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Kristy H (1252 KP) rated Leave No Trace in Books
Mar 15, 2019
Quick, puzzling read
Maya Stark is twenty-three and an assistant speech therapist at Congdon, a facility for the mentally ill. She's had a tough past, and it isn't easy for her to form attachments with anyone. Maya's mom left when she was a kid, and Maya was once a patient at the facility where she now works. So she's surprised when she feels drawn to Congdon's newest patient, nineteen-year-old Lucas Blackthorn. Lucas arrives at Congdon after being arrested for breaking and entering into a wilderness store. Lucas and his father, Josiah, haven't been seen in ten years: Josiah took his son camping in the vast stretch of Minnesota territory known as the Boundary Waters a decade ago and the two haven't been heard from since. It's clear that Lucas wants nothing more than to return to the Boundary Waters. He's a recalcitrant and sometimes violent patient, who will cooperate with no one but Maya. Maya wants to help Lucas, and she wants to know why she feels so strong for this strange and angry boy.
This was my first Mejia book, and while it wasn't quite what I was expecting (I was thinking more mystery, less character-driven novel), it was really interesting. It's told mostly from Maya's point of view, but we hear some from Lucas and others too. It's a very readable book--I tore through it quickly, as there's something gripping about the style and reveal of facts about both Maya and Lucas' lives. We start out knowing very little about either of them--what put Maya in Congdon, what drove Lucas and Josiah into the Boundary Waters, and the novel does a good job of keeping you reading and wondering.
It's an emotional read--obviously being partially set in a mental hospital, it deals with mental illness. I thought, overall, Mejia did a good job with the topic, but if that's a trigger for you, just keep it in mind. The ancillary characters are pretty sparse: Maya's boss, the patients, Maya's dad, etc., but all are well-formed as well. Maya and Lucas are the stars, and both are well-done and easy to picture. The novel did a great job of pulling together all its various pieces. I was impressed how Mejia brought together the different parts of Lucas and Maya's lives--it's quite exceptionally thought out.
Probably the only thing marring this one for me were little things, but they nagged at me a bit. At times, the care Lucas receives seems odd and a bit weirdly thought out--giving a speech therapist such control over his care, for instance, and taking a violent patient into some strange situations. Maya and Lucas' instant attachment was also a little hard to completely believe, as well. But those were pretty small pieces in the scheme of the book.
Overall, I enjoyed my first Mejia book. The plot was the best part for me--I loved how it was a quick read and how enjoyable it was to put together all the various pieces of Lucas and Maya's lives. While there were a few little quirks that kept this from being an amazing read, it was still a solid, worthwhile read.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
This was my first Mejia book, and while it wasn't quite what I was expecting (I was thinking more mystery, less character-driven novel), it was really interesting. It's told mostly from Maya's point of view, but we hear some from Lucas and others too. It's a very readable book--I tore through it quickly, as there's something gripping about the style and reveal of facts about both Maya and Lucas' lives. We start out knowing very little about either of them--what put Maya in Congdon, what drove Lucas and Josiah into the Boundary Waters, and the novel does a good job of keeping you reading and wondering.
It's an emotional read--obviously being partially set in a mental hospital, it deals with mental illness. I thought, overall, Mejia did a good job with the topic, but if that's a trigger for you, just keep it in mind. The ancillary characters are pretty sparse: Maya's boss, the patients, Maya's dad, etc., but all are well-formed as well. Maya and Lucas are the stars, and both are well-done and easy to picture. The novel did a great job of pulling together all its various pieces. I was impressed how Mejia brought together the different parts of Lucas and Maya's lives--it's quite exceptionally thought out.
Probably the only thing marring this one for me were little things, but they nagged at me a bit. At times, the care Lucas receives seems odd and a bit weirdly thought out--giving a speech therapist such control over his care, for instance, and taking a violent patient into some strange situations. Maya and Lucas' instant attachment was also a little hard to completely believe, as well. But those were pretty small pieces in the scheme of the book.
Overall, I enjoyed my first Mejia book. The plot was the best part for me--I loved how it was a quick read and how enjoyable it was to put together all the various pieces of Lucas and Maya's lives. While there were a few little quirks that kept this from being an amazing read, it was still a solid, worthwhile read.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
Erratic.
To begin with I should point out that I listened to this rather than read it, and I have to say that I found (not for the first time with American audiobooks) that the narrator detracted from the story. They chose a woman with a very slow, drawling delivery which in some ways, I imagine, was intended to emphasise the sunny, laid-back easy-going stereotype of the late 60's hippy movement. Unfortunately the actual effect was to make the book drag.
Beyond that the content of the book itself was a mixed bag of the pleasurable and the pointless.
Where Cline excelles in this book is in her portrayal of a normal adolescent female trying to fit the role society has dictated for her. It's important to note that Evie is normal - she's not in the small group of incredibly popular, socially adept, fashionably en point and appropriately presented girls of the moment, nor is she so far away from the 'norm' that she is considered especially weird. She falls firmly within the parameters of 'normal' girls who are just struggling with the 'project of their girlhood'. Nor is it just girls that Cline succeeds in painting an accurate picture of - the tribulations of Evie's mother (newley divorced and struggling to realise the relevance and attraction that society expects from her again) speak to the ongoing and endless demands of a civilisation that puts endless pressure on it's female members to adhere to a very narrow and sharply defined criteria in order to be 'acceptable'. This pressure is something I imagine most female readers of this book will relate to, regardless of age, because, of course, it is still very much a daily aspect of most girls' and womens' lives; some possibly even recognising individual situations in which they have been at some stage in their life.
