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The daughter (and stepdaughter) of actors, Sally Field earned her first acting role at seventeen and was quickly on television in shows such as "Gidget" and "The Flying Nun." Those roles showcased Sally's youth and smiling personality. But, behind the scenes, Sally had a tumultuous childhood: her parents divorced when she was young, and her relationships with them and her stepfather were not easy. She found happiness, in many ways, as an actress, but also struggled to find roles that challenged her. In this, her first memoir, she tells the story of her childhood and her early years as an actress.
I listened to the majority of this (and then switched over to the book, I'm weird), and I'm not going to lie: this wasn't always a fun listen for me. This book is sort of depressing and stressful a lot of the time. I will be honest that I didn't know a lot about Sally Field going in--I knew of Gidget, her roles with Burt Reynolds, "Forrest Gump," and honestly, most recently, "Brothers & Sisters." I knew one of her sons was gay, and she supported him.
I did not know her mother was an actress. I did not know that a lot of really bad things happened to her. Seriously, this memoir contains a lot of Sally Field telling us all the awful memories of her childhood, and, later, her early acting days. I'm not saying that's bad--it's truly brave and powerful stuff. But, man, as you're in the car driving 2+ hours to work? It's draining. I felt horrible for her, I felt proud that she'd overcome it, and I felt a little exhausted by it all. I also was appalled by how much she had to deal with (alone) and the state of the acting community for women during that time period.
It did, however, seem to make the beginning of the book go by rather slowly. Or maybe that's just the audio format--this was only the second audiobook I've ever listened to and, coincidentally, the second audiobook I found slow. When Field got to the time period where she became a mom, it picked up for me, perhaps because I could relate better to her. I felt an odd kinship--I was headed off, leaving behind my kids for a work project, and many times, so was she. (Alas, I was doing a rather boring job and she was a famous actress, but hey, you try to find parallels where you can, right?)
No matter what, I applaud her for being unafraid to tell the truth about her life, including admitting her own faults. She supplements her memories with her journal entries, newspaper articles, letters, and more. The result is a very detailed and personal account of her life--up until about "Norma Rae." After that, it glosses over most of her career following that film, which is a little sad for anyone who enjoyed all her subsequent films. This memoir is clearly focused more on Field's personal growth versus a celebrity tell-all. And I get that, I do, but you can't help but wish for a few more juicy details.
In the end, this wasn't an easy read/listen, but it was a good one. I learned a great deal about Field's life, and I admire her so much more as a person now. She had to go through a great deal to get the acting career and overall life she desired. If you enjoy memoirs and autobiographies, you will probably like this one, especially if you like them detailed, versus just focused on celebrity fluff and laughs (though Field is very witty). 4 stars.
I listened to the majority of this (and then switched over to the book, I'm weird), and I'm not going to lie: this wasn't always a fun listen for me. This book is sort of depressing and stressful a lot of the time. I will be honest that I didn't know a lot about Sally Field going in--I knew of Gidget, her roles with Burt Reynolds, "Forrest Gump," and honestly, most recently, "Brothers & Sisters." I knew one of her sons was gay, and she supported him.
I did not know her mother was an actress. I did not know that a lot of really bad things happened to her. Seriously, this memoir contains a lot of Sally Field telling us all the awful memories of her childhood, and, later, her early acting days. I'm not saying that's bad--it's truly brave and powerful stuff. But, man, as you're in the car driving 2+ hours to work? It's draining. I felt horrible for her, I felt proud that she'd overcome it, and I felt a little exhausted by it all. I also was appalled by how much she had to deal with (alone) and the state of the acting community for women during that time period.
It did, however, seem to make the beginning of the book go by rather slowly. Or maybe that's just the audio format--this was only the second audiobook I've ever listened to and, coincidentally, the second audiobook I found slow. When Field got to the time period where she became a mom, it picked up for me, perhaps because I could relate better to her. I felt an odd kinship--I was headed off, leaving behind my kids for a work project, and many times, so was she. (Alas, I was doing a rather boring job and she was a famous actress, but hey, you try to find parallels where you can, right?)
