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David Hare recommended King Lear in Books (curated)
Shaun Collins (3 KP) rated Doctor Who: Excelis Dawns in Books
Jan 12, 2018
What a conflux of good and bad this is. First the cast... Anthony Stuart Head is fantastic, and Katy Manning makes Iris a hurricane to deal with. Peter Davison raises his bemused Doctor to the occasion to deal with the two of them. The plot is interesting, and fun to listen to, (mainly due to the characters on display) but while it sets up Excelis to be interesting, it's not a place we really want to return to once this one is done. For more, check out www.travelingthevortex.com
Kevin Phillipson (9955 KP) rated Transformers Rise of the Beasts (2023) in Movies
Jun 23, 2023
Anthony ramos (1 more)
Dominique fishback
Watched today after so many not so great transformers movies with revenge of the fallen being the best sequel followed by bumblebee next best and now rise of the beasts the third best. Anyway the plot is self-explanatory u got good robots and bad robots who change into all manner of beasts and cars and trucks with Peter Cullen back again as optimus prime still the definitive prime in my opinion and I'm sticking with it if this is your type of movie go watch
Jonathan Rhys Meyers recommended The Lion in Winter (1968) in Movies (curated)
Bob Mann (459 KP) rated The Father (2020) in Movies
Jun 12, 2021
Dementia twists the strands of Anthony’s personal multiverse
Anthony (Anthony Hopkins) is elderly and living in his flat. His daughter Anne (Olivia Colman) keeps dropping by to check he is OK. But is this right? Strange things keep happening to him, from losing his watch to having strange people turn up at the flat. For Anthony is battling against dementia, and reality and fantasy are not quite as distinct as they once were.
Positives:
- I was one of those disappointed that Chadwick Boseman didn’t posthumously win the Best Actor Oscar for “Ma Rainey’s Black Bottom”. But, boy oh boy, after seeing this I am fully supportive of the Academy’s position. Anthony Hopkins has delivered some astonishingly powerful performances during his career – from the tortured ventriloquist in “Magic”, to Hannibal Lector to the elderly pope in “The Two Popes”. But he really excels himself here, tapping both your emotions and your sympathies as the confused and terrified old man.
- The Oscar- and BAFTA-winning screenplay by Florian Zeller, based on his stage play, is devastating, subtly twisting the knife. It will be particularly telling/upsetting for those who are getting on in years and/or have/had elderly parents affected by dementia. I would personally not have included (being deliberately vague) the “Williams entry” scene in the trailer, since it is a jolt of a twist in the film. But there are so many other clever devices in the screenplay that you don’t see coming. The ending in particular is brutal on the emotions.
- The production design (an Oscar nomination for Peter Francis and Cathy Featherstone) is ingenious, as the set subtly and progressively transforms. Almost a ‘spot the difference’ in movie form.
- The score by Ludovico Einaudi uses atonal strings to great effect, as Anthony’s reality keeps shifting from under him.
Negatives:
- I’ve nothing here, hence my 10-bomb rating. I’ve seen some reviews that have thought that the movie was too “stagey” (which is a criticism I have levelled before at a bunch of “stage to screen” adaptations such as “Fences” and – more recently – “One Night in Miami” and “Ma Rainey’s Black Bottom“). But I really didn’t feel that way about “The Father”. The claustrophobic nature of the plot was well served I thought by the (largely) single set location.
Summary Thoughts on “The Father”: Dementia is a cruel and heartless disease that robs any affected elderly person of their memories, logic and – ultimately – their dignity. I thought the movie was extremely clever in reflecting this decline, anchored by the astonishing career-best performance from Sir Anthony Hopkins. But this in turns makes this a very hard watch indeed!
(For the full graphical review, check out the One Mann's Movies post here - https://bob-the-movie-man.com/2021/06/12/the-father-dementia-twists-the-strands-of-anthonys-personal-multiverse/ . Thanks.
Positives:
- I was one of those disappointed that Chadwick Boseman didn’t posthumously win the Best Actor Oscar for “Ma Rainey’s Black Bottom”. But, boy oh boy, after seeing this I am fully supportive of the Academy’s position. Anthony Hopkins has delivered some astonishingly powerful performances during his career – from the tortured ventriloquist in “Magic”, to Hannibal Lector to the elderly pope in “The Two Popes”. But he really excels himself here, tapping both your emotions and your sympathies as the confused and terrified old man.
