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Morgan Sheppard (926 KP) created a post
Jun 6, 2020
Matthew Krueger (10051 KP) rated Dark Water (2005) in Movies
Oct 1, 2020
Dripping Nightmares
Dark Water- is a good movie. Note I havent seen the oringal movie. I have only seen the remake which this is. Jennifer Connelly does a excellent job in this film.
The Plot: Dahlia (Jennifer Connelly) wants to move away from her ex-husband, Kyle (Dougray Scott), and take her daughter, Ceci (Ariel Gade), with her. Relocating to a dreary tower block, Dahlia and Ceci discover eerie, dark water leaking through the ceiling of their new apartment. Dahlia petitions the supervisor (Pete Postlethwaite) and the building's owner (John C. Reilly) to fix the leak, yet it only gets worse. Now having nightmares about the dripping, Dahlia is
driven to confront the problem herself.
Like i said ive not seen the oringal only this adaptation. Its still a good movie.
The Plot: Dahlia (Jennifer Connelly) wants to move away from her ex-husband, Kyle (Dougray Scott), and take her daughter, Ceci (Ariel Gade), with her. Relocating to a dreary tower block, Dahlia and Ceci discover eerie, dark water leaking through the ceiling of their new apartment. Dahlia petitions the supervisor (Pete Postlethwaite) and the building's owner (John C. Reilly) to fix the leak, yet it only gets worse. Now having nightmares about the dripping, Dahlia is
driven to confront the problem herself.
Like i said ive not seen the oringal only this adaptation. Its still a good movie.
David McK (3162 KP) rated Dragonheart (1996) in Movies
Feb 28, 2021
I've just spotted the release year of this film (1996).
I feel old.
I actually remember going to see this in the cinema when it first came out, and remember the buzz over the Special Effects created for the dragon (voiced by Sean Connery) in the wake of Jurassic Park: if I remember right, I think it may even have got an Academy nomination for the same.
Anyway, this is light family fantasy fare, with Connery (as previously mentioned) voicing the last Dragon alive, and with Dennis Quaid portraying a disillusioned knight who has vowed to wipe out all dragons, blaming the same for corrupting (or so he initially thinks) the son of a tyrant who grew up to be a tyrant himself (as portrayed by David Thewlis).
Also starring a - very young, pre Starship Troopers - Dina Meyers and Pete Postlethwaite, this is an enjoyable enough romp if nothing special!
I feel old.
I actually remember going to see this in the cinema when it first came out, and remember the buzz over the Special Effects created for the dragon (voiced by Sean Connery) in the wake of Jurassic Park: if I remember right, I think it may even have got an Academy nomination for the same.
Anyway, this is light family fantasy fare, with Connery (as previously mentioned) voicing the last Dragon alive, and with Dennis Quaid portraying a disillusioned knight who has vowed to wipe out all dragons, blaming the same for corrupting (or so he initially thinks) the son of a tyrant who grew up to be a tyrant himself (as portrayed by David Thewlis).
Also starring a - very young, pre Starship Troopers - Dina Meyers and Pete Postlethwaite, this is an enjoyable enough romp if nothing special!
David McK (3162 KP) rated Sharpe's Company (1994) in Movies
Oct 10, 2021 (Updated Oct 10, 2021)
Back when this was first shown on TV (it's a TV movie) in the mod 90s, this was based on what-was-then on of the mid entries in Cornwell's long-running series.
I say what was then, as there have since been more novels set before, during or even after The Napoleonic Wars, which provided the background for these movies.
This - both novel and movie - is the one that starts with the siege of Ciudad Rodrigo and ends with that of Badajoz, with (Sean Beans) Captain Richard Sharpe 'pushed aside' in the intervening period by those who can afford to buy his commission. This is also the one with the mad, twitching Obadiah Hakeswill (portrayed here by Pete Postlethwaite), who isn't so much a danger to Sharpe himself as he is too his men - Patrick Harper included - and who has a history with Sharpe.
I've said it before, and I'm sure I'll say it again: I so wish they had a proper budget for these movies!
I say what was then, as there have since been more novels set before, during or even after The Napoleonic Wars, which provided the background for these movies.
This - both novel and movie - is the one that starts with the siege of Ciudad Rodrigo and ends with that of Badajoz, with (Sean Beans) Captain Richard Sharpe 'pushed aside' in the intervening period by those who can afford to buy his commission. This is also the one with the mad, twitching Obadiah Hakeswill (portrayed here by Pete Postlethwaite), who isn't so much a danger to Sharpe himself as he is too his men - Patrick Harper included - and who has a history with Sharpe.