No matter what, I applaud her for being unafraid to tell the truth about her life, including admitting her own faults. She supplements her memories with her journal entries, newspaper articles, letters, and more. The result is a very detailed and personal account of her life--up until about "Norma Rae." After that, it glosses over most of her career following that film, which is a little sad for anyone who enjoyed all her subsequent films. This memoir is clearly focused more on Field's personal growth versus a celebrity tell-all. And I get that, I do, but you can't help but wish for a few more juicy details.
In the end, this wasn't an easy read/listen, but it was a good one. I learned a great deal about Field's life, and I admire her so much more as a person now. She had to go through a great deal to get the acting career and overall life she desired. If you enjoy memoirs and autobiographies, you will probably like this one, especially if you like them detailed, versus just focused on celebrity fluff and laughs (though Field is very witty). 4 stars.
EmersonRose (320 KP) rated Dodger's Doorrway in Books
Nov 20, 2019
Dodger’s Doorway, by Alessandro Reale, is a fantasy adventure story that explores retelling classic fairy tales and fables in unique and fun ways. The book follows main character Mark ‘Dodger’ Bishop, a teenager from our world who is tired of his life. While struggling with divorcing parents, and school bullies, and getting through his senior year of high school, Dodger finds a doorway to another world. This world is inhabited by the fairytale characters of our childhoods. Dodger meets Humpty Dumpty and Rumpelstiltskin and many more classic characters. Dodger is taken on an exciting journey which has its dangers and challenges. Along the way, Dodger must work to not only save Storyworld but work through his own fears and struggles.
Dodger’s Doorway is a fantastical adventure that makes for a super fun read. The melded fairytale worlds is a theme we have seen more and more of, which I love, and I think that Reale did a masterful job of combining the magical nostalgia of the characters we know and love as well as bringing in a unique twist and creating new life in this classic characters. I particularly liked the portrayal of Humpty Dumpty. I think that Humpty is a character that is often veered away from as being too hard or not interesting enough to expand upon, but Reale takes him and makes him into an exciting warrior, which I thought was very clever. Reale’s Storyworld combines the magical innocence and dark origins of the stories and characters he chooses which gives the story a real sense of danger and epic adventure that makes the book a quick and thrilling read. Reale took inspirational from a wide range of stories; from Hansel and Gretel, Jack and the Beanstalk, Pinocchio, Peter Pan, Alice in Wonderland, The Wizard of Oz, and many more. I loved the variety and enjoyed seeing Reale’s spin on the characters.
The book itself is well-written, and the arc works well to make for a book that is hard to put down. Dodger is a great character in that he has a lot of growth throughout the book and creates real feeling relationships with the fairytale characters he meets. I liked that Reale brought the book to a young adult read instead of a children’s book by playing with the dark sides of fairytales, as well as making Dodger a teenager dealing with very real young adult issues.
Dodger’s Doorway is an enchanting story with a lot of heart. I very much enjoyed reading it. If you are a fan of fantasy stories, particularly tales where characters find magical worlds, a personal childhood dream of mine and many others I am sure, then I would highly recommend giving this book a read!
Dodger’s Doorway is a fantastical adventure that makes for a super fun read. The melded fairytale worlds is a theme we have seen more and more of, which I love, and I think that Reale did a masterful job of combining the magical nostalgia of the characters we know and love as well as bringing in a unique twist and creating new life in this classic characters. I particularly liked the portrayal of Humpty Dumpty. I think that Humpty is a character that is often veered away from as being too hard or not interesting enough to expand upon, but Reale takes him and makes him into an exciting warrior, which I thought was very clever. Reale’s Storyworld combines the magical innocence and dark origins of the stories and characters he chooses which gives the story a real sense of danger and epic adventure that makes the book a quick and thrilling read. Reale took inspirational from a wide range of stories; from Hansel and Gretel, Jack and the Beanstalk, Pinocchio, Peter Pan, Alice in Wonderland, The Wizard of Oz, and many more. I loved the variety and enjoyed seeing Reale’s spin on the characters.