Understanding and empathising with Evie then, it is disconcerting to follow her absorption into the cult; her fascination with the older girls, the ones she later reflects upon as barely more than children themselves; the ease with which she is manipulated through her desire to please her new friends and to defy her mother; the lies sher emotional side is sold and accepts, even as her more rational mind recognises that they are lies...
These are the things Cline excelles in. I can honestly say I have never read an more accurate depiction of clumsy, normal female adolescence.
Unfortunately interspersed through these parts are large tracts of pointless and incredibly, horribly flowery waffle that don't really add anything else to the story other than to repeat, endlessly the message that 'the girl who was part of the cult' had a sad and unfulfilling life afterwards.The message that she screwed up could have been delivered successfully at the beginning and reinforced at the end - it didn't need that kind of repetition.
Overall I would say that for fans of general fiction (which I'm not), and teen readers (which I am also not), this is probably a good read, just expect it to drag at times. It's not one I shall be revisiting.
Beyond that the content of the book itself was a mixed bag of the pleasurable and the pointless.
Where Cline excelles in this book is in her portrayal of a normal adolescent female trying to fit the role society has dictated for her. It's important to note that Evie is normal - she's not in the small group of incredibly popular, socially adept, fashionably en point and appropriately presented girls of the moment, nor is she so far away from the 'norm' that she is considered especially weird. She falls firmly within the parameters of 'normal' girls who are just struggling with the 'project of their girlhood'. Nor is it just girls that Cline succeeds in painting an accurate picture of - the tribulations of Evie's mother (newley divorced and struggling to realise the relevance and attraction that society expects from her again) speak to the ongoing and endless demands of a civilisation that puts endless pressure on it's female members to adhere to a very narrow and sharply defined criteria in order to be 'acceptable'. This pressure is something I imagine most female readers of this book will relate to, regardless of age, because, of course, it is still very much a daily aspect of most girls' and womens' lives; some possibly even recognising individual situations in which they have been at some stage in their life.
Understanding and empathising with Evie then, it is disconcerting to follow her absorption into the cult; her fascination with the older girls, the ones she later reflects upon as barely more than children themselves; the ease with which she is manipulated through her desire to please her new friends and to defy her mother; the lies sher emotional side is sold and accepts, even as her more rational mind recognises that they are lies...
These are the things Cline excelles in. I can honestly say I have never read an more accurate depiction of clumsy, normal female adolescence.
Unfortunately interspersed through these parts are large tracts of pointless and incredibly, horribly flowery waffle that don't really add anything else to the story other than to repeat, endlessly the message that 'the girl who was part of the cult' had a sad and unfulfilling life afterwards.The message that she screwed up could have been delivered successfully at the beginning and reinforced at the end - it didn't need that kind of repetition.
Overall I would say that for fans of general fiction (which I'm not), and teen readers (which I am also not), this is probably a good read, just expect it to drag at times. It's not one I shall be revisiting.
Debbiereadsbook (1110 KP) rated Enough in Books
Aug 14, 2019
Jesse was HARD work!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Jesse loves Ezra, he just can't say the words while he's waiting for Ezra to realise that Jesse isn't good enough for him. It takes an accident to make him see what Ezra does: that Jesses really is more than enough for him!
For the most part, I did enjoy this. Besides one glaring reason, which I will tell you shortly, the other reason is a little less glaring and might just be the reason other people love this book.
And it's Jesse himself!
You know the saying, if you hear it often enough, you'll start to believe it?? Well Jesse does not believe Ezra when he tells him he loves him. Jesse does not believe Ezra when he tells him he does NOT want his ex. He does not believe Ezra when Ezra tells Jesse that his family are homophobic and will hate Jesse on sight but that's only because Jesse is a MAN and not for Jesse himself.
And I found this bit hard to deal with! I mean Ezra tells him often enough, enough to get a little bored hearing Ezra repeat himself time and time again. Jesse talks himself down so much, I started to get negative feelings for him, and wanted to slap him upside the head and MAKE HIM SEE, but it's not until he realises he might actually LOSE Ezra, that Jesse takes stock, and finally, halle-flipping-luiah, prasie the God he doesn't belive in, Jesse FINALLY can see, that he really is what Ezra wants, WHO Ezra wants! It just took him far too long for my liking!
And the glaring thing?? Only Jesse has a say. Yes yes I know I say it often enough to be as annoying as Jesse is here, but come on! Ezra NEEDED a say, to balance out how negative Jesse was for most of this book. Ez is quite a chirpy soul, and I think this may well have been a 5 star read, had Ez been given a voice, and we got into HIS head, when he was telling Jesse over and over how much he loved him and wanted him.
It's heavy on steam and passion, but at one point I thought it might come out almost clean. It wasn't til it was clear it was NOT going to be clean, that I noticed it had been up to that point, and,to be honest, this book would have been great (previous points aside) had it been totally clean. I didn't dislike that it came out not clean, but I would have liked it just as much if it had, does that make sense? Does to me, so hope it does to you!
The after effects of the accident is described in great detail, graphically so, and that really IS needed, to get the full picture. Not easy reading, but you do need it.
This is the first I've read of this author, but another of his books is sitting on my "languishing on kindle" shelf. I might pull it forward!
So, because Jesse was a little grating on the nerves, adn because ez doesn't get a say. . . .
4 solid stars
**same worded review will appear elsewhere**
Jesse loves Ezra, he just can't say the words while he's waiting for Ezra to realise that Jesse isn't good enough for him. It takes an accident to make him see what Ezra does: that Jesses really is more than enough for him!
For the most part, I did enjoy this. Besides one glaring reason, which I will tell you shortly, the other reason is a little less glaring and might just be the reason other people love this book.