- The Oscar- and BAFTA-winning screenplay by Florian Zeller, based on his stage play, is devastating, subtly twisting the knife. It will be particularly telling/upsetting for those who are getting on in years and/or have/had elderly parents affected by dementia. I would personally not have included (being deliberately vague) the “Williams entry” scene in the trailer, since it is a jolt of a twist in the film. But there are so many other clever devices in the screenplay that you don’t see coming. The ending in particular is brutal on the emotions.
- The production design (an Oscar nomination for Peter Francis and Cathy Featherstone) is ingenious, as the set subtly and progressively transforms. Almost a ‘spot the difference’ in movie form.
- The score by Ludovico Einaudi uses atonal strings to great effect, as Anthony’s reality keeps shifting from under him.
Negatives:
- I’ve nothing here, hence my 10-bomb rating. I’ve seen some reviews that have thought that the movie was too “stagey” (which is a criticism I have levelled before at a bunch of “stage to screen” adaptations such as “Fences” and – more recently – “One Night in Miami” and “Ma Rainey’s Black Bottom“). But I really didn’t feel that way about “The Father”. The claustrophobic nature of the plot was well served I thought by the (largely) single set location.
Summary Thoughts on “The Father”: Dementia is a cruel and heartless disease that robs any affected elderly person of their memories, logic and – ultimately – their dignity. I thought the movie was extremely clever in reflecting this decline, anchored by the astonishing career-best performance from Sir Anthony Hopkins. But this in turns makes this a very hard watch indeed!
(For the full graphical review, check out the One Mann's Movies post here - https://bob-the-movie-man.com/2021/06/12/the-father-dementia-twists-the-strands-of-anthonys-personal-multiverse/ . Thanks.
Kirk Bage (1775 KP) rated Spartacus (1960) in Movies
Mar 3, 2020
And here it was! The film that Douglas as star and producer had been working towards for his whole life. At the age of 43 he threw his entire being into making this the difining moment of his career. Although we do remember it with extreme fondness, it was a troubled production by any stretch. Original director Anthony Mann was fired by Douglas months into filming and replaced by Kubrick, who Douglas admired unreservedly after Paths of Glory. The trouble was that Kubrick himself was out-growing Douglas creatively and the two also clashed, to an almost catastrophic degree. Film legend will tell it different ways, but such was Douglas’ ego by this point that he virtually directed it himself; a fact Kubrick would never again endure, to the point of almost disowning the final product. So many iconic moments and a re-watchability factor belie what a painful experience it was for all its stars. Douglas had to watch on again as this time Peter Ustinov won the supporting actor gong, whilst Douglas was not even nominated. A great irony that his life’s work culminated in a film that to some extent broke his heart.
Darren (1599 KP) rated Jarhead (2005) in Movies
Jul 2, 2019
Story: Jarhead starts as we meet Anthony Swofford (Gyllenhaal) who joined the marines, it isn’t long before he gets taken by Staff Sgt Sykes (Foxx) to the US Marine Sniper division going through the training regime meeting his spotter Alan Troy (Sarsgaard).
When war breaks out the marines are set to the middle east, where they must adapt to the desert condition before going into to conflict, this will test their psychical shape and their mental health as the waiting is just part of the sniper’s game.
Thoughts on Jarhead
Characters – Anthony Swofford who wrote the book the film is based on, we see how he joined the military out of college and struggled at first through the training regime. Anthony soon discovered he was ready for this life as a sniper, but his time in the gulf sees him start to lose his mind. Alan Troy becomes the best friend of Anthony’s and his spotter, he seems to be the most level-headed marine in the unit. Staff Sgt Sykes is the one running the sniper unit, he demands respect and isn’t afraid to put the marines in their place.
Performances – Jake Gyllenhaal is fantastic in the leading role, he shows everyone how he can play the calm soldier, the crazed soldier and the broken man through the scenes of the film which only increase what he is dealing with. Peter Sarsgaard give us a brilliant supporting performance which shows how the fear can be kept inside a calm outer layer. Jamie Foxx brings us the energy of a career military man.