The book itself is well-written, and the arc works well to make for a book that is hard to put down. Dodger is a great character in that he has a lot of growth throughout the book and creates real feeling relationships with the fairytale characters he meets. I liked that Reale brought the book to a young adult read instead of a children’s book by playing with the dark sides of fairytales, as well as making Dodger a teenager dealing with very real young adult issues.
Dodger’s Doorway is an enchanting story with a lot of heart. I very much enjoyed reading it. If you are a fan of fantasy stories, particularly tales where characters find magical worlds, a personal childhood dream of mine and many others I am sure, then I would highly recommend giving this book a read!
Phillip McSween (751 KP) rated Guardians of the Galaxy (2014) in Movies
Jan 9, 2020
Epic Indeed
In Guardians of the Galaxy, a group of unlikely heroes for a team to keep a powerful weapon out of the hands of a madman.
Acting: 10
Beginning: 10
Characters: 10
The team is perfect and there’s no disputing it. They’re led by Peter Quill (Chris Pratt) who goes by the name of Starlord. He’s a self-loving womanizer who’s got comebacks for days. He falls in love with Gamora (Zoe Saldana), a green alien badass who is the daughter of a tyrant. Out of the five of them, my personal favorite is Groot (Vin Diesel), a tree being who only says, “I am Groot” yet his good friend Rocket Raccoon (weapons expert and maniac) seems to be the only one that understands the true context of his words. And I could do two more paragraphs on Drax (Dave Bautista) alone. You can’t help but love this team.
Beyond these characters, the movie really excels by bringing in a number of memorable characters that have smaller roles. Ronin (Lee Pace) the villain is a fun bad guy you definitely respect. Meanwhile, the mohawked Yondu is on the hunt for Starlord. Yondu (Michael Rooker) carries around a cool weapon that responds to his whistling. These characters are not only endearing, but experience growth throughout the movie.
Cinematography/Visuals: 10
Conflict: 10
The first ten minutes takes you on sheer adventure and it never lets up from there. The stakes are high (they’re guarding the galaxy for God’s sake!) and the villain is a legit threat. There are space chases, prison breakouts, and more that will keep you entertained for the duration of the movie.
Entertainment Value: 10
Memorability: 10
It’s rare that I clap, laugh, and tear up all in the same movie. I lost count of the number of scenes that could be considered all-time greats in the Marvel Cinematic Universe. I love that the movie dives into finding family int the most unlikely of places.
Pace: 10
Hard to believe the movie was over two hours when I checked the run time. It runs so smoothly and quickly. When it’s over, you feel like you’ve been on a massive adventure in a short amount of time.
Plot: 10
There were a number of places throughout the movie where an average story could have lost its way. Guardians of the Galaxy never misses a beat. It connects all of its dots while reaching out to the extended universe at the same time.
Resolution: 10
Groot…I love you. That’s all I will say.
Overall: 100
Endless adventure. Funny for days. Touching moments. A budding romance. Guardians of the Galaxy is why I love movies.
Acting: 10
Beginning: 10
Characters: 10
The team is perfect and there’s no disputing it. They’re led by Peter Quill (Chris Pratt) who goes by the name of Starlord. He’s a self-loving womanizer who’s got comebacks for days. He falls in love with Gamora (Zoe Saldana), a green alien badass who is the daughter of a tyrant. Out of the five of them, my personal favorite is Groot (Vin Diesel), a tree being who only says, “I am Groot” yet his good friend Rocket Raccoon (weapons expert and maniac) seems to be the only one that understands the true context of his words. And I could do two more paragraphs on Drax (Dave Bautista) alone. You can’t help but love this team.