And it's Jesse himself!
You know the saying, if you hear it often enough, you'll start to believe it?? Well Jesse does not believe Ezra when he tells him he loves him. Jesse does not believe Ezra when he tells him he does NOT want his ex. He does not believe Ezra when Ezra tells Jesse that his family are homophobic and will hate Jesse on sight but that's only because Jesse is a MAN and not for Jesse himself.
And I found this bit hard to deal with! I mean Ezra tells him often enough, enough to get a little bored hearing Ezra repeat himself time and time again. Jesse talks himself down so much, I started to get negative feelings for him, and wanted to slap him upside the head and MAKE HIM SEE, but it's not until he realises he might actually LOSE Ezra, that Jesse takes stock, and finally, halle-flipping-luiah, prasie the God he doesn't belive in, Jesse FINALLY can see, that he really is what Ezra wants, WHO Ezra wants! It just took him far too long for my liking!
And the glaring thing?? Only Jesse has a say. Yes yes I know I say it often enough to be as annoying as Jesse is here, but come on! Ezra NEEDED a say, to balance out how negative Jesse was for most of this book. Ez is quite a chirpy soul, and I think this may well have been a 5 star read, had Ez been given a voice, and we got into HIS head, when he was telling Jesse over and over how much he loved him and wanted him.
It's heavy on steam and passion, but at one point I thought it might come out almost clean. It wasn't til it was clear it was NOT going to be clean, that I noticed it had been up to that point, and,to be honest, this book would have been great (previous points aside) had it been totally clean. I didn't dislike that it came out not clean, but I would have liked it just as much if it had, does that make sense? Does to me, so hope it does to you!
The after effects of the accident is described in great detail, graphically so, and that really IS needed, to get the full picture. Not easy reading, but you do need it.
This is the first I've read of this author, but another of his books is sitting on my "languishing on kindle" shelf. I might pull it forward!
So, because Jesse was a little grating on the nerves, adn because ez doesn't get a say. . . .
4 solid stars
**same worded review will appear elsewhere**
Hadley (567 KP) rated Wastelands: Stories of the Apocalypse in Books
Aug 19, 2020
From the Book of Revelations to the Road Warrior; from A Canticle for Leibowitz to the Road, storytellers have long imagined the end of the world, weaving eschatological tales of catastrophe, chaos, and calamity. In doing so, these visionary authors have addressed one of the most challenging and enduring themes of imaginative fiction: the nature of life in the aftermath of total societal collapse.
Overall, there were a few good stories inside this book, but some of them seemed out of place, and there were ones that were just boring or not written well (like ending the story just to make it a short story). I only recommend this book to people who absolutely love dystopian stories, but for those who are just light readers of it, I don't think you'd enjoy it.
Being that this is a review for a handful of short stories, I am only going to mention the ones I really liked.
"Salvage" by Orson Scott Card
A long time after atom bombs have destroyed most of the Earth, a young man named Deaver finds out that there may be gold hidden within a Mormon temple, and he's willing to risk everything to get it.
I loved the story, the characters, and the playful banter between them.
"Bread and Bombs" by M. Rickert
During war time, children become curious about an odd neighbor who moves in. Parents demand that their children stay away from them because the neighbor's people are the reason so many people have died.
I liked that the story is through the childrens' eyes, not the adults.
"Dark, Dark Were the Tunnels" by George R. R. Martin
In the story that follows, you'll meet Greel. He is a scout of the People. He's penetrated the Oldest Tunnels, where the taletellers said the People had come from a million years ago. He is no coward, but he is afraid, and with good reason. You see, he's very used to being in the dark, but some visitors have come to the tunnels, and they've brought light with them...
I really liked the whole idea of people tunneling underground when nuclear war happens; there are not enough stories written about this!
"Never Despair" by Jack McDevitt
'Never Despair' tells the story of Chaka Milana, a woman who leaves her hometown in search of a storied place that holds the secrets of the Roadmakers, the almost-mythical builders of the concrete strips that cover the land, and the ruined cities with towers so high that a person could not ascend one in a day.
The story was so good that I wish it were a novel.
"Artie's Angels" by Catherine Wells
A post-apocalyptic society involving bicycles and young men.
This was probably my most favorite story out of the entire book!
"Inertia" by Nancy Kress
A story about the victims of a disfiguring epidemic who are interned in the modern equivalent of leper colonies.
Kress was able to make such a big picture out of very few characters, and in just a few pages. Really well-written.
"The End of the World As We Know It" by Dale Bailey
A lone survivor of an apocalypse attempts to grapple with the emotional dimension of his loss.
Just a really good story.
Overall, there were a few good stories inside this book, but some of them seemed out of place, and there were ones that were just boring or not written well (like ending the story just to make it a short story). I only recommend this book to people who absolutely love dystopian stories, but for those who are just light readers of it, I don't think you'd enjoy it.
Being that this is a review for a handful of short stories, I am only going to mention the ones I really liked.
"Salvage" by Orson Scott Card
A long time after atom bombs have destroyed most of the Earth, a young man named Deaver finds out that there may be gold hidden within a Mormon temple, and he's willing to risk everything to get it.
I loved the story, the characters, and the playful banter between them.
"Bread and Bombs" by M. Rickert
During war time, children become curious about an odd neighbor who moves in. Parents demand that their children stay away from them because the neighbor's people are the reason so many people have died.
I liked that the story is through the childrens' eyes, not the adults.
"Dark, Dark Were the Tunnels" by George R. R. Martin
In the story that follows, you'll meet Greel. He is a scout of the People. He's penetrated the Oldest Tunnels, where the taletellers said the People had come from a million years ago. He is no coward, but he is afraid, and with good reason. You see, he's very used to being in the dark, but some visitors have come to the tunnels, and they've brought light with them...
