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ClareR (5721 KP) rated The Perseverence in Books

Sep 23, 2019  
The Perseverence
The Perseverence
Raymond Antrobus | 2019 | Fiction & Poetry
8
8.0 (1 Ratings)
Book Rating
I’m not quite sure how to review a collection of poetry, so I think I’ll start by saying that I really enjoyed it. The themes centre around feelings of duality, I thought: being deaf in a hearing world, being mixed race, the poet feeling that he doesn’t belong in Jamaica with his relatives telling him just that, a feeling that he doesn’t belong in the UK either.
It made me really think about what it is to have an invisible disability too. In ‘Miami Airport’, the official says:
“You don’t look deaf?
can you prove it?”
This reminded me of the times when I would have to pull up my sons trouser leg to show his splints when challenged about queuing for the disabled toilet (please don’t do this, it’s not cool) - something he rightly wont let me do anymore, I should add!
It was really good to read this on The Pigeonhole, too, and to have some discussion about the poems. I do hope they repeat this soon. Oh, and I bought the book as well, because I really like to read poetry again (and again!). I’m a bit of a ‘poetry dipper’ 😉
  
    Mercury

    Mercury

    Ariana Reines

    (0 Ratings) Rate It

    Book

    "This astonishing young poet--still in her twenties--is surely destined to be one of the crucial...

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Awix (3310 KP) rated Cats (2019) in Movies

Dec 24, 2019  
Cats (2019)
Cats (2019)
2019 | Musical
5
3.8 (16 Ratings)
Movie Rating Watch
Here's where I wrinkle my nose up at the Smashbomb scoring system - Cats isn't so much 'shoddy' as - well, it's such a particularly strange film that it's actually quite hard to tell whether it's any good or not. My instinct is to say not: a selection of character actors, comedians and musical theatre stars are CGI'd into human-animal hybrids like something out of The Island of Dr Moreau and hoof and yowl their way through a selection of TS Eliot's comic poems set to music. The plot does a good impression of being absolute gibberish, as the singing cat-people compete to get sent off to the bit of the sky that radio waves bounce off where they will receive a new life, while Idris Elba schemes to rig the contest. It's just weird.

Alternatively, this is a quasi-Lovecraftian surreal Arabesque which, fatally, fails to consider the difference between presentational and representational performance modes inherent in the transference of a narrative between theatrical and cinematic contexts. (i.e., people dressed as singing cats in a theatre can be beautiful and moving; people CGI'd into singing cats in a big-budget movie is more disturbing than anything else.) Jennifer Hudson's maximum-Streep, maximum-volume onslaught on 'Memory' made me want to hide under my seat.