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Awix (3310 KP) rated Hangar 18 (1980) in Movies

May 20, 2018 (Updated May 20, 2018)  
Hangar 18 (1980)
Hangar 18 (1980)
1980 | Drama, Mystery, Sci-Fi
4
5.7 (3 Ratings)
Movie Rating
Heroically low-budget, almost entirely inept pseudo-sci-fi from the makers of In Search of Noah's Ark and The Mysterious Monsters. There's less of a docu-drama vibe to this one but a definite proto-X-Files flavour as sinister government types cover up the crash-landing of a flying saucer, while fitting up two heroic, improbably-cast NASA astronauts for the death of a colleague in orbit. The cover-up is stupid and unconvincing; so are the astronaut characters; both are better than the special effects and props, which score highly on the crud-o-meter.

Main points of interest are as follows: Robert Vaughn as the slimy White House operator, who doesn't meet the rest of the main cast while giving a performance best-described as very Robert Vaughny. Darren McGavin comes as close as anyone to rescuing the movie as a sympathetic NASA director leading the investigation of the plastic UFO. (This is one of those movies with an almost wholly white male cast, so I expect it will be burnt at the stake in the not too distant future.)

The original ending, in which nearly everyone dies and the world is (probably) doomed by self-serving politicians, seems to have been lost to history, replaced by the one from the TV version, which is less downbeat but thoroughly pointless (so perhaps more appropriate for the movie). This isn't even fun junk, it's just witless stodge. Possibly of some value to cultural historians as a time capsule of fringe late-70s concerns, a waste of time for everyone else.
  
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Michael Packner (32 KP) rated Black Christmas (1974) in Movies

Jun 15, 2019 (Updated Jun 15, 2019)  
Black Christmas (1974)
Black Christmas (1974)
1974 | Horror
10
8.4 (12 Ratings)
Movie Rating
The ultra dark atmosphere, even with the beautiful Christmas setting. (7 more)
The super gritty and dark tone of the film.
The acting, especially Olivia Hussey is perfect.
A terrifying boogeyman who is not supernatural in any way.
Even being made in 1974, the film still holds up and is just as terrifying today.
John Saxon
The plastic bag.
The touching on hot button issues such as abortion still resonates today, and may be one of the best uses of the issue ever.
There is truly only one word to describe this movie: PERFECT. This is everything a perfect score film should be. Black Christmas is suspenseful, intense, and absolutely provocative. The film is deeply disturbing even by today's standards. Most films don't hold up in that department. What was provocative and disturbing in 1974 is by comparison tame and cheesy in 2018. Not Black Christmas. This film is just as terrifying and just as vile as it was when it came out. Nothing makes your skin crawl quite like this film. If you were to pair this as a double feature with 2008's The Strangers, you just might need to take some heart medication, and just like the latter film, the ending to this film is a nihilistic mindfucking piece of genius. If you haven't seen Black Christmas, what in the he'll are you waiting for? I think this film is a better Bob Clark Christmas film than his ever popular family film, A Christmas Story, but that's just my opinion.
  
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Sarah (7798 KP) rated Luther - Season 5 in TV

Jan 12, 2019  
Luther - Season 5
Luther - Season 5
2018 | Crime, Thriller
A welcome return
It seems like such a long time ago since Luther was on our screens, and it’s really good to have him back. Idris Elba is as usual fantastic as the dark and tormented Luther, who as per usual can’t seem to catch a break in this new series. The returning cast are all as good as they’ve ever been, and it’s always good to see Ruth Wilson and Michael Smiley. I do however think some of the newer cast and characters were a little weak. I couldn’t stop staring at Hermione Norris’s face (looked a bit plastic) and Luther’s new partner Halliday was a stereotypical foil to Luther’s law breaking antics. She was definitely no Ripley and I think fell foul to a lack of interest and development in her character in general, only being needed to push along certain plot points.

The plot itself though was as entertaining as ever, switching from near horror film to cat and mouse cop thriller seamlessly. There are a number of shocks, and lots of blood and gore. One thing Luther always does well is that it really pushes the horror aspect of what would otherwise be just a detective show. Like some of the earlier series, there are scenes in this that are absolutely creepy and terrifying. Makers of modern horror films should really take note. I also think the ending of this series was rather fitting, and without spoiling it, I’m hoping that this may be a decent finale for Luther, assuming they doom overdo it and make more.
  
Tribute to Celine Dion by Celine Dion / Vocal Ballad Community
Tribute to Celine Dion by Celine Dion / Vocal Ballad Community
2001 | Rock
(0 Ratings)
Album Favorite

"It’s All Coming Back To Me Now’ was on the first CD that I remember buying. I had a little purple plastic CD rack and it was one of the most played on that. I loved the piano and I started playing the piano around that age, so it felt relatable for me. Again, I just loved the drama; it’s like a seven or eight minute long song, it’s so amazing, who does that? No one does that! It took me on such a story, the visuals are so clear, even now I can still feel that intense drama. Celine Dion’s amazing, it’s like watching a movie, honestly, listening to those kinds of songs. “So that was ’96, so I was nine. I was quite a melancholy child. My mum would put me to bed and I’d always get up and walk around upstairs, where there wasn’t really anywhere to walk around. I would just walk around the bathroom, sit at the top of the stairs, hold the staircase and stare out. I really was quite melancholy and I now understand mental health issues as an adult - like I had, you know, anxiety, OCD, depression; I had so much emotion. I mean that was just me as a really morose, melancholy nine year old, I really felt that intensity. “Those emotional songs can be the cloak that you wrap yourself in. I was drawn to the drama of those kinds of songs, definitely. I mean, those are pretty intense sad songs for a little kid."

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