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Kevin Phillipson (9912 KP) rated Daleks - Invasion Earth 2150 A.D. (1966) in Movies
Mar 3, 2018
Kevin Phillipson (9912 KP) rated At the Earth's Core (1976) in Movies
Nov 10, 2018 (Updated Oct 14, 2019)
Peter cushing (2 more)
Doug mclure
Mystery science theater 3000 the return
Remember this one from my childhood liking it at the time still have a soft spot for the movie maybe slightly outdated especially the creatures and the effects being low budget but any film that Peter cushing in it is okay by Me
Matthew Krueger (10051 KP) rated House of the Long Shadows (1983) in Movies
Nov 23, 2020
Christopher Lee (3 more)
Vincent Price
Peter Cushing
John Carradine
When Four Horror Icons Collide
House of the Long Shadows- is a excellent movie. It has four horror legends and icons in it. Vincent Price, Peter Cushing, Christopher Lee and John Carradine. It mixes horror, suspense and comedy and it does a excellent job with it.
The plot: An American author finds a dilapidated Welsh manor perfect for writing until the residents host a bizarre family reunion.
Its a must see film.
The plot: An American author finds a dilapidated Welsh manor perfect for writing until the residents host a bizarre family reunion.
Its a must see film.
Matthew Krueger (10051 KP) rated Horror Express (1972) in Movies
Nov 23, 2020
Christopher Lee (1 more)
Peter Cushing
The Terror Express
Horror Express- is a great movie. The horror, the terror, the gory, the acting, all great.
The plot: Alexander Saxton (Christopher Lee), a brilliant British anthropologist researching in the Russian Far East, boards the Trans-Siberian Express with his latest discovery, a frozen specimen he hopes to prove is the missing link. But en route to Europe, passengers begin to turn up dead, and terror engulfs the train as Saxton and his partner, Dr. Wells (Peter Cushing), struggle to contain a mysterious -- and increasingly murderous -- force with the power to control minds.
According to Martin, the film was made because a producer obtained a train set from Nicholas and Alexandra (1971). "He came up with the idea of writing a script just so he would be able to use this prop," said Martin. "Now at that time, Phil was in the habit of buying up loads of short stories to adapt into screenplays, and the story for Horror Express was originally based on a tale written by a little-known American scriptwriter and playwright."
Securing Lee and Cushing was a coup for Gordon, since it lent an atmosphere reminiscent of Hammer Films, many of which starred both of the actors. When Cushing arrived in Madrid to begin work on the picture, however, he was still distraught over the recent death of his wife, and announced to Gordon that he could not do the film. With Gordon desperate over the idea of losing one of his important stars, Lee stepped in and put Cushing at ease simply by talking to his old friend about some of their previous work together. Cushing changed his mind and stayed on.
Its a great movie.
The plot: Alexander Saxton (Christopher Lee), a brilliant British anthropologist researching in the Russian Far East, boards the Trans-Siberian Express with his latest discovery, a frozen specimen he hopes to prove is the missing link. But en route to Europe, passengers begin to turn up dead, and terror engulfs the train as Saxton and his partner, Dr. Wells (Peter Cushing), struggle to contain a mysterious -- and increasingly murderous -- force with the power to control minds.
According to Martin, the film was made because a producer obtained a train set from Nicholas and Alexandra (1971). "He came up with the idea of writing a script just so he would be able to use this prop," said Martin. "Now at that time, Phil was in the habit of buying up loads of short stories to adapt into screenplays, and the story for Horror Express was originally based on a tale written by a little-known American scriptwriter and playwright."
Securing Lee and Cushing was a coup for Gordon, since it lent an atmosphere reminiscent of Hammer Films, many of which starred both of the actors. When Cushing arrived in Madrid to begin work on the picture, however, he was still distraught over the recent death of his wife, and announced to Gordon that he could not do the film. With Gordon desperate over the idea of losing one of his important stars, Lee stepped in and put Cushing at ease simply by talking to his old friend about some of their previous work together. Cushing changed his mind and stayed on.
Its a great movie.
Awix (3310 KP) rated Dracula A.D. 1972 (1972) in Movies
Mar 16, 2018
Hammer's attempt to make Dracula more with-it succeeds as far as it does despite, rather than because of, the contemporary elements. Dracula pops up in the present day, causes the usual trouble, is disposed of with surprising ease. (The plot is essentially a retread of that of Taste the Blood of Dracula but with more flared trousers and Peter Cushing.)
Christopher Lee's disdain for the whole project is virtually palpable, but Peter Cushing works his usual magic in lifting some rather duff material. Movie may deserve some kind of award for the sheer number of before-they-were-famous people appearing in it. It's not quite actively bad, but it feels much more dated than any of the films set in the 19th century. Somewhat groovy; hardly fab.
