"It was hard to choose one Antonioni film, but Red Desert feels like the perfect summation of Antonioni’s work. Antonioni used color for the first time in order to show psychological imbalance and subjectivity. He depicted the modern alienation surrounding the industrial fog that’s imposed upon our lives in urban environments, and he shows how these forces can threaten our sanity. The film also has the most freakishly uncomfortable sex scene, which turns an entire room pink. Only Monica Vitti has that power"

"I’m currently reading Last Train to Memphis: The Rise of Elvis Presley by Peter Guralnick. Young Elvis lived in a non-wealthy section of non-wealthy Tupelo, MS and Memphis, TN, and liked to wear a lot of pink, which was unusual in either place. He was kind of a rebel without a cause, but then he found his calling, and the success story is pretty entertaining. His junior prom picture shows a young girl with what looks like a cardboard cutout of the King…he’s just already totally there, and he’s like 16."

"I don’t know which John Waters to pick. The go-to would be Pink Flamingos — that was another movie that was pivotal, when I discovered that — but I would pick Polyester out of his movies. I’ve got a big soft spot for John Waters, ’cause again, there’s a guy who’s doing things on his own terms, and I think people would find his topics shocking but he has a lot of kindness towards these people, these characters. I love him. I just saw him this weekend when I was in Maryland."

"High and Low is my personal favorite Kurosawa movie. I love everything about it: the chamber piece of the first half, the sprawling police hunt that follows, the fact that Toshiro Mifune’s character is so committed to making high-quality women’s shoes. And there are so many great moments throughout: the pink smoke, the train sequence, the amazing ending scene. I find it so stunning and effective, and I love the way the film gets at themes of class and social inequality in the form of such an exciting procedural crime thriller."