Story – The story follows the experiences of one soldier that joins the marines before being put in the sniper division when war breaks out, he must adapt to life in the desert during the waiting game before the conflict. This story does show us just how difficult adapting to war can be for the soldiers and just how the war can be fought without needing to fire a weapon. It shows us just how the mindset can change over a set amount of time which will see the soldiers make decisions they wouldn’t normally consider making. This does focus on the idea that the main soldier Anthony never truly feels like he was part of the war followed by the effects of returning back from war can have on the soldiers who have returned.
Biopic/War – This film follows Anthony’s experience with war, it shows how war isn’t everything he was planning and how his mindset wasn’t in the right place for parts of his experience. The war side of the film shows us just how different war has become over the years, where the ground soldiers are not as required as once before.
Settings – The film has some wonderful uses of settings with the march sequence showing us just how open the area in question will be for the soldiers.
Scene of the Movie – Returning home.
That Moment That Annoyed Me – Slow start.
Final Thoughts – This is a fascinating look at the modern war effort, how the biggest problem is now waiting for the war to begin rather than the fighting.
Overall: Modern war time.
When war breaks out the marines are set to the middle east, where they must adapt to the desert condition before going into to conflict, this will test their psychical shape and their mental health as the waiting is just part of the sniper’s game.
Thoughts on Jarhead
Characters – Anthony Swofford who wrote the book the film is based on, we see how he joined the military out of college and struggled at first through the training regime. Anthony soon discovered he was ready for this life as a sniper, but his time in the gulf sees him start to lose his mind. Alan Troy becomes the best friend of Anthony’s and his spotter, he seems to be the most level-headed marine in the unit. Staff Sgt Sykes is the one running the sniper unit, he demands respect and isn’t afraid to put the marines in their place.
Performances – Jake Gyllenhaal is fantastic in the leading role, he shows everyone how he can play the calm soldier, the crazed soldier and the broken man through the scenes of the film which only increase what he is dealing with. Peter Sarsgaard give us a brilliant supporting performance which shows how the fear can be kept inside a calm outer layer. Jamie Foxx brings us the energy of a career military man.
Story – The story follows the experiences of one soldier that joins the marines before being put in the sniper division when war breaks out, he must adapt to life in the desert during the waiting game before the conflict. This story does show us just how difficult adapting to war can be for the soldiers and just how the war can be fought without needing to fire a weapon. It shows us just how the mindset can change over a set amount of time which will see the soldiers make decisions they wouldn’t normally consider making. This does focus on the idea that the main soldier Anthony never truly feels like he was part of the war followed by the effects of returning back from war can have on the soldiers who have returned.
Biopic/War – This film follows Anthony’s experience with war, it shows how war isn’t everything he was planning and how his mindset wasn’t in the right place for parts of his experience. The war side of the film shows us just how different war has become over the years, where the ground soldiers are not as required as once before.
Settings – The film has some wonderful uses of settings with the march sequence showing us just how open the area in question will be for the soldiers.
Scene of the Movie – Returning home.
That Moment That Annoyed Me – Slow start.
Final Thoughts – This is a fascinating look at the modern war effort, how the biggest problem is now waiting for the war to begin rather than the fighting.
Overall: Modern war time.
Kirk Bage (1775 KP) rated The Draughtsman's Contract (1982) in Movies
Jan 28, 2021
Quite often more interesting in theory than practice, the films of Peter Greenaway can be inaccessible, oppressive and pretentious in the worst way. He himself would say his work is half film, half art, without apologising for it, and why should he? Looking at his CV, I can say there have been some I have enjoyed, or at least marvelled at: The Cook, The Thief, His Wife and Her Lover being the obvious one. Drowning by Numbers being another – ambitious and ingenious constructions that are startlingly effective if in the mood for such conceits. Whereas things like Prospero’s Books and The Pillow Book cross the line of pomposity and pretentiousness just too far. So it was with trepidation I approached this one, expecting that the wigs and costumes would far outshine the content of the story. I was quite wrong.
The Draughtsman’s Contract is still difficult to engage with, especially on first viewing, as the plot is dense and often hidden within the trivialities, as it unfolds, however, it becomes an ingenious murder mystery with all the clues hidden in plain sight under the artifice of surface detail. The things that are happening are not the story, the story is underneath, much as the real humanity of these people is hidden under ostentatious wigs and skirts. Familiar British actors of the time such as Anthony Higgins, Janet Suzman and Hugh Fraser serve Greenaway as consummate storytellers in a borderline theatre style throughout. It shouldn’t work or be half as compelling as it is, but there is magic at work here of some kind. Unique and marvelous if not always easy. But that is Greenaway!