I really liked the whole idea of people tunneling underground when nuclear war happens; there are not enough stories written about this!
"Never Despair" by Jack McDevitt
'Never Despair' tells the story of Chaka Milana, a woman who leaves her hometown in search of a storied place that holds the secrets of the Roadmakers, the almost-mythical builders of the concrete strips that cover the land, and the ruined cities with towers so high that a person could not ascend one in a day.
The story was so good that I wish it were a novel.
"Artie's Angels" by Catherine Wells
A post-apocalyptic society involving bicycles and young men.
This was probably my most favorite story out of the entire book!
"Inertia" by Nancy Kress
A story about the victims of a disfiguring epidemic who are interned in the modern equivalent of leper colonies.
Kress was able to make such a big picture out of very few characters, and in just a few pages. Really well-written.
"The End of the World As We Know It" by Dale Bailey
A lone survivor of an apocalypse attempts to grapple with the emotional dimension of his loss.
Just a really good story.
The Bandersnatch (199 KP) rated Goodnight Mister Tom in Books
Nov 7, 2019
In September 1939, as Britain stands on the brink of the war, many young children from the cities are evacuated tot he countryside to escape an imminent German bombardment. Willie Beech, a boy from Deptford who is physically and emotionally abused by his mother, arrives at the home of Tom Oakley, a widower in his sixties who lives in the village of Little Weirwold. The boy is thinly clad, underfed and covered with painful bruises, and believes he is full of sin, a result of his upbringing by his mother, a domineering, insane, God-fearing widow.
"Mister Tom", as William christens his new guardian, is reclusive and bad-tempered, and as such is avoided by the community. Willie lives with him as his Mother wants him to live with someone who is either religious or lives next to a church. Though initially distant, he is touched after discovering William's home-life and treats him with kindness and understanding, helping to educate him. Under his care, William begins to thrive, forming a small circle of friends at school among his classmates including fellow-evacuee Zach. He also becomes proficient in drawing and dramatics. As William is changed by Tom, so is Tom transformed by William's presence in his home. It is revealed that Tom lost his wife and baby son to Scarlatina some 40 years previously, and he has become reclusive because of this.
The growing bond between William and Tom is threatened when William's mother requests that the boy returns to her in the city, telling him she is sick. At first, William thinks this will be a good thing, as he can be helpful to his mother. However, his mother is not pleased to learn the details of his time with Tom, feeling that he has not been disciplined properly. While William has been away, she has become pregnant and had a girl, but is neglecting the baby. After a bad reunion, where his mother becomes furious upon learning the details of her son's life with Tom, abhorring his association with the Jewish Zach among other things, she hits William and puts him in the under-stairs cupboard, chains him to the piping. William regains consciousness briefly to find himself in the cupboard – he has been stripped of his clothes, minus his underwear, and his ankle is twisted. He quietly sobs for Tom, before he falls asleep.
Back in Little Weirwold, Tom has a premonition that something is not right with William. Although he has never travelled beyond his immediate locality, he ventures into London and eventually locates William's neighbourhood of Deptford and his home. He persuades a local policeman to break down the door of the apparently empty home, to be greeted with a vile stench. They find William in the closet with the baby, who had also been locked under the stairs by William's mother and has now died. William is malnourished and badly bruised as he had been locked under the stairs for a number of days. William is hospitalised, but whilst there suffers horrific nightmares and is drugged simply to prevent his screams from disturbing other children. Tom is warned that it is likely that William will be taken to a children's home, and, unable to observe William's distress any longer, kidnaps him from the hospital and takes him back to Little Weirwold.
Back with Mister Tom, William is much damaged by his ordeal and is also blaming himself for the death of his sister as he had not been able to provide enough milk to feed her whilst locked away, and becomes very depressed. Later, when his favourite teacher Annie Hartridge has a baby, William is shocked to learn from Zach that a woman cannot conceive a child on her own, and realises that his mother was having a relationship with a man, even though she had previously told him that it was wrong for unmarried couples to live together or have children together (something which society in general had regarded as unacceptable at this time). Tom is traced by the authorities, who have come to tell William that his mother is dead, having committed suicide. They also offer him a place in a children's home, as they've been unable to trace any other relatives who may have been able to take care of him. Luckily the authorities realise that William has already found a good home and allow Tom to adopt him.
Tom, William and Zach then enjoy a holiday at the seaside village of Salmouth, where they stay in the house of a widow whose sons have been sent out to war. Zach then receives news that his father has been injured by a German bomb in London and he hurries home on the next train saying farewell to all his friends. Unfortunately this is the last time they see him. William later learns that Zach has been killed and is grief-stricken for some time, but his grief is later healed by another recluse, Geoffery Sanderton. Geoffery, a young man who had lost a leg during the war and takes William for private art lessons,recognises the signs of grief and gives William a pipe to paint along with a picture of two smiling young men. One of the men is Geoffery and he tells William about the loss of his own best friend, the other man in the picture and the owner of the pipe. This is when William starts to come to terms with Zach's death. Adding to this, Doctor Little, the village doctor, who was Zach's guardian while he was evacuated, is surprised but pleased when William asks to have Zach's bike. Through learning to ride it, William realises that Zach lives on inside him and he will never forget his wonderful companion that Zach was.
In the months following, William grows closer to Carrie, one of his friends. One night, on returning home to Tom (whom he now calls "Dad"), he thinks back on how much he has changed since arriving in Little Weirwold and realises that he is growing.
Goodnight Mr Tom Wiki.