I've said it before, and I'm sure I'll say it again: I so wish they had a proper budget for these movies!
LeftSideCut (3778 KP) rated The Lost World: Jurassic Park (1997) in Movies
May 20, 2019 (Updated Jun 24, 2019)
An underrated sequel
And so it begins....
The Lost World is the first of a handful of sequels that don't even scratch the original, but I've always thought this was an underappreciated follow up.
As with the first, I first saw this when I was very young, and naturally thought it was incredible (as any 10 year old boy would), but unlike the first one, it doesn't hold up watching it now.
Starting with a huge positive though - I will always, and I mean always have time for Jeff Goldblum. He has always been one of my top actors and he returns to the role of Ian Malcolm with aplomb here.
Another welcome member of the cast is Pete Postlethwaite as the token bad guy, and of course Richard Attenborough returning as John Hammond.
There are also some great set pieces, namely the now infamous trailer-hanging-from-the-side-of-cliff scene. The tension built up here is reminiscent of the first T-Rex scene from the first film.
But on the flip side you have the last 30 minutes. The change of location is jarring and the urban setting highlights just how rough around the edges the special effects are.
I have to give kudos to Spielberg for attempting such an ambitious twist at the last minute, but it doesn't quite work, and gives way to a huge plot hole involving the fates of the ship crew.
I also find myself not really caring about the rest of the cast, which is a shame, as I tend to enjoy Julianne Moore.
Overall - it's not terrible, it's not great, but enjoy this sequel for what it is as it's down hill from here!
The Lost World is the first of a handful of sequels that don't even scratch the original, but I've always thought this was an underappreciated follow up.
As with the first, I first saw this when I was very young, and naturally thought it was incredible (as any 10 year old boy would), but unlike the first one, it doesn't hold up watching it now.
Starting with a huge positive though - I will always, and I mean always have time for Jeff Goldblum. He has always been one of my top actors and he returns to the role of Ian Malcolm with aplomb here.
Another welcome member of the cast is Pete Postlethwaite as the token bad guy, and of course Richard Attenborough returning as John Hammond.
There are also some great set pieces, namely the now infamous trailer-hanging-from-the-side-of-cliff scene. The tension built up here is reminiscent of the first T-Rex scene from the first film.
But on the flip side you have the last 30 minutes. The change of location is jarring and the urban setting highlights just how rough around the edges the special effects are.
I have to give kudos to Spielberg for attempting such an ambitious twist at the last minute, but it doesn't quite work, and gives way to a huge plot hole involving the fates of the ship crew.
I also find myself not really caring about the rest of the cast, which is a shame, as I tend to enjoy Julianne Moore.
Overall - it's not terrible, it's not great, but enjoy this sequel for what it is as it's down hill from here!
BankofMarquis (1832 KP) rated Inception (2010) in Movies
May 20, 2018
A Modern Classic
I have a confession to make - INCEPTION is one of my favorite Christopher Nolan films - and, perhaps, it is in my list of TOP 10 ALL TIME FAVORITE films, so this might not be a fair and impartial review of the film. To be fair to me, I did make a conscience effort whilst watching this movie to scrape away my previous preconceptions and opinions of this film and just let it wash over me in this "new light" of my blog to see what my reaction is.
My reaction: I LOVE THIS FILM!!!
I was asked how far back do you have to go before you can consider a film a "classic" and, I guess, I'd have to say 2010, for this film - to me - is a classic.
In INCEPTION, Nolan, and his co-writer brother Jonathan Nolan, go into the dreamworld with the premise that we can join in "shared dreams" to extract information from people that are locked away deep in their conscious (or in some cases unconscious) minds. This film deals with the idea of "Inception", planting an idea into someone's mind. This is, in essence, a "heist" film where our team of heroes is constantly at war with the minds they are inhabiting (since they are seen as parasites). The clock is ticking and they must get in and get out before they get lost.
Speaking of time, Nolan - once again - plays with the idea of time in this film. Once you go into a dream, 1 minute is like 1 hour and when you go into a dream of a dream, then 1 minute is like 60 hours and when you go into a dream within a dream within a dream, then...well...you get the idea.
If someone loses their way in this film, it's because they are trying to make logical sense of a dream world that defies physics - and time. My suggestion to you is to let go and let the movie take you to some fantastical places - with some fantastical imagery and plot machinations - that I enjoyed the heck out of.