Beyond these characters, the movie really excels by bringing in a number of memorable characters that have smaller roles. Ronin (Lee Pace) the villain is a fun bad guy you definitely respect. Meanwhile, the mohawked Yondu is on the hunt for Starlord. Yondu (Michael Rooker) carries around a cool weapon that responds to his whistling. These characters are not only endearing, but experience growth throughout the movie.
Cinematography/Visuals: 10
Conflict: 10
The first ten minutes takes you on sheer adventure and it never lets up from there. The stakes are high (they’re guarding the galaxy for God’s sake!) and the villain is a legit threat. There are space chases, prison breakouts, and more that will keep you entertained for the duration of the movie.
Entertainment Value: 10
Memorability: 10
It’s rare that I clap, laugh, and tear up all in the same movie. I lost count of the number of scenes that could be considered all-time greats in the Marvel Cinematic Universe. I love that the movie dives into finding family int the most unlikely of places.
Pace: 10
Hard to believe the movie was over two hours when I checked the run time. It runs so smoothly and quickly. When it’s over, you feel like you’ve been on a massive adventure in a short amount of time.
Plot: 10
There were a number of places throughout the movie where an average story could have lost its way. Guardians of the Galaxy never misses a beat. It connects all of its dots while reaching out to the extended universe at the same time.
Resolution: 10
Groot…I love you. That’s all I will say.
Overall: 100
Endless adventure. Funny for days. Touching moments. A budding romance. Guardians of the Galaxy is why I love movies.
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Amanda (96 KP) rated Paperweight in Books
Jun 12, 2019
Death is not an exact science, which is irritating for those of us who appreciate precision.
While I’ve had my own experiences with purging after eating, or just trying to avoid food at all, not everybody is the same. It’s hard to read something about this, much less watch someone go through what is, to me, torture. I’m not going to lie, I kept getting this book and another book kind of mixed up because the main characters in both books are named Stevie. This wasn’t a terrible book, but I’m left with mixed feelings in the end.
Stephanie ‘Stevie’ is signed in (kind of forced) to a rehab facility by her father. Since she is seventeen, she cannot sign herself out. Stevie, while according to the doctors, is not heavily underweight, she is diagnosed with bulimia nervosa (and this actually pisses her off, and not because it’s not true). She is assigned to Anna, one of the therapists on staff (whom she refers to as Shrink most of the book) and a treatment team of different specialists.
This place is something else. The author stated in her Afterward that this is just pure work of fiction, not from personal experience. Do places like this exist? Does a place that thinks that by helping girls get over eating disorders is to have them do some sort of group where they must pick a food and eat it?
My body is both weapon, wound, predator and prey. I will self-destruct without any help.
While I can see how one group therapy can be helpful but having these girls (yes all girls) where they learn, well some learn, to cook something. Cooking is an art, even if you don’t really know how to, or not good at it, so cooking is good therapy.
I was highly mixed with this book. I saw that some other reviewers either really enjoyed it or really did not.
Stevie is typical. She’s frustrated and angry that she has to be there, and it messes up her ‘plans’ for her brother’s death anniversary. You find out that she was actually planning on killing herself (by starving herself apparently) on the day of his death so she could be with him. Her mother abandoned them and come to find she is PAYING for the rehab place, but she NEVER makes a present appearance, just flash back.
I am not overly fond of Stevie’s therapist, Anna (Shrink to Stevie). To me, she is almost molded like how people make fun of therapists. ‘How are you feeling?’ ‘How does that make you feel?’ ‘How do you feel about that?’ I work with a therapist, so I understand the point is not to be bottled up, but I feel like Anna is more stereotypical, than helpful. She does, eventually, get Stevie to open up about her brother’s death and why she chose not to eat, but even I got frustrated during her sessions.
Stevie has a few roommates in her cottage. I liked Ashley the most, but her life really messed her up and it takes a while for Stevie to really get out of her head and have a friend in Ashley.