Goodnight Mr Tom was published by Kestrel in 1981 and later on in that same year in the US by Harper and Row. The book won Author Michelle Magorian the annual Guardian Children's fiction prize. Magorian was also a runner up for the Carnegie Medal. The book has been adapted as a Movie, a play and a musical. The most recent theatrical adaption won the Laurence Olivier award for Best Entertainment.
I came across the book when I was 10/11 years old. I needed the book for English at primary school, since we needed to read the book and complete a series of assignments for our teacher. I have in the subsequent years read and re-read the book. The book is rather good and I recommand it for children from the ages of 9/10 upwards. The book is a good representation of what happened during WW2 in a fictional setting. And William and Mr Tom healing each other from what they both experienced (Tom loosing family to Scarlatina and William being abused by his mother). I give the book an 8/10.
"Mister Tom", as William christens his new guardian, is reclusive and bad-tempered, and as such is avoided by the community. Willie lives with him as his Mother wants him to live with someone who is either religious or lives next to a church. Though initially distant, he is touched after discovering William's home-life and treats him with kindness and understanding, helping to educate him. Under his care, William begins to thrive, forming a small circle of friends at school among his classmates including fellow-evacuee Zach. He also becomes proficient in drawing and dramatics. As William is changed by Tom, so is Tom transformed by William's presence in his home. It is revealed that Tom lost his wife and baby son to Scarlatina some 40 years previously, and he has become reclusive because of this.
The growing bond between William and Tom is threatened when William's mother requests that the boy returns to her in the city, telling him she is sick. At first, William thinks this will be a good thing, as he can be helpful to his mother. However, his mother is not pleased to learn the details of his time with Tom, feeling that he has not been disciplined properly. While William has been away, she has become pregnant and had a girl, but is neglecting the baby. After a bad reunion, where his mother becomes furious upon learning the details of her son's life with Tom, abhorring his association with the Jewish Zach among other things, she hits William and puts him in the under-stairs cupboard, chains him to the piping. William regains consciousness briefly to find himself in the cupboard – he has been stripped of his clothes, minus his underwear, and his ankle is twisted. He quietly sobs for Tom, before he falls asleep.
Back in Little Weirwold, Tom has a premonition that something is not right with William. Although he has never travelled beyond his immediate locality, he ventures into London and eventually locates William's neighbourhood of Deptford and his home. He persuades a local policeman to break down the door of the apparently empty home, to be greeted with a vile stench. They find William in the closet with the baby, who had also been locked under the stairs by William's mother and has now died. William is malnourished and badly bruised as he had been locked under the stairs for a number of days. William is hospitalised, but whilst there suffers horrific nightmares and is drugged simply to prevent his screams from disturbing other children. Tom is warned that it is likely that William will be taken to a children's home, and, unable to observe William's distress any longer, kidnaps him from the hospital and takes him back to Little Weirwold.
Back with Mister Tom, William is much damaged by his ordeal and is also blaming himself for the death of his sister as he had not been able to provide enough milk to feed her whilst locked away, and becomes very depressed. Later, when his favourite teacher Annie Hartridge has a baby, William is shocked to learn from Zach that a woman cannot conceive a child on her own, and realises that his mother was having a relationship with a man, even though she had previously told him that it was wrong for unmarried couples to live together or have children together (something which society in general had regarded as unacceptable at this time). Tom is traced by the authorities, who have come to tell William that his mother is dead, having committed suicide. They also offer him a place in a children's home, as they've been unable to trace any other relatives who may have been able to take care of him. Luckily the authorities realise that William has already found a good home and allow Tom to adopt him.
Tom, William and Zach then enjoy a holiday at the seaside village of Salmouth, where they stay in the house of a widow whose sons have been sent out to war. Zach then receives news that his father has been injured by a German bomb in London and he hurries home on the next train saying farewell to all his friends. Unfortunately this is the last time they see him. William later learns that Zach has been killed and is grief-stricken for some time, but his grief is later healed by another recluse, Geoffery Sanderton. Geoffery, a young man who had lost a leg during the war and takes William for private art lessons,recognises the signs of grief and gives William a pipe to paint along with a picture of two smiling young men. One of the men is Geoffery and he tells William about the loss of his own best friend, the other man in the picture and the owner of the pipe. This is when William starts to come to terms with Zach's death. Adding to this, Doctor Little, the village doctor, who was Zach's guardian while he was evacuated, is surprised but pleased when William asks to have Zach's bike. Through learning to ride it, William realises that Zach lives on inside him and he will never forget his wonderful companion that Zach was.
In the months following, William grows closer to Carrie, one of his friends. One night, on returning home to Tom (whom he now calls "Dad"), he thinks back on how much he has changed since arriving in Little Weirwold and realises that he is growing.
Goodnight Mr Tom Wiki.
Goodnight Mr Tom was published by Kestrel in 1981 and later on in that same year in the US by Harper and Row. The book won Author Michelle Magorian the annual Guardian Children's fiction prize. Magorian was also a runner up for the Carnegie Medal. The book has been adapted as a Movie, a play and a musical. The most recent theatrical adaption won the Laurence Olivier award for Best Entertainment.
I came across the book when I was 10/11 years old. I needed the book for English at primary school, since we needed to read the book and complete a series of assignments for our teacher. I have in the subsequent years read and re-read the book. The book is rather good and I recommand it for children from the ages of 9/10 upwards. The book is a good representation of what happened during WW2 in a fictional setting. And William and Mr Tom healing each other from what they both experienced (Tom loosing family to Scarlatina and William being abused by his mother). I give the book an 8/10.
