternative aroma.
Also, the likable tune is featured on Fiona Grey’s latest EP, entitled, “Cult Classic”.
“Each song has its own identity and story it wants to tell.” – Fiona Grey
‘Cult Classic’ vocalizes cultural issues and expresses Fiona Grey’s vulnerability. Also, it highlights her anger towards the world we are living in and her desires for the world we are shaping.
Grammy Award-Winning Mike Schuppan (Paramore, M83, Ziggy Marley) produced the 6-track project. Also, Dave Cooley (Fitz & The Tantrums, Stone Temple Pilots) mastered it.
“There is a lot about living in a pop culture centered world that we deem as ‘normal behavior’. Also, I hope that the music can remind the listener that this follower-centric, alternate persona universe we live in is all temporary happiness.” – Fiona Grey
Fiona Grey draws inspiration from the world of Hollywood, it’s unrealistic expectations and the vices that people use as a form of escapism.
She hopes her music will help listeners aim to be the purest and honest versions of themselves.
The Sean Berger-music video was choreographed by Kevin Stea (Madonna, Michael Jackson).
The visuals are an ode to Felini, Marie Antoinette, and the dark and dreamy black and white films of the ‘60s.
‘Saviour’ contains a relatable storyline, pleasing vocals, and charismatic instrumentation flavored with an indie-alternative aroma.
Also, the likable tune is featured on Fiona Grey’s latest EP, entitled, “Cult Classic”.
“Each song has its own identity and story it wants to tell.” – Fiona Grey
‘Cult Classic’ vocalizes cultural issues and expresses Fiona Grey’s vulnerability. Also, it highlights her anger towards the world we are living in and her desires for the world we are shaping.
Grammy Award-Winning Mike Schuppan (Paramore, M83, Ziggy Marley) produced the 6-track project. Also, Dave Cooley (Fitz & The Tantrums, Stone Temple Pilots) mastered it.
“There is a lot about living in a pop culture centered world that we deem as ‘normal behavior’. Also, I hope that the music can remind the listener that this follower-centric, alternate persona universe we live in is all temporary happiness.” – Fiona Grey
Fiona Grey draws inspiration from the world of Hollywood, it’s unrealistic expectations and the vices that people use as a form of escapism.
She hopes her music will help listeners aim to be the purest and honest versions of themselves.
Awix (3310 KP) rated Greed (2019) in Movies
Feb 24, 2020
The latest Coogan-Winterbottom collaboration is the kind of satire that draws blood, so it's lucky they have a note from the lawyers making it clear that it's absolutely and positively not based on the life of Sir Philip Green. A crass and amoral entrepreneur prepares for a lavish and decadent birthday celebration, in part to restore his image following some very bad publicity. Friends, family, and various hangers-on assemble; all does not go quite to plan - meanwhile, the ugly tale of the man's rise unfolds in flashback.
A friend initially demurred from seeing Greed, suggesting that he didn't need to see a movie to know how screwed up capitalism is - but I dragged him along anyway and we both enjoyed it. Mainly this is because it has a strong cast and a good script, although Steve Coogan is doing one of his comic grotesques and David Mitchell is basically just playing his usual comic persona under a different name. The shift from comedy to darker and more serious material as the film goes on is well handled, although you could argue the film is pushing it by attempting to be anti-capitalist, pro-feminist and pro-refugee all at the same time. Manages to be crowd-pleasing entertainment while scoring some serious points about the nature of the world in which we live. It may not teach you anything new, but it will probably make you care more about things you already know.
A friend initially demurred from seeing Greed, suggesting that he didn't need to see a movie to know how screwed up capitalism is - but I dragged him along anyway and we both enjoyed it. Mainly this is because it has a strong cast and a good script, although Steve Coogan is doing one of his comic grotesques and David Mitchell is basically just playing his usual comic persona under a different name. The shift from comedy to darker and more serious material as the film goes on is well handled, although you could argue the film is pushing it by attempting to be anti-capitalist, pro-feminist and pro-refugee all at the same time. Manages to be crowd-pleasing entertainment while scoring some serious points about the nature of the world in which we live. It may not teach you anything new, but it will probably make you care more about things you already know.
The Victoria Letters: The Official Companion to the ITV Victoria Series
Helen Rappaport and Daisy Goodwin
Book
The official companion to ITV's hotly anticipated new drama, The Victoria Letters delves into the...
MA
Mellencamp: American Troubadour
Book
Throughout his prolific career, John Mellencamp has performed more than twenty Top 40 hits, has been...
Protecting Your Internet Identity: Are You Naked Online?
Ted Claypoole, Theresa M. Payton and Chris Swecker
Book
People research everything online - shopping, school, jobs, travel - and other people. Your online...
SR
Sleigh Rides and Silver Bells at the Christmas Fair
Book
The new Christmas bestseller from the author of Mince Pies and Mistletoe at the Christmas Market!...
Joe Jonas recommended track Da Ya Think I'm Sexy? by Rod Stewart in Greatest Hits by Rod Stewart in Music (curated)
Joe Goodhart (27 KP) rated The Zodiac Paradox (Fringe, #1) in Books
Nov 30, 2020
My wife and I were late bloomers, getting into the show as it entered its 5th, and final season. We "binge watched" on Netflix, getting caught up, and then left with a craving for more after series ended. Enter 'Fringe: The Zodiac Paradox', the 1st in Christa Faust's trilogy that serves as prequels for the the three main characters: Walter and Peter Bishop, as well as Olivia Dunham.
Reviewing a number of reviews on here, as well as via Amazon.com, I found complaints that Walter's characterization was more in-line with his character in the show, not the 1968 "scientist" version. And, yes, that is true enough, the story and dialogue were good enough that I could overlook that issue, in head, reworking his persona, as I read it.
I am probably biased, as I am fan of 'Fringe', as well as having an interest of sorts in stories involving the Zodiac Killer, but I liked the book. Is it perfect? No, but, as I am finding these days - in books, newspapers/magazines, and even scrolling text on TV, spelling, grammar, and/or syntax have gone the way of the dinosaur! The errors were minimal, at worse, and the only character that appeared "off" was Walter. None of that, though, affected my appreciation of the story.
If you are looking for a good fix to fill your 'Fringe' void, you could do a heckuva lot worse. Try it, I think you may surprise yourself..
Reviewing a number of reviews on here, as well as via Amazon.com, I found complaints that Walter's characterization was more in-line with his character in the show, not the 1968 "scientist" version. And, yes, that is true enough, the story and dialogue were good enough that I could overlook that issue, in head, reworking his persona, as I read it.
I am probably biased, as I am fan of 'Fringe', as well as having an interest of sorts in stories involving the Zodiac Killer, but I liked the book. Is it perfect? No, but, as I am finding these days - in books, newspapers/magazines, and even scrolling text on TV, spelling, grammar, and/or syntax have gone the way of the dinosaur! The errors were minimal, at worse, and the only character that appeared "off" was Walter. None of that, though, affected my appreciation of the story.
If you are looking for a good fix to fill your 'Fringe' void, you could do a heckuva lot worse. Try it, I think you may surprise yourself..
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