Helping out this film is that it is impeccably cast. Leonardo DiCaprio is Cobb the head of this group that enters the dream realm. He is perfectly cast and Nolan, and this film, relies on his likeableness, his charm and the feeling that something just isn't quite right with him. All to very good effect. Ellen Page is strong as Ariadne, the rookie of the team that is our eyes and ears into this world. Ken Watanabe brings his typically strong game to the role of Saito - the man that gives the team the job and goes along for the ride. Nolan regular Cillian Murphy is a welcome addition as the person who they are trying to "Incept" and even small parts are filled with wonderful character actors like the late great, Pete Postlethwaite, Tom Berenger and good ol' Michael Caine.
But it is the emergence of two of the co-stars that, up until this film I thought were "fair actors but not great" that really elevates this film for me. Joseph Gordon-Levitt was always the "long haired kid from 3RD ROCK FROM THE SUN", but in this - as Cobb's right-hand man Arthur - he excels and really jumps out of the film as a screen presence. Of course, it really helps him that he has one of the best action sequences - for the most part practically shot - that I have ever scene. And, of course, there's TOM HARDY. He is a movie star and really shows it in the supporting role of Eames. This guy will win an Oscar one day, probably for a film that Nolan Directs him in.
My only quibble - and it is a QUIBBLE - is that I didn't really feel any strong chemistry between Marion Cotillard's Mal and DiCaprio's Cobb. She was supposed to be the big "love of his life" and I just didn't sense that. She was very good - and imposing - as she infiltrated Cobb's mind (which is, I think, the purpose of her character), but I could have used a little more between her and DiCaprio. But...as I say...a quibble.
All in all, a terrific - different - film. One that I am calling a "classic".
Letter Grade: A+
10 stars (out of 10) and you can take that to the Bank(ofMarquis)
My reaction: I LOVE THIS FILM!!!
I was asked how far back do you have to go before you can consider a film a "classic" and, I guess, I'd have to say 2010, for this film - to me - is a classic.
In INCEPTION, Nolan, and his co-writer brother Jonathan Nolan, go into the dreamworld with the premise that we can join in "shared dreams" to extract information from people that are locked away deep in their conscious (or in some cases unconscious) minds. This film deals with the idea of "Inception", planting an idea into someone's mind. This is, in essence, a "heist" film where our team of heroes is constantly at war with the minds they are inhabiting (since they are seen as parasites). The clock is ticking and they must get in and get out before they get lost.
Speaking of time, Nolan - once again - plays with the idea of time in this film. Once you go into a dream, 1 minute is like 1 hour and when you go into a dream of a dream, then 1 minute is like 60 hours and when you go into a dream within a dream within a dream, then...well...you get the idea.
If someone loses their way in this film, it's because they are trying to make logical sense of a dream world that defies physics - and time. My suggestion to you is to let go and let the movie take you to some fantastical places - with some fantastical imagery and plot machinations - that I enjoyed the heck out of.
Helping out this film is that it is impeccably cast. Leonardo DiCaprio is Cobb the head of this group that enters the dream realm. He is perfectly cast and Nolan, and this film, relies on his likeableness, his charm and the feeling that something just isn't quite right with him. All to very good effect. Ellen Page is strong as Ariadne, the rookie of the team that is our eyes and ears into this world. Ken Watanabe brings his typically strong game to the role of Saito - the man that gives the team the job and goes along for the ride. Nolan regular Cillian Murphy is a welcome addition as the person who they are trying to "Incept" and even small parts are filled with wonderful character actors like the late great, Pete Postlethwaite, Tom Berenger and good ol' Michael Caine.
But it is the emergence of two of the co-stars that, up until this film I thought were "fair actors but not great" that really elevates this film for me. Joseph Gordon-Levitt was always the "long haired kid from 3RD ROCK FROM THE SUN", but in this - as Cobb's right-hand man Arthur - he excels and really jumps out of the film as a screen presence. Of course, it really helps him that he has one of the best action sequences - for the most part practically shot - that I have ever scene. And, of course, there's TOM HARDY. He is a movie star and really shows it in the supporting role of Eames. This guy will win an Oscar one day, probably for a film that Nolan Directs him in.
My only quibble - and it is a QUIBBLE - is that I didn't really feel any strong chemistry between Marion Cotillard's Mal and DiCaprio's Cobb. She was supposed to be the big "love of his life" and I just didn't sense that. She was very good - and imposing - as she infiltrated Cobb's mind (which is, I think, the purpose of her character), but I could have used a little more between her and DiCaprio. But...as I say...a quibble.
All in all, a terrific - different - film. One that I am calling a "classic".
Letter Grade: A+
10 stars (out of 10) and you can take that to the Bank(ofMarquis)