Heather Cranmer (2721 KP) rated The Housemaid (The Housemaid #1) in Books
Nov 9, 2022
I had been in a book funk for awhile especially when it came to psychological thrillers. I love psychological thrillers, but I am very picky about which ones I'll read. When I came across The Housemaid by Freida McFadden, the synopsis really caught my attention. I decided to give it a read and ended up loving it!
The Housemaid tells the story of Millie, a young woman down on her luck. With a prison background, getting a decent paying job has been hard to find. Millie's been living in her car for awhile after being let go from her most recent job. When a high paying job arises working for the Winchesters, Millie can hardly believe her luck when she's offered the job. All she has to do is keep the house clean, take care of the Winchesters' daughter Cecelia, and cook for them. It's not too bad considering how much she's being paid. Plus, she'll be able to finally sleep in a bed! However, things drastically take a turn for the worst on Millie's first day. Nina Winchester, the wife, is constantly berating Millie and leaving big messes for her. She's gaslighting Millie at every turn. Is there a method to Nina's madness or is Nina really out to get Millie?
I loved the plot of The Housemaid. I was definitely scratching my head trying to figure out what was going on at first. While I have read similar stories to this one, Freida McFadden adds varying elements to keep her story line original. There were plenty of twists and turns throughout. In fact, one twist happens within the first few chapters. Nothing is as it seems when it comes to the story line of this novel. I was sucked into the world McFadden had created. I felt like I was a character hiding in the shadows watching all the drama unfold. While there is a small cliffhanger, I feel like The Housemaid is a book that can be read as a standalone despite it being part of a series. I say this because all my questions and wonderings I had throughout reading The Housemaid were tied up nicely by the end of the book. (Although I would have liked to know a bit more about how Andrew Winchester, the husband, had amassed such a large fortune.)
Every single character main and secondary character in The Housemaid was well written. It was actually quite easy to picture each character in my mind. Each character's personality shown through with each page. I never knew what to expect with Nina. I kept trying to figure out why she was one way while interviewing Millie yet a whole different person from the very first day Millie started her job. I couldn't figure out why she kept gaslighting Millie and why she would hire her only to ridicule and belittle her at every given opportunity. I did like reading about Nina though and to finally get her perspective on why she was the way she was to Millie. Andrew seemed like a nice guy. He was always wanting to protect Millie from Nina's craziness, and I did keep finding myself wanting Andrew and Millie to become a couple as there was so much chemistry between them. I also thought Nina didn't deserve Andrew with how mean she was. Millie seemed like a sweet young woman that had been handed some bad cards throughout her life. I was wishing nothing but the best for Millie throughout the book. It was obvious that she was trying to get her life on track after all the bad she had endured. Enzo, the gardener, was the wild card. I never knew if I should trust him or not. While he seemed oblivious to everything around him, I was always left wondering if he knew more than he let on. One character I would have liked to know more about was Cecelia. She came across as a bit of a brat, and it becomes obvious why she would act that way, but I would have liked to know more about her life growing up in the Winchester residence such as what she would go through while she was away and what not. Saying all that about the characters, I will say that no one in this book is quite as they seem. What you see is not what you get with the people in The Housemaid.
Trigger warnings for The Housemaid include gaslighting, blackmail, profanity, torture, violence, murder, and captivity.
Overall, The Housemaid is a solid story that will leave you guessing which each page read. You won't know which character to trust or what is real. It will be all too easy to stay up late into the night to finish this book because it's just that good! I would definitely recommend The Housemaid by Freida McFadden to those aged 18+ who love being fully immersed in whatever they are reading. This book will suck you right into its pages from the get go. It'll also leave you with a distrust of attic rooms at the top of stairs!
The Housemaid tells the story of Millie, a young woman down on her luck. With a prison background, getting a decent paying job has been hard to find. Millie's been living in her car for awhile after being let go from her most recent job. When a high paying job arises working for the Winchesters, Millie can hardly believe her luck when she's offered the job. All she has to do is keep the house clean, take care of the Winchesters' daughter Cecelia, and cook for them. It's not too bad considering how much she's being paid. Plus, she'll be able to finally sleep in a bed! However, things drastically take a turn for the worst on Millie's first day. Nina Winchester, the wife, is constantly berating Millie and leaving big messes for her. She's gaslighting Millie at every turn. Is there a method to Nina's madness or is Nina really out to get Millie?
I loved the plot of The Housemaid. I was definitely scratching my head trying to figure out what was going on at first. While I have read similar stories to this one, Freida McFadden adds varying elements to keep her story line original. There were plenty of twists and turns throughout. In fact, one twist happens within the first few chapters. Nothing is as it seems when it comes to the story line of this novel. I was sucked into the world McFadden had created. I felt like I was a character hiding in the shadows watching all the drama unfold. While there is a small cliffhanger, I feel like The Housemaid is a book that can be read as a standalone despite it being part of a series. I say this because all my questions and wonderings I had throughout reading The Housemaid were tied up nicely by the end of the book. (Although I would have liked to know a bit more about how Andrew Winchester, the husband, had amassed such a large fortune.)