The Draughtsman’s Contract is still difficult to engage with, especially on first viewing, as the plot is dense and often hidden within the trivialities, as it unfolds, however, it becomes an ingenious murder mystery with all the clues hidden in plain sight under the artifice of surface detail. The things that are happening are not the story, the story is underneath, much as the real humanity of these people is hidden under ostentatious wigs and skirts. Familiar British actors of the time such as Anthony Higgins, Janet Suzman and Hugh Fraser serve Greenaway as consummate storytellers in a borderline theatre style throughout. It shouldn’t work or be half as compelling as it is, but there is magic at work here of some kind. Unique and marvelous if not always easy. But that is Greenaway!
Movie Metropolis (309 KP) rated Transformers: The Last Knight (2017) in Movies
Jun 10, 2019
Has anyone got an aspirin?
Shhh! Don’t tell anyone I told you this but I’m a little bit of a Transformers fanboy. As a child I had many of the series’ toys and adored the animated series. Heck, I even have an Optimus Prime bobblehead next to my bed.
So when director Michael Bay announced in 2005 that he was planning a Transformers live-action movie with Steven Spielberg as producer, my heart skipped a beat. 2007 came and the film was everything I wanted.
Fast forward ten years and the series has, rightly or wrongly, become a laughing stock for critics the world over. Derided for nonsensical plots, messy special effects and in some cases racism, it’s been regarded as one of the worst film franchises of all time. Does the fifth entry in the franchise, The Last Knight redeem the series somewhat?
Humans are at war with the Transformers and Optimus Prime (Peter Cullen) has disappeared. The key to saving the future lies buried in the secrets of the past and the hidden history of Transformers on Earth. Now, it’s up to the alliance of Cade Yeager (Mark Wahlberg), Bumblebee, a Lord (Sir Anthony Hopkins) and an Oxford professor (Laura Haddock) to save the planet.
Michael Bay’s swansong is definitely the best of the series since the 2007 original, but suffers from all the problems of its 3 sequels.
On a budget of $260million, there was no doubt The Last Knight would look spectacular, but things really have stepped up a gear. The CGI is some of the best put to film and makes the uncharacteristically sloppy special effects of Age of Extinction look incredibly dated.
The Transformers themselves all look great with Bumblebee in particular taking on the role of “lead bot”. Newcomer Squeeks is sure to become the BB-8 of the franchise and is predictably adorable despite his limited screen-time.
Of the cast, it’s a story of same old. The voice acting on all the Transformers is good with a disappointingly underused Peter Cullen stealing the show once again. Mark Wahlberg is permanently likeable and it’s always a pleasure having John Turturro’s Agent Simmons returning to the screen. Laura Haddock is the typical Michael Bay choice of female lead, channelling Megan Fox, Rosie Huntington-Whitely and Nicola Peltz.
However, Sir Anthony Hopkins is where this film raises itself above the parapet. The veteran actor is really exceptional and brightens the movie in every single scene he appears in. You can tell he’s not taking it too seriously, and that is exactly the point of this series.
Sure, the plot is a hot steaming mess of nonsensical dialogue with loose strands of story, and at 149 minutes it’s a good half hour too long, but with all the fear and hate in real life, sometimes it’s nice to switch your brain off and escape to a world where robots exist – and there’s nothing wrong with that.
Michael Bay may not be the subtlest of directors. Give him a classy love story and he’ll turn it into Fifty Shades of Grey, but he’s clearly a very clever man. The critics have savaged this franchise but audiences keep coming back for more and who can blame them?
If this is, as has been said by the man himself, Michael Bay’s last entry into the Transformers canon, then it’s not a bad film to leave on whatsoever.
You know the score by now. Don’t go in expecting Shakespeare or Oscar-winning performances and you’ll be fine. Just make sure you take some paracetamol; crikey it’s loud.
https://moviemetropolis.net/2017/06/24/transformers-the-last-knight-review/
So when director Michael Bay announced in 2005 that he was planning a Transformers live-action movie with Steven Spielberg as producer, my heart skipped a beat. 2007 came and the film was everything I wanted.