I think there is some things you shouldn’t accept. And living sick is one of those things.
I need that on a shirt as well.
The ending left me kind of unsatisfied. Stevie did have some personal growth by talking more about her brother’s death and the toxic relationship she had with a girl named Eden, but the book ended rather oddly. I won’t say how it ended, but to me, I didn’t go into a book hangover, nor did I feel the need to throw my ereader (or in this case my laptop) across the room frustration (no way, this thing was expensive!!).
I’m not sure on the accuracy of this kind of rehab, but to me, it felt a little off. I won’t say this is not a good book to read, but it is highly triggering. There are talks of eating disorders and self harm, so proceed with caution if it peaked your curiosity enough.
Stephanie ‘Stevie’ is signed in (kind of forced) to a rehab facility by her father. Since she is seventeen, she cannot sign herself out. Stevie, while according to the doctors, is not heavily underweight, she is diagnosed with bulimia nervosa (and this actually pisses her off, and not because it’s not true). She is assigned to Anna, one of the therapists on staff (whom she refers to as Shrink most of the book) and a treatment team of different specialists.
This place is something else. The author stated in her Afterward that this is just pure work of fiction, not from personal experience. Do places like this exist? Does a place that thinks that by helping girls get over eating disorders is to have them do some sort of group where they must pick a food and eat it?
My body is both weapon, wound, predator and prey. I will self-destruct without any help.
While I can see how one group therapy can be helpful but having these girls (yes all girls) where they learn, well some learn, to cook something. Cooking is an art, even if you don’t really know how to, or not good at it, so cooking is good therapy.
I was highly mixed with this book. I saw that some other reviewers either really enjoyed it or really did not.
Stevie is typical. She’s frustrated and angry that she has to be there, and it messes up her ‘plans’ for her brother’s death anniversary. You find out that she was actually planning on killing herself (by starving herself apparently) on the day of his death so she could be with him. Her mother abandoned them and come to find she is PAYING for the rehab place, but she NEVER makes a present appearance, just flash back.
I am not overly fond of Stevie’s therapist, Anna (Shrink to Stevie). To me, she is almost molded like how people make fun of therapists. ‘How are you feeling?’ ‘How does that make you feel?’ ‘How do you feel about that?’ I work with a therapist, so I understand the point is not to be bottled up, but I feel like Anna is more stereotypical, than helpful. She does, eventually, get Stevie to open up about her brother’s death and why she chose not to eat, but even I got frustrated during her sessions.
Stevie has a few roommates in her cottage. I liked Ashley the most, but her life really messed her up and it takes a while for Stevie to really get out of her head and have a friend in Ashley.
I think there is some things you shouldn’t accept. And living sick is one of those things.
I need that on a shirt as well.
The ending left me kind of unsatisfied. Stevie did have some personal growth by talking more about her brother’s death and the toxic relationship she had with a girl named Eden, but the book ended rather oddly. I won’t say how it ended, but to me, I didn’t go into a book hangover, nor did I feel the need to throw my ereader (or in this case my laptop) across the room frustration (no way, this thing was expensive!!).
I’m not sure on the accuracy of this kind of rehab, but to me, it felt a little off. I won’t say this is not a good book to read, but it is highly triggering. There are talks of eating disorders and self harm, so proceed with caution if it peaked your curiosity enough.
Uptown Oracle (24 KP) rated Moroda in Books
Jun 30, 2017
A Great Debut Fantasy Novel!
As we traipse the countries and cities of Linaria following a band of unlikely comrades, we're introduced to magic, dragons, and a foe leading a trail of destruction in his wake. Moroda and her allies must find a way to save Linaria before the war destroys them and everything around them.