Christopher Lee's disdain for the whole project is virtually palpable, but Peter Cushing works his usual magic in lifting some rather duff material. Movie may deserve some kind of award for the sheer number of before-they-were-famous people appearing in it. It's not quite actively bad, but it feels much more dated than any of the films set in the 19th century. Somewhat groovy; hardly fab.
Erika (17788 KP) rated Star Wars: Episode IV - A New Hope (1977) in Movies
Aug 24, 2017
A New Hope is the first movie I remember watching that wasn't animated. It was the first video tape my parents ever bought. It's my favorite out of all of the Star Wars films, and a great introduction to the world of Star Wars. It's got everything: Peter Cushing as Grand Moff Tarkin, young, attractive Harrison Ford, and bad ass Carrie Fisher as Princess Leia.
Matthew Krueger (10051 KP) rated Dr. Terror's House of Horrors (1965) in Movies
Sep 1, 2020
Peter Cushing (2 more)
Christopher Lee
Donald Sutherland
House of Horrors
Dr. Terror's House of Horrors is a excellent british anthology film that stars two horror icons Christopher Lee and Peter Cushing. It also has Donald Sutherland in it, so thats a plus.
It was the first in a series of anthology films from Amicus and was followed by Torture Garden (1967), The House That Dripped Blood (1970), Asylum (1972), Tales from the Crypt (1972), The Vault of Horror (1973) and From Beyond the Grave (1974).
The movies was made with a budget of £105,000 and Donald Sutherland was paid £1,000 ($10,153.31 in 2018 dollars) for his performance.
The Plot: Five chilling stories are linked by the character of a strange fortune-telling doctor who predicts the bizarre deaths of five fellow passengers on a train using a pack of tarot cards.
Its a excellent anthology film.
It was the first in a series of anthology films from Amicus and was followed by Torture Garden (1967), The House That Dripped Blood (1970), Asylum (1972), Tales from the Crypt (1972), The Vault of Horror (1973) and From Beyond the Grave (1974).
The movies was made with a budget of £105,000 and Donald Sutherland was paid £1,000 ($10,153.31 in 2018 dollars) for his performance.
The Plot: Five chilling stories are linked by the character of a strange fortune-telling doctor who predicts the bizarre deaths of five fellow passengers on a train using a pack of tarot cards.
Its a excellent anthology film.
Paul Stanley recommended The Curse of the Werewolf (1961) in Movies (curated)
Kevin Phillipson (9912 KP) rated Dr. Who and the Daleks (1965) in Movies
Aug 11, 2022
Peter cushing (2 more)
Daleks
Roy castle
Watched today I've seen this movie several times over the years and still I love the movie based on the BBC TV show doctor who not many realise back in the 60s they made two movies with the doctor and the daleks in colour and it really is amazing the casting of Peter cushing as the doctor is the best choice in the role plays it so well and then there's Roy Castle who would go on later for a lot of children in the 70s and 80s to make a tv show called record breakers plays the comedy side rather. And then there's the daleks looking glorious in colour for the first time. Recenlty the film had been restored in glorious HD looking better than ever which is the version I watched today. Overall good movie based on a tv but dalek invasion earth 2150 still my favourite of the two
Awix (3310 KP) rated Lust for a Vampire (1971) in Movies
Feb 17, 2018 (Updated Feb 17, 2018)
I Was A Teenage Lesbian Vampire in a Girl's Boarding School
Largely risible Hammer vampire movie. After the censors objected to all the not-very-subtly-implied lesbianism in The Vampire Lovers, the studio replaced that with a story about a schoolteacher becoming infatuated with one of his pupils and starting a torrid romance with her, which apparently was seen as less problematic (it was the 70s, I suppose).
Initially conceived as another vehicle for Ingrid Pitt and Peter Cushing, to be directed by Terence Fisher; in the end Pitt did Countess Dracula instead, Cushing passed due to family problems, and Fisher was replaced by Jimmy Sangster. The result is a prurient melodrama largely untroubled by subtlety, style, or acting talent (Ralph Bates is not too bad in the role earmarked for Cushing). The sex and nudity which is essentially the film's sine qua non feels very tame by modern standards; the pop song on the soundtrack will make discriminating viewers want to rip their own ears off.
Initially conceived as another vehicle for Ingrid Pitt and Peter Cushing, to be directed by Terence Fisher; in the end Pitt did Countess Dracula instead, Cushing passed due to family problems, and Fisher was replaced by Jimmy Sangster. The result is a prurient melodrama largely untroubled by subtlety, style, or acting talent (Ralph Bates is not too bad in the role earmarked for Cushing). The sex and nudity which is essentially the film's sine qua non feels very tame by modern standards; the pop song on the soundtrack will make discriminating viewers want to rip their own ears off.