Fast forward ten years and the series has, rightly or wrongly, become a laughing stock for critics the world over. Derided for nonsensical plots, messy special effects and in some cases racism, it’s been regarded as one of the worst film franchises of all time. Does the fifth entry in the franchise, The Last Knight redeem the series somewhat?
Humans are at war with the Transformers and Optimus Prime (Peter Cullen) has disappeared. The key to saving the future lies buried in the secrets of the past and the hidden history of Transformers on Earth. Now, it’s up to the alliance of Cade Yeager (Mark Wahlberg), Bumblebee, a Lord (Sir Anthony Hopkins) and an Oxford professor (Laura Haddock) to save the planet.
Michael Bay’s swansong is definitely the best of the series since the 2007 original, but suffers from all the problems of its 3 sequels.
On a budget of $260million, there was no doubt The Last Knight would look spectacular, but things really have stepped up a gear. The CGI is some of the best put to film and makes the uncharacteristically sloppy special effects of Age of Extinction look incredibly dated.
The Transformers themselves all look great with Bumblebee in particular taking on the role of “lead bot”. Newcomer Squeeks is sure to become the BB-8 of the franchise and is predictably adorable despite his limited screen-time.
Of the cast, it’s a story of same old. The voice acting on all the Transformers is good with a disappointingly underused Peter Cullen stealing the show once again. Mark Wahlberg is permanently likeable and it’s always a pleasure having John Turturro’s Agent Simmons returning to the screen. Laura Haddock is the typical Michael Bay choice of female lead, channelling Megan Fox, Rosie Huntington-Whitely and Nicola Peltz.
However, Sir Anthony Hopkins is where this film raises itself above the parapet. The veteran actor is really exceptional and brightens the movie in every single scene he appears in. You can tell he’s not taking it too seriously, and that is exactly the point of this series.
Sure, the plot is a hot steaming mess of nonsensical dialogue with loose strands of story, and at 149 minutes it’s a good half hour too long, but with all the fear and hate in real life, sometimes it’s nice to switch your brain off and escape to a world where robots exist – and there’s nothing wrong with that.
Michael Bay may not be the subtlest of directors. Give him a classy love story and he’ll turn it into Fifty Shades of Grey, but he’s clearly a very clever man. The critics have savaged this franchise but audiences keep coming back for more and who can blame them?
If this is, as has been said by the man himself, Michael Bay’s last entry into the Transformers canon, then it’s not a bad film to leave on whatsoever.
You know the score by now. Don’t go in expecting Shakespeare or Oscar-winning performances and you’ll be fine. Just make sure you take some paracetamol; crikey it’s loud.
https://moviemetropolis.net/2017/06/24/transformers-the-last-knight-review/
Darren (1599 KP) rated Stephen King's A Good Marriage (2014) in Movies
Jun 20, 2019
Story: A Good Marriage starts with the anniversary party of Darcy (Allen) and Bob Anderson (LaPaglia) with their grown up children Petra (Connolly) and Donnie (Stockman). Everything on the outside looks like it is going great for the couple and what could possibly be shocking about them? The couple seem to have a follower in Holt Ramsey (Lang) but why?
Darcy’s life takes a sudden change when searching for batteries she finds a hidden box with the drivers licences of woman who are found dead. As Darcy struggles to deal with the realisation that she is married to a serial killer we watch how Bob is tracking down him latest victim while away on business. We have to watch how Bob and Darcy try to work through the problems because spilling the secret could ruin the family.
A Good Marriage really does end up coming off very dull, the concept sounds very interesting. I feel this story should have been a hell of a lot tenser because of the action of the husband especially with the idea that the wife doesn’t want to destroy her children’s lives with the secret. I can honestly say I was expecting a look into the husband’s killing and an actual confrontation rather than just a calm talking about his actions. Overall the story doesn’t come off very well at all and I can honestly say this will disappoint any and all the Stephen King Fans out there. (2/10)
Actor Review
Joan Allen: Darcy Anderson is the loving mother and wife who discovers her husband’s secret. Darcy has to try and figure out what to do because talking will destroy the family but she also knows the next victim will now be here fault. Joan does a solid job but doesn’t reach the levels you would expect to make you feel like her character is scared or keeping a brave face. (5/10)
Anthony LaPaglia: Bob Anderson is the account husband of Darcy who has been living a different life behind his family’s back as a serial killer. When his wife discovers his secret he has to convince her not to go to the cops and ruin the life the children think they have had. Anthony is an actor I would expect to be able to play this role really well but he doesn’t seem to get into the role enough to make us believe he is a killer. (3/10)
Support Cast: A Good Marriage has a supporting cast that are mostly people Darcy is trying to protect from the truth, but it also has a man trying to find out the truth about the killer.