One of my favourite parts of the book is that there's multiple wonderful characters. We have our main character, Moroda and her sister Eryn, two former Goldstones trying to survive after their fathers death. There's Morgen an Imperial Guard from Corhaven, who's unsure as to whether life in the Guard is for him. Amarah, a brusk sky pirate who cares more for money and treasure. Palom and Anahrik, two Ittallan traders who want to get back to their homeland before war hits. Sapora, a Varkain who also wants to return to his homeland, away from the prejudice against his kind. And Kohl, an exiled Arillian who can control wind and lightening. Groups are often used within the fantasy genre but Moroda doesn't confuse you with multitudes of characters.
The world of Linaria has different prejudices and stereotypes against races and the inclusion of these races allows to get a much better, unbiased opinion. Each of our characters has their own thoughts, motivations, backgrounds and histories. Despite preconceived views of each other, the characters are all individual. There's also strong character growth, especially for Moroda throughout the book. There was definitely the risk of falling into common female fantasy tropes with Moroda, but McNeil manages to miss each of these skillfully.
The only criticism is the antagonist, Aciel. Being told by other characters what Aciel was doing and how, is very different to be able to see it. There was a lost connection that I personally like having with the villains. We meet him and he does speak a little bit, but there's definitely that lack of attachment. This criticism is also very personal, as I know a lot of people wouldn't mind this at all.
As with any fantasy novel, you need a wonderful fantasy land. There's exploration of multiple cities, and also some comparisons by the characters themselves. Each place has it's own background and vivid descriptions. I'm really looking forward to more exploration of Sereth, the Varkain capital. There's also undertones of myth, lore and legend within Linaria. Which although not explored completely within this book will be fantastic to build upon in later books.
Moroda is romance free which I loved. I've read so many books recently where the romantic subplot overshadows the real plot, and this was so refreshing. The focus was on the friendships being made over the journey, and the sisterly bond between Moroda and Eryn.
Overall I loved Moroda. Perfect to go into reading more over summer as I've finally finished exams!
One of my favourite parts of the book is that there's multiple wonderful characters. We have our main character, Moroda and her sister Eryn, two former Goldstones trying to survive after their fathers death. There's Morgen an Imperial Guard from Corhaven, who's unsure as to whether life in the Guard is for him. Amarah, a brusk sky pirate who cares more for money and treasure. Palom and Anahrik, two Ittallan traders who want to get back to their homeland before war hits. Sapora, a Varkain who also wants to return to his homeland, away from the prejudice against his kind. And Kohl, an exiled Arillian who can control wind and lightening. Groups are often used within the fantasy genre but Moroda doesn't confuse you with multitudes of characters.
The world of Linaria has different prejudices and stereotypes against races and the inclusion of these races allows to get a much better, unbiased opinion. Each of our characters has their own thoughts, motivations, backgrounds and histories. Despite preconceived views of each other, the characters are all individual. There's also strong character growth, especially for Moroda throughout the book. There was definitely the risk of falling into common female fantasy tropes with Moroda, but McNeil manages to miss each of these skillfully.
The only criticism is the antagonist, Aciel. Being told by other characters what Aciel was doing and how, is very different to be able to see it. There was a lost connection that I personally like having with the villains. We meet him and he does speak a little bit, but there's definitely that lack of attachment. This criticism is also very personal, as I know a lot of people wouldn't mind this at all.
As with any fantasy novel, you need a wonderful fantasy land. There's exploration of multiple cities, and also some comparisons by the characters themselves. Each place has it's own background and vivid descriptions. I'm really looking forward to more exploration of Sereth, the Varkain capital. There's also undertones of myth, lore and legend within Linaria. Which although not explored completely within this book will be fantastic to build upon in later books.
Moroda is romance free which I loved. I've read so many books recently where the romantic subplot overshadows the real plot, and this was so refreshing. The focus was on the friendships being made over the journey, and the sisterly bond between Moroda and Eryn.
Overall I loved Moroda. Perfect to go into reading more over summer as I've finally finished exams!
Leading Strategic Change in an Era of Healthcare Transformation: 2016
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This book focuses on how to lead transformative and strategic change in the healthcare industry in...