Every single character main and secondary character in The Housemaid was well written. It was actually quite easy to picture each character in my mind. Each character's personality shown through with each page. I never knew what to expect with Nina. I kept trying to figure out why she was one way while interviewing Millie yet a whole different person from the very first day Millie started her job. I couldn't figure out why she kept gaslighting Millie and why she would hire her only to ridicule and belittle her at every given opportunity. I did like reading about Nina though and to finally get her perspective on why she was the way she was to Millie. Andrew seemed like a nice guy. He was always wanting to protect Millie from Nina's craziness, and I did keep finding myself wanting Andrew and Millie to become a couple as there was so much chemistry between them. I also thought Nina didn't deserve Andrew with how mean she was. Millie seemed like a sweet young woman that had been handed some bad cards throughout her life. I was wishing nothing but the best for Millie throughout the book. It was obvious that she was trying to get her life on track after all the bad she had endured. Enzo, the gardener, was the wild card. I never knew if I should trust him or not. While he seemed oblivious to everything around him, I was always left wondering if he knew more than he let on. One character I would have liked to know more about was Cecelia. She came across as a bit of a brat, and it becomes obvious why she would act that way, but I would have liked to know more about her life growing up in the Winchester residence such as what she would go through while she was away and what not. Saying all that about the characters, I will say that no one in this book is quite as they seem. What you see is not what you get with the people in The Housemaid.
Trigger warnings for The Housemaid include gaslighting, blackmail, profanity, torture, violence, murder, and captivity.
Overall, The Housemaid is a solid story that will leave you guessing which each page read. You won't know which character to trust or what is real. It will be all too easy to stay up late into the night to finish this book because it's just that good! I would definitely recommend The Housemaid by Freida McFadden to those aged 18+ who love being fully immersed in whatever they are reading. This book will suck you right into its pages from the get go. It'll also leave you with a distrust of attic rooms at the top of stairs!
Andy K (10821 KP) rated Clerks (1994) in Movies
May 6, 2019
Dante and Randal - together forever
I had the pleasure of meeting Kevin Smith when he appeared at the Hollywood Video manager's meeting in Las Vegas in the summer of 1999. Clerks was revered at that time by all of us since we were living the life of Randal to a certain extent being video store managers. We could all relate to the examples of stupid customers and things we wanted to say to them, but couldn't since "the customer is always right".
Smith's appearance at our meeting must've shocked the Mormon founder, Mark Wattles, when Smith began using excessive profanity and talking about giving blow jobs in the bathroom for cash.
My own experiences as a video store manager were reflected in a lot of what Randal says especially when it came to movie recommendations. I'll never forget being asked "Which is better, Booty Call or Schindler's List" or arguing with customers during the "full screen" vs. "widescreen" debate explaining widescreen was better because you could see the entire picture instead of the side of the film being cut off.
Every time I rewatch Clerks it always reminds me of those times and how I reflect fondly on them now so many years later.
Smith was a funny guy and he certainly tells good stories if you have ever seen one of his stand-up specials where he talks about meeting Prince, Bruce Willis or his experiences writing a Superman draft.
Jay and Silent Bob are iconic too even getting their own reboot movie now.
Clerks is a comedy cinema cult classic having lived far beyond its original $27,000 budget where Smith had to sell his comic book collection and its characters will live on forever due to some classic screenwriting.
Smith's appearance at our meeting must've shocked the Mormon founder, Mark Wattles, when Smith began using excessive profanity and talking about giving blow jobs in the bathroom for cash.
My own experiences as a video store manager were reflected in a lot of what Randal says especially when it came to movie recommendations. I'll never forget being asked "Which is better, Booty Call or Schindler's List" or arguing with customers during the "full screen" vs. "widescreen" debate explaining widescreen was better because you could see the entire picture instead of the side of the film being cut off.
Every time I rewatch Clerks it always reminds me of those times and how I reflect fondly on them now so many years later.
Smith was a funny guy and he certainly tells good stories if you have ever seen one of his stand-up specials where he talks about meeting Prince, Bruce Willis or his experiences writing a Superman draft.
Jay and Silent Bob are iconic too even getting their own reboot movie now.
Clerks is a comedy cinema cult classic having lived far beyond its original $27,000 budget where Smith had to sell his comic book collection and its characters will live on forever due to some classic screenwriting.
Emma @ The Movies (1786 KP) rated Solo: A Star Wars Story (2018) in Movies
Sep 25, 2019
So this was my midnight screening... I threw caution to the wind again and dragged myself out of bed when normal people were sleeping. I rocked up at 11:45 thinking I was actually running a bit late... but as it turned out, I was the first one there. I tried my best to sneak down the side so I didn't have to have my picture taken with some extras who were doing some promo shots out front. Unfortunately I wasn't channelling my ninja skills enough due to lack of sleep and I was trapped against my will for snaps.
When I went to see Last Jedi the whole screen was packed out. I had been toying with when to see this one, I wasn't overly bothered so a midnight screening seemed a bit over the top. But LJ had been such a great atmosphere that I went for it. I was very surprised to find that when I went to book there were only two other seats booked for the 3D screening, and when I checked the 2D there were maybe 20 tickets booked.
No one had very high hopes for this one, and I for one didn't think it was as good as Force Awakens or Last Jedi, but it did have its moments. There were a lot of nostalgic references, I don't know if they were things that was already know in the fandom, but to me they were new and I appreciated them.
Beyond that I wasn't overly impressed by it. Paul Bettany was woefully under used and the rest didn't really feel very convincing, even when taking into account the fictional nature of everything. The one thing that actually got me in the feels was Lando and L3. Still brings a tear to my eye now.
When I went to see Last Jedi the whole screen was packed out. I had been toying with when to see this one, I wasn't overly bothered so a midnight screening seemed a bit over the top. But LJ had been such a great atmosphere that I went for it. I was very surprised to find that when I went to book there were only two other seats booked for the 3D screening, and when I checked the 2D there were maybe 20 tickets booked.
No one had very high hopes for this one, and I for one didn't think it was as good as Force Awakens or Last Jedi, but it did have its moments. There were a lot of nostalgic references, I don't know if they were things that was already know in the fandom, but to me they were new and I appreciated them.