Director Review: Peter Askin – Peter doesn’t give us enough tension in a film that should be filled to the rim with tension because of the subject matter. (3/10)
Thriller: A Good Marriage is a film that should be filled with tension but this manages to let it all go without capitalising on the idea. (2/10)
Settings: A Good Marriage keeps the settings great because the idea would be that the killer is in plain sight living a normal life. (9/10)
Suggestion: A Good Marriage has to go down as one to avoid because it really does disappoint trying to tell an easy story. (Avoid)
Best Part: Hard to find anything.
Worst Part: No Tension.
Improve Ideas: High tension level.
Believability: The idea does come from a real serial killer but the outcome on film doesn’t really work. (3/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Runtime: 1 Hour 42 Minutes
Trivia: This is Stephen King’s first self-adapted screenplay since “Pet Sematary,” which was released 25 years earlier. The last feature film script he wrote was “Sleepwalkers,” released in 1992. Since then he has written TV movies, mini-series and shows, such as “The Stand,” “The Shining” and “Kingdom Hospital.”
Overall: Very disappointing thriller with no actual tension.
https://moviesreview101.com/2015/06/04/a-good-marriage-2014/
Darcy’s life takes a sudden change when searching for batteries she finds a hidden box with the drivers licences of woman who are found dead. As Darcy struggles to deal with the realisation that she is married to a serial killer we watch how Bob is tracking down him latest victim while away on business. We have to watch how Bob and Darcy try to work through the problems because spilling the secret could ruin the family.
A Good Marriage really does end up coming off very dull, the concept sounds very interesting. I feel this story should have been a hell of a lot tenser because of the action of the husband especially with the idea that the wife doesn’t want to destroy her children’s lives with the secret. I can honestly say I was expecting a look into the husband’s killing and an actual confrontation rather than just a calm talking about his actions. Overall the story doesn’t come off very well at all and I can honestly say this will disappoint any and all the Stephen King Fans out there. (2/10)
Actor Review
Joan Allen: Darcy Anderson is the loving mother and wife who discovers her husband’s secret. Darcy has to try and figure out what to do because talking will destroy the family but she also knows the next victim will now be here fault. Joan does a solid job but doesn’t reach the levels you would expect to make you feel like her character is scared or keeping a brave face. (5/10)
Anthony LaPaglia: Bob Anderson is the account husband of Darcy who has been living a different life behind his family’s back as a serial killer. When his wife discovers his secret he has to convince her not to go to the cops and ruin the life the children think they have had. Anthony is an actor I would expect to be able to play this role really well but he doesn’t seem to get into the role enough to make us believe he is a killer. (3/10)
Support Cast: A Good Marriage has a supporting cast that are mostly people Darcy is trying to protect from the truth, but it also has a man trying to find out the truth about the killer.
Director Review: Peter Askin – Peter doesn’t give us enough tension in a film that should be filled to the rim with tension because of the subject matter. (3/10)
Thriller: A Good Marriage is a film that should be filled with tension but this manages to let it all go without capitalising on the idea. (2/10)
Settings: A Good Marriage keeps the settings great because the idea would be that the killer is in plain sight living a normal life. (9/10)
Suggestion: A Good Marriage has to go down as one to avoid because it really does disappoint trying to tell an easy story. (Avoid)
Best Part: Hard to find anything.
Worst Part: No Tension.
Improve Ideas: High tension level.
Believability: The idea does come from a real serial killer but the outcome on film doesn’t really work. (3/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Runtime: 1 Hour 42 Minutes
Trivia: This is Stephen King’s first self-adapted screenplay since “Pet Sematary,” which was released 25 years earlier. The last feature film script he wrote was “Sleepwalkers,” released in 1992. Since then he has written TV movies, mini-series and shows, such as “The Stand,” “The Shining” and “Kingdom Hospital.”
Overall: Very disappointing thriller with no actual tension.
https://moviesreview101.com/2015/06/04/a-good-marriage-2014/