Beyond that I wasn't overly impressed by it. Paul Bettany was woefully under used and the rest didn't really feel very convincing, even when taking into account the fictional nature of everything. The one thing that actually got me in the feels was Lando and L3. Still brings a tear to my eye now.
Mark @ Carstairs Considers (2099 KP) rated Mint Chocolate Murder in Books
Jul 30, 2022 (Updated Jul 30, 2022)
Was the Photographer’s Death Picture Perfect?
September has fallen, and the crowds have dropped off from their summer peak at Udder Delicious, but manager Riley Rhodes is finding life isn’t slowing down yet thanks to the art festival that former supermodel Maude Monico is hosting at the castle she’s purchased just outside of town. Riley is catering the opening night ice cream social, and that allows her to observe the weekend’s guest of honor, Adam Blasco, a controversial photographer. He fails to show up for his talk the next day, and he is soon found dead, locked in the castle’s former dungeon. Now Riley has to figure out not only how he came to be there, but who wanted him dead.
Yes, there is a reason that this castle (and a Scottish castle at that) is in the middle of Connecticut. That adds a fun layer to this mystery, but it does require a bit of set up at the beginning. Between that and meeting the victim and suspects, we are able to ease into the story. Since we have a locked room puzzle and in addition to figuring out who the killer is, there is plenty to keep us engaged, and the pages flew by until I reached the end. I enjoyed meeting the characters last year, and they were just as charming here. Meanwhile, the suspects were strong. While there actually isn’t much mention of mint chocolate here (a favorite flavor of mine), pumpkin spice proves to be a popular ice cream flavor in the story, and we get a recipe for it in the end. Whether you love ice cream or not, you’ll find this book a delicious sequel that you’ll enjoy.
Yes, there is a reason that this castle (and a Scottish castle at that) is in the middle of Connecticut. That adds a fun layer to this mystery, but it does require a bit of set up at the beginning. Between that and meeting the victim and suspects, we are able to ease into the story. Since we have a locked room puzzle and in addition to figuring out who the killer is, there is plenty to keep us engaged, and the pages flew by until I reached the end. I enjoyed meeting the characters last year, and they were just as charming here. Meanwhile, the suspects were strong. While there actually isn’t much mention of mint chocolate here (a favorite flavor of mine), pumpkin spice proves to be a popular ice cream flavor in the story, and we get a recipe for it in the end. Whether you love ice cream or not, you’ll find this book a delicious sequel that you’ll enjoy.
Beckie Shelton (40 KP) rated The One in Books
Oct 31, 2017 (Updated Oct 31, 2017)
This is what I love about reviewing books, it takes you out of your comfort zone and you get to experience author's that perhaps might never cross your radar and what a shame that would be as, The One by John Marrs was one of those gems that I may have passed by, an utterly brilliant captivating phycological thriller which kept me entranced till the final pages.
How to adequately convey this story and do it justice, as it truly is a unique concept. I have read an abundance of fiction over the years and the subject expressed in The One, A Gene that matches you with another individual romantically, a soul mate. is truly a unique idea.
In The One, we have what seems like five different stories all wrapped up in a shared Tale, Five Love matches all separate but also intertwined in a bigger picture. The unique writing style of John Marrs makes this very addictive reading, each chapter focusing on a gene match playing in an enthralling loop that makes you want to keep reading.
We have,
Mandy & Richard
Christopher & Amy
Jade & Kevin
Nick & Sally
Ellie & Tim
Finding the love of your life, the other half of you may seem an amazing and wonderous thing. But in reality, the obstacles this can throw at you if you think on this logically are truly shocking, What if your match is married or old, dead or disabled. He or she could be a criminal when you ponder deeper on this matter all sorts of shockingly crazy scenarios spring to mind.The one explores these situations giving us an insight into what could happen when we ask the question WHAT IF?
In conclusion, this book is a breathtaking phycological thriller that keeps you gripped throughout. I've tried to convey a sense of what The one gives you without giving too much away as this is one of those stories you really need to go in blind to truly appreciate the sheer brilliance of its storyline. Love doesn't always run smoothly, in fact in this tale don't expect the ordinary it abounds with twists and turns that keep you guessing throughout.
I Received a free copy of this e-book from NetGalley in return for a review and this is my own honest opinion.
How to adequately convey this story and do it justice, as it truly is a unique concept. I have read an abundance of fiction over the years and the subject expressed in The One, A Gene that matches you with another individual romantically, a soul mate. is truly a unique idea.
In The One, we have what seems like five different stories all wrapped up in a shared Tale, Five Love matches all separate but also intertwined in a bigger picture. The unique writing style of John Marrs makes this very addictive reading, each chapter focusing on a gene match playing in an enthralling loop that makes you want to keep reading.
We have,
Mandy & Richard
Christopher & Amy
Jade & Kevin
Nick & Sally
Ellie & Tim
Finding the love of your life, the other half of you may seem an amazing and wonderous thing. But in reality, the obstacles this can throw at you if you think on this logically are truly shocking, What if your match is married or old, dead or disabled. He or she could be a criminal when you ponder deeper on this matter all sorts of shockingly crazy scenarios spring to mind.The one explores these situations giving us an insight into what could happen when we ask the question WHAT IF?
In conclusion, this book is a breathtaking phycological thriller that keeps you gripped throughout. I've tried to convey a sense of what The one gives you without giving too much away as this is one of those stories you really need to go in blind to truly appreciate the sheer brilliance of its storyline. Love doesn't always run smoothly, in fact in this tale don't expect the ordinary it abounds with twists and turns that keep you guessing throughout.
I Received a free copy of this e-book from NetGalley in return for a review and this is my own honest opinion.